Sweeney Todd at the Empress

I was thrilled to see the closing performance of Sweeney Todd at the Empress Theatre last night.  It joins The Sound of Music and A Gentleman's Guide to Love and Murder as one of my favorites from this theatre and I am sad that it has now closed because anyone reading this will not be able to see it!  Benjamin Barker (Todd Christensen), a Victorian-era barber, was unjustly accused and condemned to exile in Australia by the lascivious Judge Turpin (Matthew Davids) who coveted his beautiful wife.  He returns to London 15 years later as Sweeney Todd after being rescued at sea by Anthony Hope (Tyler Rasmussen) and, when learns that his wife has died and that his daughter Johanna (Boston Bean) is now a ward of the judge, he vows revenge.  He returns to his former rooms above the pie shop run by Mrs. Lovett (River Robinson) and, when he discovers that she has kept all of his barbering tools, he decides to set up shop and lures the judge in for a shave so he can slit his throat.  However, the judge eludes him when Anthony rushes in to announce his plans to elope with Johanna and Sweeney vows to take vengeance on the whole human race.  He begins to kill all of his customers and Mrs. Lovett uses the bodies in her meat pies!  Eventually, his quest for revenge turns to madness!  The music in this show always gives me goosebumps because it is operatic in scale (with very macabre themes) and this cast is more than up to the challenge!  I absolutely loved Robinson's performance as Mrs. Lovett because she is hilarious with her over the top facial expressions and uproarious physical comedy!  I especially enjoyed her rendition of "By the Sea" because she really leans into the humor rather than the poignancy of the moment (as some actresses do in this scene) and I laughed out loud at her reaction to kissing Sweeney!  She is also really funny in "The Worst Pies in London" and "Parlor Songs" as well as "A Little Priest" with Christensen.  Speaking of Christensen, he really impressed me with his incredibly powerful version of "Epiphany" and he matched Robinson beat for beat in "By the Sea" by acting resigned (rather than oblivious as most actors do) to her advances.  I love how various citizens of London are used to narrate the tale of Sweeney Todd and the ensemble in this production is outstanding in "The Ballad of Sweeney Todd" and its many reprises and I thoroughly enjoyed their choreography in "God, That's Good."  Rasmussen and Bean also have beautiful voices and do a great job with "Johanna" and "Green Finch and Linnet Bird," respectively.  This is a complicated show and I was very impressed with how they staged moving Sweeney's victims from the barber chair to the bakehouse in such a small space.  I also loved the set, especially all of the iron work on Judge Turpin's house because it actually looks like the metaphorical bird cage that Johanna is trapped in.  Finally, the costumes are some of the best I've seen at this theatre, particularly those worn by the ensemble because they bring Victorian London to life, and I laughed out loud as Sweeney's wig becomes more and more disheveled and deranged!  I really loved this production but, as I mentioned previously, the run is now over.  I will, however, recommend getting a ticket for Sherlock (go here) which is the next production.

Bright Star at the Empress

Another show (currently very popular with Utah theatre companies) that I don't think I will ever get tired of seeing no matter how many times it is produced is Bright Star.  I absolutely love it because it is a beautiful and moving story about love and redemption with incredible bluegrass music by Steve Martin and Edie Brickell.  I got to see the Empress Theatre's version last night and it is amazing!  The story takes place in the Blue Ridge Mountains of North Carolina during the 1920s and just after World War II.  After the war, Billy Cane (Bradley Barker) briefly returns to his hometown of Hayes Creek and reunites with his father (Kaleb Hunt) and childhood friend Margo Crawford (Stephanie Benson) before deciding to try writing for a magazine in Asheville where he meets the uptight editor Alice Murphy (Heather Shelley).  When the magazine staff, Lucy Grant (Makayla Porter) and Daryl Ames (Sam Phillips), tease her about her boring existence, we see Alice (literally) transform into the wild and rebellious girl she once was in the small town of Zebulon where she has a romance with and is cruelly parted from the Mayor's son Jimmy Ray Dobbs (Trevor Noble).  The narrative goes back and forth from one timeline to the other as Alice learns to deal with heartache and loss and Billy learns the importance of home and the one who really loves him.  The best part of this show is the music and this production includes an incredible live band on stage, featuring Ashley Joseph on cello, Isaiah Perez on bass, Spencer Kellogg on banjo and guitar, Natalie Cardon on violin and viola, Stacy Mayren on piano, Joe DeSisto on keyboard, Kim Brown on fiddle, JD Robison on drums, Christian Porter on mandolin, and Brandon Kerby on acoustic guitar.  I have seen this show many times and I am very familiar with all of the twists and turns in the plot but I was still reduced to tears by the emotional performances by Shelley and Noble in the songs "Please, Don't Take Him," "Heartbreaker," and "I Had a Vision."   I also really loved how Shelley is able to differentiate between her uptight persona in Asheville and her rebellious persona in Zebulon, especially during "Way Back in the Day" and "Firmer Hand/ Do Right."  One of my favorite songs is "Asheville" and Benson gives a beautiful performance of it and she has tremendous chemistry with Barker (who is very appealing as Billy) in "Always Will."  The choreography in "Picnic Dance" and "Another Round" is fun and spirited and the staging is very clever with a set that looks like an old and weathered barn with various pieces for Margo's bookstore, Alice's office, the Mayor's office, and various cabins moved on and off seamlessly by the ensemble.  I wondered how a key scene involving a train would be staged, because it is sometimes tricky to pull off and it needs to be an emotional turning point in the show, but I was extremely impressed with how it is done using a platform above the stage and projections.  I cannot recommend this show enough but, unfortunately, the remaining performances today are sold out (with good reason).  However, standby tickets are sometimes available at the door on a first come, first served basis!

