How to Succeed in Business Without Really Trying at HCTO

I always love it when I have the opportunity to see a popular show that I haven't seen before and that is what happened at HCTO last night when I got to see their production of How to Succeed in Business Without Really Trying.  It is a charming old-fashioned musical satirizing life on the corporate ladder and I loved it.  J. Pierpont Finch (Josh Valdez) is a lowly window washer for the World Wide Wicket Company with big ambitions.  After consulting the book How to Succeed in Business Without Really Trying, he impresses the boss J.B. Biggley (David Morley-Walker) and he gets a job working in the mail room.  Despite the attention from Rosemary Pilkington (Morgan Fenner), a secretary who has decided to marry him, and the scheming of Bud Frump (Joseph Paul Branca), Mr. Biggley's incompetent nephew who is jealous of him, he becomes a junior executive in the Plans and Systems Department, then Vice President of Advertising, and eventually takes the place of Wally Womper (Michael D. Fox) as Chairman of the Board.  The best part of this show is the dazzling and innovative choreography and I loved watching the incredibly talented ensemble perform in the big song and dance numbers "Coffee Break," "The Company Way," "A Secretary Is Not a Toy," "Paris Original," "Cinderella, Darlin'," "I Believe In You," and "Brotherhood of Man."  I had a huge smile on my face during all of these numbers and so did everyone in the audience.  The cast is outstanding!  Valdez has just the right combination of earnestness and charisma to shine as Finch and I loved his touching performance in "Rosemary" and his raucous rendition of "Grand Old Ivy" with Morley-Walker (which made me laugh out loud).  The female roles are a bit outdated for a modern audience but Fenner, Lisa Zimmerman (as Hedy LaRue), and McKell Shaw (as the secretary Smitty) add a lot of comedic elements to their performances.  However, it is Branca who absolutely steals the show because he is so petulant as Frump and his physicality and facial expressions are hilarious (I think I laughed at every single thing he did).  The stage features a black and white checkerboard floor, stylized logos for the World Wide Wicket Company (which reminded me of the Pan Am logo), and geometric set pieces that emphasize a 1960s vibe.  These geometric patterns are also used in panels with colored LED lights all around the theater and I loved how the lights flashed in sync with the music.  The period costumes are all a lot of fun, especially the Paris "original" gowns worn by all of the secretaries to a reception.  I definitely enjoyed this show (without really trying) and I recommend it highly (go here for tickets).  It runs every night but Sunday with several matinees through April 13.

The Foreigner at HCTO

Last night I had the chance to see the hilarious play The Foreigner at HCTO (I rescheduled from last week because I didn't want to drive all the way from Bountiful to Orem in the snow).  I really love this show because not only is it laugh out loud funny but it also features some deeper themes about overcoming fears about those who are different and that is something that is very needed in the world right now.   Sgt. Froggy LeSueur (Brett Myers) is a British demolition expert who is visiting rural Georgia to conduct training sessions at an army base.  Froggy brings his friend Charlie Baker (Greg Larsen), who is depressed over his marital difficulties, with him and installs him at a nearby fishing lodge owned by Betty Meeks (Luone Ingram) while he is on maneuvers.  Charlie doesn't like this arrangement because he is painfully shy and fears having to interact with strangers but Froggy solves the problem by telling Betty that Charlie is a foreigner who doesn't speak English.  The other guests at the lodge are drawn to Charlie because they believe that he can't understand them.  Catherine (Kelly Pulver) pours her heart out to him because he is a good listener, Ellerd (Ian Webb) gains confidence by successfully "teaching" him English, and David (Dallin Bradford) inadvertently reveals a plot he has hatched with a local member of the Ku Klux Klan named Owen (Marshall Lamm).  Chaos ensues but Charlie begins to feel like he belongs and he eventually helps to foil David's plan.  This show features a lot of exaggerated physical comedy and I can't remember when I've laughed so hard, especially when Ellerd tries to teach Charlie the English words for all of the items in the lodge, when Charlie is asked to tell a story in his native language (which is completely made up), and when Charlie spooks Owen by pretending to control Ellerd (who is disguised in a Ku Klux Klan robe).  Everyone in the cast has great comedic timing (I don't know how they kept their composure during some of the more over the top scenes) but I especially enjoyed watching Larsen and Webb interact because their facial expressions are hysterically funny.  I loved the set and I was particularly impressed by the attention to detail (when it rained there was a slow drip of water from a leak in the roof into a pot right next to me).  I also liked the period costumes, especially Catherine's fantastic 80s fashions!  It is always fun to start the new year with a comedy and this is one that is is sure to make you laugh!  I highly recommend getting a ticket to one of the performances through February 17 (go here for tickets).

