Digger

I have to admit that, while I felt compelled to see Digger, I wasn't really looking forward to it because I was put off by the desaturated color grading and the bombastic performances featured in the trailer.  I decided to see it last night with my nephew and I can definitely see why it has polarized critics and audiences but I think it is a masterpiece!  Digger Rockwell (Tom Cruise) is a wealthy, arrogant, and eccentric Texas oil tycoon whose company, Rockwell United, ignored reports of methane beneath an oil rig in Greenland and is now responsible for an explosion that dislodged an immense ice shelf  moving towards Europe.  Digger's head of environmental safety, Dr. Nirav Ganesh (Riz Ahmed), predicts thousands of deaths, millions of displaced people, and trillions of dollars worth of damage but he seems to be more concerned with the imminent death of his cat and, after consulting with U.S. President Compson (John Goodman), he decides to create an information firewall rather than take action.  When the inevitable happens, Digger deflects blame in a speech to the European Parliament by saying that the world is dependent on the oil he provides (in a monologue that will surely get Cruise a Best Actor nomination).  However, another even larger ice shelf breaks free and heads to Alaska and this requires a dramatic military response that leads to the downfall of both Digger and the president.  The first act has a strange artificiality with over the top satire and stylized cinematography, performances, and production design but a wild twist in the second act completely reframes everything that has come before and another twist at the end completely reframes everything once again.  People will either love or hate this choice but I loved it because, without giving away any spoilers, it emphasizes the power of art (satire in particular) as catharsis.  There are a lot of other themes to unpack, such as corporate greed, political corruption, manipulation of the media, and societal hypocrisy, but Iñárritu seems to be saying that, since nothing will stop the consequences of these actions, we might as well laugh at the destruction.  Everything that put me off in the trailer ended up working for me after seeing the context and I found it to be really funny at times (but I was often the only one in the theater laughing) as well as incredibly thought-provoking (I'm still thinking about it).  Cruise gives his best performance since Magnolia (the dude can act when he's not jumping on and out of airplanes) and Ahmed is equally brilliant.  I also really enjoyed a monologue by Jesse Plemens (as a character I won't spoil) because I think it sums up the thesis of the movie briliantly.  This will definitely not be for everyone but I really dug it (pun intended).

Verity

I went through a Colleen Hoover phase a few years ago (it was a strange time) and, out of all the books I read, Verity was my favorite (relatively speaking) so I was excited to see the movie adaptation at an early access screening last night with my nephew.  Despite several flaws, I enjoyed it for what it is and I had a lot of fun watching it with a large crowd.  Verity Crawford (Anne Hathaway) is a best-selling author known for writing a series of novels from the villain's perspective.  After she has a car accident which leaves her in a catatonic state, her husband Jeremy Crawford (Josh Hartnett) hires struggling author Lowen Ashleigh (Dakota Johnson) to ghostwrite the remaining books in the series.  Lowen moves into their secluded house on a lake in Vermont in order to read through Verity's outlines and notes and finds a manuscript that appears to be her autobiography.  As she reads Verity's disturbing account, she begins a relationship with Jeremy and suspects that Verity might be faking her condition.  This reminded me a lot of The Housemaid because, like that adaptation, it is an atmospheric psychological thriller with a sleek and stylish production design (I loved the house because it has a very Gothic vibe) and lots of twists and turns.  Also, like that adaptation, it features two strong performances (Hathaway and Hartnett) that highlight the blandness of the third one (Johnson).  This is especially true whenever Johnson reads the manuscript aloud (which, unfortunately, is a large part of the runtime) because her delivery is monotone and her expression is very disengaged (there is even a line in which Lowen says that it's hard to tell if she is having fun because she has "resting bored face" and it got the biggest laugh of the night).  I do think Johnson is a good actress when she has good material to elevate her performance but this is based on a book you can buy at the airport (iykyk).  Still, this is a pretty faithful adaptation (except for a bizarre change to the ending that makes absolutely no sense) so fans of the book are sure to love it.

Note:  The scenes where Verity appears on Hot Ones and Call Her Daddy are hilarious.