Rodgers and Hammerstein's Cinderella at the Empress

I was able to see the final performance of Rodgers and Hammerstein's Cinderella at the Empress last night and I was absolutely enchanted by it.  Not only is this one of my favorite productions at the Empress it is one of my favorite productions of this show (and I've seen quite a few of them, including one last month).  This is a more contemporary version of the classic fairy tale and, while I didn't like the first production I saw, it is definitely growing on me.  Cinderella (Joy Austin) rescues Prince Topher (Aaron Allred) from the Lord Protector Sebastian (Brandon Walton) who is deceiving him about the conditions of his kingdom.  Her Fairy Godmother is a crazy beggar woman named Marie (Cassie Hurt-McLarty) who shows her that she has the power to make her own dreams come true and her stepsister Gabrielle (Chelsea West) becomes a sympathetic co-conspirator against the machinations of her stepmother Madame (Jenn George) and her stepsister Charlotte (Bridges Eatchel) as she pursues her own romance with the revolutionary Jean-Michel (Robert Campbell).  She eventually brings about a happily ever after for everyone by convincing Topher to form a constitutional monarchy.  This features a really strong cast and I was particularly impressed with Austin and Allred because they have lovely voices and I loved their romantic renditions of "Ten Minutes Ago" and "Do I Love You Because You're Beautiful?"  I also loved George (a regular at the Empress and one of my favorites) because her Madame is so imperious and Eatchel because her rendition of "Stepsister's Lament" made me laugh out loud!  However, my favorite was Hurt-McLarty because I loved her vocal performances of "Impossible/ It's Possible" and "There Is Music In You" and her characterization is hilarious (she is always in character with crazy facial expressions and bits of business whenever she is on stage even when the focus is not on her).  The choreography is a lot of fun, especially in "The Prince Is Giving a Ball/ Now Is The Time" and "Ten Minutes Ago" (it is so magical).  I really liked the staging of "Me, Who Am I?" because it involves a child's rocking horse (every production I've seen has portrayed Prince Topher's horse Buttercup differently) and the "Transformation" because the mice who become the horses for Cinderella's coach are portrayed by four adorable little girls.  The costumes are beautiful, particularly the sparkling white gown Cinderella wears to the ball and the elaborate gold frogging on Prince Topher's many uniforms, and I loved the giant clock overlooking the stage and Cinderella's coach.  As I mentioned, last night was the final performance of the run but tickets are available for the upcoming shows Bright Star and Sweeney Todd: The Demon Barber of Fleet Street (go here) and you don't want to miss them.

Freaky Friday at the Empress

There are exceptions but I am not a big fan of turning popular movies into stage musicals because, in my opinion, they are incredibly contrived and this is especially true of Freaky Friday.  However, I saw a production of this show last night at the Empress Theatre and, while I didn't especially like the material, I enjoyed the performances.  Katherine Blake (Jen Kroff) is a single mother who owns her own catering business.  She is stressed out because she is catering her own wedding to Mike (Jeremy Jonsson) with the hope that it will be featured in a popular bridal magazine so she wants everything to be perfect.  Her moody and argumentative teenage daughter Ellie (Beck Skeen) doesn't want her to marry Mike and definitely doesn't want to attend the rehearsal dinner because she would rather participate in the school scavenger hunt organized by her crush Adam (Eli Carillo).  Both Katherine and Ellie each wish that the other could see the situation from her perspective and this wish (and a magic hourglass) causes them to switch bodies.  Chaos ensues as Katherine tries to navigate high school while Ellie deals with wedding preparations and a photo shoot.  They think that finding another hourglass will switch them back but Katherine and Ellie must ultimately learn to appreciate each other for who they are before things can return to normal.  Most of the songs are largely forgettable (although I do like "I'm Not Myself Today" because it is an emotional turning point) but the show is elevated by the performances of Kroff and Skeen.  They both have wonderful voices and great comedic timing, especially when they imitate each other (I loved Kroff's wobble while walking in high heels and Skeen's facial expressions when reacting to the goings on at school).  I also really enjoyed the ensemble because they are enthusiastic and give it their all in executing the fun choreography.  When I saw a production of this show at HCT I was really impressed with their elaborate set but I think I actually prefer the minimal set in this production because it put all of the emphasis on the choreography.  This show will never be a favorite but I had a lot of fun watching this heartfelt production and recommend getting a ticket to one of the three remaining performances (go here).

