Thierry Fischer Conducts Bach, Wynton Marsalis, Carter & Wagner

Everyone in attendance at Abravanel Hall last night was treated to a very eclectic Utah Symphony concert and I, being one of the lucky few in the audience, absolutely loved it!  The orchestra began with a really fun piece by Johann Sebastian Bach called Concerto for Two Violins with Madeline Adkins and Claude Halter as soloists.  I especially loved the first and third movements because of the lively themes played by the soloists who seemed to respond to each other, almost as if they were dueling!  Abravanel Hall was then turned into an intimate jazz club for the next two numbers by Elliott Carter and Wynton Marsalis, respectively.  Two small ensemble groups were formed on either side of the stage with dramatic lighting as each performed.  One group played Double Trio by Carter, which was incredibly dynamic with lots of different percussion instruments and themes played by trumpet and trombone, and the other played selections from A Fiddler's Tale by Marsalis, which featured several different styles of jazz.  I am not a huge fan of jazz but I really enjoyed these pieces and I must admit that I was tapping my toes during the final selection, The Blues on Top, from A Fiddler's Tale because the musicians were definitely playing the blues and it seemed like they were having so much fun improvising (Thierry Fischer even left the podium for the last few moments to let them jam).  The concert concluded with the beautiful Siegfried Idyll by Richard Wagner.  This was written as a birthday present for Wagner's second wife Cosima, with whom he had a passionate affair before marrying her, after the birth of their son Siegfried.  I thought it was incredibly romantic and I particularly loved all of the themes played by the woodwinds.  Each of the these pieces were so different but I loved them all and I highly recommend getting a ticket to this program which will be repeated tonight and tomorrow night (go here for tickets).

Mortal Kombat

I didn't know anything about the game, the characters, or the mythology but my nephew really wanted to see Mortal Kombat, the new movie adaptation of the popular gaming franchise, so we went to see it last night.  I had only the vaguest notion of what was going on but Sean, who loves the game, giggled through the whole thing so it was a lot of fun for me to watch it with him.  In 17th century Japan, a ninja named Bi-Han (Joe Taslim) kills his rival Hanzo Hasashi (Hiroyuki Sanada) and his wife and son.  He thinks that he has destroyed Hanzo's entire bloodline but his baby daughter is rescued by Lord Raiden (Tadanobu Asano), the god of thunder.  In the present, the Outworld, under the control of the sorcerer Shang Tsung (Chin Han), has defeated the Earthrealm, under the control of Lord Raiden, in nine out of ten deathmatch tournaments known as Mortal Kombat.  If they can win one more time the Outworld will conquer the Earthrealm but Shang Tsung discovers a prophecy that says the blood of Hanzo Hasashi will defeat them.  Lord Raiden assembles a group at his temple, including existing champions Liu Kang (Ludi Lin) and Kung Lao (Max Huang), Special Forces soldiers Jackson "Jax" Briggs (Mehcad Brooks) and Sonya Blade (Jessica McNamee), an Australian mercenary named Kano (Josh Lawson), and a down-and-out former MMA champion named Cole Young (Lewis Tan), to find their arcana, or special power, and train for the tournament. Shang Tsung assembles Bi-Han, Mileena (Sisi Stringer), Nitara (Mel Jarnson), Kabal (Daniel Nelson), Reiko (Nathan Jones), and Goro (Angus Sampson) to fight them and an insane amount of graphic violence ensues.  When Bi-Han, now known as Sub-Zero, attacks Cole's wife Allison (Laura Brent) and daughter Emily (Matilda Kimber), Cole learns that he is a descendant of Hanzo.  He challenges Sub-Zero which reawakens Hanzo, now known as Scorpion, and this ultimately leads to an epic battle between Sub-Zero and Scorpion.  The story is very convoluted but it hardly matters because the action is so exciting.  Everyone in my screening cheered when each character was introduced and again during each battle, of which there are many.  As I mentioned, Sean absolutely loved this movie and I suspect fans of the game will love it as well (I didn't hate it but it probably won't feature in my top ten list at the end of the year).  I recommend it to gamers with the caveat that there is a tremendous amount of very graphic violence and a lot of profanity.

Note:  The movie ends when Lord Raiden asks his champions to locate more possible champions to train for the next battle so there is the possibility of a sequel.  Sean cheered out loud when Johnny Cage was mentioned!

