Gentri Christmas at the Eccles

I was introduced to Gentri last year when the members of this popular trio performed in HCT's production of Les Miserables (Casey Elliott was Jean Valjean, Bradley Quinn Lever was Enjolras, and Brad Robins was Marius) but my sister Marilyn has been a huge fan for years.  I really love Christmas music so, when I found out that Gentri performs a Christmas concert every year and suggested we get tickets, she immediately and enthusiastically agreed.  We went to the show at the Eccles Theater last night and it was wonderful!  They began with "God Rest Ye Merry Gentlemen" and then sang "Bring a Torch Jeanette, Isabella" which is a favorite of mine because I sang it when I was in choir in college.  They were joined by a vocalist named Bri Ray for "Do You Hear What I Hear" and then performed a really pretty original song called "All Is Well."  The Rise Up Children's Choir joined them for "Mary's Boy Child" and several members acted out the Christmas story complete with costumes (Casey Elliott's daughter was Mary).  Next came "The First Noel" and an amazing rendition of "Ave Maria" with the Rise Up Children's Choir behind them holding candles.  They performed another original song called "Somewhere In Your Silent Night" and then turned the Eccles Theater into an old time gospel revival with a rousing rendition of "Go Tell It On The Mountain" featuring Brad Wheeler on harmonica to end their first set.  After the intermission, they sang "Joy To The World" and then were joined by another guest vocalist named EJ Michaels for "Little Drummer Boy."  I always hope that I can hear "O Holy Night" (it is my favorite Christmas song) live at least once during the holiday season and Gentri performed a lovely arrangement of it.  Most singers build to a powerful crescendo that blows the roof off the venue but their version was very soft and contemplative and I loved it!  One of my favorites from the concert was another original song called "Noel" because the harmonies were so beautiful!  Next, they performed a song they wrote especially for this concert called "Love is Alive" with audience participation that made them quite emotional!  They brought out an upright piano to the front of the stage and gathered around it for "I'll Be Home For Christmas" with Elliot's mom joining them for the final verse.  They concluded with "Silent Night" and "O Come All Ye Faithful" with the children.  The gents (as they call themselves) were really funny and they seemed genuinely appreciative that the audience was there to hear them.  I loved every minute and, if I didn't have a lot of Christmas spirit before, I certainly do now!  I think this has become a new Christmas tradition!

Strange World

My nephew Sean and I have a tradition of seeing the latest Disney/ Pixar movie together over the Thanksgiving holiday (we have seen The Good Dinosaur, Moana, Coco, Frozen II, and Encanto) so we went to see Strange World yesterday despite the lukewarm response.  We actually really liked it!  Legendary explorer Jaeger Clade (Dennis Quaid) and his son Searcher (Jake Gyllenhaal) are on an expedition to cross the mountains that surround their home Avalonia.  Along the way, Searcher discovers a plant that gives off energy and wants to return to Avalonia to grow it and improve the lives of the people there.  Jaeger, disappointed that Searcher doesn't have his adventurous spirit, continues on without him.  Twenty-five years later, Jaeger is presumed dead and Searcher is a farmer of the plant, called Pando, that powers every aspect of life with his wife Meridian (Gabrielle Union) and son Ethan (Jaboukie Young-White).  When Callisto Mal (Lucy Liu), a former member of Jaeger's team, informs Searcher that the Pando crop is failing, she convinces him to join an expedition to find the cause.  Disenchanted with life on the farm, Ethan sneaks aboard the ship and, when it becomes stranded in a subterranean world filled with fantastical creatures, he becomes separated from the group.  It turns out that Jaeger has been trapped in this world the whole time and he and Searcher must work together to find Ethan and save Avalonia.  I loved the beautiful and vibrant animation used in this movie, especially the style inspired by the pulp magazines of the 1930s and 1940s used for Jaeger's story, as well as the dazzling world-building and creature design (Splat is adorable).  I loved the diversity represented by the characters, particularly Ethan because he is an openly gay character who is completely accepted by everyone.  I was expecting some backlash from Jaeger (he is a hyper-masculine character) when he meets Ethan but I loved it when he gives him some advice for getting the attention of his crush!  Finally, I loved the messages about fathers and sons learning to accept one another for who they are and the importance of caring for the environment even when it might require a sacrifice.  I definitely recommend giving this movie a chance!

Christmas Time is Here Again!

I put my Christmas tree up this week and it makes me so happy!  I love seeing all of the ornaments that I have collected over the years and I love sitting in my living room with just the light of the tree.

Christmas was really difficult for my family last year but I am hoping that this year will be a little easier.  I have quite a few activities planned and I am already looking forward them!

Thanksgiving 2022

My family was able to have a wonderful Thanksgiving yesterday.  This was our first Thanksgiving without our parents so it was really bittersweet but I know that they would both be so happy to see us all together and enjoying ourselves.  We had the traditional dinner with turkey, ham, potatoes, stuffing, sweet potatoes, pomegranate salad (a family tradition), vegetables and dip, and rolls.  We had pie for dessert and lots of treats when we played Shanghai rummy later that night.  We ended up laughing all night and that felt really nice after the year we have all had!

I hope you were all able to spend Thanksgiving with the people you love!

The Fabelmans

The second movie in my double feature yesterday was The Fabelmans and I enjoyed Steven Spielberg's semi-autobiographical coming of age story about the power of movies but I didn't love it as much as everyone else seems to.  Young Sammy Fabelman (Mateo Zoryon Francis-DeFord) is taken by his parents Mitzi (Michelle Williams) and Burt (Paul Dano) to see The Greatest Show on Earth and he becomes obsessed with recreating the train derailment at the end of the movie.  Burt is angry when Sammy crashes his expensive model trains but Mitzi suggests that he film the crash so he can watch it again and again without destroying his trains.  Thus begins his passion for filmmaking!  The teenage Sammy (Gabriel LaBelle) regularly uses his sisters Reggie (Julia Butters), Natalie (Keeley Karsten), and Lisa (Sophia Kopera) as well as his boy scout troop to make elaborate movies.  Burt sees his movies as a hobby and Mitzi sees them as the artistic expression she was denied but, for Sammy, they provide a way to understand the tensions within his family and to deal with the prejudice he encounters at school.  Most people are raving about Williams (I think her performance is a little bit overdone) but I loved Judd Hirsch as Sammy's Uncle Boris because, even though it is short, the scene where he tells Sammy that he might need to choose between his family and his art is very powerful.  There is also a hilarious cameo by David Lynch at the end of the movie that leads to a perfect final shot (which made me laugh out loud).  I found the story to be very episodic and, while most of the episodes worked for me, some of them did not, particularly one with Sammy's girlfriend Monica (Chloe East) which is bizarre and seems irrelevant, and the narrative sometimes lacks focus.  My favorite scenes were those where Sammy shoots his elaborate movies because I kept seeing the inspiration for Steven Spielberg's future filmography but then I realized that Spielberg has made movies that explore the trauma of his formative years much better than this one does.  I didn't hate it but I am definitely in the minority on this one!