Primetime

Last night my nephew and I saw Primetime at the Broadway and, the more I think about it, the more I like it.  Broadcast journalist Chris Hansen (Robert Pattinson) hosts a reality show called To Catch a Predator, which grew from segments filmed for Dateline NBC, using hidden cameras to capture undercover sting operations conducted by the watchdog group Perverted Justice in which adult men are lured to a house to have sex with minors played by decoys before being confronted by Hansen.  He has grandiose ideas about serving the public good, even if the program is a bit sordid, and often treats his subordinates badly, especially his producer Andie Bender (Merritt Wever) and a decoy named Del Harvey (Phoebe Bridgers).  The show becomes wildly popular so the NBC Head of Programming Jeff Zucker (Himself) moves it to a prime time slot against ABC's Lost.  Hansen soon becomes preoccupied with improving ratings and hires an aspiring actor named Dan Plum (Skyler Gisondo) to portray a decoy but an indiscretion with a woman makes the stakes even higher for him.  He breaks with the usual protocol to actively pursue a high profile predator, assistant district attorney Bill Conradt (Alex Winter), with tragic consequences.  The focus of this movie is the intersection between justice and entertainment and it was very intriguing to see how each character abandons the pursuit of the greater good in favor of self-promotion, especially when Dan continues to participate despite his misgivings because he wants to earn a SAG card.  The visuals are incredibly stylized with distorted angles, extreme close-ups, high-contrast lighting, and lurid color grading (I found it very uncomfortable to watch at times) and it replicates the look of the original show with 16mm film.  Pattinson, who imitates Hansen's voice and mannerisms so accurately that it is uncanny, gives a fascinating and unsettling performance as a man so consumed by his own success that it becomes his downfall and I was particularly struck by the many scenes in which he practices his lines while looking in a mirror because you can see him unraveling right before your eyes. Wever and Gisondo are also outstanding and I loved some of the cameos for the child predators (I was shocked, in more ways than one, to see Jonathan Lipnicki).  This is definitely a movie that will generate interesting conversations and I highly recommend it.

Heart of the Beast

The second movie in my double feature last night was Heart of the Beast and I, along with almost everyone else in the theater, was reduced to tears by this touching story about the bond between a man and his dog.  James Belmont (Brad Pitt) is a retired special forces commander who is camping in the Alaskan wilderness with his combat dog Odin.  They both have injuries and PTSD from their past deployments (the scene in which Odin has a nightmare and then is comforted by Belmont is one of the most affecting in the movie) which are often shown in flashbacks.  Severe weather forces them to leave their campsite early by plane but Belmont suffers a heart attack mid-flight.  Odin is ejected out of the plane before Belmont crash lands in a lake.  They both survive and eventually find each other but they are injured and must travel on foot over 50 miles to find the nearest road.  Their journey is incredibly treacherous with many threats (my favorite scene is the one in which Odin stares down a grizzly) and they must rely on each other in order to survive.  This takes some time to get going but I liked seeing the relationship between Belmont and Odin established through their interactions and I also liked the brief scenes involving Watkins (J.K. Simmons), a fellow camper, because that provides opportunities for exposition without having to resort to voice over narration.  Pitt gives a great performance (one of his best) that is both physical and very poignant (bring some tissues if you are a dog lover) but he has a great scene partner in Uber (the German Shepherd who plays Odin along with three of his offspring, Seeka, Ryker, and Hondo, who act as stunt doubles) because he has the most expressive eyes and often steals the show.  The scenery is absolutely gorgeous (New Zealand, one of my favorite places, stands in for Alaska) and the action sequences are fraught with tension.  This is an entertaining survival story but the relationship between Belmont and Odin is what makes it so compelling.  It is a must-see for dog lovers!

Forgotten Island

The first movie in my double feature last night was Forgotten Island and I really enjoyed it.  Jo (H.E.R.) and Raissa (Liza Soberano) are best friends in the Philippines who bond over the stories about the forgotten island of Nakali told by Jo's grandmother Lola (Dolly de Leon).  They have a series of adventures looking for a porthole to Nakali and commemorate each one with a charm on their matching friendship bracelets. Raissa will soon be leaving to attend Caltech and, when they spend their last night together reminiscing about their friendship, they find a sand dollar that creates the porthole.  Jo is sad about losing her best friend so she convinces Raissa to enter it but they wake up on the island without the sand dollar and without memories of the past twelve hours.  Hoping that retracing their steps from the previous night will lead them to the sand dollar, they join forces with magical creatures from Filipino mythology, including Raww (Dave Franco), a were-dog, Bungi (Manny Jacinto), a demon baby, Mermahn (Kevin McCann), a prince of the merfolk, Datu (Jo Koy), chief of the kapre, and Truffle Wuffle (Ronny Chieng), king of the duwende, to help them remember.  They also encounter Manang (Lea Salonga), a terrifying vampire, because she wants her wings back from Raissa who has no memory of stealing them.  Eventually, Raww leads them to Batiba (Jenny Slade), an agoraphobic demon who craves the experiences of others because she cannot have her own, and she offers to give them the sand dollar in exchange for their friendship bracelets but will they give up their memories of each other to return home?  I really loved the messages about friendship and making memories because no one is really gone as long as someone remembers them.  I also really loved the character arc for Manang because she ceases to be the villain once she recovers her memory from Batiba.  I saw an interview with Salonga in which she spoke about using the dementia suffered by her family members to inform her characterization and I found that to be incredibly moving because of my mom's dementia.  The use of folklore to tell the story is very significant because, even if I didn't understand specific allusions, I definitely understood the importance of remembering the stories passed down from generations.  Finally, the images are absolutely dazzling, even if the pace is a bit frenetic, with lots of references to different styles of animation.  This is a lot of fun and I hope that more people seek it out.