Friday, March 31, 2023

Harvey at the Grand Theatre

Last night I had the opportunity to see a delightful production of Harvey at the Grand Theatre.  I was especially excited for this play because I had never seen it, or the movie adaptation starring Jimmy Stewart, before and I was very pleasantly surprised by how moving I found it!  A social climber named Veta Louise Simmons (Kristin Housley) is exasperated when her brother, Elwood P. Dowd (Roger Dunbar), interrupts one of her gatherings by introducing his imaginary friend Harvey, a six foot one-and-a-half inch tall white rabbit, to her high society guests.  Veta is humiliated by his behavior, and what it might mean for her daughter Myrtle Mae (Niki Rahimi) and her chances for an advantageous marriage, so she makes the drastic decision to have him committed to a sanitariam called Chumley's Rest.  However, when Veta attempts to explain the existence of Harvey to Dr. Sanderson (Aron Cain), he mistakenly assumes that she is the one who needs to be committed.  Hijinks ensue when everyone, including Dr. Harold Chumley (Mickey Goldstein), the orderly Duane Wilson (Robert A. Easton), Nurse Ruth Kelly (Angie Nicole), and Veta's lawyer Judge Omar Gaffney (Jeffrey Owen), tries to determine who is really crazy!  In the end, Veta realizes that Elwood is a kind man and that she doesn't want to change him even if it means living with Harvey!  I really loved the message about the importance of kindness, which seems particularly salient in these times, and Dunbar is fantastic as Elwood because he exudes warmth and charm in every scene even when all of the other characters are caught up in the chaos.  Housley is also a lot of fun to watch, especially when Veta becomes hilariously overwrought on Dr. Sanderson's fainting couch!  Speaking of which, the elaborate sets consisting of the wood paneled library in the old Dowd family mansion and the reception room of Chumley's Rest are quite impressive.  There is a fun bit of business involving a maid (Teresa McLeod) as the sets are changed from one to the other that is very effective as well as some great special effects that make the invisible Harvey an actual presence on stage (I especially liked his inclusion during the bows).  This heart-warming show put a huge smile on my face and I highly recommend it (go here for tickets).

Wednesday, March 29, 2023

Return to Seoul

When I saw the trailer for Return to Seoul, I thought it sounded like something my nephew would enjoy so I took him to see it last night.  We both found this complex exploration of one young woman's search for self to be incredibly thought-provoking.  Frederique "Freddie" Benoit (Ji-Min Park), a 25-year-old Korean woman who was adopted by a French couple as a baby, spontaneously decides to travel to Seoul when her flight to Tokyo is canceled.  She tells two new acquaintances that she is not there specifically to find her biological parents but she eventually ends up at the Hammond Adoption Agency and has them contact her mother and father to see if they will respond to her request to meet.  Her father (Oh Kwang-rok) responds immediately but, when she visits him and his family, she is repulsed by his emotional professions of guilt over abandoning her and she viciously rejects his pleas for her to move to Korea and live with him.  She returns several more times to Korea but doesn't attempt to learn the language or understand the culture, pushes everyone who tries to form a relationship with her away, and engages in reckless and self-destructive behavior.  It takes seven more years for her mother (Cho-woo Choi) to agree to a meeting when she is back in Korea on a business trip and, while they have an emotional reunion, Freddie refuses to communicate with her further.  She is clearly looking for an identity but she doesn't feel at home in either France or Korea, doesn't belong with her adoptive or biological families, and doesn't stay with any of the men or women she hooks up with.  It is only when we see her alone in an unknown location that she seems to be at peace.  Ji-Min Park, in her debut, gives an absolutely phenomenal performance because, even though her character is very unlikable, you simply cannot look away from her because of her chaotic energy, especially in a five minute scene where she dances with abandon to avoid her feelings.  I really loved the use of music in this movie because, in different scenes, Freddie uses music to bond with people, to escape from stressful situations, and, ultimately, to find herself (it features a fantastic soundtrack).  When she has no other label for herself, she becomes a musician.  I also really enjoyed the ambiguity in the narrative, particularly when things get lost in translation from French to Korean, and it is so interesting to speculate about what happens to Freddie next (my nephew and I had a very spirited discussion about this afterwards) because there are no easy answers about this kind of trauma.  The themes of identity really resonated with me (and my nephew) for lots of reasons and I highly recommend seeking this out!