Glass Onion

As a huge fan of Knives Out, I have been looking forward to the sequel Glass Onion for what seems like forever!  I was able to see it yesterday as the first in yet another double feature (there are so many movies on my list) and I loved it!  An eccentric tech billionaire named Miles Bron (Edward Norton) sends an elaborate puzzle to his long time friends Claire Debella (Kathryn Hahn), a politician running for the Senate, Lionel Toussaint (Leslie Odom, Jr.), an idealistic scientist, Birdie Jay (Kate Hudson), a supermodel turned fashion designer, and Duke Cody (Dave Bautista), a YouTuber known for his misogynistic viewpoint, as well as Cassandra "Andi" Brand (Janelle Monae), his disgruntled former business partner, inviting them along with Peg (Jessica Henwick), Birdie's assistant, and Whiskey (Madelyn Cline), Duke's girlfriend, to his private Greek island for a murder mystery party with himself as the victim.  Detective Benoit Blanc (Daniel Craig) is also mysteriously sent one of the puzzles and travels to the island where he is immediately invited to participate.  Blanc easily solves the murder mystery before the game even begins but he has more difficulty when an actual murder occurs because everyone on the island seems to have a motive.  Where Knives Out is an indictment against inherited wealth, this installment takes aim at celebrity culture and it is a lot of fun.  Just when we get to know all of the characters and their relationship to one another, there is a huge twist that changes everything we think we know and it is so clever.  Then there are even more twists and turns that lead to a shocking, but satisfying, ending.  The ensemble cast is outstanding, with Monae as the standout, and I loved all of the cameos, including Stephen Sondheim and Angela Lansbury in their final roles and a hilarious Ethan Hawke among others.  The production design is fantastic, featuring an exotic island location and a gaudy mansion decorated with glass, and the costumes are completely over the top!  This movie is so entertaining and, even though it will stream on Netflix beginning on December 23, I recommend seeing it in a theater with a large audience!

Trans-Siberian Orchestra at the Vivint Arena

I had a ticket to the Trans-Siberian Orchestra Christmas show last year but because of everything going on with my family I decided not to go.  It was definitely the right decision because I wouldn't have enjoyed it but a little part of me was sad to have missed it.  Luckily, I had another chance to see the show yesterday (apparently they come to SLC every year?) and it was epic!  Trans-Siberian Orchestra is a rock band and their show is very visual and theatrical, featuring images on giant screens, dramatic lights, lasers, fog, and pyrotechnics in sync with the music, platforms that rise from the stage and lower from the rafters, dramatic choreography, and over-the-top performances (with lots of head banging and hair flipping).  It was an absolute spectacle and I loved it!  Their setlist features rock versions of classic Christmas carols as well as original songs.  Of the former, my favorites were "Oh Come All Ye Faithful/ O Holy Night," "Good King Joy" which is a mashup of "Good King Wenceslas" and "Joy to the World," "Christmas Canon Rock" which is a cool arrangement of Pachelbel's Cannon in D, "What Child Is This," and "Requiem (The Fifth)" which is a fantastic mashup of Mozart's Requiem and Beethoven's Symphony No. 5 (I really loved this because I love Mozart's Requiem so much).  Of the latter, my favorites were "Christmas Dreams," "First Snow," "The Last Ornament," "Christmas in the Air," "Wizards in Winter," and "The Snow Came Down."  The song I loved most was "A Mad Russian's Christmas" because it is a fantastical arrangement of The Nutcracker Suite by Tchaikovsky (one of my favorite composers) and it sounded amazing.  I also loved all of the Nutcracker-themed visuals that went along with this number.  I think the narration before the songs in the first half of the show was a bit convoluted and confusing and the banter with the audience was forced and awkward (the comment about face masks was not necessary in my opinion) but I definitely enjoyed the show!

Elf The Musical at CPT

Last night both of my sisters and I saw Elf The Musical at CPT and we all got a big dose of Christmas cheer! This musical is based on the popular movie starring Will Ferrell and it is so much fun! Santa Claus (Dave Hill), the narrator, reads from a book while sitting in an arm chair and he is the source of much amusement with lots of references to popular culture. He tells the story of Buddy (Addison Welch) who has been raised as an elf at the North Pole because he crawled into Santa's bag when he was a baby. After discovering that he is really a human instead of an elf, he decides to find his Dad, Walter Hobbs (Scott W. Butler), and he ends up bringing Christmas cheer to his new family, his girlfriend Jovie (Emily Woods Sparks), and all the people of New York City. I really enjoyed all of the fun choreography in this show, especially in "Happy All The Time" as the elves (played by some adorable children, including McGuire K. Bingham and Bridget Maxwell who got one of the biggest laughs of the night) make the toys for Santa, "Sparklejollytwinklejingley" as Buddy helps the Macy's employees decorate the store for Christmas, "Just Like Him" as Buddy wreaks havoc on Walter's office, "A Christmas Song" as Buddy and Jovie watch the ice skaters at Rockefeller Plaza (every production that I've seen of this show has had really innovative staging for this scene and this show is no exception), "Nobody Cares About Santa" as Buddy and all of the Santas commiserate about the lack of Christmas cheer (I loved the kick line), and "The Story of Buddy" as Buddy comes to Walter's rescue and pitches an idea for a story to his boss. Welch is a fabulous Buddy because not only is he exuberant in all of the musical numbers but he also has great comedic timing and facial expressions that show a wide-eyed wonder! His performance was the highlight of the show for me, especially when he plays the Salvation Army Santa's bells! I also liked John Nelson Wakley, the young actor who plays Michael Hobbs, because he has a great voice in the songs "I'll Believe In You" and "There Is a Santa Claus." The costumes for Santa, Buddy, the elves at the North Pole, and the employees at Macy's are incredibly elaborate and colorful and the set, which looks like a giant snow globe, is impressive. I even liked the use of projections, particularly for Rockefeller Plaza, but I was a bit disappointed that they were used for Santa's sleigh in Central Park because seeing Santa fly away is usually one of the highlights of the show. Other than that, all three of us thought the production was really cute! You would have to be a cotton-headed ninny-muggins to miss this show (go here for tickets) which runs on the Barlow Main Stage through December 17.