A Christmas Carol at HCTO 2023

Last night I went to my third peformance of A Christmas Carol this season and this time it was HCTO's version.  To say that I loved it would be an understatement!  This is a brand new production featuring the most faithful adaptation of the novel by Charles Dickens that I have ever seen because the playwright, Rodger Sorenson, employs a technique known as "Chamber Theatre" which includes both the dialogue and the narrative descriptions.  This technique is brilliant because it brings the words written by Dickens very vividly to life!  Ebeneezer Scrooge is played by Ric Starnes and the rest of the cast is comprised of a large ensemble who narrate the story, portray the rest of the characters, bring the minimal set pieces and props on and off stage, provide sound effects, and perform all of the musical interludes.  This approach is simple but incredibly effective.  I especially enjoyed how the scenes at Fezziwig's warehouse, the Cratchit home, Fred's house, and the graveyard are staged because they make great use of the ensemble and the small and intimate space. I loved all of the music, particularly the inclusion of "Wexford Carol" and "Bring a Torch, Jeanette, Isabella" because they are favorites of mine, but the use of "Lacrymosa," performed by the violin (Naomi White) and cello (Risa Bean), as Belle releases young Ebeneezer and "Coventry Carol" as the Cratchits mourn the loss of Tiny Tim are incredibly affecting.  The set is very simple but the costumes are anything but!  The gowns, capes (I think capes and cloaks should make a comeback), and bonnets worn by the women and the topcoats and waistcoats worn by the men are gorgeous and feature elaborate embellishments.  Starnes gives a beautiful performance because all of the emotions that Scrooge feels as he is shown his past, present, and future are clearly visible on his face and in his delivery.  His reactions to Nan, Belle, and Tiny Tim are especially poignant but it is his simple interaction with a caroler busking on the street after his transformation that brought me to tears.  I also enjoyed David Matthew Smith's performance as Bob Cratchit because he is so emotional in the scene where he mourns the death of Tiny Tim and Ryann Bailey Wawro's performance as Belle because her facial expressions in the scene where she is wooed by young Ebeneezer are so funny.  Jack Jewkes is adorable as Tiny Tim, especially when he sings "What Child Is This?," but Lilly Anderson absolutely steals the show as Fan and Sara Cratchit!  This is definitely my favorite production of A Christmas Carol (and I have seen a lot of them) and I highly recommend getting a ticket (go here).  It runs through December 23.

The Music Man at HCTO

I had so much fun at HCTO last night because I saw their wonderful production of The Music Man (it is a sentimental favorite of mine).  I think I had a huge smile on my face from beginning to end!  This show tells the well-known story of a traveling salesman who comes to swindle the residents of River City by selling band instruments but falls in love with a librarian instead.  It features an amazing cast led by Bronson Dameron, who is incredibly charming and charismatic as Harold Hill, and Brittany Sanders, who has a beautiful voice as the uptight yet vulnerable Marion Paroo.  Dameron's renditions of "Ya Got Trouble," "Seventy-Six Trombones," and "Gary, Indiana" are so much fun and I had to try really hard not to sing along (I mostly succeeded) while Sanders had me swooning during "Goodnight My Someone," "My White Night," and "Till There Was You."  Other standouts from the cast are Shawn Lynn as the befuddled Mayor Shinn ("Not one poop out of you madame"), Bonnie Wilson Whitlock as my favorite character Eulalie MacKecknie Shinn (I could not stop laughing during her hilarious performance as a Grecian Urn), and Thomas Wood, Jason Baldwin, Ryan Withers, and Davis Underwood as the feuding members of the school board who form a barber shop quartet ("Sincere," "Goodnight Ladies," "It's You," and "Lida Rose" are highlights of the show).  Ella Bleu Bradford as Zaneeta Shinn, Mayor Shinn's oldest girl, and Evan Naef as Tommy Djilas, a boy with reform school written all over him, are amazing dancers who lead a terrific ensemble in the big production numbers, particularly in "Seventy-Six Trombones," "Marion the Librarian," "The Wells Fargo Wagon," and "Shipoopi."  I am always so impressed with how HCTO is able to stage these big numbers with energetic choreography in such a small space!  I wondered if "Marian the Librarian," my favorite number in the show, would be as dynamic as it has been in other productions I've seen but I loved the clever way the choreography incorporates a desk, a card catalog (so fun), a book cart, benches, and books.  I also loved the staging of "Rock Island" with all of the suitcases.  The set, which features the lattice porch of the Paroo house, a wisteria draped gazebo, and a wooden footbridge, is beautiful and the period costumes, especially Marian's dress for the social, are some of the best I've seen at HCTO (and the bar was already set pretty high with this theatre).  This is a delightful production that everyone is sure to love as much as I did and I highly recommend it!  It runs at HCTO through November 18 and tickets may be purchased here.

Note:  Just wait until you see the finale!  It is pretty spectacular!

Clue at HCTO

The hilarious slapstick comedy Clue was my favorite show at the Utah Shakespeare Festival last year (my sister, who is very reserved, laughed out loud multiple times) so I was really excited to see it again at HCTO last night. I wondered how they would be able to manage all of the complicated hi-jinks in the their small and intimate space but what they did is so clever it just might be my favorite staging of this show!  Six guests, including Colonel Mustard (David Knight), Mrs. Peacock (Lizzy Bean), Professor Plum (Spencer Bean), Mrs. White (Bonnie Wilson Whitlock), Mr. Green (Bryson Smellie), and Miss Scarlet (Laurel Asay Lowe), are invited by Mr. Boddy (Langi Tuifua) to his manor on a dark and stormy night under unusual circumstances.  Mr. Boddy has been blackmailing each of them and, after providing them with weapons, he informs them that he will return the evidence he has against them if they kill his butler Mr. Wadsworth (Blake Barlow).  Murder and mayhem ensue!  As I mentioned, the staging of this show is so clever!  The entire space has been transformed into Boddy Manor with parquet floors, mahogany wainscoting, and gold leaf wallpaper all around and a large chandelier in the center.  The actors use elaborate (and highly amusing) choreography to move from room to room as minimal set pieces are seamlessly configured on stage to become the hall, the lounge, the dining room, the study, the kitchen, the billiards room, and the conservatory.  I particularly enjoyed the use of a set of moving doors as the characters search the manor and a revolving bookcase.  This show is so funny because it is filled with witty dialogue (although the joke about Republicans didn't get the same response in Utah county as it has in other productions I've seen), sight gags, and physical comedy and it all happens at lightning speed!  The entire cast is outstanding with brilliant comedic timing but the standouts for me are Whitlock (one of my favorites at HCT and HCTO), because her facial expressions are priceless, Smellie, because his physicality throughout the entire show is commendable (particularly when he is trapped under two different bodies), and Barlow, because his high energy performance (especially when Wadsworth reenacts every murder in detail) is definitely the highlight of the show.  The costumes are a lot of fun (I liked that each character's costume features just a bit of their signature color) and the lighting is very effective at creating a mood.  I loved this production so much and, if you are looking for some laughs, I highly recommend getting a ticket (go here).  It runs at HCTO through September 23 but tickets are going fast!

