Decision to Leave

Have I mentioned that I want to see just about everything that screened at the fall film festivals this year?  It seems that they are all getting a wide release within the next few weeks (I am going to be really busy) so I went to see one of them, Decision to Leave, last night at the Broadway.  This neo-noir thriller about mutual obsession is complex but ultimately very compelling.  Hae-jun (Park Hae-il) is a world-weary police detective suffering from insomnia in Busan with a so-called "weekend marriage" to a woman who lives in Ipo.  While working on another case, he and his partner Soo-wan (Go Kyung-pyo) are called to the scene of a mountain climbing accident that may or may not involve foul play.  The victim's wife, a Chinese immigrant named Seo-rae (Tang Wei), becomes a suspect but, after conducting extensive surveillance, Hae-jun becomes infatuated with her and eventually finds evidence that seems to exonerate her.  However, nothing is what it seems and the narrative takes an unexpected turn when Hae-jun becomes the object of Seo-rae's obsession during another case.  What I really enjoyed is how Park Chan-wook plays with perception.   Images come into and go out of focus in the same scene, particularly during an interrogation scene involving a mirror, which emphasizes that the characters do not see each other clearly and the use of technology, especially video and audio recordings, reveals a disconnect between them.  I also enjoyed the clever editing and innovative camera work used in the surveillance scenes because you never really know where each of the characters are in relation to one another.  While the story is essentially a straightforward police procedural, these stylistic choices, as well as multiple subplots, keep the audience guessing until the haunting conclusion.  Tang Wei gives an enigmatic performance worthy of Hitchcock's best femme fatales and the chemistry between her and Park Hae-il is absolutely smoldering.  Finally, the images on the screen, including overhead shots of mountain peaks and crashing waves, are gorgeous and the woodwind heavy score is incredibly evocative.  This is one of the best movies I've seen this year and I highly recommend it!

Harry Potter and the Deathly Hallows Part 1 in Concert

The very first Film in Concert that I saw with the Utah Symphony was Harry Potter and the Sorcerer's Stone and I absolutely loved it!  I have since seen the next five movies in the franchise on the big screen with the orchestra playing the score live and was thrilled to see the penultimate movie, Harry Potter and the Deathly Hallows Part 1, yesterday afternoon.  One of the things I love about these concerts is all of the audience participation!  There was the usual house roll call (three cheers for Ravenclaw) and lots of applause (or boos as the case may be) for all of the characters when they appeared on screen for the first time (the loudest was for, rather appropriately, Hagrid after the recent passing of Robbie Coltrane).  These movies have been getting progressively darker in tone with higher stakes and this one finds Harry (Daniel Radcliffe), Ron (Rupert Grint), and Hermione (Emma Watson) on the run in search of the Horcruxes that will enable them to defeat Lord Voldemort (Ralph Fiennes).  The score for this movie, composed by Alexandre Desplat (who is one of my favorite film composers), is incredibly moody and atmospheric.  All of the music for the action sequences, including "Sky Battle" when Harry and his friends are attacked by Voldemort as he is moved by members of the Order of the Phoenix, "The Ministry of Magic" when they are attacked by Death Eaters, "Bathilda Bagshot" when Harry and Hermione are attacked in Godric's Hollow, "Captured and Tortured" when Harry and his friends are chased by the Snatchers through the forest, and "Rescuing Hermione" when they escape from Malfoy Manor, are menacing and intense.  There are also some incredibly plaintive themes, including "Oblivion" when Hermione erases all trace of herself from her parents' memories, "Godric's Hollow Graveyard" when Harry finds his parents' graves, and "Farewell to Dobby" when they bury their friend after he saves them (this always brings a tear to my eyes).  My favorites are "Destroying the Locket" with beautiful themes played by the woodwinds when the Patronus appears in the woods and "The Elder Wand" with dramatic timpani and brass when Voldemort opens Dumbledore's tomb.  This was so much fun, especially during Halloween weekend, and I am now eagerly anticipating the final movie in the franchise.

Note:  If you have never attended a Film in Concert with the Utah Symphony, I highly recommend it because it is so immersive!  The remaining concerts include The Nightmare Before Christmas, An American in Paris, and The Force Awakens.  Go here for more information.