Madeline Adkins Plays The Lark Ascending

I always love it when I have a Utah Symphony concert to look forward to at the end of the week and last night's concert was definitely worth the wait!  The orchestra, once again under the baton of Music Director Thierry Fischer, began with Symphony No. 30 "Alleluia" by Joseph Haydn.  In my opinion (take it for what it’s worth because I really don't know much about classical music) this piece is incredibly melodic with themes that are light, airy, and celebratory.  I especially loved the theme played by the flute in the second movement because it is so happy and cheerful.  Next came The Lark Ascending by Ralph Vaughan Williams with Concertmaster Madeline Adkins as soloist.  This is one of the most beautiful pieces I've ever heard and I found it to be incredibly moving.  It is based on a poem of the same name by George Meredith and the solo violin represents a lark taking flight while the rest of the orchestra represents the verdant English countryside below it.  It was composed just before World War I and it is now viewed as a nostalgic ode to an idyllic bygone era before the world lost its innocence.  Like the first piece, is also incredibly melodic and I had such beautiful images of sun dappled fields in my mind as I listened.  Adkins played it brilliantly and I think the entire audience was collectively holding its breath as she played the final transcendent notes before erupting into thunderous applause (the loudest I’ve heard from a socially distanced crowd).  The concert concluded with Arnold Schoenberg's Chamber Symphony No. 1.  This piece was in stark contrast to the two that preceded it because it is much more modern and, in my opinion, sometimes quite jarring.  It features ten woodwinds and five strings, with every musician functioning as a soloist, and the usual five sections within a more traditional symphony are condensed into one movement.  The pacing is relentless, almost frantic, but there is a more somber and mournful section towards the end of the piece that really appealed to me.  This concert was the perfect end to the week and I highly recommend getting a ticket to tonight's concert which features the same program (go here).

Note:  I really like Madeline Adkins.  I met her once at a Utah Symphony after party at BTG, a wine bar downtown, and she was very charming (please take a moment to be impressed that I sometimes attend Utah Symphony after parties).

Daddy Long Legs at HCT

I vaguely remember watching the movie Daddy Long Legs, starring Fred Astaire and Leslie Caron, on my black and white TV late at night when I was in high school. However, I was totally unfamiliar with the stage musical so I didn't really know what to expect when I attended HCT's production of this show last night. I ended up absolutely loving it! At the turn of the century, Jerusha Abbott (Kelly Coombs) is the oldest orphan at the John Grier Home but a young and wealthy Trustee named Jervis Pendleton (David Paul Smith), impressed by one of her essays about living at an orphanage, decides to send her to college so she can become a writer. He will pay her tuition and all of her living expenses on the condition that he remain anonymous and that she writes him a letter once a month to inform him of her progress. Not knowing his name she decides to call him Daddy Long Legs, referring to the tall shadow she saw leaving the orphanage, in her letters which prove to be enchanting to Jervis. Against his better judgment he meets her without revealing that he is her benefactor and then falls in love with her. Jerusha also falls in love with him but, when she pours her heart out about him to Daddy Long Legs in her letters, it creates much confusion as he struggles to decide whether to reveal himself to her. I love Jerusha as a character because she grows and develops so much as a person throughout the course of the show and I really appreciate the fact that she pays her benefactor back before beginning a relationship with him because she proves herself to be his equal. She has such a thirst for knowledge (I love that she has a new favorite subject to denote each year in school) and for new experiences (I love her sense of wonder while on a cultural weekend in Manhattan) so it was easy for me to relate to and sympathize with her. Coombs is absolutely delightful in the role and Smith is incredibly earnest as Jervis. They both have amazing voices and palpable chemistry with each other. I particularly enjoyed the scenes while Jervis is jealous when Jerusha mentions Jimmy McBride in her letters. It is really impressive that the two of them carry this show entirely by themselves with demanding songs, rapid-fire dialogue, high energy blocking, and multiple costume changes which happen right on stage. I was also very impressed by the live band on stage consisting of Kelly DeHaan on piano, Josh Ogden on cello, and Bryan Matthew Hague on guitar. The music is quite stirring, especially the guitar, and I really liked the songs "Like Other Girls," "Things I Didn't Know," "What Does She Mean By Love?" and "The Secret of Happiness." The set is ingenious with two levels and a pulley system between them to allow the characters to be separate while in the same scene and the inclusion of props stored in strategically placed suitcases and trunks quickly transforms the space multiple times without a pause. The actors utilize the space very effectively (I was sitting on the extreme right side of the theatre and there were only a few times when I couldn't see the action which is sometimes more of an issue). My only complaint, which is a minor one, is that I grew impatient in the second act for the characters to just get together already (I don't think this is a spoiler because, to me, it is a foregone conclusion) because the action gets bogged down a bit and many of the songs are reprises. Nevertheless, I loved this show much more than I was expecting to and I highly recommend it (go here for tickets). It runs on the Jewel Box Stage through June 12.