Oliver at HCTO

Last night I saw an absolutely wonderful production of Oliver, the musical adaptation of the classic Charles Dickens novel, now playing at HCTO.  It follows the exploits of an orphan named Oliver Twist (Oliver Bingham) who is raised in a workhouse run by Mr. Bumble (Michael Young) and the Widow Corney (Katherine Trent), is sold to an undertaker named Mr. Sowerberry (Aron Cain) and his wife (Sarah Maxwell Neipp), escapes to London where he meets the Artful Dodger (Bingham Ker) and other members of a gang of pickpockets run by an elderly criminal named Fagin (Jeff Thompson), runs afoul of a vicious burglar named Bill Sikes but is rescued by his lover Nancy (Emma Wadsworth), and is finally reunited with his long lost grandfather Mr. Brownlow (Charles Eads).  All of the big production numbers are fantastic with dynamic and energetic choreography and I especially loved "Food, Glorious Food" with the orphans, "Consider Yourself" with the Artful Dodger, You've Got to Pick a Pocket or Two" with Fagin and the pickpockets, "It's a Fine Life," "Oom-Pah-Pah," and "I'd Do Anything" with Nancy, and "Who Will Buy? with the vendors.  This is the biggest cast I've seen at HCTO and the staging is very innovative with so many people on the small and intimate stage.  Speaking of which, the stage is one of the most elaborate ones I've seen at HCTO and is configured with lots of different levels depicting alleys, bridges, streets, pubs, shops, and a proper Victorian mansion.  The period costumes are beautiful and I especially loved Nancy's dress and Fagin's top coat.  Finally, I loved all of the performances!  Bingham melts you heart as Oliver and I actually had a tear in my eye during his sweet rendition of "Where Is Love?" and Wadsworth shows a lot of vulnerability in "As Long As He Needs Me" while blowing the roof off the theatre.  However, Ker steals the show as the Dodger and I was unbelievably impressed with the orphans (Tate McBeth, Travis Hanson, Nat Paxman, Tyson Russell, Leo Smith, and Clara Norris) because they are insanely talented singers and dancers.  I loved everything about this production (the kids sitting near me loved it, too) and I can't say enough about it except that you should definitely get a ticket (go here).  It runs through August 5.

Once at HCTO

The first time I saw the musical Once I didn't know anything about it but I ended up loving it so much because it is a beautiful and moving story about the impact that one person can have on your life.  I even downloaded the music during intermission!  I was absolutely thrilled (and a little bit surprised but more about that later) when I found out that it was part of the 2023 season at HCTO.  I saw their production last night and it is grand!  A Guy (Will Ingram) is busking on a Dublin street when a Girl (Rachel Ryan Nicholes) strikes up a conversation with him because she likes his music.  He reluctantly tells her that he wants to give up on music because all of his songs are about a girl who left him to move to New York.  The Girl encourages him to play more of his music for her and eventually helps him to record a demo.  He begins to have feelings for her and tells her that he may have written the songs for another girl but now he is singing them for her.  She knows that she needs to reconcile with her estranged husband for the sake of her daughter and that he needs to go to New York and play his music for his former girlfriend so, even though she loves him, she tearfully convinces him to go.  The Broadway touring production that I saw was set in a Dublin bar (you could even go up on stage and buy a drink during intermission) with very minimal props representing the other locations so I was very intrigued to see how HCTO would stage their version.  It is quite different, with the main stage configured as a Dublin street with the music store, repair shop, bar, and other locations in the wings, but it is very effective and I liked it.  All of the secondary characters (Caleb Collier, Makenzie Belnap, Shaunna Thompson, Clark Woolstenhulme, David Kocherhans, Nathan Holley, Jordan Briggs, Caleb McCleary, Nathan Bowser, and Angelica Salazar) play a variety of instruments live on stage and it is really clever how they are integrated into the action.  Both productions that I've seen (Broadway touring and PTC) had a lot of profanity and I wondered how HCTO would address that.  I am happy that they really toned it down (and it didn't detract from the narrative at all) because now I feel like I can recommend it to anyone (and I wholeheartedly do!).  The music is really beautiful and the way the cast performed my favorite songs, "Falling Slowly," "If You Want Me," and "Gold," gave me goosebumps!  Both Ingram and Nicholes are outstanding in the lead roles because they also play guitar and piano, respectively, as well as sing and they have a lot of chemistry (Ingram reminded me a lot of Jack Raynor).  I really loved this production and I suggest you get tickets as soon as possible (go here) before every show sells out because I'm sure they will!