Note:  I have been really impressed with the shows at CPT this season.  My favorites have been The Play That Goes Wrong and Bright Star.  I am especially looking forward to Jekyll & Hyde and Something Rotten next season!

Guillermo Del Toro's Pinocchio

Yesterday I found myself at the Broadway, my favorite destination on a Sunday night, to see Guillermo del Toro's Pinocchio.  I was absolutely amazed by this dark interpretation of the classic tale about a puppet who comes to life.  In Fascist Italy a woodcarver named Geppetto (David Bradley) is mourning the death of his beloved son Carlo, who was killed by a bomb during the Great War.  He uses the wood from a pine tree near his son's grave to make a puppet to replace him.  Seeing his despair, a Wood Sprite (Tilda Swinton) brings the puppet she names Pinocchio (Gregory Mann) to life and asks Sebastian J. Cricket (Ewan McGregor), who was living inside the tree used for the puppet, to help him be good.  Pinocchio is exuberant and disobedient so Geppetto, wanting him to be like Carlo, tells him that he is a burden.  This causes Pinocchio, upon learning that he is immortal after an encounter with Death (Tilda Swinton), to leave and have a fantastical adventure with the unscrupulous Count Volpe (Christoph Waltz), a puppet master who uses him in his traveling show, the Podesta (Ron Perlman), a fascist government official who forces him to become a soldier, and the Podesta's son Candlewick (Finn Wolfhard), who is trying to live up to his father's brutal expectations.  After a change of heart Geppetto sets out to find Pinocchio and has an adventure of his own with a giant whale before learning to accept him for who he is.  I loved so many things about this movie, including the beautiful stop-motion animation, the whimsical character design for Pinocchio (particularly when his nose grows), the powerful themes about the need for fathers and sons to love each other for who they are and that blind obedience is not always the answer, the emotional score and charming original songs by Alexandre Desplat (one of my favorite film composers), and the delightful performances (especially McGregor and Mann).  This might be a bit too dark for younger children but I think it is enchanting and highly recommend it!

She Said

The second movie in my Saturday double feature was She Said.  I had been anticipating this for a really long time but, unfortunately, I didn't love it.  When New York Times reporter Jodi Kantor (Zoe Kazan) receives a tip that actress Rose McGowan was sexually assaulted by Hollywood producer Harvey Weinstein, she begins investigating and discovers that Ashley Judd and Gwyneth Paltrow had similar encounters with him.  However, none of them want to go on the record because they are afraid that their careers will suffer.  Kantor asks Megan Twohey (Carey Mulligan), a reporter who broke the story about allegations of sexual assault against Donald Trump, to help her with the investigation.  They find three former production assistants at Miramax, Rowena Chiu (Angela Yeoh), Zelda Perkins (Samantha Morton), and Laura Madden (Jennifer Ehle), who also report being sexually assaulted but fear speaking out after receiving settlements.  Even though Kantor and Twohey eventually receive corroboration from an accountant at Miramax, it is when two of the women consent to go on the record that the story is published.  For a movie that is about such an important investigation that launched a global movement and systemic change in the workforce, I found it to be strangely flat and not very compelling.  I feel like this topic could have benefited from from waiting a few years in order to get more perspective because it definitely didn't help that the details as well as the outcome of the investigation were fresh in my mind. Kazan and Mulligan do give very powerful performances but I found the scenes about their experiences as women investigating the story, such as Kantor's guilt at leaving her children, Twohey's postpartum depression, and their male editor (Andre Braugher) having to intervene on a phone call to get an answer to a question for them, to be more interesting than the investigation itself.  Morton and Ehle are also outstanding but the interviews of the victims start to become monotonous after a while, especially since they are not learning anything new just trying to get victims to go on the record.  Also, many of the interviews, including those with an unseen Weinstein, McGowan, and Paltrow, happen over the phone so they are not very interesting from a visual standpoint and they lack tension.  Finally, for a movie with a $32 million budget, the production design, while authentic, is quite dull.  I wanted to like this more than I did but I struggled with it.

The Menu

Because there are so many movies that I want to see right now I decided on another double feature yesterday and I started with The Menu.  I laughed out loud all through this scathing indictment of the privileged class.  A select group, including self-styled foodie Tyler (Nicholas Hoult) and his date Margot (Anya Taylor-Joy), outspoken food critic Lillian Bloom (Janet McTier) and her editor Ted (Paul Adelstein), wealthy businessman Richard Liebbrandt (Reed Birney) and his wife Anne (Judith Light), washed up actor George Diaz (John Leguizamo) and his assistant Felicity (Aimee Carrero), and entitled investors Soren (Arturo Castro), Bryce (Rob Yang), and Dave (Mark St. Cyr), travel by boat to a private island for dinner at Hawthorne, the trendy but exclusive restaurant operated by celebrity chef Julian Slowik (Ralph Fiennes).  The captain Elsa (Hong Chau) is disconcerted by the fact that Margot is a last minute replacement for another guest but service begins with one pretentious course (with amusing on-screen descriptions) after another.  The guests, especially Tyler, try to out perform each other with their pompous analysis of each dish but Margot is decidedly not impressed.  She soon realizes that the guests are not there by accident and that the chef has sinister intentions.  This is a delicious dark comedy making fun of haute cuisine and those who partake of it but I found the message that success can sometimes ruin the joy that one takes in executing one's craft to be very poignant.  Fiennes gives an over-the-top performance, especially when he imperiously announces each course with a loud clap, but it works so well because he plays it completely straight, especially in his interactions with Taylor-Joy when Margot refuses to fawn over him.  Chau and Hoult are also a lot of fun to watch because their characters are so slavishly devoted to the chef.  What begins as a satire eventually becomes a suspenseful thriller that kept me on the edge of my seat with tension that builds and builds until the action comes full circle with a conclusion that is a hilarious antithesis of fine dining.  Finally, the production design is fantastic and I loved the overhead shots of the meticulously prepared dishes.  This is clever and wildly entertaining (it reminded me of Triangle of Sadness) and I highly recommend it!