Company at the Empress

While I am very familiar with the music (the songs "Being Alive" and "The Ladies Who Lunch" are staples for vocalists who perform with the Utah Symphony), I have never actually seen a production of Company before!  I was so happy to finally be able to do so last night at the Empress Theater (it has been on my list for so long).  Robert (David Nichols) is facing his 35th birthday and the prospect of living the rest of his life alone when he reflects on the relationships of his friends, including Susan (Sara Murphy) and Peter (Nate Kemp), Sarah (Merilee Adams) and Harry (Michael Ricks), Jenny (Jessica Benson) and David (Matthew Davids), Amy (Alyssa Powers) and Paige (Jenn George), and Joanne (Fawna Jones) and Larry (Jim Dale), and the relationships he has with three of his girlfriends, April (Cassie Hurt-McLarty), Kathy (Emily Jameson), and Marta (Brandwynn Michelle).  Every relationship has problems but he ultimately realizes that life is better lived with someone else rather than alone.  I really appreciated being able to hear all of the brilliant songs that I've loved for so long in the context of the story and I found them to be even more meaningful.  I particularly enjoyed Powers' rendition of "Getting Married Today" because the panic she feels at the thought of having to commit to someone else is palpable, Jones' version of "The Ladies Who Lunch" because her delivery is intense without being overpowering, and Nichols' interpretation of "Being Alive" because the turning point when his arguments against a relationship suddenly become the desire for one is so powerful.  I also liked the staging of "The Little Things You Do Together," "You Could Drive a Person Crazy," "Side By Side By Side," and "What Would We Do Without You?" because the choreography is really dynamic and fun.  The set is very simple but effective with modern furniture that is moved and reconfigured into the various apartments of the characters and the use of large screens with images of New York City do much to add context (smaller screens that show text messages between characters are highly amusing).  I sometimes found the pacing to be a little slow but I'm sure this was a deliberate decision to create a more reflective mood and it didn't detract from my enjoyment.  I loved this production and I am so happy that I finally had the opportunity to cross this show off my list!  Unfortunately the run ended last night but the rest of the season looks really good (go here for tickets and information).

The Pirate Queen at the Empress

I absolutely loved the musical The Pirate Queen when I saw a production at HCT several years ago so I was really excited to see it again at the Empress Theatre last night.  I think they did an outstanding job with a complicated show!  I love the story about two extraordinary women who are enemies but perfect foils to each other because they both face the same limitations as women and ultimately triumph.  Queen Elizabeth I (Kayla Barlow) has just assumed the throne of England and needs to prove herself by conquering the Irish barbarians.  Grace O'Malley (Beck Skeen) has just become the chieftain of the O'Malley clan after proving herself in battle on her father's ship The Pirate Queen but needs to unite the clans to fight against submission to the English Crown.  The music is magnificent (the composers are Claude-Michel Schonberg and Alain Boublil who are better known for a little show called Les Miserables).  Skeen has a beautiful voice and I loved how it blends with Shatan Duke's, as Tiernan, in the songs "Here On This Night" and "If I Said I Loved You" and with Barlow's in the songs "She Who Has All" and "Woman to Woman."  There are many powerful scenes in this show but my favorites are "Sail to the Stars" when Grace's father is given his final send-off to the sea (I loved the candles), the aforementioned "She Who Has All" between Elizabeth and Grace when a woman in the regalia of a monarch wants what a woman in chains and rags has in her life, and "I'll Be There" when Tiernan has to watch the woman he has loved since childhood marry someone else to unite the clans.  I was really impressed with the staging of "The Pirate Queen," especially when Grace climbs the rigging to free a sail during a storm, and "Boys'll Be Boys," because Hayden Porter, as Donal, gives a hilarious physical performance (I laughed at all of his facial expressions).  The choreography, particularly the Irish dancing in "The Wedding" and "The Christening" and the fight choreography in the battle sequences, is spectacular and a lot of fun to watch.  The Empress always does so much with their small and intimate space and this show is no exception.  The stage features a large backdrop of the prow of a ship in the middle of the ocean (with other set pieces such as a helm and hanging nets that are moved on and off) which is then cleverly draped with luxurious red fabric to become the court of Queen Elizabeth.  The costumes are fantastic, especially the over-the-top gowns worn by Elizabeth and her attendants.  I loved this show so much and I highly recommend it but, unfortunately, there are only two performances left (go here for tickets).