A Gentleman's Guide to Love and Murder at HCTO

I recently had the chance to see A Gentleman's Guide to Love and Murder at the Empress Theatre and I was very impressed by what they did with an incredibly ambitious show in such a small and intimate space.  Because HCTO is similar in scale I was really eager to see their version and I had the opportunity last night.  I was equally impressed by this production!  After the death of his mother, Monty Navarro (Jordan Nicholes) is informed by her friend Miss Shingle (Bonnie Wilson-Whitlock) that she was once a member of the wealthy and aristocratic D'Ysquith family but was disinherited for marrying his father.  He is really Montague D'Ysquith Navarro and he is in line to inherit an earldom.  However, there are eight family members ahead of him!  When his vain and heartless girlfriend Sibela (Brittany Sanders) marries the rich and handsome Lionel Holland, he decides to murder all eight family members in order to become the Earl of Highhurst and win her back.  Standing in his way are the Reverend Lord Ezekiel D'Ysquith (who has an unfortunate fall from the bell tower of his cathedral), Asquith D'Ysquith, Jr. (who has a bizarre skating accident), Henry D'Ysquith (who is stung by bees), Lady Hyacinth D'Ysquith (who disappears in deepest darkest Africa and is presumed dead), Major Lord Bartholomew D'Ysquith (who is decapitated while lifting weights), Lady Salome D'Ysquith Pomphrey (who is killed when a prop gun is mistakenly loaded with real bullets during her debut in Hedda Gabbler), Lord Asquith D'Ysquith, Sr. (who is driven to a heart attack after hearing about all of the deaths in his family), and, finally, Lord Adalbert D'Ysquith, the Earl of Highhurst, (who is mysteriously poisoned).  Along the way, Monty falls in love with Phoebe D'Ysquith (Lisa Zimmerman) and marries her which makes Sibela jealous.  When Monty becomes the Earl of Highhurst he is arrested for the murder of Adalbert, the only D'Ysquith death for which he is actually not responsible!  The charges are eventually dismissed when Phoebe and Sibela each give proof that the other committed the murder but Monty might not live happily after because Chauncey D'Ysquith, the next in line to the earldom, is lurking!  The cast is absolutely stellar and I particularly enjoyed both Wilson-Whitlock and Laurel Asay Lowe (as Lady Eugenia D'Ysquith) because their characters are so unhinged!  However, the star of the show is Bryan Dayley who plays every member of the D'Ysquith family (I loved him in a similar role in One For The Pot at HCT last year).  He is absolutely hilarious and makes every character feel distinct with his facial expressions and comedic physicality (as well as some quick costume changes).  Every time I see this show I always love a different family member and this time my favorites were the Reverend Ezekiel (because of the way he flails about before he falls) and Lord Adalbert (because of his plummy accent).  As with most productions of this show, the set is reminiscent of an old music hall but I loved the use of a falling red curtain in between scene changes and the elaborate painted backdrops.  A scene where Monty must keep Sibela and Phoebe apart at his flat is staged in an especially clever way and I also loved the singing ancestors at Highhurst.  Finally the period costumes are incredible, especially the highly embellished gowns worn by Sibela and Phoebe!  Do yourself a favor and get a ticket to this hilarious show (go here).  It runs through April 8 but many dates are sold out!

Pride and Prejudice at HCTO

I am a huge fan of Jane Austen and Pride and Prejudice is one of my very favorite novels so I was really excited to see a production of it at HCTO yesterday!  I loved everything about it!  First, I cannot say enough about the brilliant adaptation by Melissa Leilani Larson.  As someone who has read the novel countless times and even studied it in college (I took a class focused on the novels of Jane Austen and it was my favorite one in college), I think it is perfect.  Obviously not everything can be included in an adaptation (except for maybe the A&E version starring Colin Firth and Jennifer Ehle) but I think this one captures the essence of the novel in a way that feels very fresh and new without sacrificing any of my favorite lines of dialogue.  There is even a hilarious spoof of the well-known opening sentence about a single man in possession a fortune being in want of a wife that made the audience laugh out loud!  I even enjoyed a very subtle difference from the source material (which almost never happens with me because I am a purist) in which Mary displays an infatuation for Mr. Collins because it seems like an organic extension of the character as written in the text.  Next, the performances are wonderful!  One of the things I love about the novel is that the characters are so well delineated and every member of the cast is perfect for their role, especially Madeleine McBeth because she is intelligent and quick-witted as Elizabeth, Sasha Fazulyanov because she is reserved and gentle as Jane, Bronson Dameron because he is arrogant and aloof as Mr. Darcy, and Parley Lambert because he is pleasant and a bit awkward as Mr. Bingley.  However, Bradley Mackay steals every scene he is in as Mr. Collins!  His reaction to Mr. Wickham when he is out with the Bennett sisters is hilarious and his proposal to Elizabeth had me (and the audience) in hysterics!  Finally, I loved the staging (especially both dances at the Netherfield ball because the choreography emphasizes every character's personality so well), the minimal set in which chairs are moved into various configurations by the actors, and the beautiful Regency costumes.  I enjoyed this so much and I wish that I had time to see it again!  It runs through February 11 and tickets may be purchased here.