Note:  I also highly recommend Les Miserables which is currently playing on the Young Living Stage. Many performances are sold out but some matinees have recently been added later in the run (go here for tickets).

The Music Man at CPT

Last night it was so much fun to see a full production of The Music Man at Centerpoint Legacy Theatre (the first for CPT since the pandemic). I really love all of the old classic musicals, especially The Music Man, because they remind me so much of my Grandma Anderson. Every single familiar song made me want to sing along, especially "Ya Got Trouble," "Seventy-Six Trombones," "The Wells Fargo Wagon," and "Gary, Indiana," but I somehow controlled myself! This show tells the well-known story of a traveling salesman who comes to swindle the residents of River City into buying band instruments and uniforms but falls in love with a librarian instead and this production is very well done! I really enjoyed the entire cast! Russell Maxfield is incredibly charismatic and charming as Harold Hill and Mailee Halpin has a beautiful voice as the uptight yet vulnerable Marion, particularly in the songs "Goodnight My Someone," "My White Knight," and "'Till There Was You." Chad Wilkinson is the embodiment of befuddled pomposity as Mayor Shinn ("Not one poop out of you, madame.") and Angela Brown is hilarious with her version of a Grecian Urn as Eulalie MacKecknie Shinn (as a sometime character actress, Eulalie is my dream role). Tyler Bender as Zaneeta, Mayor Shinn's oldest girl, and Brevin Gardner as Tommy Djilas, a boy with reform school written all over him, are amazing dancers who lead a terrific ensemble in the big production numbers (more on them later).  Micah Thornton is adorable as Winthrop, especially when he lisps, while Bridget Maxwell is an absolute hoot as Amaryllis and I laughed out loud during her cross-hand piano piece (I love this young actress because she stole the show as Gloria in HCT's production of Wait Until Dark and again as Lavender in HCT's production of Matilda). The feuding school board members, Nathan Asay, Eric Corrington, Paul Dixon, and Jeffrey Duncan, harmonize beautifully in "Goodnight Ladies," "Sincere," and "Lida Rose" and they are definitely a highlight of the show. The sets are also very well done and I especially liked the two-level library, the interior and exterior of the Paroo house, the fountain in the park, and the footbridge. The energetic choreography is a lot of fun and it is executed very well by the talented cast, particularly in "Seventy-Six Trombones," "Marion the Librarian," and "Shipoopi." I had a smile on my face throughout the entire show because it is just so delightful and I highly recommend it for a bit of nostalgic fun (go here for tickets).

French Exit

Is there anything better than going to a movie in the middle of the afternoon on a weekday?  I submit that there is not so I went to see French Exit yesterday and, while this comedy of the absurd is a bit depressing, I found it to be strangely entertaining.  Frances Price (Michelle Pfeiffer), an aging Manhattan socialite, learns that all of the money she inherited from her late husband is gone which brings about an existential crisis for her and her son Malcolm (Lucas Hedges) who is finding it difficult to commit to his girlfriend Susan (Imogen Poots).  She decides to sell everything and move to a friend's empty apartment in Paris with Malcolm and a cat that may or may not be the reincarnation of her late husband (Tracy Letts).  As she and Malcolm try to find redemption, they accumulate an eccentric group of people around them including a lonely American expat (Valerie Mahaffey), a clairvoyant that they meet on the crossing to France (Danielle Macdonald), the private investigator they hire to find her (Isaach de Bankole), Susan and her new boyfriend (Daniel di Tomasso), and, eventually, the owner of the apartment who comes to check up on them (Susan Coyne).  This might be a bit too quirky for some people but I found it to be hilarious.  In fact, I laughed out loud multiple times but I was the only one in my screening who did.  The plot is a bit thin and the supporting cast doesn't have much to work with (although Mahaffey steals every scene she is in) but it doesn't matter because the movie belongs to Pfeiffer and she gives a brilliant performance.  She is icy and imperious as she delivers the sharp and witty dialogue but there is also just enough vulnerability under the surface to make an unsympathetic character into a compelling one.  Hedges gives an understated performance that sometimes pales next to Pfeiffer's but the two of them have great chemistry as a mother and son searching for a real connection.  This is the type of movie that I would usually see at my favorite art house theater (which I hope opens soon) and it really appealed to me because it features my particular brand of humor but, as previously mentioned, it might not be for everyone.