Bernadette Peters with the Utah Symphony

I cannot believe that I actually got to see the incredible Bernadette Peters perform with the Utah Symphony last night!  It is a concert that I will not soon forget because it was basically a love letter to Broadway, especially for fans of Stephen Sondheim!  The first half of the concert featured the orchestra under the baton of Lee Mills.  They performed Cole Porter Salute, Three Dance Episodes from On the Town by Leonard Bernstein, and Salute to the Big Bands and I enjoyed these pieces very much.  After the intermission, Bernadette Peters took the stage with her music director Joseph Thalken and began with "Old Friends" from the musical Merrily We Roll Along and continued with "No One Is Alone" from another Sondheim musical, Into the Woods.  Then she performed incredibly sultry versions of "There Is Nothing Like a Dame" from South Pacific (which involved quite a bit of flirting with one of the cello players) and "Fever" (while reclining on top of the piano).  She talked about listening to her parents' Rodgers & Hammerstein records when she was young and said that her favorite was Carousel before singing a lovely version of "(When I Marry) Mister Snow" from the show and then the Rodgers & Hammerstein song "It Might As Well Be Spring" from the movie State Fair.  She returned to the music of Sondheim by singing "In Buddy's Eyes" and "Losing My Mind" from Follies, "Johanna" from Sweeney Todd, and "Children Will Listen" from Into the Woods.  She recently starred as Dolly Levi in Hello, Dolly! on Broadway and gave a poignant performance of "Before the Parade Passes By" and a really playful performance of "So Long Dearie."  Her emotional rendition of "Send in the Clowns" from A Little Night Music by Sondheim was definitely the highlight of the concert for me because it was absolutely amazing and gave me goosebumps!  Her final number, "Being Alive" from Company by Sondheim, was equally amazing and prompted an enthusiastic standing ovation!  She returned to the stage to perform "Kramer's Song," a lullaby she wrote for her charity Broadway Barks, as an encore.  To say that I loved this concert would be an understatement and I am so glad that I got to see this Broadway legend!  She will be back with the Utah Symphony again tonight (go here for tickets) and I highly recommend getting a ticket!

Carrie Underwood at the Vivint Arena

I like Carrie Underwood but my niece Tashena is a huge fan!  I wasn't really planning on seeing her on her latest tour until Tashena mentioned that she wanted to go.  Since we had so much fun the last time we saw her, I decided to get tickets and I am really glad that I did!  The show last night was amazing and I loved seeing Tashena sing along to all of her hits!  She played quite a few songs from her latest album Denim & Rhinestones, including the title track, "Burn," Crazy Angels," "Garden," "Ghost Story," "Hate My Heart," "Poor Everybody Else," and "She Don't Know."  I wasn't very familiar with these songs but it didn't matter because Underwood has such a big voice and her performance was spectacular with multiple costume changes (with lots of the requisite rhinestones), pyrotechnics, platforms that emerged from below the stage, a floating sphere that transported her across the arena, and even a drum solo.  She had a long diamond-shaped stage and a smaller stage at the end of the arena which allowed her to interact with lots of the fans and she was so engaging and fun to watch.  However, it was when she sang the hits that the audience, especially Tashena, really got loud.  She started the evening with "Good Girl" and continued with "Church Bells," a rousing rendition of "Undo It" with lots of audience participation, "Cowboy Cassanova," "Wasted" (which was Tashena's favorite of the evening), a powerful rendition of "Blown Away," "Cry Pretty," "Two Black Cadillacs," "Flat on the Floor," and "Something in the Water."  I really love the song "Jesus, Take the Wheel" and her performance of it gave me goosebumps because she included "How Great Thou Art" at the end of it and she just about blew the roof off the Vivint Arena!  She also performed my very favorite of all her songs, which is "Last Name," and I sang every word at the top of my lungs!  For the encore, she sang a cover of "Welcome to the Jungle" by Guns N' Roses (which was another highlight for me) and then she got the entire arena singing with "Before He Cheats."  I had so much fun at this concert and I am so glad that Tashena suggested it (and I'm glad that she still likes hanging out with her aunt).  I think we should see Carrie Underwood together every time she comes to town!

Note:  The opening act was Jimmie Allen.  I wasn't familiar with any of his songs (I'm not a big fan of country music as a genre) but I really liked his voice and he was very entertaining!

We Are the Light

My November Book of the Month selection was We Are the Light by Matthew Quick (the other options were The Wilderwomen by Ruth Emmie Lang, The Last Party by Clare Mackintosh, White Horse by Erika T. Wurth, and Someday, Maybe by Onyi Nwabineli). I selected this because it deals with important topics such as PTSD and mental health and I really wanted to like it but, unfortunately, I didn't. Lucas Goodgame, a high school counselor in the town of Majestic, Pennsylvania, is the survivor of a mass shooting that claimed the life of his wife, Darcy. He is really struggling but his Jungian analyst, who also lost his wife in the tragedy, has terminated his sessions and is now refusing to answer his letters. Eli, the younger brother of the shooter, is also struggling because he saw his brother's behavior become erratic but said nothing and now blames himself for what happened. Lucas comes to believe that helping Eli through his trauma will be the way forward in healing himself as well as the people of Majestic. The narrative is completely from the perspective of Lucas because it is in the form of letters written by him to his analyst and this is why I didn't entirely like it as much as I expected to given the subject matter. I found Lucas to be an incredibly unsympathetic character despite his trauma and the obvious mental health issues stemming from his childhood (he was in analysis before the tragedy) and, while I understand that he was suffering, I just couldn't get past my dislike of him as a character and that made it very difficult for me to be invested in what happens to him. Also, I could not understand the motivation for why all of the other characters literally do everything they can to help him, especially his wife's best friend Jill who sells her house and neglects her business to care for him, because we never get their perspectives. Finally, I found all of the constant references to Jungian analysis (phallic energy?) to be incredibly off-putting. Most people seem to have enjoyed this more than I did but it just wasn't for me.