A Christmas Carol at HCTO

Last night I saw the reclamation of Ebeneezer Scrooge (Ric Starnes) by the Ghosts of Christmas Past (Tannah O'Banion), Present (Mark Fossen), and Future (Carter McEwan) for the third time this week at HCTO.  I had never seen this version before and I really loved it!  Much like the production at HCT, this show incorporates music in the form of a group of carolers (Abby Young, Ally Johnson, Ashlyn Patterson, Carter McEwan, Jacob Eich, Jacob Ith, and Kirk Baxter) who sing in between scenes, provide narration for the action, and move set pieces on and off stage.  I really enjoyed their performance of "Wexford Carol" (which is becoming one of my new favorites this year), "Bring a Torch Jeanette, Isabella" (another favorite from my choir days in college), and "Joy to the World" (because it is so triumphant).  I was also really moved by a tender version of "What Child is This" by Bob (Geoff Means) and Mrs. Cratchit (Natalie Killpack-Daniel) at Tiny Tim's grave and by "God Rest Ye Merry Gentlemen" by Scrooge after his transformation.  It was really interesting for me to see this show a day after HCT's version because there are some differences that I actually prefer.  The scenes between a young Ebeneezer (Aron Naylor) and Belle (Ellie Mellen) are expanded to show show her living her life with a husband and daughter to emphasize what Scrooge has missed out on, the scene between Old Joe (Ethan Freestone) and the Charwoman (Natalie Killpack-Daniel) regarding Scrooge's belongings after his death happens very quickly (I think it goes on far too long in HCT's version), and the scene where Scrooge wakes up in his bed chamber is filled with more gratitude than giddiness.  Starnes is an outstanding Scrooge and I especially enjoyed his reaction to reading his name on the tombstone and his interactions with Cratchit.  I also really enjoyed Doug Kaufman and Ethan Freestone as the solicitors because their facial expressions and physical performances add a bit of levity to the story and, of course, Sawyer Winspear is absolutely adorable as Tiny Tim, especially when he directs his family in a rousing version of "The Twelve Days of Christmas."  The sets are very minimal with pieces moved on and off stage (I was impressed with how seamless and how well integrated into the action this was) but the costumes are gorgeous with lots of details and embellishments (I loved all of the bonnets).  I fell in love with this production and now I am going to have to add it to my list of holiday traditions!  It runs at HCTO through December 23 with multiple performances each day (go here for tickets).

Sister Act at HCTO

Another musical that has become very popular with Utah audiences is Sister Act.  Even though the production at HCTO last night was the third one I've seen in a year I thoroughly enjoyed it!  A nightclub singer named Deloris Van Cartier (Aria Love Jackson) accidentally sees her gangster boyfriend Curtis (Brock Harris) kill someone so she is placed in the Queen of Angels Convent by a love-struck policeman named Eddie (Nathan Wawro) to keep her safe until she can testify against him.  She wreaks havoc on the orderly way of life at the convent until the Mother Superior (Mindy Taylor) puts her in charge of the choir to keep her out of trouble.  The new and improved choir's unorthodox performances bring people back to the church but all of the attention puts the convent in danger when Curtis and his henchmen see Deloris on TV.  This is such a fun and energetic show and the exuberant cast had the audience laughing out loud and, eventually, dancing in the aisles!  Jackson is outstanding as Deloris because, even though she is diminutive, she has a powerful voice and I really enjoyed her rendition of "Fabulous, Baby" and the reprise.  She is hilarious when she tries to teach the nuns how to sing and dance and full of sass during her interactions with the Mother Superior.  All of the nuns (Abigail Filmore, Courtney Byrom, Tina Fontana, Shannon Eden, Mary Jane Smith, Channing Spotts, and Sophia Campagna) do a great job singing and dancing in the big production numbers "Take Me to Heaven," "Sunday Morning Fever," and "Spread the Love Around."  I couldn't stop laughing when Sister Mary Lazarus (Tina Fontana), the oldest nun in the convent, starts rapping during "Sunday Morning Fever" wearing a Phillies baseball cap but Austin Baum (as TJ), Christian Wawro (as Joey), and Armando Serrano (as Pablo) steal the show with "Lady in the Long Black Dress" (the choreography is so much fun).  I also really enjoyed Michael Smith as Monsignor O'Hara (watch him twirling his stole during "Take Me to Heaven").  This show is set in the 1970s so the costumes are absolutely fabulous with lots of bold colors and patterns and I loved how the nuns' habits (and the Monsignor's vestments) get more and more bedazzled as the show goes on!  The set features moving panels which are used to project images of stained glass windows, Gothic arches, and various office interiors with the addition of a few props moved on and off stage.  The floor is a rotating checkerboard of flashing lights (which caused a few technical difficulties last night) and this, along with a disco ball, adds a lot of energy to the choir's performances.  This production is a blast (I left the theatre with a big smile on my face) and I highly recommend it.  In runs at HCTO through November 19 (go here for tickets).