Sunday, March 26, 2023

A Good Person

The second movie in my double feature at the Broadway last night was A Good Person and, even though the movie itself is a little uneven, the performances make it worth a watch.  Allison (Florence Pugh) is happily engaged to Nathan (Chinaza Uche) and is successful in her career but her world is destroyed when the car she is driving is involved in an accident which kills Nathan's sister Molly (Nichelle Hines) and her husband Jason (Toby Onwumere) and leaves their daughter Ryan (Celeste O'Connor) an orphan.  One year later, Allison's life is in a downward spiral after she ends her engagement and becomes addicted to the Oxycontin prescribed for her injuries.  When she finally decides to get sober, she attends an AA meeting where she encounters Molly and Nathan's father Daniel (Morgan Freeman), a recovering alcoholic who is struggling with the responsibility of raising his granddaughter and fears a relapse.  Both Nathan and Ryan offer her a way forward through their unlikely friendship but it is only when she is able to forgive herself that she can deal with her trauma, guilt, and addiction.  There is an incredibly heavy-handed metaphor involving model trains with figurines that can be controlled unlike real people who make a mess of their lives and this sets the tone for what is to come.  The themes are overly familiar, the plot sometimes descends into melodrama (one scene in particular in the third act is completely overwrought), and the runtime is definitely too long (I thought it was over three different times only to have another coda appear) but both Pugh and Freeman give unbelievably affecting performances (especially when they are interacting with each other).  Molly Shannon brings a lot of pathos as a mother who doesn't know how to help her daughter and Alex Wolff has a short scene as Allison's former classmate that is probably my favorite in the whole movie.  I would recommend this but it is definitely one you can wait to see when it streams.

The Lost King

Last night I decided on a double feature at the Broadway and I started with The Lost King which is incredibly charming.  After missing out on a promotion because she suffers from chronic fatigue syndrome, Philippa Langley (Sally Hawkins) attends a production of Richard III and decides that he was unfairly maligned by Shakespeare because he had a disability.  She identifies with Richard, as someone who also feels misunderstood, so she reads every biography she can find and joins a Richard III Society (there is a hilarious scene where one of the members says she looks too normal to want to join them).  She also begins seeing an apparition of Richard (Harry Lloyd) which spurs her on. When she decides to search for his missing remains, which have been lost for over 500 years, her ex-husband John (Steve Coogan) is concerned, a University of Leicester archaeologist named Richard Buckley (Mark Addy) is skeptical, and the University of Leicester registrar Richard Taylor (Lee Ingleby) is dismissive, but despite all of these obstacles she perseveres and is ultimately successful.  This is based on a true story (with a little magical realism thrown in for good measure) and the details about the search for Richard are compelling but I also really appreciated the journey Langley takes to assert her worth against all odds.  Hawkins is absolutely delightful in the role and gives a warm and spirited performance worth cheering for (many in my crowded theater laughed and cheered throughout).  This fun and lighthearted movie about a quirky British underdog who is unwilling to give up reminded me of Dream HorseThe Duke, and The Phantom of the Open and I thoroughly enjoyed it.  I recommend seeking this out when you have a free afternoon.

Saturday, March 25, 2023

Thierry Fischer Conducts Bruckner 5

Last night's Utah Symphony concert was really exciting because Maestro Thierry Fischer was back on the podium (for the first of his final four appearances as music director of the symphony) and he led the orchestra in a brilliant performance of Symphony No. 5 by Anton Bruckner.  I had never heard this piece before but it was very dramatic, to say the least, and I loved it!  The first movement begins very softly and slowly and then builds and builds into a powerful conclusion.  The second movement features a plaintive theme introduced by a solo oboe and then continues with variations by the strings, which are incredibly beautiful, and by the brass.  The third movement alternates between a menacing theme and a slow pastoral theme and they compete for dominance and then kind of meld together.  The opening notes of the fourth movement mirror those of the first and then there is a jaunty theme played by the solo clarinet (which I absolutely loved) that is echoed by the strings and then becomes a fugue where the instruments seem to be chasing each other.  The movement concludes with the repetition of all of the various themes found throughout the piece and it was absolutely epic!  I really loved the emotion and, even though I am not as knowledgeable about the structure of music as I would like to be, I enjoyed the fact that I could recognize all the themes that were being repeated!  This is the only piece on the program (it is 76 minutes long) and it will be performed again tonight (go here for tickets).