Voyagers

I thought the trailer for Voyagers looked really intriguing so I went to see it last night.  In the near future the Earth has become uninhabitable because of climate change and disease and, while a planet capable of sustaining life has been found, the journey there will take 86 years.  Scientists decide to create a bio-engineered group of children who will grow up on board the spaceship as it travels to the new planet and serve as the crew for the mission while producing children and grandchildren to eventually colonize it.  They are raised by a scientist named Richard (Colin Farrell) in complete isolation so they won't miss anyone or anything on Earth and their emotions and impulses are controlled by a chemical put in a drink administered daily known as the blue.  An inquisitive crew member named Christopher (Tye Sheridan) discovers that they are being controlled by the blue and he convinces Zac (Fionn Whitehead), and then the whole crew, to stop taking it with him.  At first this causes an exciting awakening of their senses but soon they start to give in to their darker instincts.  When an accident leaves a leadership void, Christopher and Zac fight for control and for the affections of Sela (Lily-Rose Depp) which compromises the mission.  This movie has an interesting premise but, unfortunately, the execution of it is rather bland.  Most of the characters are so thinly drawn that I couldn't recognize any of their names when they appeared in the end credits and, aside from Whitehead (who is becoming quite good at portraying psychopaths), the performances are incredibly stilted.  The message about the breakdown of order and its consequences (which is stolen from reminiscent of Lord of the Flies) is very heavy-handed and obvious while the scenes of teenagers running amok are surprisingly tame (the poster is more titillating than the movie).  Many of the deeper psychological questions, such as nature vs. nurture, freewill, and sacrificing oneself for a greater cause, are briefly introduced and then quickly abandoned.  I did enjoy the sleek and stylish design of the spaceship (with endless corridors for the characters to run through) but not enough to recommend this lackluster movie to anyone other than fans of the young actors.

The Hunting Wives

My Book of the Month selection for April was The Hunting Wives by May Cobb (the other options were What Comes After by Joanne Tompkins, Arsenic and Adobo by Mia P. Manansala, Libertie by Kaitlyn Greenidge, and People We Meet on Vacation by Emily Henry) and this murder mystery involving bored housewives behaving badly is wildly entertaining! Sophie O'Neill has left behind a dysfunctional childhood and a high profile job as a magazine editor in Chicago to live a quiet life in the small town of Mapleton, Texas with her husband Graham and young son Jack. She fills her days with running the trails near her home, gardening, and writing a lifestyle blog but she quickly finds herself bored with the slower pace. She connects with an old high school friend who introduces her to a popular group of wealthy society women. She obsessively stalks them on social media and longs to join them in their exploits so she is thrilled when she is invited to one of their weekly skeet shooting parties. They call themselves the Hunting Wives and Sophie soon learns that these evenings also involve copious amounts of alcohol and excursions to nightclubs to hunt for a different sort of prey. Sophie eventually becomes enamored with Margot, the leader of the group, and engages in some questionable behavior which threatens her relationship with Graham. When a young woman is found murdered where the group practices their skeet shooting, Sophie begins to suspect that the group is involved somehow. This is a quick and easy read full of scandal and gossip that I enjoyed much more than I thought I would. The first person narration follows Sophie as she makes one bad decision after another, some of which will make you want to scream with frustration when you are not howling with laughter. Almost all of the characters are incredibly unsympathetic but they were compelling enough to keep me reading at every opportunity because I had to know what happens to them and I found the twist at the end to be very original and satisfying (I figured it out right before it was revealed). This is not usually the kind of book that I would pick if left to my own devices (it is quite salacious and over the top) but it is a lot of fun. I recommend it to anyone looking for a bit of escapism.

