Dear Evan Hansen at CPT

I was especially excited for Dear Evan Hansen at CPT last night because my sister was seeing it for the first time. I love this show so much and I was afraid that I had over-hyped it but she really enjoyed this production (she even had a tear in her eye). Evan Hansen (Josh Call) suffers from anxiety and feels insignificant and alone but his busy single mother, Heidi (Casey Matern), doesn't know how to help him. Jared (Andrew Walker), his only friend, is nice to him so his mom will pay his car insurance and he is too scared to talk to his crush Zoe (Anna Kocherhans). His therapist encourages him to write letters to himself to build his self-confidence but Connor (Ryan Munsey), a deeply troubled young man, intercepts one from the printer because it mentions his sister Zoe. When Connor takes his own life, his devastated parents, Cynthia (Natalie Haddock) and Larry (Thad Weiland), find the letter and, assuming that it is a suicide note left for Evan, they reach out to him. Evan pretends that they were friends in order to comfort Connor's parents and soon he asks Jared to create a history of emails between them to prove the lie. Larry and Zoe struggle to reconcile Evan's version of Connor with the difficult son and brother they knew and Zoe tells Evan that the only nice thing Connor ever said to her was in his suicide note which Evan wrote. Alana (Kenzie Buckway), another lonely girl at school, wants Evan to do more to keep Connor's memory alive so they create The Connor Project and Evan gives a heartfelt speech about loneliness at a memorial assembly that goes viral. He begins a relationship with Zoe and spends all of his time with her family to the exclusion of Jared, Alana, and Heidi.  Eventually the deception spirals out of control and, when the truth is finally revealed, Heidi helps him see that he has never been alone. The casting of this show is exceptional because everyone is very well suited to their role. Munsey is the first actor that I've seen who actually looks the part of a troubled teen and Buckway has the look of someone who could be overlooked in a crowd (I was particularly struck by how similar Alana is to both Evan and Connor as a result) but I was most impressed by Call because he is so convincing as a high school student that I was surprised to learn that he is not a teenager.  Call's performance is absolutely brilliant because he has a beautiful voice with an incredible range but he also nails the emotion in the songs "Waving Through a Window," "For Forever," "You Will Be Found," and "Words Fail" (this is especially powerful and it reduced me to tears). He also portrays Evan's social anxiety very well with a rapid-fire delivery and lots of idiosyncratic tics. Kocherhans also has a beautiful voice and I loved her version of "Requiem" and "Only Us" (her voice blends so well with Call's). I also really liked Matern because her anger is palpable in "Good for You" but she is so heart-wrenching in "So Big/ So Small." I really loved some of the choices in the staging, especially when the students circle around Evan during "Waving Through a Window" while looking at their phones and the inclusion of Connor on stage during "Requiem" (it seemed to me that Connor is a lot more involved in this production). This show has an important message about how technology connects people but leaves them feeling even more isolated so the use of social media in an important element. I loved the way that it is integrated into this production! The set features large movable panels which also surround the proscenium and they include three-dimensional geometric forms which give the projections a broken screen effect. In my opinion, this is an incredibly powerful symbol of how broken teens can become in their online interactions. This absolutely rivals the national tours I have seen and I cannot recommend it enough, especially to teens who might be feeling alone (there were lots of teens in the audience who were very moved by the show). It runs on the Mountain America Main Stage through October 11 (go here for tickets).

Runner

Last night I also saw Runner and I enjoyed it a lot more than I thought I would.  Hank Malone (Alan Ritchson) is a former Navy SEAL who is also a recovering alcoholic dealing with the trauma of losing his daughter to leukemia.  He works as a courier transporting both legal and illegal items for paying clients in Brisbane, Australia.  His latest assignment is to deliver a donor organ, needed by a critically ill seven-year-old girl, and its messenger Ben Bishop (Owen Wilson) to a hospital an hour away before it loses viability.  Mayhem ensues when they are pursued by Damian Zadivar (Rodrigo Santoro), the leader of a brutal Colombian drug cartel, who may or may not want to sell it on the black market.  The story is simple but it features some fun and thrilling action set pieces and, even though it seems like they have been edited to get a PG-13 rating, they are still plenty violent for an Angel Studios release.  I especially loved an extended sequence featuring hand to hand combat between Hank and Damian in a hospital corridor that culminates over the gurney of the little girl waiting for the transplant.  It is absolutely relentless (Leila George, who plays the mother of the little girl, even gets in on the action).  Ritchson seems to be the next big action star in the same vein as Jason Statham and he gives an intense physical performance that is fun to watch.  He also adds some humanity to the character with quite a few poignant moments with Wilson who also acts as an obnoxious entertaining foil to his straight man (I laughed out loud at a running bit between them involving an exotic parrot that Hank was unable to deliver).  Santoro is a great villain (although I am not sure why he inexplicably speaks Portuguese throughout) because, even though he is ruthless, he is not entirely unsympathetic because he has a compelling motivation for what he does.  This is something you would usually see on a streaming platform rather than the big screen but it is so much better than I expected.  I recommend it to fans of action thrillers.