Hamilton in Las Vegas (Again)

I was not really planning on seeing Hamilton at the Smith Center in Las Vegas (I have seen it many times including at the Smith Center) but I decided that I would be really sad if I didn't go and ended up getting a ticket.  I went on my first road trip with my new car yesterday to see it and I loved it as much as the first time I saw it!  Alexander Hamilton was played by the understudy Manuel Stark Santos (he was Aaron Burr when I saw it in SLC) and I really enjoyed his interpretation of the role.  He has a beautiful voice so his renditions of "Dear Theodosia" and "Hurricane" were lovely and I had tears in my eyes when he kissed Eliza's hand during "It's Quiet Uptown."  He brought quite a bit of originality to his performance in "Non-Stop" and many of his facial expressions and gestures where hilarious ("I was chosen for the Constitutional Convention!").  I saw Donald Webber, Jr. as Aaron Burr in San Francisco and SLC and last night his rendition of "Wait For It" was incredibly powerful but the phrasing was a little bit different.  I have often wondered whether the actors change their performances from city to city and it seems that he does!  The same could be said for Paris Nix (who I saw as Marquis de Lafayette/ Thomas Jefferson in Chicago and SLC) because he changed the running man to wiping his feet (which Santos imitated) in "Cabinet Battle #1."  His interactions with Brandon Louis Armstrong (as Hercules Mulligan/ James Madison) were absolutely hilarious and I laughed out loud at his antics during "What'd I Miss," "The Reynolds Pamphlet," and "The Election of 1800" because he seemed even more over the top than usual!  Darnell Abraham was an incredibly commanding George Washington when I saw him in SLC and he gave me goosebumps, and earned thunderous applause from the crowd, once again when he stormed the stage during "Right Hand Man" (which is one of my favorite moments in the show).  Eliza was played by the understudy Milika Cheree (she also played the role as the understudy in SLC) and her performance of "Burn" brought a tear to my eye once again (she had a huge flame when she set the letter on fire!).  Finally, last night I noticed for the first time that when Eliza reads the letter about John Laurens' death, Lafayette and Hercules Mulligan are up on the balcony reading letters as well.  I've always been focused on Hamilton's reaction in that scene so I have never seen them before and it was very moving!  I loved every minute of this performance (I honestly don't think I will ever get tired of it) and I am so glad that I decided to get a ticket!

Note:  Since this is such a popular show, patrons were only able to select a section on the website and then seats were randomly assigned.  I selected the main floor and was thrilled to discover that my seat was a few rows from the stage in the exact center of the theater!

My Policeman

Yesterday afternoon I decided to cross another movie off my very long list by seeing My Policeman.  I was quite moved by this heartbreaking story about the consequences of being forced to live a lie.  In the present, Patrick Hazlewood (Rupert Everett) suffers a debilitating stroke and goes to convalesce with his estranged friends Marion and Tom Burgess (Gina McKee and Linus Roache, respectively).  They seem to have a lukewarm marriage and Tom bitterly resents Patrick's presence, refusing to see or speak to him.  The timeline then shifts to 1957 when Tom (Harry Styles), a policeman from a working class background, begins seeing a sophisticated schoolteacher named Marion (Emma Corrin) and starts trying to improve himself to impress her.  When Tom meets a museum curator named Patrick (David Dawson), the three of them are soon spending all of their time together because Patrick and Marion have a lot in common. However, it turns out that it is Tom who Patrick loves and they begin a secret affair.  Tom is conflicted about their relationship because he is a policeman and homosexuality is illegal in Britain so he decides to marry Marion for protection while continuing to see Patrick.  Marion eventually learns the truth and takes drastic steps to keep Patrick out of their lives.  Back in the present, Marion, Tom, and Patrick must finally reconcile their past actions in order to live more authentically.  The story is so tragic (and compelling) because all three characters are faced with an impossible situation due to the repressive era in which they live and there were several moments that brought tears to my eyes.  I loved the cast, including Styles who has been much maligned for his acting.  I thought he was fine in Don't Worry Darling but I think he is much better in this role because he is incredibly charismatic and has so much chemistry with both Dawson and Corrin.  They also give really solid performances and there is a particular scene where Corrin is absolutely devastating without even saying a word.  McKee, Roache, and Everett do a great job as the older versions of these characters but I wish that they had more to do because I wanted to know more about them.  I loved the aesthetic of this movie because everything, including the setting along the coast, the production design, and the costumes, looks gorgeous (I love period movies).  This is another story about a forbidden same-sex relationship like we have seen many times before but it is an important one and is definitely worth watching, especially when it streams on Prime Video starting Nov. 4.