Domingo Hindoyan Conducts Roberto Sierra, Bartok & Mozart 41

Last night I found myself at Abravanel Hall once again for another wonderful Utah Symphony concert.  The orchestra was under the baton of guest conductor Domingo Hindoyan (making his Utah Symphony debut) and the evening began with Sinfonietta for String Orchestra by Roberto Sierra.  This contemporary piece recently had its world premiere with the Detroit Symphony conducted by Hindoyan and I really liked it because it is very percussive and filled with passion.  I especially enjoyed it when the bassists struck their instruments with their bows.  Next the orchestra played Divertimento for Strings by Bela Bartok.  The first and third movements of this piece are lighthearted and energetic with themes played by a small group of soloists and repeated by the rest of the orchestra.  The second movement, on the other hard, is very slow and quite dark so, of course, I loved it!  The concert concluded with Wolfgang Amadeus Mozart's Symphony No. 41 or "Jupiter."  I really love Mozart and this piece (his final symphony which is widely regarded as one of the best in the classical repertoire) is one of my favorites!  I especially love the final movement because it is so exhilarating but the orchestra performed the entire piece beautifully with a lot of emotion and energy!  I wish that there had been more people in the audience (socially distanced seating is still in place as required by city and county guidelines) but, even though we were small in number, we certainly did try to show our appreciation for such an amazing performance with a standing ovation.  I highly recommend getting a ticket (go here) for either the Friday or Saturday concert featuring this same program.

Note:  I have been trying to decide which concerts I want to include in my Design-a-Series subscription but I couldn't narrow it down!  I finally decided to subscribe to the entire Masterworks Series (for the first time) and I am beyond excited!  Go here for more information about the incredible 2021-2022 season!

Les Miserables at HCT

I don't think I will ever get tired of hearing the dramatic opening notes of the musical Les Miserables. They moved me to tears the first time I heard them performed live at the Palace Theatre in London on a study abroad trip in 1990 and they did once again as I heard them performed at Hale Theatre last night! I love the moving story of Jean Valjean's redemption, which is based on Victor Hugo's masterpiece, and I love the beautiful music by Alain Boublil and Claude-Michel Schonberg so I have seen Les Miserables at least 30 times (a conservative estimate) and I have to say that HCT's current version is a great production. The cast features Casey Elliott, Bradley Quinn Lever, and Brad Robins, whose meeting while performing in HCT's 2014 production of Les Miserables prompted them to form the popular trio Gentri, and I was really excited to see them reprise their roles as Jean Valjean, Enjolras, and Marius, respectively. Their performances were definitely a highlight of the show for me, particularly Elliott's version of "Bring Him Home," Lever's version of "Red and Black," and Robins's version of "Empty Chairs at Empty Tables."  I also really enjoyed Cecily Ellis Bills as Fantine, Clotile Bonner Farkas as Madame Thenardier, and Rebecca Burroughs-Kremin as Eponine (I judge every production by how Eponine sings "On My Own" and her version gave me goosebumps). However, my very favorite performance of the night was Adam Dietlein as Inspector Javert. He is absolutely brilliant in the role because he holds himself, in both his mannerisms and his facial expressions, so rigidly and this characterization is perfect for the unyielding Javert. His rendition of "Stars" is incredibly powerful and it elicited the most applause and cheering last night after "Bring Him Home" (they had to stop the show because the applause went on for so long after this number). The costumes and sets are similar to those in the original Broadway production but also feature just enough flourishes to keep the show fresh (I loved all of Cosette's dresses and Madame Thenardier's gown for "Beggars at the Feast"). I do wish that the barricade could have been on the turntable because the reveal of Enjolras hanging upside down while holding the red flag as it slowly rotates in the original production is one of the most dramatic moments of the show (I miss this moment in the new staging on Broadway as well) but I like that HCT's barricade allows the entire audience to see "A Little Fall of Rain" and "Drink With Me."  I think "Javert's Suicide" is staged particularly well because it really seems as if he is jumping from a bridge to his death and I also quite enjoyed the staging of "Master of the House" because even the young Eponine (Olivia Dietlein) steals from the guests. I love this show so much (it will always be a sentimental favorite) and seeing it at HCT last night made me very happy. I highly recommend getting a ticket but be aware that several secondary ticketing sites have been inflating prices significantly (go directly here for the best prices). It runs on the Young Living Stage through June 19.

Note:  I think I might need to see it again for the MWF cast because it features Kyle Olsen as Jean Valjean and he blew me away as Sydney Carton in A Tale of Two Cities.