The Little Mermaid at HCT

I went to see Hale Theatre's production of The Little Mermaid last night and it is one of the most immersive and magical shows I've ever seen! I loved everything about it! This musical tells the well-known story of a mermaid named Ariel who just wants to be where the people are so she defies her father and trades her voice for a pair of legs to make a prince fall in love with her. What I loved most about this show is that you actually feel like you are under the sea during the first act because all of the characters, especially Ariel and her sisters, fly through the air with lots of really cool water effects. I also really loved the amazing costumes and puppets for all of the sea creatures because they are absolutely incredible! Ursula wears an elaborate gown of black sequins with dancers who manipulate her eight tentacles while Flotsam and Jetsam are in silver lamé with segmented puppets that twist and turn around each other!  The song "Under the Sea" features neon colored fish carried by dancers with headdresses that look like coral reefs, stingrays that flutter above the audience, giant whales and groups of turtles that come in from the wings, and aerialists who spin around on globes that look like bubbles! It is quite the spectacle! Sebastian is covered from claw to claw in red sequins while Scuttle is covered in white features. Ariel and her sisters each have their own color with jewel encrusted gowns and mermaid tails made of organza and King Triton has regal robes of gold and turquoise. Also, I was impressed by the sheer number of sets and my favorites were Prince Eric's ship, Ariel's grotto filled with her collection, and the lagoon where Eric takes Ariel on a boat ride (the hanging vines and all of the lanterns are so beautiful). I also loved all of the clear glass bulbs, which resemble bubbles, around the perimeter of the stage and up in the rafters. The staging of several of the numbers is absolutely magical, especially when Ariel saves Eric after he falls overboard because they seem to float and the aforementioned "Under the Sea!" Finally, the cast is phenomenal!  Sophia Marie Guerrero is the perfect Ariel because not only does she have a beautiful voice but she also has a look of wide-eyed wonder that makes the songs "Part of Your World" and "Beyond My Wildest Dreams" so much fun to watch! Eric was played by the understudy Scott Hendrickson last night and, honestly, I thought he was fantastic! He has great chemistry with Guerrero and is incredibly endearing in "Kiss the Girl." Luseane "Lucy" Pasa, as Ursula, just about blows the roof off HCT with her gospel rendition of "Poor Unfortunate Souls" with Jason Buonforte (Flotsam) and Gunnar (Jetsam) as her back up choir! The same could be said for Alec Powell, as Sebastian, because his rendition of "Kiss the Girl" also had a gospel feel that I really liked. I had so much fun at this show (it is definitely the best production of The Little Mermaid that I have ever seen) and the children sitting around me were mesmerized! You definitely do not want to miss this wonderful show which runs on the Young Living Centre Stage through January 28 (go here for tickets) but act quickly because many shows are sold out!

Aftersun

I was able to check off another movie on my impossibly long list by seeing Aftersun last night at the Broadway.  I loved it but it is one of the most quietly devastating movies I've seen in a long time.  Calum (Paul Mescal) takes his 11-year-old daughter Sophie (Frankie Corio), who lives with her mother most of the time, on a holiday to a run-down resort in Turkey that he cannot really afford.  He is a very young father and he seems to be struggling with life in general but it is obvious that he loves his daughter and is doing the best he can to give her a fun holiday.  There are sun-dappled vignettes where Calum and Sophie seem to be enjoying the pool, the beach, and various tourist destinations, which are often captured by and replayed on Calum's video camera, but there are also moments where Calum is alone and succumbs to despair.  Sophie is still a child but there are subtle indications that she is starting to break away from her father and to notice the darkness that he tries to hide from her, especially in a scene where she arranges for a group of tourists to sing for his birthday to cheer him up.  Interspersed between these memories are sequences in a dark nightclub with disorienting strobe lights where an adult Sophie (Celia Rowlson-Hall) searches in vain for her father (shown at the age he was when she was a child).  These seem to imply that he is no longer in her life and I kept waiting for something dramatic to happen during their holiday.  However, in my opinion, the haunting final shot is more heartbreaking than something more explicit would have been.  It can sometimes appear as if nothing is happening (it is definitely more character driven than plot driven) but I think most people's memories of childhood are episodic and fragmented so this structure is highly effective.  The hazy cinematography is also quite brilliant because images of Calum are often reflected (through mirrors, windows, water, TV screens, and table tops) to emphasize how distorted Sophie's memories of her father are.  Both Mescal and Corio, in her debut, give highly nuanced performances that beautifully capture the complexities of a relationship between a father living with regret and a daughter just starting to live.  I was absolutely gutted by this movie but it will probably be one of my favorites this year!

Cash on Delivery at the Empress

Last night I went to see the British farce Cash on Delivery at the Empress Theatre and it was so much fun!  Eric Swann (Alexander Richardson) has been defrauding the office of Social Services by accepting payments for nonexistent lodgers at his house ever since he lost his job at the Electric Company two years ago.  When Social Services becomes suspicious of so many payments being sent to the same residence, a Mr. Jenkins (Jeremy Jonsson) is sent to investigate.  Swann must enlist the help of his actual lodger Norman McDonald (Tanner Larsen) and his uncle George (Bob Skeen) in order to fool not only Jenkins but also his wife Linda (Cheryl Richardson), Norman's fiancee Brenda (Michelle Gardner), a grief counselor (Audrey Jones), an enthusiastic undertaker (Jennie Jonsson), a marriage counselor (Crystal Ahlemann), and Jenkins' uptight supervisor Ms. Cowper (Emily Jameson).  Chaos ensues as each of them are forced to tell one outrageous lie after another as well as impersonate fictional characters, including one who is supposed to have gout, one who is supposed to be deaf, and two who are supposed to be dead, until the whole thing unravels with hilarious consequences!  This show is so funny because eventually you can't remember who is impersonating whom and I, along with the entire audience, laughed and laughed at all of their antics!  Every member of the cast has brilliant comedic timing, but Richardson and Larsen are particularly fun to watch because they become more and more overwrought as their plans go awry. The fast-paced physical comedy is an absolute hoot, especially when one of the characters who is pretending to be dead is stuffed into a window seat and when all of the characters run around slamming doors.  I thoroughly enjoyed this show and I highly recommend it but it is a limited engagement so get your tickets (go here) soon.

