2022: Year In Review

This year has had its share of difficult moments but I am finally back to feeling like myself again and the good definitely outweighed the bad.  Among other things I have had so much fun going on camping and road trips and seeing a lot of amazing theatre productions!  Here are some of the highlights!

Hamilton at the Eccles

Anastasia at the Eccles

Jazz Game With Angela

Spring Camping Trip

Jesus Christ Superstar at the Eccles

My Mom's Visitation

Zion National Park

Bryce Canyon National Park

Memorial Day Weekend

Utah Shakespeare Festival

Hadestown at the Eccles

Alice in Chains at USANA

To Kill a Mockingbird at the Eccles

The Lion King at the Eccles

Fall Camping Trip

Corn Maze with Tashena

New Car

Road trips to Las Vegas to see Jagged Little Pill, SIX, and Hamilton at the Smith Center

Harry Potter and the Deathly Hallows Part 1 in Concert

Moulin Rouge at the Eccles

I hope everyone has a prosperous and healthy new year!  For once I am really looking forward to the new year (I already have three road trips planned) instead of feeling relieved that the old one is over!

Favorite Movies of 2022

This year I was able to see 121 new releases in the theater and, as in year's past, I thought it would be fun to compile a list of my top ten favorites.  My ranking is not based on the critical response or on box office receipts but, rather, on how much I enjoyed each movie so it is an interesting mix of blockbusters and indie darlings!  (Click on the title to read my original review).

10.  The Banshees of Inisherin

I enjoyed this movie about the end of a long-standing friendship so much more than I was expecting!  The goings-on descend into the absurd at times and there are some genuinely hilarious moments but this has some thought-provoking things to say about depression, isolation, loneliness, mortality, and the desire for a legacy and I think McDonagh strikes the perfect balance between the comedy and the tragedy.  Both Colin Farrell and Brendan Gleeson deliver incredible performances and Kerry Condon and Barry Keoghan are also superb.  The cinematography is simply breathtaking and I loved the haunting score.

9.  Aftersun

This is the most quietly devastating movie I've seen in a long time but I loved the complex relationship between a father living with regret and a daughter just starting to live.  Writer/ Director Charlotte Wells employs hazy cinematography and an episodic structure to convey the fragmented nature of childhood memories and the ambiguity of the final shot is more heartbreaking than something more explicit would have been.  Both Paul Mescal and Frankie Corio, in her debut, give incredibly moving performances and I was absolutely gutted by the end.

8.  Decision to Leave

This neo-thriller about mutual obsession is complex but ultimately very compelling.  What I enjoyed most is how Park Chan-wook plays with perception by having images come into and go out of focus and by using clever editing and innovative camera work.  This is a straightforward police procedural but these stylistic choices, as well as multiple subplots, keep the audience guessing until the haunting conclusion.  Tang Wei gives an enigmatic performance worthy of Hitchcock's best femme fatales and the chemistry between her and Park Hae-il is smoldering.  The overhead shots of mountain peaks and crashing waves are beautiful and the woodwind heavy score is incredibly evocative in this atmospheric mystery.

7.  Triangle of Sadness

I laughed out loud during the entirety of this social satire that takes aim at the vacuous and shallow idle rich!  I loved how class divisions are dismantled in an absurdly amusing way (a scene involving just about every bodily fluid imaginable) and I really appreciated the message that people should not be judged solely on their wealth or looks but rather their knowledge, abilities, and experience and that it pays to treat the people who serve you with kindness and respect.  The cast is fantastic but Dolly DeLeon gives a standout performance in the third act and I am still thinking about her character's actions in the final scene!

6.  The Northman

This is a very simple revenge story but the references to Norse mythology and symbolism are what make it so interesting and compelling.  The images on the screen are stunning and feature the usual atmospheric world-building that Robert Eggers is known for.  The medieval warfare is visceral and unrelenting and I also loved the sound design and the heart-pounding score.  Alexander Skarsgard is an absolute beast but I also found Nicole Kidman's performance to be fascinating and Anya Taylor-Joy is luminous.  It is brutal, bloody, and brilliant and, while it may not be for everyone, I loved it!

5.  TÁR

This cautionary tale about a brilliant conductor's fall from grace is incredibly compelling and thought-provoking.  Cate Blanchett gives an unbelievably powerful performance because her character is very unsympathetic and yet you somehow begin to feel sympathy for her.  Every scene is fraught with meaning (the significance of which is not always immediately apparent but is eventually revealed) and I loved the ambiguity of the narrative because the audience is never really sure if she is guilty of what she has been accused.  It is an interesting commentary on cancel culture and I haven't been able to stop thinking about it or the discussion of whether artists should be judged by their work or their behavior.

4.  The Batman

I really loved the darker tone of this movie because it feels more like a classic noir thriller rather than a stylized superhero action movie.  I also really loved Bruce Wayne's character arc as a man almost broken by the weight of living up to his parents' legacy to finally accepting their fallibility and Batman's journey from exacting vengeance to becoming a symbol of hope for Gotham City.  Robert Pattinson is brilliant in the role and I enjoyed the juxtaposition between his more explosive performance as Batman with his restraint as Bruce Wayne.  The action sequences are exciting and intense and the images on the screen are gorgeous (I loved the use of red).  Finally, the atmospheric score by Michael Giacchino is one of the best I've heard this year.