Cash on Delivery at the Empress

Last night I went to see the British farce Cash on Delivery at the Empress Theatre and it was so much fun!  Eric Swann (Alexander Richardson) has been defrauding the office of Social Services by accepting payments for nonexistent lodgers at his house ever since he lost his job at the Electric Company two years ago.  When Social Services becomes suspicious of so many payments being sent to the same residence, a Mr. Jenkins (Jeremy Jonsson) is sent to investigate.  Swann must enlist the help of his actual lodger Norman McDonald (Tanner Larsen) and his uncle George (Bob Skeen) in order to fool not only Jenkins but also his wife Linda (Cheryl Richardson), Norman's fiancee Brenda (Michelle Gardner), a grief counselor (Audrey Jones), an enthusiastic undertaker (Jennie Jonsson), a marriage counselor (Crystal Ahlemann), and Jenkins' uptight supervisor Ms. Cowper (Emily Jameson).  Chaos ensues as each of them are forced to tell one outrageous lie after another as well as impersonate fictional characters, including one who is supposed to have gout, one who is supposed to be deaf, and two who are supposed to be dead, until the whole thing unravels with hilarious consequences!  This show is so funny because eventually you can't remember who is impersonating whom and I, along with the entire audience, laughed and laughed at all of their antics!  Every member of the cast has brilliant comedic timing, but Richardson and Larsen are particularly fun to watch because they become more and more overwrought as their plans go awry. The fast-paced physical comedy is an absolute hoot, especially when one of the characters who is pretending to be dead is stuffed into a window seat and when all of the characters run around slamming doors.  I thoroughly enjoyed this show and I highly recommend it but it is a limited engagement so get your tickets (go here) soon.

A Gentleman's Guide to Love and Murder at the Empress

Over the past few years A Gentleman's Guide to Love and Murder has become one of my favorite musicals because it is absolutely hilarious!  I was really excited to see the Empress Theatre's version last night and I was certainly not disappointed!  This is an incredibly ambitious production and it is so well done that it might be the best show I've seen at the Empress!  After the death of his mother, Monty Navarro (Riley Grover) learns that she was once a member of the wealthy and aristocratic D'Ysquith family but was disinherited for marrying his father.  He is really Montague D'Ysquith Navarro and he is in line to inherit an earldom.  However, there are eight family members in line ahead of him!  When his vain and heartless girlfriend Sibela (Heather Shelley) marries the rich and handsome Lionel Holland, he decides to murder all eight family members ahead of him in the succession to become the Earl of Highhurst and win her back.  Standing in his way are the Reverend Lord Ezekiel D'Ysquith (who has an unfortunate fall from the bell tower of his cathedral), Asquith D'Ysquith, Jr. (who has a bizarre ice skating accident), Henry D'Ysquith (who is stung by bees from his own hive), Lady Hyacinth D'Ysquith (who disappears in deepest darkest Africa and is presumed dead), Major Lord Bartholomew D'Ysquith (who is decapitated while lifting weights), Lady Salome D'Ysquith Pumphrey (who is killed when a prop gun is mistakenly loaded with real bullets during her stage debut in Hedda Gabbler), Lord Asquith D'Ysquith, Sr. (who suffers a heart attack after hearing about all of the deaths in his family), and, finally, Lord Adalbert D'Ysquith, the Earl of Highhurst, (who is mysteriously poisoned).  Along the way, Monty falls in love with Phoebe D'Ysquith (Merci Hase) and marries her which makes Sibela jealous.  When Monty becomes the Earl of Highhurst he is arrested for the murder of Lord Adalbert, the only D'Ysquith death for which he is actually not responsible!  The charges are eventually dismissed when Phoebe and Sibela each give proof that the other committed the murder!  However, Monty might not live happily ever after because Chauncey D'Ysquith, the next in line to the earldom, is lurking!  The cast is absolutely stellar!  The entire D'Ysquith family is played by Chris Last and he is so hilarious with brilliant facial expressions and gestures (not to mention some quick wardrobe changes).  Every character has a distinct personality and I (along with everyone else in the audience) laughed out loud when each one made an appearance!  My favorites are the outrageously flamboyant Henry who thinks everything is "Better with a Man" and the over-the-top Lady Hyacinth who just wants to do some good in "Lady Hyacinth Abroad."  Grover is also outstanding with great comedic timing and both Shelley and Hase have beautiful voices, especially when they harmonize together in "That Horrible Woman."  The set, featuring an elaborate stage reminiscent of an old music hall, is one of the best I've seen at the Empress and I was very impressed with how seamlessly the ensemble move the many props on and off.  I especially enjoyed the clever staging of the singing portraits at Highhurst castle and Monty trying to keep Sibela and Phoebe apart in different rooms at his flat!  The beautiful period costumes are also some of the best I've seen at the Empress, particularly the women's gowns (but I have to admit I also loved all of the top hats worn by the men).  I loved everything about this show and I can't recommend it enough!  It runs through October 22 (go here for tickets).