Stephen Hough Performs Rachmaninoff

Last night I got to hear Stephen Hough, one of my favorite soloists, perform Rachmaninoff, one of my favorite composers, with the Utah Symphony and it was simply amazing!  Before the Rachmaninoff the orchestra played two pieces by Richard Wagner and I really enjoyed them both.  The first was the Overture to Tannhauser, an opera about a Medieval singer and songwriter named Tannhauser who has a virtuous maiden and a goddess vying for his love.  The music portrays his downfall into the profane and then his redemption and I found it, like much of Wagner's music, to be incredibly stirring, especially the themes played by the brass.  Next came Das Rheingold which serves as the prologue to the operas in the Ring cycle.  The piece begins with a long and sustained note from the basses which is then joined by the oboes then the horns and, finally, by the rest of the orchestra as it builds and builds.  This is meant to represent the depths of the Rhine River which hides the gold that is eventually used to make a ring to rule the world and it is quite dramatic.  I loved the sudden climax of this note followed by the introduction of the ring theme played by the woodwinds.  I also loved all of the percussion, especially the use of anvils which represents the enslavement of the Nibelungs, and the four harps which represent the churning of the Rhine in the epic conclusion.  It was so cool!  I would really love to see the Ring cycle someday (it is definitely a bucket list item).  I spent the entire intermission anticipating what was to come because I love Rachmaninoff!  Piano Concerto No. 3 by Sergei Rachmaninoff is considered by many to be the most difficult piano piece in the repertoire but Hough made it look easy with his fingers gliding up and down the keyboard at the speed of light!  I think this piece is incredibly moody and atmospheric and I especially love the main theme, which is introduced by the piano in the first movement and then repeated in variations by the orchestra throughout, because it is so quintessentially Russian.  It is very melancholy but also dignified!  I also love the romantic theme played by the piano in the second movement because it becomes increasingly more passionate and, of course, the conclusion is unbelievably exhilarating!  I loved this performance because Hough was absolutely brilliant and, as always, I highly recommend getting a ticket for the same program tonight (go here for tickets).

Black Panther: Wakanda Forever

Last night I went to a Thursday preview of Black Panther: Wakanda Forever and I don't think I have anticipated the release of a Marvel movie more since Avengers: Endgame and I don't think I have had a more emotional experience watching a Marvel movie since then, either.  I absolutely loved it!  One year after the sudden death of King T'Challa, Queen Ramonda (Angela Bassett) informs the U.N. of her decision not to share vibranium with the world after attempts are made to steal it.  The CIA then makes use of of a vibranium-detecting machine to search for deposits in the Atlantic Ocean but, when everyone involved in the expedition is killed by Namor (Tenoch Huerta) and his people, the U.S. government blames Wakanda.  Namor is the king of Talokan, an underwater ancient Mesoamerican civilization rich in vibranium, and he is determined to protect his people from the surface world.  He reaches out to Shuri (Letitia Wright) to form an alliance with Wakanda but she refuses because he wants to kill Riri Williams (Dominique Thorne), the young M.I.T. student responsible for the vibranium-detecting machine.  In retaliation for her refusal, Namor and his people attack Wakanda with devastating consequences.  It will take the reemergence of Black Panther in order to save Wakanda.  I loved the story which features powerful themes of grief and vengeance as well as commentary on the injustice of enslaving an indigenous people for the sake of a resource.  Bassett and Wright are incredible, particularly in the scenes where they mourn T'Challa (I had tears streaming down my face multiple times and I heard audible sobs all around me) and when they show their rage.  Huerta is also outstanding and Namor, like Killmonger before him, is a compelling villain because, while he is ruthless, his motivation is understandable.  The images on the screen are absolutely gorgeous, especially the sequences under water, and I loved the world building for Talokan.  The costumes, as in the first movie, are so beautiful and I was surprised by how moved I was by the atmospheric score!  Finally, I loved the footage of Chadwick Boseman used in the Marvel title card and in a lovely montage at the end.  These scenes are a fitting tribute to the late actor and, once again, there were audible sobs from the audience.  My only criticism of this movie would be the length.  I think the CIA subplot involving Everett Ross (Martin Freeman) and Valentina Allegra de Fontaine (Julia Louis-Dreyfus) is a bit superfluous because its only function is to set up further Marvel properties.  However, this is a worthy successor to the original movie and I'm sure that fans will love it as much as I did!

Note:  There is only one mid-credits scene (but it is really good).

Dave Matthews Band at the Vivint Arena

I used to consider myself a casual fan of Dave Matthews Band (I loved the song "Crush" and really liked quite a few others but I was never obsessed with them) but that changed when I saw them at USANA with my sister and brother-in-law a few years ago because it was one of the best shows I've ever seen.  When I found out that they were stopping in SLC on their latest tour I couldn't resist getting a ticket and the show last night was as amazing as ever!  What I really loved about the show at USANA was the band's spontaneity!  There were lots of long pauses between songs and it almost seemed as if they were deciding what to play next right there on stage and it looked like they were doing that again last night!  Since I had no idea what to expect, I was absolutely thrilled when they played my favorite song "Crush."  This was my first time hearing it performed live and it was epic because they played a 20 minute version!  This left me on a high for the rest of the concert (and I don't think I've come down from it yet!).  They also performed rousing renditions of "Don't Drink the Water" and "Ants Marching" which are some of my other favorites and I loved hearing them, as well!  I listen to Come Tomorrow all of the time so I was happy that they played "That Girl Is You" (they started the night with this song) and "Can't Stop" from this album and I also enjoyed their cover of "Fool in the Rain" by Led Zeppelin.  They played quite a few songs that I didn't know very well but that hardly mattered to me because they were jamming (every song, not just "Crush," featured long extended solos) and they sounded great, especially the horn section.  Matthews was incredibly charming and spoke to the crowd every few songs or so telling us how happy he was that we could all be together once again.  I agree with him because I loved every minute of this concert!  I now consider myself a huge fan of Dave Matthews Band!

Shucked at PTC

I didn't really know much about Shucked, other than it is a Broadway try-out for a new and original musical here in SLC, but everyone has been giving it rave reviews so I knew I had to see it! I had the chance last night at PTC and I loved it! Two Storytellers (Ashley D. Kelley and Taylor Trensch) introduce us to the small town of Cobb County where the tall stalks of corn, which provide the main source of income, keep people in and keep people out. This is exactly how the townspeople, including engaged couple Beau (Andrew Durand) and Maizy (Caroline Innerbichler), Beau's brother Peanut (Kevin Cahoon), and Maizy's cousin Lulu (Alex Newell), like it until the corn crop starts to fail. Maizy decides, against the objections of Beau, that she should go out into the world to get help and ends up in the big city of Tampa where she meets a conman named Gordy (performed last night by the understudy Quinn VanAntwerp). He is not very good at being bad but he is able to convince the naive Maizy that he is a corn doctor so she brings him home to the consternation of the townspeople, especially Beau who sees him as a rival. Hilarity ensues! Many of the jokes are very "corny" but they definitely land because I don't think I stopped laughing during the entire show (and neither did the audience). Much of the comedy comes from the Storytellers, who are not only the narrators for all of the goings-on but they also periodically become supporting characters (sometimes two characters at the same time). Trensch, especially, is absolutely hilarious with perfect comedic timing and over-the-top facial expressions. Cahoon is also the source of much laughter as Peanut frequently regales us with his deep thoughts. The original songs by Brandy Clark and Shane McAnally are a lot of fun and are really catchy. I especially loved the song "Walls" because it is about finding the courage to leave your comfort zone and I think it could stand alone like most of the great songs from Broadway do. Innerbichler, who recently made an appearance in Utah as Anna in the Broadway touring production of Frozen, sings it with so much emotion! The songs "Somebody Will" performed by Durand and "Independently Owned" performed by Newell are absolute show-stoppers and both gave me goosebumps! The staging of this show is so clever because the cast is seated in a semi-circle inside of a crooked barn with corn stalks all around and featured performers use minimal props stashed in bushel baskets around the stage as well as wooden barrels during each number. Artistic Director Karen Azenberg mentioned that some changes had to be made to accommodate the last minute addition of VanAntwerp before the show began but I think that just involved the placement of music stands in front of the actors (VanAntwerp seemed to be the only cast member to have a score in front of him and he rarely used it).  I didn't really know what to expect with this show but I had so much fun watching it! I can't wait until it is a big hit on Broadway because I can say that I was one of the first to see it! There are only a few more performances left so act quickly so you don't miss out (go here for tickets).