3.  Everything Everywhere All At Once

The narrative is chaotic, strange, fantastical, and sometimes even ridiculous but it tells an incredibly touching story about the weight of missed opportunities and the pressures of living up to expectations.  I laughed uproariously through most of it but I had a tear in my eye at the resolution.  The images on the screen are gorgeous and I loved the fact that each of the multiverses has its own unique visual style with brilliant cinematography and editing.  Michelle Yeoh gives an amazing performance that showcases her range (I was so impressed that she performed her own stunts) and both Ke Huy Quan and Stephanie Hsu are also outstanding.  I loved this quirky masterpiece!

2.  Avatar: The Way of Water

That this is an immersive spectacle with unparalleled visual effects is to be expected from James Cameron but I think it is so much more than that.  I really loved the emphasis on what it means to be an outsider, particularly the relationship between Lo'ak and Payakan, a cetacean who has been shunned by his species.  I also really loved the journey that Sully and Neytiri take as parents because they focus so much on protecting their children but ultimately end up being saved by them and the father-son relationship between Sully and Lo'ak is incredibly poignant.  Finally, the theme of respect for the environment is very powerful, particularly the scenes where the whalers hunt tulkuns merely for the sake of acquiring a valuable resource.  The action sequences in the third act kept me on the edge of my seat and I was very impressed by the emotional performances of Sam Worthington and Zoe Saldana.  Seeing this was a thrilling experience but it didn't quite live up to that of watching...

1.  Top Gun: Maverick

This is quite possibly the most exhilarating movie I have seen in a very long time!  The story is incredibly compelling and a lot more emotional than I was expecting.  It pays homage to the original, with a lot of fun callbacks that fans will instantly recognize, while paving the way for a new narrative with a new group of pilots who are easy to root for.  The action sequences are unbelievably thrilling and immersive (the audience is literally in the cockpit with the pilots thanks to all of the practical stunts) and the final dogfight in an F-14 Tomcat had me cheering out loud.  I loved Tom Cruise's performance and Maverick's character arc is a logical progression from the original movie because, even though he is still a bit cocky, he is more mature and feels his responsibility to his team of young pilots.  Val Kilmer's performance reduced me to tears and Miles Teller is outstanding.  I loved everything about this movie and I had a smile on my face during the whole runtime!

Honorable Mentions:  After Yang, The Woman King, Elvis, Bones and All, and White Noise.

Mannheim Steamroller Christmas at the Eccles

I have had a lot of fun seeing Christmas performances this holiday season!  I had one more last night featuring Mannheim Steamroller at the Eccles Theater and, as always, it was a wonderful show.  Mannheim Steamroller is known for incorporating authentic period instruments, such as harpsichords, lutes, and recorders, with synthesizers so their sound is a mash-up of Renaissance music and rock and roll and I love it.  They performed their arrangements of "Joy to the World," "Hark! The Herald Angels Sing," "Greensleeves," "Good King Wenceslas," "O Little Town of Bethlehem," and "Angels We Have Heard on High."  I really enjoyed "Catching Snowflakes on Your Tongue," which Chip Davis wrote as a lullaby for his three children, because the theme played by the recorder made me imagine a snowflake floating in the air.  I also enjoyed "Fairies" because it is a rock and roll version of "Dance of the Sugar Plum Fairy" from the Nutcracker Suite by Tchaikovsky.  They ended their first set with "Cantique de Noel (O Holy Night)" and this was the fifth time that I was able to hear my favorite Christmas song live.  It was an incredibly beautiful version!  After the intermission, they performed their well-known arrangements of "Deck the Halls," "We Three Kings," "Gagliarda," "Christmas Lullaby," "God Rest Ye Merry Gentlemen," and my favorite Mannheim Steamroller song, "Pat-A-Pan."  In addition to their Christmas music they also performed "Morning," which was written after the devastating fires in Yellowstone, and the songs "Come Home to the Sea" and "Dancing Flames."  They ended the concert with "Carol of the Bells," which is one of their best known songs.  For the encore, they performed "Stille Nacht, Heilige Nacht" and "Hallelujah," which is another favorite.  This concert was a great way to end the holiday season!  I almost didn't get a ticket because I've seen them so many times but I'm glad I changed my mind!  There is a matinee and evening show today and I highly recommend getting a ticket (go here) for one last dose of holiday cheer!

Christmas 2022

Last year Christmas was a blur.  My sisters and I had just lost our father and we were the sole caregivers for our mother who was deteriorating rapidly from dementia.  We opened the few presents we were able to buy and ordered dinner from Olive Garden for the sake of Sean and Tashena but our hearts were not in it.

This year things were much different!  We miss our parents but we know that they would be so happy that we have spent so much time together this holiday season.  Christmas Eve we played cards and ate way too many treats and then we had a lot of fun opening presents Christmas morning.  I got a few movies, another Colorado Avalanche jersey, and some new snowshoes (I am very excited about this because I wore my old pair out and have missed my excursions).

We had a wonderful dinner consisting of Trent's famous spare ribs, potato casserole, stuffing, asparagus, rolls, vegetables and dip, pomegranate salad, and pie for dessert.  In the evening we played Shanghai rummy and it descended into madness (but was so much fun).  I have really enjoyed this holiday season and I am looking forward to spending more time relaxing with my family this week!