A Chorus Line at the Empress

Last night I went to see A Chorus Line at the Empress Theatre and I was beyond impressed with this production!  A large group of dancers are taking part in an audition for an upcoming Broadway show.  The director Zach (KC Cook) and his assistant Larry (Kayla Rydalch) take the group through the choreography and they all express their hope that they will be cast in the chorus.  Eventually, the group is narrowed down to Cassie (Taylor McKay Barnes), Kristine (Kayla McConkey), Richie (Tony Sao), Bebe (Gracie George), Diana (Michelle Garcia), Connie (Jenn George), Mark (Ezekiel Peterson), Greg (Shatan Duke), Al (Caden Terry), Paul (Darrin Burnett), Don (Jackson Ohey), Judy (Mariah Pitt), Maggie (Cassie Hurt-McLarty), Mike (Brady Neilsen), Val (Jenna Lynn), and Sheila (Larissa Pearson).  Zach wants to learn more than what is listed on their resumes so he asks them to talk about their experiences and what made each of them want to be a dancer and they do so with stirring musical numbers.  My favorite songs are "I Can Do That" where Mike talks about accompanying his sister to dance class, "At the Ballet" where Sheila, Bebe, and Maggie describe using ballet as an escape from their unhappy childhoods, and "Dance: Ten; Looks: Three" where Val describes getting more jobs after her plastic surgery.  As the group learns the choreography for a number from the show, Zach confronts Cassie and it is revealed that she was once the star of one of his shows, as well as his former lover, and he doesn't think she will fit in the chorus and he has a poignant moment with Paul who describes the difficulty he has had with his sexuality.  The group rehearses "One" and then the final eight dancers are selected.  This cast is one of the most talented I have seen at the Empress and there is not one weak link!  The standouts for me are Barnes who gives an amazing performance in "The Music and the Mirror," and Burnett who is absolutely spellbinding in his delivery of Paul's monologue (the crowd erupted in applause).  The cast also does an outstanding job of staying in character at all times, particularly Pearson who always has a jaded look on her face and Cook who is always evaluating each dancer as they perform.  The choreography is fantastic, especially in the opening number "I Hope I Get It" and "One" because the different groups learning the steps move seamlessly on and off the stage.  The set is very simple (the action takes place on a bare stage), with a curtain at one end and a mirrored wall at the other, as are the costumes with the exception of the sequined gold outfits worn during the bows.  I loved everything about this production and if you only see one show at the Empress this year it should definitely be this one!  There are three more performances next Thursday, Friday, and Saturday (go here for tickets).

Legally Blonde at the Empress

Yesterday I went to a matinee performance of Legally Blonde at the Empress Theatre and it was a really fun way to spend a Saturday afternoon.  Elle Woods (Andey Samhain), a fashion merchandising student at UCLA, is sure that her boyfriend Werner Huntington III (KC Cook) is about to propose but he breaks up with her instead.  He is going to Harvard Law School and needs a more serious girl for the future he imagines.  She decides to prove him wrong and succeeds in getting into to Harvard Law School but no one there takes her seriously, especially the notoriously difficult Professor Callahan (Matthew Black) and Werner's new girlfriend Vivienne Kensington (Mackenzie Haslam).  A teaching assistant named Emmett Forrest (Jake Oaklyn) and a beautician named Paulette Bonafonte (Mya Sanchez) show her that she has what it takes to be a lawyer and she eventually gets an acquittal for her client, fitness guru Brooke Wyndham (Charity Jones).  The story is pretty faithful to the 2001 movie of the same name (except for a silly subplot involving Paulette's dream of meeting a handsome Irishman).  I am usually not a fan of turning a popular movie into a musical because I think they are very contrived but, despite the fact that the action gets bogged down a bit in the second act, I actually liked a lot of the songs.  My favorites were "What You Want," "Positive," "Blood in the Water," "Chip On My Shoulder," and "Whipped Into Shape."  I really liked the use of Elle's sorority sisters, Serena (Alayna Bria), Margot (Bridges Eatchel), and Pilar (Kimberly Webb-Zimmerman), as a Greek Chorus whenever she needs inspiration.  The choreography by Ashley Lynn Loewer is a lot of fun and the cast is very enthusiastic in executing it.  The stage has been transformed by Candice Jorgensen into a Harvard University courtyard with brick walls, the law school insignia, and photos of notable women in the legal profession (my favorite was Ruth Bader Ginsburg).  Pink metallic door curtains are located in the balcony where the Greek Chorus appears and set pieces for the classroom, court room, and beauty parlor are brought on and off stage as needed.  The preppy costumes worn by the law school students are a great contrast with the vibrant pink of Elle's wardrobe.  The best part of this show, in my opinion, is Samhain's performance because she is absolutely perfect as the irrepressible Elle.  I also want to give a shout-out to Chip who plays Bruiser because he is adorable (and so well-behaved!).  I had a great time watching this show and I recommend it to fans of the movie (go here for tickets).