Armageddon Time

My nephew really wanted to see Armageddon Time so I took him to see it last night.  I enjoyed this coming of age story about racism, guilt, and white privilege but the ambiguous ending kept it from being great (my nephew was even more disappointed with the ending than I was).  It is 1980 in Queens and it is the first day of school for Paul Graff (Banks Repeta), a young Jewish boy with middle class parents, Esther (Anne Hathaway) and Irving (Jeremy Strong), and immigrant grandparents, namely Aaron Rabinowitz (Anthony Hopkins), who all want a better life for him.  He befriends a Black student named Johnny (Jaylin Webb) and they both cause mischief in class but Paul notices that Johnny seems to be punished more severely.  After the two of them get caught smoking marijuana in the bathroom, Paul's parents decide to send him to an expensive prep school to get him away from Johnny.  Paul tries to fit in at his new school but he is dismayed by his classmates' comments about Black people and feels guilty for not defending his friend.  Eventually, the two of them get in trouble with the law but Paul is able to escape the consequences while Johnny is not even though Paul is to blame.  His father tells him that life is not fair and he should take advantage of the opportunity to learn from his mistake but he also remembers his grandfather's advice to always stand up to prejudice when he sees it.  The performances are amazing, especially Repeta and Hopkins (they have a scene together that is absolutely brilliant), the production design is very effective at evoking the time and place (my family had the exact same dishes in the 1980s) without a lot of the nostalgia attendant upon most movies that depict this era, and the story is very compelling.  Watching everything that happens to Johnny was incredibly emotional for me, especially sitting next to my nephew, and I was most invested in him as a character.  I was, therefore, disappointed in the ending because I feel like Johnny just disappears after having done his part to teach Paul a lesson about the injustices of the world.  I wanted Paul to learn a bigger lesson and finally, at long last, stand up for Johnny.  That may not be the story that James Gray is telling but I can't deny that I left the theater a bit deflated despite my overall enjoyment of the movie.

The Banshees of Inisherin

The second movie in my double feature last night was The Banshees of Inisherin and, while it is incredibly depressing, it is also diabolically funny and strangely profound!  I loved it!  On an island off the coast of Ireland in 1923, Colm Doherty (Brendan Gleeson) and Padraic Suilleabhain (Colin Farrell) have been friends and drinking buddies for years, mostly due to proximity because they are so different.  One day, Colm suddenly decides that he no longer wants to be friends with Padraic and simply stops talking to him.  Padraic is understandably devastated and demands to know why.  Colm finally explains that he finds Padraic's company dull and that he wants to spend his time on more meaningful pursuits, such as his music, so that there will be something to remember him by.  However, Padraic refuses to accept the situation and, despite the best intentions of Padraic's sister Siobhan (Kerry Condon) and the sheriff's son Dominic (Barry Keoghan), tensions escalate between them with unexpectedly violent and tragic consequences.  The goings-on descend into the absurd at times and there are some genuinely hilarious moments (I frequently laughed out loud) but this movie has some thought-provoking things to say about depression, isolation, loneliness, mortality, and the desire for a legacy and I think McDonagh strikes the perfect balance between the comedy and the tragedy.  The parallels to the civil war raging on the mainland are highly effective because the conflict between Colm and Padraic is, ultimately, just as futile with no winners.  I actually found both main characters to be incredibly sympathetic (How can Colm be so cruel?  Why can't Padraic just leave him alone?) and that is definitely what made this movie so compelling for me.  Both Farrell and Gleeson deliver incredible performances (Farrell won the Volpi Cup at Venice this year) and Condon and Keoghan (he steals every scene he is in) are also superb.  The cinematography is simply breathtaking and I loved the haunting score.  I think this movie is brilliant, definitely one of my favorites this year, and I highly recommend it.

Till

I missed out on seeing several movies that I had planned because I was sick last week so I decided on a double feature to make up for it last night.  Even though I knew it would be very difficult for me, I started with Till.  After her 14-year-old son Emmett Till (Jalyn Hall) is brutally murdered for whistling at a white woman named Carolyn Bryant (Haley Bennett) while visiting his cousins in Mississippi, Mamie Till-Bradley (Danielle Deadwyler) turns her grief into activism.  She insists that Emmett have an open casket at his funeral so that the world can see what was done to him, she travels at great personal risk to testify against the men accused of Emmett's murder, and then devotes her life to the civil rights movement.  I was really worried about how Emmett's murder would be portrayed and I spent much of the first act steeling myself for what I knew was coming.  Thankfully, it is very sensitively done.  Emmett is shown being forcibly taken from his uncle's house and then there is a brief scene where his muted cries are heard from inside a barn but, instead of focusing on the murder, director Chinonye Chukwu focuses on Mamie's response and it is very powerful.  There were several scenes that brought me to tears, including when Mamie meets Emmett's casket at the train station and when she sees his body for the first time, and there were also several scenes that made me very angry, such as when a child fires a cap gun at Mamie on the courthouse steps and then laughs at her and when the verdict is announced.  Deadwyler gives a brilliant performance (she is getting a lot of well-deserved Oscar buzz), especially in the aforementioned scene at the train station and during her testimony, but I was also really impressed with Whoopi Goldberg, who plays Mamie's mother.  This is definitely a movie that is hard to watch but it such an important story that is, sadly, still very relevant today.  I highly recommend it.