Babylon

Yesterday Sean and I went to the Broadway to see Babylon and it was certainly entertaining!  Manuel "Manny" Torres (Diego Calva), an aspiring filmmaker working various jobs on the periphery of the silent film industry during the Roaring Twenties, observes the rise and fall of several people, including the oft-divorced matinee idol Jack Conrad (Brad Pitt), the self-destructive starlet Nellie LaRoy (Margot Robbie), the gossip columnist Elinor St. John (Jean Smart), the Jazz musician Sidney Palmer (Jovan Adepo), and the exotic cabaret singer Lady Fay Zhu (Li Jun Li), during the transition to "talkies."  When Manny returns to Hollywood years later and watches a screening of Singin' in the Rain (there are so many fun references to this movie), he is reminded of his past and realizes that he and everyone else making movies during the silent era had an impact.  Even though some of them go on much longer than they need to, I really loved all of the chaotic energy in the scenes showing the decadence and debauchery of the time (it was, however, a bit embarrassing to watch some of these scenes with my nephew).  There are also some absolutely brilliant sequences, such as the filming of an elaborate action shot involving hundreds of extras on location as well as a director trying to get the sound just right in take after take, and a profound monologue delivered by Smart about the fleeting nature but lasting legacy of fame.  Pitt gives one of the best performances of his career, Robbie is absolutely dazzling, Tobey Maguire is unsettling as a gangster, and Calva is definitely a compelling presence.  The images on the screen are alternately gorgeous and grotesque (an elephant defecating and some projectile vomiting) but never boring and the score by Justin Hurwitz is fantastic.  It is too long and the subject matter will not be for everyone but I enjoyed it (so did Sean) and recommend it to cinephiles.

The Nightmare Before Christmas in Concert

Last night I got to see the movie The Nightmare Before Christmas while the Utah Symphony played the score by Danny Elfman live and it was so much fun!  I usually think of this as a Halloween movie (it is one of my favorites and I watch it at Halloween every year) but it also works really well for Christmas and this concert was a great way to start the holiday weekend!  Jack Skellington, the Pumpkin King and leader of Halloween Town, is getting bored with scaring everyone with the same old tricks every year so, when he accidentally discovers Christmas Town while wandering through the woods, he decides that Christmas is a more appealing holiday and that he should take it over this year.  He has the best trick-or-treaters in Halloween Town, Lock, Shock, and Barrel, kidnap Santa Claus, assigns the rest of the residents the job of making toys, which are terrifying, and delivers them with a disastrous result.  Will Santa Claus be able to escape from the Oogie Boogie and save Christmas in time?  Only Tim Burton could dream up such a macabre, yet strangely enchanting, world filled with quirky characters brought to life with brilliant stop-motion animation.  The sold-out crowd at Abravanel Hall was in a really festive mood and there were cheers and applause when each character first appeared on the screen (the Mayor of Halloween Town got the loudest applause), when Jack first visits Christmas Town, when Sally escapes from Dr. Finkelstein, and when Jack rescues Santa and Sally from Oogie!  Hearing the Utah Symphony play Danny Elfman's iconic score was such an immersive experience!  I especially enjoyed the chimes in "This is Halloween" (the people around me sang this song out loud), the themes played by the brass in "What's This?" and "Kidnap the Sandy Claws," the themes played by the woodwinds in "Making Christmas" and "Oogie Boogie's Song," and the plaintive melody played by the strings in "Sally's Song."  I thoroughly enjoyed all of it!  I don't think I will ever tire of Utah Symphony's Films in Concert series because attending these performances has become one of my favorite things to do!  The next Film in Concert will be An American in Paris (go here for tickets) and I can't wait!

The Whale

There are a few movies left to catch up on before I make my end of year list of favorites so I went to see The Whale at the Broadway last night and, while I was very impressed with Brendan Fraser's performance, I did not like it at all.  Charlie (Fraser) is a morbidly obese and reclusive English professor who teaches writing courses online without enabling the camera on his computer.  When he has a health scare involving his heart he finds solace in reading a student's essay on the novel Moby Dick by Herman Melville and draws a comparison between himself and the whale.  His caregiver Liz (Hong Chau) fears that he is in congestive heart failure and that he doesn't have long to live but he refuses to go to the hospital.  Knowing that he could die at any moment, he attempts a reconciliation with his estranged teenage daughter Ellie (Sadie Sink) who is angry and bitter over his abandonment of her and her mother Mary (Samantha Morton) nine years earlier to have a relationship with one of his male students.  Ellie lashes out at her father but, despite her cruelty, he only sees the good in her.  This is reinforced by a sub-plot involving Ellie's relationship with an evangelical missionary named Thomas (Ty Simkins) because her betrayal ends well for him.  Many have had a very positive reaction to this movie but it was extremely difficult for me to watch because I found Aronofsky's portrayal of Charlie to be steeped in humiliation rather than empathy.  It is almost voyeuristic because every scene involving Charlie's body seems designed to shock the audience (particularly the scene where we actually see him for the first because he is awkwardly masturbating to gay pornography).  It was also upsetting to me that, with the possible exception of Liz, every character responds to him with disgust (even the pizza delivery boy with whom he has had a sort of friendship until he sees him).  Finally, Fraser does what he can with the material (his eyes and voice are incredibly expressive) but, ultimately, Charlie is a static character because everyone reacts to him instead of interacting with him and it is their redemption that he seeks rather than his own.  The symbolism is excessive, most of the performances are overwrought (I am definitely in the minority but I disliked Sink's performance because there is no nuance at all), the score is manipulative, and the one location (Charlie's dark and dingy apartment) makes this feel like a showy stage performance.  Not only do I not recommend this, I regret seeing it myself.