Enchanted April at HCTO

Last night I went to see HCTO's delightful production of Enchanted April and I thoroughly enjoyed it!  In England after World War I Lotty Wilton (Stephanie Breinholt) is finding her life and her marriage to Mellersh (Marshall Lamm) to be unsatisfactory.  She sees an advertisement for a medieval castle in Italy to let for the month of April and begins to dream of the possibility of taking it.  The dream becomes a reality when she meets Rose Arnott (Christie Gardiner), a pious and uptight woman who is also struggling in her marriage to Frederick (Jon Liddiard), at her Ladies Club and convinces her to come along.  They decide that it would be more economical to have two more women join them and they create their own advertisement.  It is answered by the wealthy and aimless Lady Caroline Bramble (Kelly Cook) and the imperious widow Mrs. Graves (Karen Baird).  At first their interactions at the castle are tense but soon all four of these unhappy women, as well as their husbands, begin to bloom under the wisteria and sunshine of San Salvatore.  I really love this story because it is all about finding light when life seems at its darkest and I think this is a message we can all benefit from.  The four main women in the cast are all wonderful, especially Breinholt as the free-spirited Lotty, but I absolutely loved Celine Morton as the cook Costanza because, even though all of her dialogue is in Italian, her facial expressions and over the top gestures are hilarious and I also enjoyed Lamm, especially his attempts to speak Italian.  The rotating set is very simple and becomes a Ladies Club, the Wilton residence, the Arnott residence, the Bramble residence, the Graves residence, and a train compartment with the addition of just a few props in the first act and then it is miraculously transformed into the terrace of San Salvatore with a wisteria covered pergola in the second act.  The audience literally gasped when the transformation occurred (you have to see it to believe it).  I say this in every review but I am always so impressed with what HCTO is able to do on such a small stage and I was particularly struck by how the scene where Lotty and Rose tell their husbands that they are going to Italy is staged because it happens simultaneously in the same space (it is choreographed so well because both couples even use the same tea service).  This is a simple play but I walked out of the theatre with a huge smile on my face and I definitely recommend it (go here for tickets).

The Drowsy Chaperone at HCTO

Last night I saw another production of The Drowsy Chaperone (go here for my review of the Empress Theatre's production) at HCTO.  This show has become one of my favorites because, as a fan of musical theatre, I love the message about its power to transport you away from the real world and all of your problems to a place where happy endings are possible for a few hours.  Man in Chair (Daniel Fenton Anderson) is feeling a bit blue so he decides to listen to his cast recording of The Drowsy Chaperone, a popular musical from 1928 which features mix-ups, mayhem, and a gay wedding (which, he explains, had a different meaning back then).  As he listens to the record, the actors appear in his apartment and bring the show to life with frequent pauses, during which the actors freeze, for his wry commentaries on the musical theatre tropes found therein.  Mrs. Tottendale (Liz Whittaker) and her Underling (Dayne Joyner) are hosting the wedding of wealthy oil tycoon Robert Martin (Preston Taylor) and Broadway star Janet Van De Graff (Brittany Sanders) who is giving up her glamorous career to marry a man she barely knows.  Robert is leaving the wedding details to George (Josh Valdez), his best friend and best man, while Janet's Chaperone (Amelia Rose Moore), who gets drowsy when she drinks champagne, is charged with keeping the couple apart to prevent bad luck.  Broadway producer Feldzieg (Benjamin J. Henderson) is unhappy about losing his biggest star and sets out to stop the wedding by convincing a Latin lover named Aldolpho (Jacob Thomason) to seduce the bride.  An investor in the Feldzieg Follies is also worried about losing its biggest star and hires two gangsters (Preston Harmon and Ethan Freestone), disguised as pastry chefs, to stop the wedding but a ditzy chorus girl named Kitty (Amanda Baugh) is hoping to take Janet's place.  Mayhem ensues but a happy ending comes when Trix the Aviatrix (Aria Love Jackson) marries four couples on her plane while flying to Rio.  Man in Chair puts the wrong record on at the beginning of Act 2, because the woman who cleans for him puts his records back in the wrong sleeve, and the cast, as completely different characters, perform "Message From a Nightingale" from a different musical until he realizes his mistake.  This production is extremely well done and I laughed and laughed through the whole thing.  The cast is incredibly strong but my favorites were Moore and Thomason because they are completely over the top in "As We Stumble Along" and "Aldolpho," respectively.  I also really enjoyed Anderson because he interacts with the cast more than I have ever seen before and I especially loved it when he does a soft shoe routine along with the tap dancing Taylor and Valdez during "Cold Feets" and when he steadies the blindfolded and rollerskating Taylor during "Accident Waiting to Happen."  The choreography is fantastic (I am always so impressed with how effectively the small space is utilized at HCTO) and I particularly enjoyed "Show Off" (the quick wardrobe changes are a lot of fun), "Toledo Surprise" (I loved it when the record gets a scratch and the cast performs the same steps over and over), and "Bride's Lament" (the monkeys!).  The 1920s costumes are fabulous (I especially loved all of the feathers used on the Chaperone's costumes) and the set of Man in Chair's apartment is very effective because the cast enters through a large armoire.  This show makes me so happy (for a few hours, at least) and I loved what HCTO did with it!  I highly recommend getting a ticket (go here).