Black Adam

Last night I saw Black Adam with a large and rowdy crowd and, even though there are some flaws, I really enjoyed it!  When archaeologist Adriana Tomaz (Sarah Shahi) goes looking for the Crown of Sabbac once owned by the tyrannical King Ahk-Ton, Teth-Adam (Dwayne Johnson) is awakened from the tomb he was imprisoned in for 5,000 years.  He discovers that his home of Khandaq is being oppressed by an organized crime syndicate known as Intergang and brutally slaughters many members.  Adriana believes that he is the Champion, endowed with the powers of Egyptian gods by an ancient wizard, who ended the reign of Ahk-Ton and hopes he can liberate Khandaq once again.  However, his violent actions alarm Amanda Waller (Viola Davis) and she contacts the Justice Society of America, including Carter Hall/ Hawkman (Aldis Hodge), Kent Nelson/ Doctor Fate (Pierce Brosnan), Al Rothstein/ Atom Smasher (Noah Centineo), and Maxine Hunkel/ Cyclone (Quintessa Swindell), to capture him.  When Ishmael Gregor (Marwan Kenzari), the leader of Intergang and the last descendant of Ahk-Ton, gains control of the Crown of Sabbac and its powers of Hell after kidnapping Adriana's son Amon (Bodhi Sabongui), the JSA forms an uneasy alliance with Teth-Adam to defeat him.  While there is a lot of exposition which sometimes becomes very convoluted, I really liked the exploration of what it means to be a hero with an interesting twist about the role of fate.  The introduction of the JSA characters, particularly Doctor Fate, is a lot of fun and I hope we see more of them in the future.  Johnson's performance is a bit more subdued than we usually see from him but I think it works for the character as he reconciles who he was with who he needs to be and I loved his deadpan humor, especially in his interactions with Hodge's Hawkman (I enjoyed their conflict more than the conflict with the main villain).  Brosnan is another standout for me because he steals every scene he is in and I enjoyed his relationship with Hawkman.  Finally, the non-stop action sequences had my late night crowd cheering out loud and, even though there is more spectacle than substance, this kept me actively invested in the outcome.  I get some of the criticism of this movie but I had a lot of fun with it and I recommend it to fans of the DCEU.

Note:  You have no doubt heard by now that there is a very exciting cameo in a mid-credits scene!  This elicited cheers from my audience (and from me)!

Triangle of Sadness

Another film that has received a lot of buzz from the fall film festivals (it won the Palme d'Or at Cannes) is Triangle of Sadness and I finally had a chance to see it at the Broadway last night.  I laughed out loud during the entirety of this dark comedy and I was not alone!  A fashion model named Carl (Harris Dickinson) and his influencer girlfriend Yaya (Charlbi Dean) are given a free luxury cruise in the Mediterranean Sea aboard a $50 million superyacht.  The head steward Paula (Vicki Berlin) insists that the crew indulge the whims of the wealthy passengers, even when one of them insists that every member of staff go down the slide into the water which delays dinner, while the intoxicated captain, Tom (Woody Harrelson), hides in his cabin and the mostly Filipino cleaning crew slave away behind the scenes.  After an attack by pirates, a small group of passengers including Carl and Yaya, a Russian oligarch named Dimitry (Zlatko Buric), a debilitated stroke survivor named Therese (Iris Berben) who can only speak one sentence in German, and a lonely tech millionaire named Jarmo (Henrik Dorsin) land on what they believe to be a deserted island with a member of the cleaning crew named Abigail (Dolly de Leon) and a mechanic named Winston (Oliver Ford Davies).  The power dynamic of the group shifts with comedic results when Abigail is the only one who has any survival skills.  This is an absolutely hilarious social satire taking aim at the vacuous and shallow idle rich.  My favorite scene is when the passengers are invited to an incredibly pretentious dinner with the captain during a violent storm causing many of them to become seasick which, despite the fact that it involves just about every type of bodily fluid, is a lot of fun and serves to dismantle class divisions in an absurdly amusing way.  I really appreciated the message that people should not be judged solely on their wealth or looks but rather their knowledge, abilities, and experience and that it pays to treat the people who serve you with kindness and respect.  The cast is fantastic but de Leon gives a standout performance in the third act and I am still thinking about her character's actions in the final scene.  I recommend seeing this wildly entertaining film with the biggest crowd possible!