The Circus Train

My December Book of the Month selection was The Circus Train by Amita Parikh (the other options were Kiss Her Once for Me by Alison Cochrun, Babel by R. F. Kuang, All the Dangerous Things by Stacy Willingham, and The Light Pirate by Lily Brooks-Dalton). I am a huge fan of historical fiction, especially fiction set during World War II, so I enjoyed this. After his wife dies in childbirth and his infant daughter Lena suffers from a bout with polio which leaves her paralyzed and confined to a wheelchair, Theo Papadopoulos takes a job as an illusionist with a magnificent traveling circus. The World of Wonders travels all through Europe in a luxury steam engine with many opportunities for the intelligent and ambitious Lena, but Theo is strict and overprotective because he fears for her safety. When Alexandre, a young orphan boy with a mysterious past, is found hiding on the train Lena feels like she has found her first friend and soon they are inseparable. However, as Europe is plunged into a war, Alexandre and Theo are arrested and become separated from Lena. She is forced to fend for herself for the first time in her life and discovers that she is stronger than she ever imagined she could be. I really loved the character of Lena because she is so strong and resilient. Not only must she overcome her own disability, but she must survive the atrocities of World War II and, when the war is over, she must defy the limitations placed on women to become a doctor and, ultimately, forgive the two people she loves most for their betrayal in order to find happiness. I love it whenever a woman, a disabled woman no less, is able to achieve something that society says she cannot do! I also really enjoyed the romance between Lena and Alexandre because I am a sucker for star-crossed lovers and I like the fact that they are both outsiders who find strength in each other (although I found the resolution to their love story to be rather convenient and a bit rushed). I was very impressed by the descriptions of life in the Theresienstadt Ghetto during the war and I could definitely tell that this aspect of the novel was meticulously researched. I was a bit disappointed that the same care was not given to the circus setting because I had a difficult time visualizing what the various compartments on the train looked like (I especially wanted to know what the giant maze created for Lena looked like and how it fit inside of the train) or how the illusions were performed (particularly the escape from the water tank because it plays such a pivotal role). I've seen this compared to The Night Circus by Erin Morgenstern and Water for Elephants by Sara Gruen multiple times but I think the circus setting is the weakest element in the plot and it does not play any real role in the narrative once the war begins. I loved this novel as a historical coming-of-age story with elements of romance and I definitely recommend it as such rather than the circus story it is being marketed as.

Avatar: The Way of Water

Last night I went with my family to see Avatar: The Way of Water and, as a huge fan of the first movie, I almost couldn't contain my excitement!  It is an immersive spectacle with unparalleled visual effects and I absolutely loved it!  Jake Sully (Sam Worthington) is the chief of the Omaticaya tribe and he and Neytiri (Zoe Saldana) are the parents of an adopted daughter named Kiri (Sigourney Weaver), sons Neteyam (James Flatters) and Lo'ak (Britain Dalton), and daughter Tuktirey (Trinity Jo-Li Bliss).  They are also the guardians of Spider (Jack Champion), the son of Colonel Miles Quaritch (Stephen Lang) who was left behind when the humans were forced to leave Pandora.  After a decade of peace, the Na'vi are once again threatened by another invasion of humans wanting to prepare Pandora for resettlement because the Earth is becoming uninhabitable.  Sully also faces a personal threat from a group of recombinants, Na'vi avatars with the memories of the dead marines, including Quaritch, he and Neytiri killed in battle.  Fearing for the tribe, Sully makes the decision to leave the forest and take refuge with the Metkayina tribe, a reef dwelling people led by Tonowari (Cliff Curtis) and his wife Ronal (Kate Winslet).  As Sully and his family attempt to adapt to a new way of life, it is only a matter of time before Quaritch finds them.  This movie is visually stunning, espcially the underwater diving sequences, and I felt completely immersed in the world of the reef (we saw it in 3D HFR).  However, it is more than just a spectacle because I really loved the focus on what it means to be an outsider, particularly the relationship between Lo'ak and Payakan, a cetacean who has been shunned by his species.  I also really loved the journey that Sully and Neytiri take as parents because they focus so much on protecting their children but ultimately end up being saved by them and the emphasis on the father-son relationship between between Sully and Lo'ak is incredibly poignant.  Finally, the theme of respect for the environment is very powerful, especially the scenes where whalers hunt tulkuns merely for the sake of acquiring a valuable resource.  My only complaint about the plot is that Kiri's story seems very underdeveloped (but there are three more sequels planned).  The action sequences in the third act kept me on the edge of my seat and I was very impressed by the emotional performances of Worthington and Saldana.  Watching this was a thrilling experience (but doesn't quite live up to that of watching Top Gun: Maverick) and I highly recommend it!  I already have tickets to watch it again with my niece!

Gingerbread Houses 2022

Yesterday afternoon Sean, Tashena, Marilyn, and I made gingerbread houses which is a tradition we have had ever since Tashena joined our family and, as always, it was a lot of fun!  This year I got kits for these elaborate gingerbread manor houses because I thought they looked so cool but they ended up taking a long time to decorate!  None of us even bothered to decorate the backs of our houses (Sean didn't even decorate the sides) because they were so big.  They came with lots of candy (I still bought more) and royal icing in bags with piping tips.  It turns out that I am not very good at piping (I even had a major incident in which I got icing everywhere and I had to have Sean get it all back in the bag) but I think it would be fun to learn how to do it better.

I always have to get the traditional picture of Sean eating the icing!

Sean's house.

Tashena's house.

Marilyn's house.

My house.

Our gingerbread village!  I think they all turned out great this year!