Note:  I've noticed that the Empress often casts their shows without regard to race, gender, or body type.  I find it very refreshing!

The Wedding Singer at the Empress

The next show in the 1980s double feature at the Empress last night was The Wedding Singer.  After a brief intermission, the set for the Bourbon Room used in Rock of Ages was quickly transformed into a New Jersey reception center where Robbie Hart (Caden Terry) sings with his band.  At his latest wedding gig he announces to the crowd that he will be getting married himself the next day but his fiancee Linda (Brenna Moody) dumps him at the altar.  Julia Sullivan (K'lynn Reid), one of the waitresses at the reception center, tries to console him but his next wedding gig is a disaster.  He begins to have feelings for Julia but she is engaged to a rich, handsome, and charming (but sleazy) Wall Street banker named Glen Guglia (KC Cook).  Robbie decides to give up trying to be a rock star and gets a job with Glen but Julia is not impressed because she is having second thoughts about marrying Glen and Linda wants him back.  Will Robbie finally be able to win Julia's love or will Linda and Glen ruin things for them?  I have to be honest and say that I am not a big fan of The Wedding Singer (I saw it at HCT a few years ago) because, as is the case with many musicals adapted from popular movies, the music is incredibly contrived.  The songs often seem as if large sections of dialogue from the movie have simply been set to music, particularly "A Note From Linda" which Linda reads to dump Robbie, "A Note From Grandma" which Robbie's grandma writes to cheer him up, and "Come out of the Dumpster" which Julia sings after a disgruntled groom throws Robbie in a dumpster after he ruins his wedding.  None of the songs are particularly memorable but the cast is more than game and their exuberant performances are a lot of fun to watch.  My favorite in the cast was, once again, Cook because he looks like he is having a blast playing the shady Glen.  There are many elements of this production that I really enjoyed, such as the wedding dress Linda wears to dump Robbie (which resembles the one Madonna wore for her performance of "Like a Virgin" at the VMAs), the Halloween costumes worn by the guests at the wedding Robbie disrupts (the twins from The Shining, Princess Leia, Wonder Woman, and Indiana Jones), the scene at the mall where Julia buys her wedding dress as Robbie's grandma power walks around the perimeter of the entire theater, and the awkward dancing of the young guests at the bar mitzvah where Robbie performs (I laughed out loud at this).  This show is the first Empress All Night production (shown as a double feature with Rock of Ages on Friday and Saturday nights) and I loved being a part of the rowdy late night crowd!  The excitement was definitely infectious and I am glad I stayed for it!

Rock of Ages at the Empress

Last night I went to the Empress Theatre for a double dose of 80s nostalgia and it was so much fun!  First up was Rock of Ages, which I saw when the Broadway touring production came to SLC about ten years ago but haven't seen since.  It is a jukebox musical featuring songs from 1980s glam rock bands and I may or may not have been singing along during every number!  Sherrie (Benzley Tinney), a small town girl living in a lonely world, and Drew (Aaron Allred), a city boy born and raised in south Detroit, both come to Hollywood to make their rock and roll dreams come true and end up working at the Bourbon Room on Sunset Boulevard.  The owner, Dennis Dupree (Brian Fuller), is desperate to generate some income because a German developer (Cassie Hurt-McLarty) wants to tear it down so he convinces Stacee Jaxx (KC Cook), who's seen a million faces and rocked them all, to perform one final concert with his band Arsenal at the Bourbon Room.  Drew opens for Arsenal and gets a record deal and Sherrie hooks up with Stacee Jaxx.  Complications ensue but, if they don't stop believing, their dreams might eventually come true!  I love all of the music in this show, especially "Nothin' But a Good Time," "Sister Christian," "Too Much Time On My Hands," "I Wanna Rock," "Waiting For a Girl Like You," "Wanted Dead or Alive," "I Want to Know What Love Is," "Shadows of the Night," "Pour Some Sugar on Me," "High Enough," "Oh, Sherrie," and "Don't Stop Believin'."  Both Tinney and Allred are fantastic and bring a lot energy and attitude to their performances (although Allred occasionally struggled to hit the high notes) but Cook absolutely steals the show as Stacee Jaxx (I could not stop laughing at his rock star poses).  The choreography is amazing and the ensemble does a good job with it.  I especially enjoyed the aerialists in the scene at the strip club.  The costumes feature as much acid wash denim, neon, and big hair as you would expect from an 80s show and the set of the Bourbon Room includes a stage and bar with vinyl records and posters advertising Arsenal's final concert on the wall.  I loved this show so much and it was really fun to be with a crowd that cheered louder and louder as it went on.  If you are a fan of the 80s, make sure you get a ticket (go here) for one of the remaining performances because it's nothin' but a good time!