Happy Birthday Tashena

Last night we celebrated Tashena's birthday early (it is actually at the end of the week) by going to dinner (Chuck-A-Rama), having cake (the traditional ice cream cake from Baskin Robbins), opening presents, and playing Shanghai Rummy!

I can't believe that she will be 22!

Pumpkin Carving 2022

Yesterday my family got together for our annual pumpkin carving party and we had so much fun.  We have been doing this with Sean and Tashena since they were really little and every year I wonder if it will be the last time because they will have outgrown it but Sean called me specifically to remind me to buy pumpkins!

I really love this tradition and I think our pumpkins turned out really cool this year!

New Car

I got a new car over the weekend!  I actually bought it, sight unseen, two weeks ago but I had to wait for it to be delivered and inspected because inventory is so low right now.  I knew that I wanted another Kia Sportage because it has been the best car that I have ever owned.

My 2011 Kia Sportage (above on the day that I bought it) went on multiple road trips to Denver, Las Vegas, Phoenix, and Los Angleles as well as several trips to Mount Rushmore, Zion, Bryce Canyon, the Grand Canyon, and Yellowstone.  I drove it almost 200,000 miles without any major problems (I only had to replace the tires every few years and perform routine maintenance) but this summer the air conditioning stopped working and my mechanic started noticing other smaller issues.  He warned me that if I started having problems with the transmission or the engine I should get a new car rather than repair it because it wouldn't be worth it with so many miles on the odometer.  Even though I really loved this car, I decided that it would be better to trade it now rather than later.

My 2023 Sportage has a lot more bells and whistles than my old one so it has been really fun to drive.  I especially love the rear camera, the lane assist, Apple CarPlay, and the heated seats.  I named my 2011 Sportage Edward because of its color (Twilight Blue) so, since my new Sportage is Steel Grey, I decided to name it Remington (after the old TV show Remington Steele).  I'm so happy to have this car and I already have a road trip planned!

Ballet West's Onegin

I love Russian literature and music so the ballet Onegin, based on the novel by Alexander Pushkin and featuring music by Piotr Ilyich Tchaikovsky, is one of my favorites!  I have been looking forward to Ballet West's production since the 2022-2023 season was announced and I had the opportunity to see it last night.  I loved everything about it including the story, the music, the choreography, the performances, the sets, and the costumes!  A young girl named Tatiana (Jenna Rae Herrera) is preparing for a ball in honor of her birthday with her mother (Olivia Gusti), her sister Olga (Chelsea Keefer), and friends from the countryside.  Lensky (Jordan Veit), a poet engaged to Olga, soon arrives with Onegin (Brian Waldrep), his worldly and sophisticated friend from St. Petersburg.  Tatiana falls desperately in love with him and writes an impetuous letter declaring her feelings which her nurse delivers to him.  Prince Gremin (Jake Preece) is also invited to the ball and falls in love with Tatiana but she ignores him in favor of Onegin who, thinking her a silly girl who has read too many romantic novels, rejects her and tears up her letter.  Onegin eventually grows bored with the company and flirts outrageously with Olga.  Lensky challenges him to a duel and Onegin ends up killing him.  Years later a disillusioned Onegin visits Prince Gremin in St. Petersburg and is shocked to discover that his friend has married Tatiana.  He realizes that he is in love with the beautiful princess and writes her a letter.  In a dramatic reversal of fortune, she rejects him and tears up his letter.  I love Tchaikovsky's music because it is so passionate which makes it the perfect backdrop for this tragic love story.  I especially loved the music during the duel because it is unbelievably heartbreaking.  The choreography is some of most innovative I've seen performed by Ballet West.  I loved the wild abandon of the folk dances in the countryside, particularly the leaps across the stage by the women in the ensemble, juxtaposed with the elegant and stately waltzes at the ball in St. Petersburg.  I also loved the tumultuous and acrobatic final Pas de Deux between Onegin and Tatiana.  Herrera and Waldrep danced their roles brilliantly, executing challenging throws and maneuvers with an incredible amount of emotion (the audience spontaneously applauded when Tatiana gestured for Onegin to leave).  The elegant sets and beautiful costumes in muted jewel tones transport the audience to imperial Russia for a few hours and I definitely recommend taking this journey.  There are three more performances at Capitol Theatre (go here for tickets) including a matinee on October 29.