Christmas with the Tabernacle Choir 2022

I am a huge fan of Lea Salonga!  She is an incredibly talented vocalist who originated the role of Kim in Miss Saigon on Broadway and provided the singing voices for Jasmine in Aladdin and Fa Mulan in Mulan but I love her because she performed the role of Eponine in Les Miserables on Broadway and was handpicked by Cameron Mackintosh to appear as Eponine in the 10th Anniversary concert at the Albert Hall.  It is not an exaggeration to say that I have watched the DVD of this concert hundreds of times (she also appeared as Fantine in the 25th Anniversary concert but I prefer the former because I love her version of "On My Own" which my favorite song from the show).  When I learned that Salonga would be the guest for this year's Christmas with the Tabernacle Choir concerts, I desperately wanted a ticket but, alas, I was not selected in the lottery.  No matter because I was able to do the next best thing by attending the Music and the Spoken Word broadcast featuring Salonga and Sir David Suchet yesterday morning.  Even though it was only a 30 minute performance and not the entire concert, I got to hear Salonga sing "O Holy Night" and that will definitely be a highlight of 2022 for me!  The broadcast began with "When the Shepherds Saw the Light" featuring the Tabernacle Choir, the Orchestra at Temple Square, the Bells at Temple Square, and the Gabriel Trumpet Ensemble.  It was quite stirring!  Then Salonga sang "Payapang Daigdig," a Christmas song beloved in her country (the Philippines) because it was written as a symbol of hope during World War II.  Even though I didn't understand the words, it was so moving.  Then the orchestra and the choir performed "Hosanna in Excelcis," which is a beautiful arrangement of Pachelbel's Canon in D.  Next came "O Holy Night" and, for those of you keeping score at home, this was the fourth time I got to hear my favorite Christmas song (I have loved it since I was a child) this holiday season.  I don't know if anyone can beat Salonga's performance!  Sir David Suchet read the Christmas story from Luke 2 and then we heard "Angels from the Realms of Glory" which was also very stirring!  After the broadcast ended, the audience got to hear another portion of the concert featuring the Nicholas Winton story as told by Sir David Suchet.  Winton helped to evacuate hundreds of children, mostly Jewish, from Nazi-occupied Czechoslovakia on the eve of World War II.  It wasn't until 50 years later when he was reunited with several of those he helped to rescue that the full extent of his actions were known.  The message of this story is that you never know when a little spark will fill the world with light and we were asked to hold up the lights on our phones as the choir sang "Once in Royal David's City."  It was amazing!  I am definitely glad I decided to get up early (and put on a skirt) because I loved this concert so much!

A Soulful Holiday with the Utah Symphony

This holiday season I have been incredibly lucky to be able to see some wonderful Christmas concerts!  I had an opportunity to see another one with the Utah Symphony last night and it was amazing!  The orchestra was joined by Broadway star and former member of Postmodern Jukebox Morgan James.  She has a very classic soul sound and I loved her bluesy arrangements of Christmas songs (I was definitely tapping my toes throughout the concert).  The orchestra began with a medley of Christmas songs called "A Christmas Festival" and then James took the stage with a sultry rendition of "Cool Yule."  She continued with "White Christmas" and then performed an original song written for her Christmas album A Very Magnetic Christmas (so-called because it was recorded on analog tape) called "Long as I Got You."  She mentioned that she didn't think a Christmas concert was complete without the next song and I immediately hoped that it would be "O Holy Night."  I was absolutely thrilled when I heard the opening notes (I agree with her assessment).  This was the third time that I have been able to hear my favorite Christmas song this season and her rendition was brilliant because she built to a powerful conclusion (including timpani!) that just about blew the roof off of Abravanel Hall!  James took a break to change into another fabulous vintage gown (the second of four) while the orchestra played "Waltz of the Flowers" from Nutcracker Suite by Tchaikovsky.  James returned to the stage with "This Christmas" and then performed my favorite song of the evening, "River" (I love Joni Mitchell).  She concluded her first set with a lively version of "Winter Wonderland."  After the intermission, the orchestra performed "Sleigh Ride."  I've heard them perform this before and my favorite part is when the trumpet mimics the neighing of a horse at the end while the player wears the head of a horse!  James continued with "Do You Hear What I Hear?" and "Everyday Will Be Like a Holiday" after which the orchestra performed the Suite from Polar Express.  In her final set, James explained that she chose the songs "Santa Claus is Coming to Town," "The Christmas Song," and "Have Yourself a Merry Little Christmas" because they reminded her of her childhood and she hoped that we all had happy memories of Christmas, too.  She concluded with "All I Want For Christmas" because it has now become the most popular Christmas song of all time!  James was really personable and quite funny and when she returned to the stage after thunderous applause, she told us that she didn't have anything planned and then immediately began "What Are You Doing For New Year's Eve?" as an encore!  It was a great night!