The Drowsy Chaperone at the Empress

I really love the musical The Drowsy Chaperone because not only is it one of the funniest shows I've ever seen but it is a poignant ode to the power that musical theatre has to transport you away from the real world and all of your problems to a place where happy endings are possible for a few hours.  I saw a production at the Empress Theatre last night and I had so much fun!  Man in Chair (Ryan Fallis) is feeling a little bit blue so he decides to listen to the cast recording of The Drowsy Chaperone, a popular musical from 1928.  As he listens to the record, the actors appear in his apartment and bring the show to life with frequent pauses for his commentary on all of the theatre tropes used in the show.  Mrs. Tottendale (Chalise Craig) and her Underling (Brian Mecham) are hosting the wedding of oil tycoon Robert Martin (Patrick Hawkins) and Broadway star Janet Van De Graaff (Alayna Bria), who is giving up her glamorous career for love.  Robert is leaving the wedding details to George (Ezekiel Petersen), his best friend and best man, while Janet's Chaperone (Candice J. Jorgensen), who gets "drowsy" when she drinks, is charged with keeping the couple apart to avoid bad luck.  Broadway producer Feldzieg (Nate Fairclough) is unhappy about losing his biggest star and sets out to stop the wedding by hiring a Latin lover named Adolpho (Michael Ricks) to seduce the bride.  An investor in the Feldzieg Follies is also worried about losing its biggest star and hires two gangsters (Trae Fairclough and Nathaniel DiVall), disguised as pastry chefs, to stop the wedding.  A ditzy chorus girl named Kitty (Kandace Keddington) is hoping to take Janet's place.  Mayhem ensues, especially when Main in Chair puts the wrong record on at the beginning of Act 2 and the cast starts performing a song from Message From a Nightingale instead, but the happy ending comes eventually when Trix the Aviatrix (Marie Roe) is enlisted to marry four couples on her plane while flying to Rio.  The best part of this show is Fallis as Man in Chair because he is absolutely hilarious when he joins in with the choreography during "Toledo Surprise" and "Bride's Lament" but he also shows a lot of vulnerability when he compares the show to his life during a rant against the song "Love is Always Lovely in the End."  I also really enjoyed it when he spontaneously interacted with audience members (including me!).  Other standouts in the cast are Hawkins (I loved his tap dancing in "Cold Feets" and his roller skating in "Accident Waiting to Happen"), Ricks (I loved every entrance he makes), and Jorgensen (I loved it when she pushes Janet out of the way during "As We Stumble Along").  Once again, the use of the intimate space is incredibly clever with the Man's apartment at one end of the stage and an Art Deco hotel lobby complete with elevator at the other.  I also loved the plane and the staging of "I Do, I Do in the Sky."  I laughed and laughed through the entire show and I highly recommend getting a ticket (go here) for one of the two remaining performances.

The Sound of Music at the Empress

Last night I went to the Empress Theatre for the first of three productions of The Sound of Music that I have scheduled this year.  Obviously I really love this show (although I actually prefer the 1965 movie starring Julie Andrews and Christopher Plummer to the stage musical) and I had so much fun watching an aspiring nun sent to be the governess to the seven children of Captain von Trapp bring music back into his household.  I love every song (they are all so instantly recognizable and I really had to try hard not to sing along), particularly "The Sound of Music," "Maria," "My Favorite Things," "Do-Re-Mi," "Edelweiss," "Climb Ev'ry Mountain," and "Somthing Good."  Laura Strong, who plays Maria, has a really beautiful voice (although there were lots of problems with her microphone) and I really enjoyed her interactions with the von Trapp children, Liesl (Kimberly Allred), Friedrich (Sam Selcho), Louisa (Brynlee Dalton), Kurt (Bridger Dalton), Birgitta (Mabel Utley), Marta (Roux Carter), and Gretl (Daphne Carter).  All of these young actors do a wonderful job, especially in "The Lonely Goatherd" and "So Long, Farewell."  I wish that there had been more interaction between Strong and and Don Smith, as Captain von Trapp, because their romance seems to come out of nowhere but I think that is a problem with the show itself rather than the actors.  Kacee Mickelsen, as the Mother Abbess, and Morgan Hekking, as Baroness Schrader, are the other standouts from the cast because they both are very powerful (even though Mickelsen also had issues with her microphone).  I really enjoyed the choreography, especially the entrance of the nuns in the opening number and the interplay between Liesl and Rolf (Patrick Hawkins) in "Sixteen Going on Seventeen."  The entire space is utilized very effectively, especially the stairs and the areas behind the top row of seats which feature a beautiful mural of mountains (it felt like we were actually sitting in the middle of the Alps), and I particularly loved the final scene as the vop Trapps climb to freedom.  This is the most elaborate set I've seen at the Empress and I was quite impressed with both the abbey and the von Trapp mansion.  Community theatre can sometimes be very quirky but this show equals many professional productions I've seen.  My only complaints are the aforementioned issues with the microphones and some of the transitions run a bit long (all of which will probably be resolved as the run continues).  I highly recommend this show which runs through April 16 (go here for tickets).