Camelot at HCTO

The first theatrical performance I remember seeing is the musical Camelot.  I remember everything about it very vividly because it was the last day of school so spirits were already running high.  I got all dressed up and went with a youth group to see the show at Promised Valley Playhouse and I found it to be an incredibly thrilling experience.  It is not performed very often any more but it will always be a sentimental favorite!  I was very excited to see HCTO's version last night and it was no less thrilling than when I saw it as a 13 year old girl!   This production is a stripped down and simplified telling of King Arthur and his Knights of the Round Table featuring Rex Kocherhans as Arthur, Kat Hawley Cook as Guenevere, and Scott Hendrickson as Lancelot with a small ensemble (Jordan Briggs, Jake Slater, Wade Flanagan, Caleb Collier, Braedon Reynolds, and Daniel Bradley) performing all of the other roles.  The set and props are very minimal and several scenes are described by narrators rather than explicitly portrayed.  However, all of the well-known songs are included such as "Camelot," "The Lusty Month of May," "How to Handle a Woman," "If Ever I Would Leave You," "Fie on Goodness," "What Do the Simple Folk Do?," and "Guenevere."  Despite the simplicity of the storytelling, I really loved the staging of all of the numbers, particularly "The Lusty Month of May" during which colored ribbons drop from the ceiling with choreography that mimics the dancing of the maypole, "The Joust" during which members of the ensemble create the sounds of the galloping horses and the crashing armor with household objects, and "Guenevere" during which the death of the knights in battle is portrayed with red scarves surrounding them as they fall.  This adaptation really focuses on the love triangle between Arthur, Guenevere, and Lancelot and the three lead actors give wonderful performances filled with pathos.  I was especially impressed with Kocherhans in the scene where Arthur discovers that Lancelot and Guenevere love each other because the conflict he feels is palpable.  Even though the sets and props are scaled down, the costumes are not because they are gorgeous!  I couldn't pick a favorite among Guenevere's gowns because they are all incredibly elaborate and beautifully embellished!  There's simply not a more congenial spot than HCTO for their production of Camelot!  I highly recommend that you get a ticket (go here) before the lusty month of May is over!

Bright Star at HCTO

I fell in love with the musical Bright Star when I saw a production at PTC a few years ago which featured most of the original Broadway cast, including Carmen Cusack as Alice Murphy.  I was, therefore, really excited to see this show at HCT Orem last night and I loved what they did with it!  The story takes place in the Blue Ridge Mountains of North Carolina during the 1920s and just after World War II.  After the war, Billy Cane (Zack Elzey) briefly returns to his hometown of Hayes Creek to visit his father (Sanford Porter) and his childhood friend Margot (Maren Miller) but he soon decides to try writing for a magazine in Asheville where he meets the uptight editor, Alice Murphy (Anya Young Wilson), who once made Hemingway cry.  When Daryl (Dayne Joyner) and Lucy (Kelsey Phillips Harrison), staff members at the magazine, tease Alice about her boring existence, she transforms in front of our eyes into a wild and rebellious young girl in the small town of Zubulon.  She begins a romance with Jimmy Ray Dobbs (Benjamin Henderson), much to the chagrin of his father Mayor Josiah Dobbs (Stephen Kerr) who tries to separate them.  The narrative alternates between the two timelines as Alice suffers an unimaginable loss and then is unexpectedly made whole again.  The story is very powerful and heartwarming with amazing bluegrass music written by Edie Brickell and Steve Martin.  My favorite songs are "If You Knew My Story," "Asheville," "Sun's Gonna Shine," and "I Had a Vision."  Wilson has a beautiful voice and her emotional rendition of "Please Don't Take Him" brought tears to my eyes.  When she first appears on stage as the older Alice I was so impressed by her portrayal of the emotionally restrained professional woman that I wondered if she would be able to pull off the reckless teenage girl but she transitions seamlessly between the two with just a change in expression (and some quick costume changes).  The rest of the cast is really strong but the other standouts for me were Miller, as a young woman afraid that she will lose the one she loves to the big city, and Kerr, as a father who thinks he is doing the right thing for his son.  The staging of this show in such a small and intimate space is so clever!  The set includes the facade of a rustic cabin with a fenced in porch, where a three piece band (featuring Braden Williams on fiddle, Marcus Williams on mandolin, and Taylon Mann on banjo) performs, as well as an attached platform and a grassy area where the action takes place with the addition of portable set pieces and projections to denote the bookstore where Margot works and the office of the magazine.  I also really liked the use of vintage light bulbs. The members of the ensemble move props on and off stage very effectively and I was really impressed with how a key moment on a train is portrayed.  This is a wonderful production that should not be missed (go here for tickets).

Over the River and Through the Woods at HCTO

Even though it is a bit of a drive to get there from my house, I am so glad that I discovered Hale Center Theater Orem last year.  Every show that I have seen there has been outstanding including their current production, Over the River and Through the Woods, which I saw last night.  This delightful play is full of laughter and heart and I thoroughly enjoyed it.  Nick Cristano (Will Ingram) is offered a big promotion at work but this means that he will have to relocate from New York to Seattle.  His overprotective Italian grandparents (Mark Pulham, Karen Baird, Larson Holyoak, and Melany Wilkins) don't want him to leave so they plot to find a reason for him to stay.  They decide that he needs a girlfriend which involves a painfully awkward set-up with Caitlin O'Hare (Kelly Cook), the attractive and single niece of his grandmother's canasta partner.  Hilarity ensues!  In addition to the humor, of which there is plenty (I was laughing out loud all night), there are some really tender moments involving generational differences. The main theme of the play is that people, especially immigrants, work hard their whole lives in order to give their children and grandchildren a better life but, in so doing, they pave the way for them to leave them behind for lives that are incomprehensible to them.  An especially poignant scene involves Nick's grandfather telling him about coming to America for a better life and then realizing that Nick wants to move to Seattle for the exact same reason and that he needs to let him go.  I was lucky enough to have all four of my grandparents (and my great-grandfather) in my life until my mid-twenties and I recognized many of the situations portrayed in this play, especially when Nick's grandmother tries to feed him all of the time (my grandmother also tried to send me home with food whenever I visited).  The entire cast is fantastic, but I particularly enjoyed Ingram's overwrought portrayal of Nick (I also enjoyed him in The 39 Steps).  His facial expressions are absolutely hilarious, especially as he gets more and more exasperated with his grandparents during the blind date with Caitlin and during their game of Trivial Pursuit!  I am, once again, really impressed with what HCTO is able to do with such a small space because the stage looks just like the fussy living and dining room of an older couple.  I particularly loved all of the little details such as the plastic fruit in a bowl on the table (both of my grandmothers had plastic fruit on their tables).  This is a show that old and young alike are sure to enjoy and I highly recommend it.  It runs through Ferbruary 12 so get your tickets (go here) soon!