A Christmas Story at PTC

Yesterday afternoon I was able to see Ralphie Parker (Mack Boyer) try to convince his Mother (Stacie Bono), the Old Man (Danny Bernardy), his teacher Miss Shields (EJ Zimmerman), and even Santa Claus (Paris Alexander Nesbitt) to get him an official Red Ryder, carbine action, 200-shot, range model air rifle, with a compass in the stock and this thing that tells time for Christmas for the second time in as many days. Unfortunately, this was a rare miss for PTC because I found it to be completely underwhelming in almost every way. Even if I had not just seen a vastly superior production at the SCERA Center for the Performing Arts the night before, I still would have been disappointed with this show. I don't like to criticize an understudy but I think a theatre company the caliber of PTC should have understudies who are prepared to go on stage at a moment's notice.  Howard Kaye (as the understudy for Jean Shepherd) did not seem at all prepared for today's performance because he read from a script during the whole show and he still frequently stumbled over his lines. This was really distracting because Shepherd narrates the story and appears in almost every scene. The rest of the cast was fine but no one really stood out to me, except Zimmerman who was hilarious as the uptight Miss Shields.  Boyer has an incredible voice and I liked the vocal performances of the children in the ensemble but the big production numbers that I usually enjoy, such as "When You're a Wimp," "Ralphie to the Rescue," "Up on Santa's Lap," and "Somewhere Hovering Over Indiana," were incredibly lackluster because the choreography in these numbers was very minimal. Even the showstoppers "A Major Award" and "You'll Shoot Your Eye Out" were surprisingly bland (I am normally a huge fan of Karen Azenburg's choreography). The stage was configured to look like a giant snow globe and this is really fun but, with the exception of the classroom at Warren G. Harding Elementary School (which featured the artwork of local students on the bulletin board), the sets were a bit bland and very unwieldy to move on and off the stage. There were also some technical difficulties (it was quite disappointing when the all-important lamp didn't light up) and the production did not use real dogs to portray the Bumpus hounds (one of my favorites scenes). Maybe I am being too hard on this show but I expected a lot more for the cost of the ticket (especially since I saw a better show for a fourth of the price).  If you are looking for some Christmas cheer, I suggest skipping this and seeing Scrooge: A Christmas Carol at the Terrace Plaza Playhouse, A Christmas Carol at either HCT or HCTO, or Elf The Musical at CenterPoint Theatre instead.

Note:  I was able to see 80 theatre productions this year (not including the other performing arts such as the symphony, opera, ballet, etc.).  My favorites have been Hadestown at Broadway at the Eccles, See How They Run at the Terrace Plaza Playhouse, A Gentlemen's Guide to Love and Murder at the Empress Theatre, Camelot at HCTO, and Clue at the Utah Shakespeare Festival.  I have renewed all of my subscriptions so I am looking forward to more great theatre in 2023!

A Christmas Story at the SCERA Center for the Performing Arts

Last week I saw three different productions of A Christmas Carol and this weekend I have two different versions of A Christmas Story planned. I started with the one at the SCERA Center for the Performing Arts last night and it was so much fun! This musical is a pretty faithful adaptation of the movie of the same name (one of my favorite Christmas movies) and it is narrated by radio personality Jean Shepherd (Ed Eyestone) as he recounts a memorable Christmas from his youth. Ralphie Parker (Tate McBeth) desperately wants an official Red Ryder, carbine action, 200-shot, range model air rifle, with a compass in the stock and this thing that tells time for Christmas but his Mother (Celeste Harris), the Old Man (Mark Buffington), his teacher Miss Shields (Caitlyn Galvez), and even Santa Claus (Garrett Smit) tell him that he'll shoot his eye out. All of the well-known scenes from the movie are brought to life on stage including when Randy (Porter McCormick) eats like a piggy, when Schwartz (Mitt Harris) triple dog dares Flick (Isaac Hael) to stick his tongue to the flag pole, when the Old Man wins a major award, when Ralphie says the F-dash-dash-dash word while helping the Old Man change a tire, when Ralphie gets into a fight with Scut Farkus (Elias Kahler), when Ralphie gets a bunny costume from Aunt Clara, and when one of the Bumpus hounds eats the turkey forcing the Parkers to eat Christmas dinner at the Chop Suey Palace. I don't think that the songs in this musical are particularly memorable but I really enjoyed the staging, especially the numbers featuring the children such as "It All Comes Down to Christmas," "When You're a Wimp," "Ralphie to the Rescue," "Up on Santa's Lap," and "Somewhere Hovering Over Indiana."  The choreography in these songs is a lot of fun and McBeth and the children in the ensemble (over 20 of them) execute it very well. With the exception of "A Major Award" with Buffington and "You'll Shoot Your Eye Out" with Galvez, I think the songs featuring the adults, namely "The Genius on Cleveland Street," "What a Mother Does," and "Just Like That," are less compelling because they take the focus away from Ralphie. This is not a criticism of Harris or Buffington, who do an outstanding job, or this production but, rather, it is a weakness in the show itself. The humor works best when we see Ralphie's parents as he does not as they are. I loved McBeth's performance because not only is he incredibly endearing but he is also an excellent dancer, particularly in "Ralphie to the Rescue" and his dance off with Galvez in "You'll Shoot Your Eye Out." McCormick made me laugh quite a few times with all of his antics and I enjoyed it when Eyestone, as the narrator, gets involved in the action. I was really impressed with the elaborate sets, including the two-storey Parker house (I loved the smoke coming from a vent when the furnace acts up) and the impressive Santa display at Higbee's department store complete with a slide. This production also has the best Oldsmobile (with working lights) I've seen! I thoroughly enjoyed this show (it is on par with the Broadway touring production I saw several years ago) and I would highly recommend it but, unfortunately, there is only one more performance and it is completely sold out (with good reason). This seems to be a yearly tradition for SCERA so put it on your list for next year.