Note:  There was a couple sitting across the stage from me who were very obviously the parents of one of the children.  They literally beamed every time the children were on stage and I thought that was so sweet!

Big Fish at the Empress

I enjoyed the Empress Theatre's production of Daddy Long Legs so much I decided to see their latest show, Big Fish, last night.  It didn't quite live up to Daddy Long Legs (which set the bar really high) but I thoroughly enjoyed it!  Will Bloom (Austin Payne) has always been exasperated by all of the wild stories that his father Edward (Jeff Pashley) tells him.  These include hearing his fortune told by a witch (Mya Sanchez) in a swamp, learning how to swim from a mermaid (Audrey Kocherans), befriending a giant (Owen Pashley), running away to the circus, wooing a young woman (Amber Ellington) with daffodils, and stopping the assassination attempt of a general during the war.  As he is about to become a father himself, he learns that his father is dying of cancer and returns home to attempt a reconciliation with him.  After a Wild West confrontation between the two of them, Will discovers that the truth about his father is even more extraordinary than the stories.  The songs in this show are a lot of fun because they bring all of Edward's fantastical stories to life and I was really impressed with how well they are staged in such a small space with a very minimalistic set.  My favorite numbers were "Be the Hero," "Ashton's Favorite Son," "Daffodils," and "Red, White, and True."  This is a very complicated show technically with many different costume changes and multiple props moving on and off stage and I thought the transitions went very smoothly, especially so early in the run.  The majority of the cast members are much better singers than actors but they are very earnest and give it their all so you can't help but be enchanted by their performances.  It is a little bit quirky (all community theatre is a bit quirky) but the heartwarming story of a son trying to understand his father and a father trying to make his son proud is sure to please everyone.  It runs through March 12 and tickets, which are very reasonable, can be purchased here. 

Daddy Long Legs at the Empress

I fell in love with the musical Daddy Long Legs when I saw it at HCT last year so, when I learned that it was being performed at the Empress Theatre, I immediately bought a ticket!  I saw the show last night and it was absolutely delightful!  At the turn of the century, Jerusha Abbott (Maura Monson) is the oldest orphan at the John Grier Home but a young and wealthy Trustee named Jervis Pendleton (Bryan Buhler), impressed by one of her essays about living at the orphanage, decides to send her to college so she can become a writer.  He will pay her tuition and all of her living expenses on the condition that he remain anonymous and that she writes him a letter each month to inform him of her progress.  Not knowing his name, she decides to call him Daddy Long Legs in reference to the tall shadow she saw as he left the orphanage.  Her letters are enchanting to Jervis so, against his better judgment, he meets her without revealing that he is her benefactor and falls in love with her.  Jerusha also falls in love with Jervis but, when she pours her heart out about him to Daddy Long Legs in her letters, it creates much confusion as he struggles to decide whether to reveal himself to her.  I really love the character of Jerusha because I identify with her so much.  She has such a thirst for knowledge and new experiences and I really enjoyed Monson's characterization because she imbues her with such a sense of wide-eyed wonder.  I also enjoyed Buhler's portrayal of Jervis because he visibly comes undone over Jerusha's letters, especially whenever she mentions the brother of one of her classmates.  They both have incredible voices and I was so impressed by their performances because the two of them literally carry the show entirely by themselves and do not miss a beat with the demanding songs, rapid-fire dialogue, and imaginative blocking.  The set is really clever and highly effective because it consists of an elaborate study for Jervis, to show how set in his ways he is, and a minimal space full of movable boxes filled with props which become multiple settings for Jerusha, to show her transformation throughout the show.  A live band, featuring Martha Haddock on piano, Risa Bean on cello, and Spence Kellog on guitar, performs on a platform above the stage and they are fantastic.  I love all of the music in this show but my favorite songs are "Like Other Girls," "Things I Didn't Know," "I'm a Beast," and "The Secret of Happiness."  I had a huge smile on my face from beginning to end and, even if you don't know anything about this show, I highly recommend getting a ticket because it might just become one of your favorites.  This is a limited engagement with only a few shows left so act quickly (go here for tickets).

Note:  I first discovered the Empress Theatre several years ago when they produced See How They Run.  I played Miss Skillon in high school so I just had to see it and it was so much fun!