Friday, March 24, 2023

John Wick: Chapter 4

I really love the John Wick franchise because the stakes keep getting higher and the action sequences keep getting more exhilarating with each movie.  That is especially true of the latest installment John Wick: Chapter 4, which I saw in IMAX last night, because I was on the edge of my seat, holding my breath, and cheering out loud!  After John Wick (Keanu Reeves) kills the Elder (George Georgiou), the Marquis de Gramont (Bill Skarsgard), acting under the auspices of the High Table, targets the New York and Osaka Continentals as well as their mangers, Winston Scott (Ian McShane) and Shimazu Koji (Hiroyuki Sanada), and concierges Charon (Lance Reddick) and Akira (Rina Sawayama), respectively, for aiding him.  The Marquis also compels Caine (Donnie Yen), a blind assassin and old friend of Wick's, to come out of retirement and kill him and he offers a contract to a bounty hunter known as the Tracker (Shamier Anderson).  Wick eventually finds an archaic way to end his obligation to the High Table but first he must reconnect with the Ruska Roma crime syndicate and survive a $40 million bounty placed on his head.  The action sequences are absolutely amazing with spectacular set pieces that are intense and unrelenting!  The fight choreography is brilliant with ingenious and visually stunning shot compositions, particularly a fight against dozens of assassins with just a pair of nunchucks in between glass display cases, hand to hand combat while dodging groups of dancers in a neon-lit nightclub, a continuous overhead shot involving dragon's breath ammunition, an epic car chase in the traffic around the Arc de Triomphe, and another fight against dozens of assassins on the 222 stairs leading to the Sacre-Coeur Basilica.  In fact, the action in the final act might be the best I've ever seen and I loved it!  Reeves gives his best performance in the franchise, in my opinion, because Wick must finally face the consequences of his actions in a very visceral way but Skarsgard is perfect as a petulant villain and Yen almost steals the show (one particular line delivery made my audience laugh out loud).  I was also really impressed with Sawayama because she holds her own in a great fight sequence.  Much has been made of the nearly three hour runtime but I didn't feel it at all and some might not like the final resolution but, if this is indeed the last movie in the franchise, I think it is really the only way Wick's character arc could have ended.  I had so much fun watching this and, it you are a fan of the franchise, I think you will be blown away!

Thursday, March 23, 2023

The Last Russian Doll

My March Book of the Month selection was The Last Russian Doll by Kristen Loesch (the other options were The London Seance Society by Sarah Penner, Weyward by Emilia Hart, The Soulmate by Sally Hepworth, Rootless by Krystle Zarah Appiah, The Adventures of Amina al-Sirafi, and Lone Women by Victor LaValle). I have been defaulting to the thriller for the past several months so I thought it was time to pick a historical novel and this is a good one. In 1991 Rosie (Raisa) and her mother have been living in England since they defected from the Soviet Union in 1977 after her father and sister were brutally murdered. She has always wanted to understand what happened on that fateful day so, when when she finds a cryptic clue about her family's past inside a porcelain doll after her mother's sudden death, she contrives to return to the Soviet Union as a research assistant for a famous author. In 1915 Antonina (Tonya) is trapped in a loveless marriage to a wealthy nobleman in St. Petersburg who treats her like the porcelain doll he had made especially for her. She begins a passionate and scandalous affair with Valentin, one of her husband's workers, at the beginning of the Bolshevik revolution but events conspire to separate them. The narrative alternates between the two timelines as Rosie's investigation leads her to Tonya. I really loved the mystery aspect of this novel because every single clue that Rosie finds leads her to another mystery, just like a nesting Matryoshka doll, and, even though I knew the two storylines would eventually converge, I was completely engaged until the final resolution. As someone who loves Russian history, culture, literature, and music, I was fascinated by all of the historical references to the 1917 revolution, the Russian Civil War, Stalin's purges, the siege of Leningrad during World War II, and the fall of communism. I also loved the use of Russian fairy tales at the beginning of every chapter because they very cleverly inform what is happening in the main plot. All of the characters are interesting and well-developed but I especially enjoyed Tonya's arc because she begins the novel as little more than an ornament without autonomy but she is transformed by events into an incredibly resourceful and resilient woman. She is the perfect personification of Russia itself (beautiful but formidable) and I was enthralled by her journey. This is a beautifully written multi-generational saga set against the backdrop of 20th century Russian history so I literally couldn't help but love it. This is definitely my favorite book of 2023 so far and I highly recommend it!