Tchaikovsky's Symphony No. 5

The Utah Symphony performed an all Russian program last night so I was a very happy girl!  The orchestra, under the baton of guest conductor David Danzmayr (who was very dynamic), began with the Prelude to Khovanshchina by Modest Mussorgsky.  Even though this opera is about the struggle between Peter the Great, who wants to implement Western reforms in Russia, and the Old Believers, who want to overthrow him, the Prelude depicts the dawn over the Moskva River and it is actually quite beautiful and soothing.  I especially loved the melody played by the oboe and the variations that followed.  Next came Piano Concerto No. 3 by Sergei Prokofiev with Andrew Staupe as soloist.  I really loved the haunting opening theme played by the clarinet because it reminded me of Russian folk music and the themes played by the solo piano are exciting and dramatic.  Staupe's performance was amazing (I loved watching his fingers fly up and down the keyboard) and he was rewarded with a well-earned standing ovation!  After the intermission, the orchestra performed the piece I was waiting all night to hear, Symphony No. 5 by Piotr Ilyich Tchaikovsky.  I love Tchaikovsky's music because I think it is so emotional and that is especially true of this particular piece because it is his confrontation with fate.  I loved the plaintive theme played by the woodwinds in the first movement and the horn solo in the second movement was absolutely brilliant.  The final movement is incredibly stirring, particularly the themes played by the brass and the timpani, and, even though this piece is filled with melancholy and yearning, the ending is triumphant!  This concert was a wonderful way to spend an evening and, if you are a fan of Russian composers, I recommend getting a ticket for the same program tonight (go here).

TÁR

After hearing the hype about Cate Blanchett's performance from all of the fall film festivals, TÁR became one of my most anticipated movies and I was so excited to have a chance to see it last night!  This cautionary tale about the fall from grace of a brilliant composer and conductor is incredibly compelling and thought-provoking.  Lydia Tár (Blanchett) is arrogant and imperious in her professional life as the principal conductor of the Berlin Philharmonic and remote and unfeeling in her personal relationships with her partner Sharon Goodnow (Nina Hoss), her personal assistant Francesca Lentini (Noemie Merlant), and a Russian cellist named Olga Metkina (Sophie Kauer).  When an allegation of impropriety towards young conductor (Sylvia Flote) she once mentored is suggested, she slowly comes undone as everyone in her life turns against her.  Blanchett gives an incredibly powerful performance because her character is very unsympathetic (she is the architect of her own demise) and yet you somehow begin to feel sympathy for her.  This is a long and slow moving character study but my attention never wavered because Blanchett is so captivating and every scene is fraught with meaning (the significance of which is not always immediately apparent but is eventually revealed).  I really enjoyed the ambiguity of the narrative because the audience is never really sure if she is guilty of what she has been accused of, especially when a supposedly incriminating video of a lecture at Julliard surfaces and turns public opinion against her because the audience knows what really transpired.  It is an interesting commentary on cancel culture and I haven't been able to stop thinking about it.  I also really enjoyed the discussion about whether artists should be judged by their work or by their behavior.  Finally, as a fan of classical music, I was impressed by the use of Mahler's Fifth Symphony and Elgar's Cello Concerto, especially since Blanchett is actually conducting and Kauer is performing.  This will not be for everyone but I absolutely loved it (I predict that it will appear on my top ten list for the year).