Ballet West's Rodeo

Even though I usually prefer seeing full-length ballets, I was excited for Ballet West's latest production featuring Concerto Baracco, Return to a Strange Land, and Rodeo last night.  I really enjoyed the program, especially since my favorite dancer, Katlyn Addison, was featured in two of the ballets!  The first piece, Concerto Baracco, is a classical ballet with choreography by George Balanchine and music by Johann Sebastian Bach and it was my favorite of the evening.  Two female soloists, the aforementioned Addison and Emily Adams, interact with each other by coming together and pulling apart with a corps of eight female dancers who mimic their movements.  When a male soloist, Hadriel Diniz, joins them, it appears that he is dancing with with all of the women because of the intricate patterns they form around him.  The vivid cerulean blue backdrop and the flowing white costumes add to the beauty of the performance and I loved it!  Next came Return to a Strange Land which is a more modern piece with choreography by Jirí Kylián and music by Leoš Janáček.  The solo piano music is haunting and, instead of telling a story, the ballet evokes a feeling of loss.  Two groups of three dancers are featured, including Amy Potter with Hadriel Diniz and Brian Waldrep, and Addison with Tyler Gum and Robert Fowler, and the choreography is incredibly innovative with shapes and silhouettes that I had never seen before.  The moody atmosphere is enhanced by the earth-toned leotards worn by the dancers and the autumn leaves flowing across the stage (fallen leaves always symbolize loss to me).  This was absolutely brilliant and it elicited thunderous applause from the audience.  The program concluded with Rodeo featuring choreography by Agnes de Mille and music by Aaron Copland.  A Cowgirl (Chelsea Keefer) wants to show the cowboys that she is just as skilled on a horse as they are but she also wants to catch the attention of the Head Wrangler (Brian Waldrep).  Unfortunately, he is more interested in the more feminine Rancher's Daughter (Victoria Vassos) but a Champion Roper (David Huffmire) notices her.  When she arrives at the hoe-down wearing a dress, she has both the Wrangler and the Roper vying for her affections.  The choreography is so much fun with movements that realistically mimic roping, riding, and square dancing  (it reminded me of the type of dancing you would see in a Broadway musical) while the music is instantly recognizable, especially during the hoe-down.  I was so impressed with Keefer because ballerinas are usually the epitome of grace and elegance but she appears awkward and uncoordinated!  The colored jeans worn by the cowboys, the calico dresses worn by the womenfolk, and the set of a large ranch house add authenticity to the story.  This was another big crowd-pleaser!  I think I will always prefer the full-length ballets but I am so glad that I got to see this triple-bill!  It continues at Capitol Theatre for three more performances including a matinee on Nov. 10 (go here for tickets).

Tchaikovsky's Piano Concerto No. 1

I have been fighting a cold for most of the week and it pretty much had me down for the count but I was bound and determined to make it to the Utah Symphony concert last night because one does not miss Tchaikovsky's Piano Concerto No. 1 if one can help it!  I am glad that I made the effort because the performance was amazing!  The orchestra, under the baton of guest conductor Ludovic Morlot (a last minute replacement for the injured Thierry Fischer), began with the Overture to Prima la musica poi le parole by Antonio Salieri.  I have to admit that I was very excited for this piece because of the fictional rivalry between Salieri and Mozart in the movie Amadeus (which is not only one of my favorite movies but it is also the reason I became a fan of classical music).  Salieri's music is portrayed as pedestrian in comparison to Mozart's in the movie but I think this operetta, which debates the relative merits of music and drama in opera, is really charming and exuberant.  Then the orchestra was joined by soloist Andrei Korobeinikov, making his U.S. debut, for one of my very favorite pieces, Piano Concerto No. 1 by Piotr Ilyich Tchaikovsky.  Those instantly recognizable opening notes by the brass get me every time because they provide such an explosive burst of energy to begin a highly emotional piece!  The themes played by the solo piano are sometimes incredibly passionate and tempestuous and then almost unbearably beautiful and romantic!  There were many times when I found myself holding my breath because I was so overcome!  Korobeinikov played it with so much feeling and expression and earned a well deserved standing ovation!  After the intermission, the orchestra performed a new piece by Augusta Reed Thomas called Dance Foldings (she was there to introduce it) which is meant to mimic the dance of proteins within the body.  There are random bursts of sound from every section but I especially enjoyed all of the percussion and the emphasis periodically provided by the brass.  The concert concluded with Symphony No. 2 by Charles Ives.  I think of Ives' music as quintessentially American and it was really fun picking out snippets of other American classics, such as "Bringing in the Sheaves," "America the Beautiful," "Camptown Races," and "Turkey in the Straw," throughout.  I loved this concert as much as the previous ones this season, which has been spectacular so far, and I definitely recommend getting a ticket for tonight's performance of the same program (go here).

Ticket to Paradise

My sister and I used to have the tradition of seeing a movie on Halloween but we haven't done it for a few years.  We decided to revive the tradition last night and took Sean and Tashena with us to see Ticket to Paradise.  I'm not a big fan of romantic comedies (my sister picked the movie) but I ended up really liking this!  After Lily Cotton (Kaitlyn Dever) graduates from law school she goes on vacation to Bali with her best friend Wren (Billie Lourd).  She falls in love with island life and with a local seaweed farmer named Gede (Maxime Bouttier).  When her bitterly divorced parents Georgia (Julia Roberts) and David (George Clooney) learn that Lily wants to give up her law career to marry Gede, they put aside their differences and race to Bali in order to stop her from making the same mistake they made all those years ago.  Hijinks ensue!  This movie is formulaic and totally predictable but I have to admit that it is really enjoyable!  There are several things that elevate it above its commonplace premise.  First, the tropical scenery is absolutely gorgeous and provides a nice bit of escapism.  I can certainly see why Lily wants to give up her law career and stay there forever.  I especially loved the scenes where the characters are swimming with dolphins!  Second, Billie Lourd adds a lot of comic relief (she often steals the spotlight from Dever) and I laughed out loud at many of her antics.  I propose that she be cast as the free-spirited sidekick in every comedy from now on!  Finally, mega-stars George Clooney and Julia Roberts are unbelievably appealing and their chemistry together is palpable!  I loved all of their bickering and all of the slapstick comedy (especially during an epic round of beer pong).  The two of them were actually the reason I agreed to see this movie and they did not disappoint.  The four of us had a lot of fun watching this (we all agreed that we knew exactly what was going to happen but that it didn't matter) and I recommend it to fans of romantic comedies!