Godzilla vs. Kong

I have been uncharacteristically excited for Godzilla vs. Kong (I like action movies as much as the next person but, for some reason, I have have been obsessively anticipating this for months) and I had the chance to see it last night with my nephew Sean.  We both had an absolute blast watching it on an IMAX screen with Dolby Atmos sound!  Sean knows a lot more about the mythology of these creatures (my knowledge is limited to what was portrayed in Kong: Skull Island and Godzilla: King of the Monsters) so I think he enjoyed it even more than I did!  After Godzilla inexplicably attacks the Apex Cybernetics Headquarters, CEO Walter Simmons (Demian Bichir) requests the help of Nathan Lind (Alexander Skarsgard), a Hollow Earth (the homeworld of the Titans) specialist, to lead a dangerous expedition there to locate a power source to use against Godzilla.  Lind believes that Kong can lead them to the power source so he enlists the help of Ilene Andrews (Rebecca Hall), a scientist who has studied Kong for years, and Jia (Kaylee Hottle), an Iwi native from Skull Island who has formed a bond with him, to get Kong to Hollow Earth.  Meanwhile, Madison Russell (Millie Bobby Brown) believes that Godzilla's attack was provoked and, when her father, Monarch scientist Mark Russell (Kyle Chandler), doesn't believe her, she joins with her friend Josh (Julian Dennison) and Bernie Hayes (Brian Tyree Henry), a Titan conspiracy theory podcaster, to infiltrate Apex Headquarters.  They discover a threat even more dangerous than the Titans.  The story is incredibly convoluted and the human characters pale in comparison to the monsters (although I did enjoy the fact that both Kong and Godzilla have someone young trying to vindicate them to the world) but that hardly matters because the battles between the two Titans are exhilarating.  The images on the screen are absolutely epic, especially when Kong and Godzilla team up to defeat another monster, and both Sean and I loved the use of neon as the monsters fight in the streets of Hong Kong!  The creature design for the monsters is absolutely brilliant, particularly Godzilla's dorsal plates and Kong's fur, but I also found the monsters (one in particular) to be incredibly sympathetic.  The ending is satisfying (to me but not to Sean) while still leaving an opening for more movies in the MonsterVerse.  I had so much fun watching this with Sean (at one point we turned to each other with huge grins on our faces) and I highly recommend it to fans of action movies!

The Ten Commandments

When TCM announced the lineup for this year's Big Screen Classics series, The Ten Commandments was the movie I was most excited to see (I bought tickets to it and The Maltese Falcon as soon as they were available).  I have so many memories of watching this on TV with my sisters when I was young because it seems like it was broadcast every year around Easter and Passover.  Since it is so long, we were always given permission to stay up past our bedtimes to watch it to the end which was a rare treat.  Sometimes we made it to see the Ten Commandments written on the stone tablets and sometimes we didn't!  Seeing this spectacle on the big screen last night was an amazing experience and I had so much fun anticipating every epic moment!  Moses (Charlton Heston), the son of Hebrew slaves, is an adopted Prince of Egypt vying with Rameses (Yul Brynner) for the throne of Seti I (Cedric Hardwicke) and the attention of Nefretiri (Anne Baxter).  When his true identity is revealed, Moses is banished to the desert but eventually returns to Egypt to lead his enslaved people to freedom and to receive the Ten Commandments from God.  I loved all of the elaborate sets, reported to be the biggest and most expensive up to that point, as well as the period costumes and I was surprised by how stirring I found all of the big action sequences to be, especially the scale of the scene in which the Hebrews leave Egypt (14,00 extras and 15,00 animals were used) and the grandeur of all of the Egyptian chariots giving chase across the desert.  Some of the special effects, such as the turning of a staff into a snake, have not aged particularly well but the parting of the Red Sea is still pretty impressive, even by today's standards, and the writing of the commandments on the stone tablets is quite dramatic.  Heston is incredibly handsome and charismatic in the role of Moses and I found his struggle to accept his destiny to be very moving while Brynner's campy performance as Rameses is a lot of fun to watch.  The overture and an intermission (it is almost four hours long) are included in the theatrical version and, for some reason, I really enjoyed that!  It was certainly exciting to see this movie as it was meant to be seen and I definitely recommend checking out the rest of TCM's lineup (go here).