Wednesday, March 22, 2023

Champions

Last night I decided to have a double feature of 65 (for the third time) and then Champions.  I love a feel-good underdog sports movie and this was a lot of fun.  Marcus Marakovich (Woody Harrelson) is an incredibly volatile assistant coach for a minor league basketball team in Iowa.  An altercation with the head coach gets him fired and an accident while under the influence gets him sentenced to 90 days community service as a coach to a basketball team of adults with intellectual disabilities.  His first meeting with the quirky players, including Johnny (Kevin Iannucci), Cody (Ashton Gunning), Craig (Matthew Von Der Ahe), Blair (Tom Sinclair), Benny (James Day Keith), Arthur (Alex Hintz), Marlon (Casey Metcalfe), Showtime (Bradley Edens) and, eventually, Cosentino (Madison Tevlin), and Darius (Joshua Felder), goes about as well as you would expect!  Even though he knows everything there is to know about basketball, Marcus must get to know his players as people before they can start winning games.  The team's eventual success gets him an offer to coach in the NBA but it is when they play in the final game of the Special Olympics that he learns the true definition of a champion.  This features all of the training montages, inspirational locker room speeches, and come from behind wins that have become de rigueur for the genre but it is just so charming it doesn't matter that it is incredibly predictable.  Harrelson is great but I loved watching the actors with real-life intellectual disabilities who play the team members because their interactions with him are hilarious.  I especially loved Tevlin because her comedic timing rivals that of Harrelson!  This might be too crude for some people (it is directed by Bobby Farrelly, after all) but if you can get beyond that, it is very heart-warming and entertaining.

Tuesday, March 21, 2023

Matilda at CPT

Both of my sisters, my brother-in-law, my nephew, and I went to see Matilda at CPT last night and we had so much fun. This production features some innovative staging and I am always really appreciative when a show that I have seen several times does something to surprise me. Matilda Wormwood (Charlotte Witt) is a precocious five year old with a penchant for reading, telling stories, and being just a little bit naughty. She is ignored by her mother (Jaycee Harris), an amateur Latin ballroom dancer, and father (Caydin Bell), an unscrupulous used car salesman, and is terrorized by Miss Agatha Trunchbull (J.R. Moore), the former champion in hammer throwing who is now the headmistress of her school. With the help of a sympathetic teacher named Miss Honey (Amanda Frisby) and a story about an Escapologist (James Duncan) and an Acrobat (Keely Parry), Matilda triumphs over the neglectful adults in her life. I was incredibly impressed with the elaborate set because it is very different from the ones I have seen before. It features a large multi-level school made of bricks with barbed wire at the top of the walls, loudspeakers on poles, and a large iron gate (it looks like a cross between a medieval castle and a prison). There is a turntable which is used to bring in set pieces for the Wormwood's house and Miss Honey's classroom with other pieces brought on from the wings. As I mentioned, I really liked the staging of many of the numbers in this production, particularly "Miracle," because it includes the addition of a gospel choir backing up the Doctor (Garret Frazier), "School Song," because it features the use of typography with projections on an interactive chalk board, and "When I Grow Up" (my favorite song in the show), because, in addition to the usual swings, the choreography includes a seesaw, a hopscotch, a jump rope, fishing poles, hula hoops, and bubble blowers which give it a very playful feel. I also really enjoyed "The Smell of Rebellion" and "Revolting Children" because the children in the ensemble are absolutely fantastic! Other crowd favorites were "Loud," because Mrs. Wormwood (Harris is my brother-in-law's niece and we all loved her performance because her facial expressions are hilarious) and her dance partner Rudolpho (Caleb Birth) are completely over the top, and "Chokey Chant," because there is a fun effect involving throwing a child into the chokey. Witt does a great job and her renditions of "Naughty" and "Quiet" are wonderful but I sometimes couldn't hear her during "Escapologist Story." Frisby has a beautiful voice and her version of "My House" is very powerful and moving. However, Moore steals the show as Miss Trunchbull because his performance is a cross between Miss Hannigan and an East German Olympic athlete! I laughed and laughed at all of his antics during "The Hammer" and "The Smell of Rebellion," especially all of his facial expressions and gestures. Miss Trunchbull's costume in this show is probably my favorite of those I've seen for the character and I was also impressed by the attention to detail on the school uniforms worn by the children. So many elements of this show stood out to me as new and exciting and I really enjoyed it!  This show runs on the Barlow Main Stage through April 15 (go here for tickets) and I highly recommend it!

