A Christmas Carol at HCTO

Last night I saw the reclamation of Ebeneezer Scrooge (Ric Starnes) by the Ghosts of Christmas Past (Tannah O'Banion), Present (Mark Fossen), and Future (Carter McEwan) for the third time this week at HCTO.  I had never seen this version before and I really loved it!  Much like the production at HCT, this show incorporates music in the form of a group of carolers (Abby Young, Ally Johnson, Ashlyn Patterson, Carter McEwan, Jacob Eich, Jacob Ith, and Kirk Baxter) who sing in between scenes, provide narration for the action, and move set pieces on and off stage.  I really enjoyed their performance of "Wexford Carol" (which is becoming one of my new favorites this year), "Bring a Torch Jeanette, Isabella" (another favorite from my choir days in college), and "Joy to the World" (because it is so triumphant).  I was also really moved by a tender version of "What Child is This" by Bob (Geoff Means) and Mrs. Cratchit (Natalie Killpack-Daniel) at Tiny Tim's grave and by "God Rest Ye Merry Gentlemen" by Scrooge after his transformation.  It was really interesting for me to see this show a day after HCT's version because there are some differences that I actually prefer.  The scenes between a young Ebeneezer (Aron Naylor) and Belle (Ellie Mellen) are expanded to show show her living her life with a husband and daughter to emphasize what Scrooge has missed out on, the scene between Old Joe (Ethan Freestone) and the Charwoman (Natalie Killpack-Daniel) regarding Scrooge's belongings after his death happens very quickly (I think it goes on far too long in HCT's version), and the scene where Scrooge wakes up in his bed chamber is filled with more gratitude than giddiness.  Starnes is an outstanding Scrooge and I especially enjoyed his reaction to reading his name on the tombstone and his interactions with Cratchit.  I also really enjoyed Doug Kaufman and Ethan Freestone as the solicitors because their facial expressions and physical performances add a bit of levity to the story and, of course, Sawyer Winspear is absolutely adorable as Tiny Tim, especially when he directs his family in a rousing version of "The Twelve Days of Christmas."  The sets are very minimal with pieces moved on and off stage (I was impressed with how seamless and how well integrated into the action this was) but the costumes are gorgeous with lots of details and embellishments (I loved all of the bonnets).  I fell in love with this production and now I am going to have to add it to my list of holiday traditions!  It runs at HCTO through December 23 with multiple performances each day (go here for tickets).

A Christmas Carol at HCT 2022

I got to see my second version of A Christmas Carol last night at Hale Centre Theatre. I love this production so much (I have seen it so many times that I could stand in for any role should the need arise) and it just wouldn't be Christmas without it! It also tells the well-known story by Charles Dickens of the reclamation of Ebeneezer Scrooge (David Weeks) by the Ghosts of Christmas Past (Parker Burnham), Present (Benjamin Oldroyd), and Future (Kaden Caldwell) but what makes this production so special is the use of music (Have I mentioned that I love Christmas music?) in between scenes by an octet (Zack Grob, James Duncan, Nathanael Abbott, Ryan Withers, Rachel Worthen Grob, Jordyn Aspyn Durfey, Janessa Gillette Zech, and Keri Vance) and in certain scenes by the characters.  My favorites are "Bring a Torch Jeanette, Isabella" by Fezziwig's party guests, "Greensleeves" by Belle, "It Came Upon a Midnight Clear" by Fred's party guests, and "What Child is This?" by Cratchit and the octet. Another aspect of this show that I really enjoy is seeing the same actor return to the same role year after year and I was happy to see Weeks as Scrooge and Oldroyd as Christmas Present once again. This year, however, there were quite a few new faces in the cast such as Chase Petersen as Fred/ Charles Dickens, Josh Egbert as Bob Cratchit, Matt Kohler as Marley's Ghost, Dan Hess as Mr. Fezziwig, and Kaden Caldwell as the young Ebeneezer. I was particularly impressed with Petersen, because his accent when he is the narrator Charles Dickens is the most consistent in the show, with Egbert, because his interactions with Weeks in the final scene are so poignant that I had a tear in my eye, and with Kohler, because his Marley is incredibly menacing. I also really loved Mason Burnham as Tiny Tim because he is absolutely adorable. I look forward with great anticipation to every scene because the sets are incredibly elaborate and detailed. I love Scrooge's Counting House (the storefront windows are amazing), Scrooge's Bed Chamber, Mr. Fezziwig's Warehouse, Bob Cratchit's House (there are two storeys), Fred's House (the Christmas tree is huge), the Rag and Bottle Shop, and the Graveyard. I also love the opulent Victorian costumes, especially the jewel-toned dresses worn by the female party guests. The special effects, most notably the appearance of Marley's ghost in Scrooge's fireplace and when the Ghost of Christmas Past reveals Scrooge's name on the tombstone, are a lot of fun and the projections are so immersive that you feel like you are in Victorian London. No matter how many times I see this show I always leave the theater vowing to keep the spirit of Christmas all year! I highly recommend getting a ticket but, as always, act quickly because many shows are sold out (HCT has been known to add shows so keep checking here).