Practical Magic 2

Last night I went to see Practical Magic 2 and, much like The Devil Wears Prada 2, it features a lot of nostalgia (including midnight margaritas) but it doesn't quite capture the *ahem* magic of the original.  After her second husband dies as a result of the Owens Curse, Sally Owens (Sandra Bullock) casts a spell to make her daughters Antonia (Maisie Williams) and Kylie (Joey King) forget that they are witches and then vows never to use magic again.  Years later, Kylie tells her boyfriend Gideon (Xolo Mariduena) that she loves him and the next day he is hit by a car and falls into a coma.  Gillian (Nicole Kidman) urges her sister to reveal the truth but all of Sally's secrets cause a rift between mother and daughter.  Kylie finds a powerful spellbook belonging to Jet (Dianne Wiest) and Franny (Stockard Channing) which contains an incantation to break the curse but the pertinent pages are fused together.  Determined to get answers, she travels to England, the birthplace of her ancestor Maria Owens, but she finds another descendant (Solly McLeod) who wants to steal her magic.  Sally must embrace her magic once again, with the help of local witchcraft expert Ian Wright (Lee Pace), in order to save Kylie and break the curse.  I found the story to be very convoluted and bloated with too many secondary characters.  However, it is a lot of fun to watch the straight-laced Sally and the free-spirited Gillian bicker back and forth again (there is a hilarious running bit involving all of Gillian's luggage) and Bullock and Kidman are fantastic with tremendous chemistry.  My biggest complaint is that the straight-laced Antonia and the free-spirited Kylie should have been given the same opportunity to interact in order to continue the theme of sisterhood but Williams has very little screen time.  I also wanted to see more of Wiest and Channing but Jet and Franny are basically replaced by Ian to prioritize a romantic relationship in a movie supposedly about female empowerment.  Still, die-hard fans of the first movie are sure to love it and I enjoyed it enough as a casual fan to recommend it.

To Kill a Mockingbird at Parker Theatre

Last night I went to a powerful production of To Kill a Mockingbird at Parker Theatre (it is the more traditional version rather than Aaron Sorkin's reinterpretation for Broadway). I love the book by Harper Lee and the movie starring Gregory Peck but there is just something so moving about seeing it performed live on stage and I was definitely very moved. Jem (Lincoln Oliphant) and Scout (Lizzie Kintz) are impressed when their father Atticus Finch (Brinton Wilkins) shoots a mad dog terrorizing their street in Maycomb, Alabama, but they learn what true heroism is when he defends a Black man named Tom Robinson (Kiirt Banks) against a false accusation of rape even though he knows he will lose because it is the right thing to do. They also learn not judge people until they have seen things from their perspective through their interactions with the irascible Mrs. Dubose (Kathryn Atwood) and the reclusive Boo Radley (James Duncan). The themes of prejudice, of all kinds, and having the moral courage to stand up to it are especially important right now and I loved the choice to have Atticus deliver his closing argument facing the audience as if we were the jury because it is a message that we all need to hear. Wilkins is brilliant in this scene because his delivery becomes more and more dramatic and I had goosebumps by the end of it. I also loved his interactions with the children because he has such a tender rapport with them (I had tears in my eyes during his final scene with Kintz). The three young actors, including Oliver Miramontes as Dill, do a wonderful job portraying loss of innocence and I was particularly struck by Oliphant's reaction to the verdict because it is almost visceral. I also loved Kintz's guileless delivery in the scene at the jail because it makes her interaction with Dave Bruce, as Mr. Cunningham, so emotional and, therefore, very effective. Banks is absolutely devastating in the courtroom scenes because, even though he is stoic, his fear is palpable and it made me so angry to see him mistreated and to see him become a victim of injustice (every time I see this I always hope that the verdict will somehow be different). The set is simple but effective with porches for the Finch house and the Radley house opposite each other and a raised platform up stage that is used to represent Mrs. Dubose's porch and other scenes in Maycomb. This platform then becomes the gallery and other set pieces for the courtroom are placed in the middle of the stage. I loved the attention to detail, especially the working porch and street lights, the tire swing, and the spittoon in the courthouse. The costumes are muted but do an excellent job of establishing the time period as well as the status of each character. I loved everything about this production and it should definitely not be missed! Tickets may be purchased here for performances on Fridays and Saturdays through October 17.

The Uprising

Last night my nephew and I went to see The Uprising in a packed theater.  We were both really excited for this movie and we both liked it.  After the Black Death decimates the population, England is in need of revenue and the council who rules for the weak and ineffective 14-year-old King Richard II (Woody Norman), including Sir Robert Hales (Tom Hollander) and the Archbishop of Canterbury (Stephen Dillane), decides to increase taxes for the peasants. A Ploughman (Andrew Garfield), who is barely surviving after the death of his wife and children, objects to the new tax and kills the soldier who tries to arrest him for resisting.  Soon his entire village stands with him and this inspires revolts across the country.  He reluctantly joins with John Ball (Jamie Bell), an outspoken priest, and Wat Tyler (Cosmo Jarvis), a soldier who fought with the late king, to lead a march on London to petition the king about their grievances.  However, the king's council advises him not to meet with them and the peasants sack London in response.  The king, who suffers from nightmares about mobs and demons, eventually meets with the peasants and the Ploughman persuades him to grant charters of self-determination and he also gives his tacit approval for them to bring the council to justice themselves.  When the peasants meet the king to receive the charters, they are betrayed by him and his new advisor William Walworth (Jonny Lee Miller) but this leads to unexpected consequences when a small band survives the ambush.  I found the true story of the Peasants' Revolt to be both compelling and incredibly moving, especially in light of the fact that history seems to be repeating itself with corrupt leaders who are out of touch with the suffering of the people, and I actually really liked the ending (although it has been very divisive). Garfield does a great job as a simple man who unexpectedly sparks a revolution that he doesn't know how to control and I was especially impressed by his quiet anguish.  All of the supporting performances are also very strong but I was really struck by Katherine Waterston as Joan of Kent, particularly her silent response to her son's treachery.  I do have criticisms about the pacing because the conflict is set in motion with breakneck speed without much exposition and I didn't always know what was happening because the editing is often disjointed.  Also, Paul Greengrass is known for his immersive hand-held camera work and, while it is effective in the battle sequences, it is very distracting in the quieter moments (some scenes even look out of focus).  I loved the story even if I didn't always love the way it is told so I would recommend it.