A Kurt Bestor Christmas at the Eccles 2022

Another one of my favorite Christmas traditions (I seem to have so many!) is the Kurt Bestor Christmas concert and I was able to go last night.  He began with his arrangements of "Sing We Noel," "Angels We Have Heard On High," "What Child Is This?" and "Joy to the World."  Then he performed one of my favorites, "Still, Still, Still," on the flugelhorn and dedicated it to his father.  He told the audience that he considered removing his next song, "Let It Snow," because we have been inundated with snow for the past few days but he decided to perform it anyway!  He premiered a brand new arrangement called "Ukrainian Christmas" which features "Carol of the Bells" and several Ukrainian folk songs.  His first guests were Makenzie and Eliza Hart, both on violin, for this number and it was so moving!  His next guests were members of the One Voice Children's Choir and they sang Bestor's best known song "Prayer of the Children."  This moved me (and many people around me) to tears because it was so beautiful!  He ended the first set with "Christmas Concerto for Woodwinds" which is a fun medley of different Christmas carols featuring musician Daron Bradford on a variety of woodwind instruments.  Whenever Bestor performs this piece he always likes to add another instrument and apparently Bradford broke the Guinness World Record by playing 40 of them!  After the intermission, he played "Coventry Carol" and then pianist Josh Wright joined him for a duet of "Oh, Come All Ye Faithful."  He featured his guitar player Michael Dowdle, bass player Carlitos Del Puerto, drummer Eric Valentine, and percussionist Todd Sorenson on a jazz version of "Christmas Time is Here" and then played "Bring a Torch Jeanette, Isabella" which is another one of my favorites.  His special guest for the evening was the Tony Award-winning soprano Lisa Hopkins Seegmiller and her rendition of "Ave Maria" gave me goosebumps because it was so effortless!  She then sang a really fun medley of "Welcome Christmas," "You're a Mean One, Mr. Grinch," and "Where Are You Christmas?" from The Grinch Who Stole Christmas.  Finally, she sang an emotional rendition of "I Wonder as I Wander" (Bestor often asks his special guest to sing his arrangement because it is his favorite Christmas carol).  It has become tradition for Bestor to perform his amusing arrangement of "'Twas the Night Before Christmas" and he usually picks someone from the audience to be the narrator.  Last night he had his 91-year-old mother Phyllis Bestor narrate and to say that she was adorable would be an understatement!  He ended the evening with "Silent Night" featuring all of his guests (and the audience) and it was lovely.  I love hearing Christmas music performed live so I enjoyed every minute of this concert.  There are three more performances (go here for tickets) and I highly recommend getting a ticket.

Empire of Light

As a huge fan of both Sam Mendes and Olivia Colman I figured that a collaboration between the two of them would be amazing so I went to see Empire of Light at the Broadway last night.  Unfortunately, I was a bit disappointed.  Hilary Small (Colman) is a sad and lonely middle-aged manager of a beautiful Art Deco cinema in the seaside town of Margate in the early 1980s.  Stephen (Micheal Ward) is a young Black man with aspirations of attending university to study architecture who is hired at the cinema as a ticket taker.  They eventually begin a secret relationship but it is threatened by the racial tensions in Thatcher's Britain and by Hilary's worsening depression.  The one thing that helps them both heal is the community they find at the Empire Cinema.  Colman gives an incredibly subtle but powerful performance and the most compelling moments occur whenever the camera is focused on her face, especially in a scene where she is overcome by emotion while watching a film by herself.  Ward is also very affecting and his scenes with Colman are so tender.  The images on the screen are absolutely gorgeous (Roger Deakins just does not miss) and I loved the use of the piano in the score by Trent Reznor and Atticus Ross because it is so haunting and plaintive.  My biggest problem with this movie is that it lacks focus because there are some extraneous sub-plots, such as Hilary's degrading sexual relationship with her boss (Colin Firth), and a few elements that I wish were explored more, such as Hilary's previous experiences with mental illness and Stephen's experiences with racism.  Also, the message about the power of film is not developed beyond a great monologue from the cinema's projectionist (Toby Jones) and the aforementioned scene where Hilary watches a film.  There are so many ideas and none of them are tied together in a cohesive manner so this movie is more like a series of beautiful vignettes.  I wanted to like it more than I did.

White Noise

When I read the novel White Noise by Don DeLillo in a Contemporary American Lit class in college I did not like it at all (I suspect I was too young to really appreciate the topic of existential dread).  When I heard that Noah Baumbach was directing an adaptation starring Adam Driver, I decided to read it again and it resonated a bit more with me this time around for many reasons.  I have been anticipating the movie ever since and I finally had a chance to see it at the Broadway last night.  Jack Gladney (Driver) is a professor of Hitler Studies at College-on-the-Hill in a small Midwestern town living a suburban life with his fourth wife Babette (Greta Gerwig) and a collection of his, hers, and ours children (Raffey Cassidy, Sam Nivola, and May Nivola) while trying to bury his fear of death in the mundane.  However, when a train derailment creates an airborne toxic event and Babette reveals that she has been taking an experimental drug called Dylar, Jack is forced to confront his fears.  Even though it explores serious themes, this is a comedy of the absurd and its surreal tone might not work for others but it really worked for me and I had a lot of fun watching it.  It is a very faithful adaptation of a somewhat unwieldy novel and I think Baumbach does a great job with the material even if it does go off the rails a bit in the third act.  The best part, for me, is Driver's performance because he really humanizes a character that I found remote in the novel.  He plays Jack as a pontificating intellectual who is also a bit of a buffoon to his family and his deadpan delivery is perfect.  My favorite scene is when he and a fellow colleague, played by Don Cheadle, give a lecture together about the pervasive themes of death in the lives of Hitler and Elvis because he is so over the top (the editing in this scene is brilliant).  I also enjoyed his scenes with Gerwig (who is also outstanding) and the children because he has such a great rapport with them and they seem like an actual family in their chaotic interactions.  There are some amazing action sequences (this is Baumbach's most ambitious project), particularly the train derailment and the evacuation sequences, and the production design, especially the A&P, is a lot of fun.  I predict this will be a movie that people will either love or hate but, since I love it, I will recommend it to fans of dark comedies (it will begin streaming on Netflix on December 30).