Celtic Woman: A Christmas Symphony

One of my favorite things about this time of year is being able to hear Christmas music performed live.  I was, therefore, absolutely thrilled to be at Abravanel Hall last night for a Christmas concert with Celtic Woman and the Utah Symphony!  Celtic Woman is an Irish musical ensemble currently composed of violinist Tara McNeill and vocalists Megan Walsh, Muirgen O'Mahony, and Hannah Traynor.  Their crystal clear soprano voices sounded amazing with the acoustics in Abravanel Hall and their arrangements of both classic and contemporary Christmas songs were incredibly lush with the Utah Symphony backing them.  They performed as a group and individually and their set included, "Ding Dong Merrily On High," "Angels We Have Heard On High," "Do You Hear What I Hear," "O Come, O Come Emmanuel," "Deck the Halls," "The Toys' Waltz," "White Christmas," "Amid the Falling Snow," "I Saw Three Ships," "Carol of the Bells," "The Christmas Song," "It Came Upon the Midnight Clear," "Danny Boy," "Have Yourself a Merry Little Christmas," and "Sleigh Ride."  McNeill performed a beautiful instrumental version of "What Child Is This"  and the group was joined by a piper (hearing bagpipes gets me every time) for "Amazing Grace" and "We Three Kings."  I always hope that I will hear "O Holy Night" (my favorite Christmas song) performed live at least once during the holiday season and this year I have been lucky enough to hear it twice because Celtic Woman sang a lovely version (I especially loved the harp used in this arrangement).  Even though I got to hear my favorite song, my favorite performance was "Wexford Carol" because it was incredibly ethereal and their voices blended together so beautifully!  They ended the concert, appropriately, with a rousing rendition of "Auld Lang Syne" which featured the pipes once again.  I am sure that this concert will be a highlight of the season for me because it was simply glorious and I'm so glad that I got to go!

Scrooge: A Christmas Carol at the Terrace Plaza Playhouse

I will be attending three different versions of A Christmas Carol this week and I started last night with the musical Scrooge: A Christmas Carol at the Terrace Plaza Playhouse. I was really excited because I had never seen this version before. I saw the musical by Alan Menken at CPT several years ago and, while I definitely prefer that version, I thought this was very charming and it put a huge smile on my face. It tells the well-known story by Charles Dickens about the reclamation of a miser named Ebeneezer Scrooge (Kim Florence) by the Ghosts of Christmas Past (Jacci Florence), Present (Don Wilhelm), and Future (Jacob Taft) but it includes original music by Leslie Bricusse. The songs are not especially memorable, my favorites were "December the Twenty-Fifth" by Mr. Fezziwig (Duane Beesley), "The Beautiful Day" by Tiny Tim (Beckett Ronnow), and "Thank You Very Much" by Tommy Jones (Shane Alvey), but the cast is very enthusiastic and the choreography is a lot of fun (especially "Thank You Very Much" because it involves dancing on a coffin) so I enjoyed every number. I was really impressed with the number of performers on the stage, including lots of children! I really enjoyed Florence as Scrooge because, while he is still the curmudgeonly misanthrope we all know, he is more a figure of fun who is ridiculed by those who owe him money than a villain who is feared (at one point several characters stick their tongues out at him). Even though he is a bit of a buffoon, his character arc is still really moving to watch because he becomes more and more affected by every vignette shown from his past, present, and future. I also liked Jim Alvey as Bob Cratchit and Tracie Davies as Mrs. Cratchit because their interactions with each other and with Ronnow (who is absolutely adorable as Tiny Tim) are so tender and genuine. The way the intimate space at the Terrace Plaza Playhouse is used is always really clever and this production is no exception. Scrooge's Counting House is located on a platform to the right of the stage and the entrance to his house (the transformation of the knocker into Jacob Marley's face is a great effect) is located on another one to the left.  The Ghosts of Christmas Past, Present, and Future lead Scrooge all around the theatre, including behind the soundboard, to various locations.  A cobblestone street in 19th Century London is depicted on a backdrop and various sets are moved on and off the stage.  I was impressed with the attention to detail in Fezziwig's factory, Bob Cratchit's house, and Fred's house as well as the white silhouettes used to depict Scrooge's childhood with his sister Fan and the giant clock in Scrooge's bedroom. The period costumes are really beautiful, with the possible exception of the strange red tutu worn by the Ghost of Christmas Past (I thought she looked like a deranged Sugar Plum Fairy and her shtick went on far too long). This production is filled with so much heart that you can't help but be filled with a big dose of Christmas cheer and I highly recommend it.  There are nightly performances through December 23 with matinees December 10 and 17 (go here for tickets).

Note:  I have seen HCT's version of A Christmas Carol more times than I can count (I almost have the entire show memorized) so it was really fun to see a different interpretation.

Happy 18th Birthday Sean!

Yesterday my family celebrated Sean's birthday (it was actually on Saturday) with dinner, presents, and cake.  I can't believe that he is 18!

He asked for Amazon gift cards and accessories for his computers!  I don't like giving gift cards but he was so happy to receive them!

We have a tradition of having an ice cream cake from Baskin-Robbins for birthdays and Sean has picked this same polar bear cake three times (go here and here).  We had so much fun celebrating with Sean and I hope that he had a very happy birthday!