The Hunchback of Notre Dame at HCTO

After seeing two outstanding productions (one at HCT and another at CPT) I have become a huge fan of The Hunchback of Notre Dame and, since I thoroughly enjoyed HCTO's production of The 39 Steps, I have been looking forward to their version of this stirring musical for weeks.  I was particularly interested in seeing how this big and complicated show (both of the aforementioned productions had very elaborate sets) could be adapted for the small and intimate stage at HCTO.  I was able to see it last night and I loved everything about it!  Quasimodo (Chase Ramsey) has been hidden by his uncle Frollo (Chase Petersen) in the bell tower of Notre Dame Cathedral all of his life because of a deformity.  He yearns to leave the cathedral and decides that the Feast of Fools would be the perfect opportunity to do so.  He is eventually crowned the King of Fools but, when the crowd turns on him, he is rescued by a gypsy named Esmeralda (Phoebe Shepherd Beenfield).  She also catches the eye of the captain of the cathedral guard, Phoebus de Martin (Woody Brook), who falls in love with her and she bewitches Frollo who becomes obsessed with possessing her.  When Esmeralda rejects Frollo, he orders Phoebus to arrest her but he refuses and they both become fugitives.  Quasimodo gives them sanctuary in the cathedral forcing a dramatic confrontation in the bell tower.  All four leads have incredibly beautiful voices and I loved their performances of "God Help the Outcasts," "Hellfire," "Heaven's Light," and "Someday."  Ramsey imbues Quasimodo with a childlike wonder while Petersen does an outstanding job of portraying Frollo's torment. I also really enjoyed the depiction of the Gargoyles, especially their interactions with Quasimodo in the songs "Top of the World" and "Made of Stone."  The staging of this show is incredibly innovative, particularly "Hellfire" because Esmeralda taunts Frollo in what appears to be flames and the confrontation in the bell tower because the pyrotechnics are quite spectacular.  The choreography in "Topsy Turvy," "Rhythm of the Tambourine," and "Tavern Song" is brilliant because it involves many dancers performing intricate steps in a small space.  I loved the set and, while it is not as substantial as the others I've seen, it is highly effective.  I particularly liked the stained glass windows and the bell tower (one of my favorite scenes is when Quasimodo rings the bells).  I was so impressed with this show (I actually saw a preview which was flawless) and I highly recommend it (go here for tickets).

Note:  My dear friend Karen, whom I haven't seen in more than a year, was in the audience and it was so much fun to talk to her during the intermission.  I met her on a trip to NYC and we bonded over our shared obsession with Hamilton.

The 39 Steps at HCTO

I have had season tickets at Hale Centre Theatre for years and years but I had never been to HCT Orem (which is independently owned and operated), mostly because it is 45 minute drive to get there from my house.  I decided it was worth the drive when I found out that they were performing The 39 Steps which is one of the funniest plays I have ever seen.  I just had to see it again so I went last night and I am really glad that I did.  This hilarious show is a parody of the 1935 spy movie of the same name by Alfred Hitchcock and it features four actors (and a Foley Artist) performing all of the roles.  The action is lightning fast with scene changes and costume changes happening on stage (characters are sometimes denoted with just the change of a hat).  There are also many visual and auditory references to other Hitchcock movies, such as Psycho, Strangers on a Train, Rear Window, North By Northwest, and The Birds (there may be more but these are the ones I picked up on).  Will Ingram plays Richard Hannay, a man at loose ends who becomes embroiled in a plot to stop a ring of spies from stealing military secrets when a mysterious woman named Annabella Schmidt is stabbed after taking refuge in his apartment.  Amber Dodge plays Annabella and several other women who become romantically involved with Hannay when he travels to Scotland to clear his name.  Andy Hansen and Brett Jamison play every other character, including actors, traveling salesmen, policemen, innkeepers, farmers, spies, and more.  Amanda Anne Dayton is the Foley Artist who produces various sound effects, such as footsteps, doors opening and closing, train whistles, and even, rather amusingly, the bleating of a sheep.  All four actors have brilliant comedic timing and I especially enjoyed it whenever the characters had to jump through windows and walk through doorways.  The stage is in the round (it doesn't have the state-of-the-art technology of HCT but it feels much more intimate) which is perfect for this show as characters run in and out multiple times.  The sets and props are very minimal and I was particularly impressed with how a chase sequence on top of a train is staged.  I laughed and laughed through the whole show, as did the entire audience, and I had a thoroughly wonderful time!  I enjoyed it so much I immediately bought a ticket to The Hunchback of Notre Dame in October.  The 39 Steps runs through Sept. 25 and I highly recommend getting a ticket (go here).