Note:  Definitely stay through the credits because there is a dance sequence with the whole cast in the A&P to a new song by LCD Soundsystem (their first music in five years) and it is hilarious!  Be sure to watch Jodie Turner-Smith (who plays a professor).

Lower Lights Christmas Concert 2022

One of my many favorite Christmas traditions is the annual Lower Lights Christmas concert and I have really missed it for the past two years!  I was thrilled to be back at Kingsbury Hall last night for this concert and I think it was the best one yet!  The Lower Lights is a supergroup of insanely talented songwriters, musicians, and singers, many of whom are popular in their own right, who periodically join forces to record folk and bluegrass renditions of hymns and Christmas carols.  I really love their sound and I especially love their Christmas music (any time you can add a mandolin and a banjo to a Christmas song you should definitely do it).  They began with "I Saw Three Ships," "O Come, All Ye Faithful," "Angels We Have Heard On High," "Away in a Manger," and "The Holly and the Ivy" which were absolutely beautiful!  Then Marie Bradshaw, Kiki Jane Sieger, and Cherie Call sang "Still, Still, Still" which is my favorite song at every Lower Lights Christmas concert because the three of them harmonize so beautifully that it gives you chills!  The group also performed "Beautiful Star of Bethlehem," "Maybe This Christmas," "Mary's Boy Child," and "A Cradle in Bethlehem."  Dustin Christensen performed a lovely rendition of "Have Yourself a Merry Little Christmas" and Sarah Sample's "White Christmas" got many people slow dancing in the aisles at her request.  I really loved the instrumental versions of "O Little Town of Bethlehem" and "What Child Is This?" and I found it incredibly amusing when every member of the group played the banjo during "Once in Royal David's City" (another Lower Lights favorite of mine).  In the middle of their set they performed a number of their gospel songs, including "Just a Closer Walk With Thee," "The River Jordan," "This Little Light Of Mine," and "Will the Circle Be Unbroken?"  These songs turned Kingsbury Hall into an old time revival and some people were really moved by the holy spirit (especially the people siting by me!).  They also performed a rocking version of "Didn't My Lord Deliver Daniel" during which they jammed for a good ten minutes!  My favorite moment of the concert came during a beautiful and affecting acoustic version of "Happy X-Mas (War Is Over)" because it brought tears to my eyes!  During the encore they performed a hilarious version of "You're A Mean One, Mr. Grinch" (which has become a tradition), an upbeat version of "Christmas (Baby Please Come Home)," and a rousing rendition of "Go Tell It On The Mountain" with lots of audience participation.  They brought all of their family members to the stage for an acoustic performance of "Silent Night" (another tradition) to conclude the evening.  I loved every minute of this concert and highly recommend it!  Unfortunately, last night was their final performance this year but definitely put it on your list for next year!

Note:  This has been an incredibly festive week with three different productions of A Christmas Carol and two Christmas concerts!  I am overflowing with Christmas spirit!

Prokofiev's Piano Concerto No.2

Last night's Utah Symphony concert was so phenomenal that I had goosebumps the whole time!  The guest conductor for the evening was David Robertson, who is very popular with both audiences and the orchestra, and I loved watching him on the podium because he was so expressive!  The first piece on the program was The Chairman Dances: Foxtrot for Orchestra by John Adams.  This is an outtake from Adams' opera Nixon in China and it depicts a dance between Madame Mao and Chairman Mao after the latter climbs out of his portrait and comes to life.  What I loved about this piece is how Adams plays with rhythm and tempo because it sometimes seems as if she is enticing him seductively and at other times they are dancing energetically.  I also really enjoyed the jaunty themes played by the brass!  Next, pianist Behzod Abduraimov joined the orchestra for Piano Concerto No. 2 by Sergei Prokofiev.  This piece is considered to be one of the most technically difficult piano concertos in the repertoire and Abduraimov performed it brilliantly.  The piece is incredibly dramatic and I especially loved the first movement because it begins with a melody that becomes more and more intense and then the piano takes over for a cadenza that is as much fun to watch as it is to listen to.  Then the orchestra joins the piano once again with so much force that it is almost overwhelming (the brass!) until the piano ends the movement with a soft repetition of the melody.  It is so tempestuous and emotional!  The audience (and Robertson) responded with thunderous applause at the end of it!  The rest of the piece is just as spectacular and I also enjoyed a very melancholy theme in the final movement followed by an explosive ending!  I loved this performance so much (I feel like I was holding my breath through most of it) and I was amazed watching Abduraimov's fingers flying up and down the keyboard!  After the intermission, the concert concluded with Symphony No. 1 by Dmitri Shostakovich.  This piece was written as a requirement for graduation from the Leningrad Conservatory and it is very inventive.  I love the themes played by the woodwinds (particularly the solo clarinet) in the first movement, the dramatic themes played by the brass in the second movement, the solo cello in the third movement, the snare drum roll at the beginning of the fourth movement, and the epic fanfares that end the symphony.  I was blown away by this concert and I definitely recommend getting a ticket for the same program tonight (go here for tickets).