Halloween Ends

I was surprised by how much I enjoyed Halloween but I really disliked Halloween Kills so I didn't know what to expect when I went to see Halloween Ends, the final movie in the trilogy, last night.  It ended up being a mixed bag for me because the concept is very compelling but, in my opinion, the final resolution is anticlimactic.  It is once again Halloween in Haddonfield and a college student named Corey Cunningham (Rohan Campbell) is babysitting a young boy named Jeremy (Jaxon Goldberg).  When Jeremy accidentally falls to his death, Corey is cleared of any wrongdoing but the town holds him responsible and he is often bullied and harassed.  Four years after his latest killing spree, Michael Myers (James Jude Courtney) seems to have disappeared while Laurie Strode (Jamie Lee Curtis) is trying to put her past behind her and live a normal life with her granddaughter Allyson (Andi Matichak).  Corey begins a relationship with Allyson and, while Laurie is initially sympathetic to Corey's plight as the town pariah, she comes to disapprove of the romance because she senses evil inside him.  After a particularly brutal confrontation with a group of students in which he is severely injured, Corey encounters Myers in the sewer where he has been living for the past four years.  Myers sees himself in Corey and eventually helps him kill everyone who has persecuted him which culminates in an attack on Laurie.  It is an interesting twist to sideline Michael for most of the runtime to focus on Corey and how he becomes a serial killer but it worked for me because I was very intrigued by what the filmmakers had to say about the nature of evil.  However, this narrative is basically abandoned in order to get to the expected confrontation between Michael and Laurie so there is no payoff (I wish the filmmakers had been fully committed to Corey's character arc and the idea that evil doesn't die but just changes shape).  Furthermore, I was so disappointed by the final showdown between these two iconic characters because Michael's death seems much too easy after all of Laurie's previous attempts to kill her nemesis (I think the saga should have concluded with Halloween because the scenes where Laurie stalks Michael through her house are incredibly suspenseful and terrifying).  I liked this more than the previous installment but the bar was set pretty low.

Thriller 2022

I have been attending Odyssey Dance Theatre's annual Halloween dance extravaganza Thriller for the past fifteen years and it has always been one of my favorite Halloween traditions.  However, Derryl Yeager, the founder and artistic director of ODT, is retiring so this year's production will be the final one.  Since I won't be able to see it again I enjoyed it even more than usual last night and so did the loud and enthusiastic crowd at Kingsbury Hall!  There weren't any new dance numbers but that didn't really matter because I felt very nostalgic about all of my old favorites.  I looked forward with great anticipation to seeing the undead cavorting in a graveyard in "Thriller," a breakdancing mummy and his maidens in "Curse of the Mummy," misbehaving pandas during their first recital in "Miss Alli's Nightmare," a Pas de Deux gone horribly wrong in "Frankenstein & Frankenstein," tap dancing skeletons in "Dem Bones," schoolgirls who are possessed by porcelain dolls in "Annabelle of the Ball," a trio of Jasons wielding a variety of weapons (including chainsaws) in "Jason Jam," scarecrows that are not what they seem in "Children of the Corn," a coven of condemned witches seeking vengeance from beyond the grave in "Salem's Mass" (my favorite number in the show), demonic dolls in "Chucky-Rama," acrobatic vampires in "Lost Boys," and a costume parade in "Trick or Treat."  Every one of these numbers put a huge smile on my face and I think "Jason Jam" was even funnier than usual!  Once again the artists from Aeris Aerial Arts performed "Siren of the Sea," "Phantom of the Opera," "Full Moon," and "Slytherin" and these numbers were so much fun to watch because I have no idea how they do what they do!  My favorite was "Full Moon" which involved a group of six artists costumed as wolves and one as Little Red Riding Hood performing on a spinning globe.  Finally, I was so happy to see the return of Bubbles the Clown (he is hilarious) in between the numbers!  I had so much fun last night (as well as at every performance through the years) and, if you have never seen it before, I highly recommend getting a ticket before it is too late!  It runs at Kingsbury Hall through October 22 and at Tuacahn through October 31 (go here for tickets).

Fall Camping Trip 2022

For the past four days I have been on a fall camping trip with my family up at the property and it has been so much fun!  My brother-in-law Trent and I went up Thursday and decided to take the scenic route through Big Cottonwood Canyon over Guardsman Pass into Midway in order to see the fall foliage.  The views were amazing!

Once we got to the property in Tabiona, we took the side by side on a few trails.  I'm getting better at driving it!

There are so many trails to explore!  I always have to make a stop at my favorite rock formation!

Kristine, Tashena, Trent's sister, his two nieces, and his niece's three kids (who were adorable) came up Friday afternoon.  We drove to a little town called Bluebell (in the middle of nowhere) for a really great corn maze with lots of other fall activities (I loved the pumpkin launching).  We got dinner there and I had my first caramel apple of the season!

On Saturday Trent made one of his famous breakfasts on the griddle and then we had a lot of fun playing games and sitting around the fire.  The kids made s'mores and we roasted brats over the fire for dinner.  It was wonderful.

I slept each night in the trailer and, as always, I really loved it.  I am so grateful that Trent and Kristine let me stay in it whenever I want!

By Sunday afternoon I was tired, dirty, sunburned, and everything I brought up smelled like smoke.  In other words, it was a really great trip!  It was really hard to come back home!