Monday, March 20, 2023

The Quiet Girl

Last night I went back to the Broadway to see The Quiet Girl, a recent Academy Award nominee for Best International Feature, and I was incredibly moved by this lovely coming of age story.  Nine-year-old Cait (Catherine Clinch) is the middle daughter of a large and impoverished family in rural Ireland.  Her ne'er-do-well father (Michael Patric) neglects their farm and spends his days drinking, gambling, and philandering and her exhausted mother (Kate Nic Chonaonaigh) is overwhelmed by the imminent birth of another baby.  Cait is painfully shy and is often berated for wetting the bed and wandering off so it is decided that she will be sent to her mother's middle aged cousin Eibhlin Kinsella (Carrie Crowley) and her husband Sean (Andrew Bennett) in Waterford for the summer.  Eibhlin cares for her tenderly and, even though he is distant at first, Sean eventually bonds with her when she helps him on his dairy farm and when they make a game of her running down the lane to retrieve the post (which informs an incredibly poignant scene later in the movie that brought tears to my eyes).  Cait blossoms after experiencing kindness for the first time in her life and she helps the Kinsellas come to terms with the death of their son years earlier.  The action is slow and monotonous, with many scenes showing Cait peeling potatoes, walking to the well for water, and cleaning the barn, but every moment is fraught with meaning, especially one involving a cookie.  The cinematography is beautiful and I loved that people and places are often depicted from the perspective of a child.  Clinch gives an amazing physical performance because she conveys so much of what she is thinking and feeling without a lot of dialogue (you automatically know that she has suffered, with very little exposition, by the wary look in her eyes when she is around her father, mother, and sisters).  I loved this movie so much and I highly recommend seeking out this little gem.

Sunday, March 19, 2023

Inside

I thought the trailer for Inside looked really intriguing so I decided to see it last night at the Broadway.  It was definitely thought-provoking!  Nemo (Willem Dafoe) breaks into the luxury penthouse apartment of an art collector to steal several valuable paintings.  As he attempts to leave, however, the security system malfunctions and traps him inside with no way out.  The owner is away on an extended trip so most of the utilities have been shut off, including water, and there is very little food.  He is completely alone with no way to contact the outside world beyond watching a housekeeper in the building named Jasmine (Eliza Stuyck) who appears on the security camera feed every day.  As the weeks turn into months, he struggles both to survive and to find a way out of the apartment while interacting with the owner's art collection.  Any survival thriller taking place in only one location has a tendency to become a bit one-note after a while but Dafoe has such a compelling presence that my attention never wavered because I wanted to see what he would do next.  Watching him slowly become unhinged is absolutely riveting (see also The Lighthouse).  The production design is brilliant because the apartment is almost like a character itself.  It is large, spacious, luxurious, monochromatic, and filled with priceless art but it is also cold and sterile and none of these beautiful pieces can sustain him.  I had to sit with this movie for a little while to determine what the filmmakers are saying about art and I've decided the message is that art might be beautiful and profound but it cannot take the place of human connection and that the price we place on it is excessive.  This is definitely not for everyone (the couple I spoke to in the lobby afterwards hated it and thought it was incredibly boring) and I don't think it is something I will ever watch again but it has stayed with me so I recommend it.

Saturday, March 18, 2023

Shazam! Fury of the Gods

I went to see Shazam! Fury of the Gods yesterday afternoon and it seems like I enjoyed it a lot more than most people.  The daughters of Atlas, Hespera (Helen Mirren), Kalypso (Lucy Liu), and Anthea (Rachel Zegler), steal the broken staff that once belonged to the Wizard (Djimon Hounsou) from a museum in Athens and compel him to repair it in order to reclaim the power stolen from their father.  They come into contact with the Wizard's champions, including Billy (Asher Angel and Zachary Levi), Freddy (Jack Dylan Grazer and Adam Brody), Eugene (Ian Chen and Ross Butler), Pedro (Jovan Armand and D.J. Cotrona), Mary (Grace Caroline Currey), and Darla (Faithe Herman and Meagan Good), because their powers are derived from the staff.  Mayhem ensues.  What I enjoyed most about this movie is the emphasis on the importance of family and the storyline where Billy worries about aging out of foster care is incredibly poignant.  I also really liked the fact all of the siblings end up being more powerful as themselves rather than their superhero alter egos and I think that is a great message.  I do think that the Billy character is supplanted a bit by the Shazam character but Levi's goofy performance as someone suffering from impostor syndrome who learns how to be a leader is a lot of fun.  Even though the villains are not very memorable (I would have preferred a face-off between Shazam and Black Adam) I still loved seeing Mirren in this role, especially her interactions with Levi.  The action sequences are great, particularly the final battle, with VFX that definitely look a lot better than other recent CBMs.  I am actually baffled by the critical response because, despite a cameo (that I actually enjoyed) and some mid- and post-credits scenes that don't really make sense any more with all of the changes made in the DCEU as well as one of the most egregious uses of product placement I've ever seen, this is very entertaining with a lot of heart and I would definitely recommend it.

Thursday, March 16, 2023

Utah Opera's Rigoletto

I was so excited to see Utah Opera's production of Rigoletto last night because it is one of my favorite operas and it certainly didn't disappoint!  The hunchback Rigoletto (Scott Hendricks) is a jester in the court of the licentious Duke of Mantua (Matthew White).  He amuses the Duke by mocking the husbands and fathers of the women the Duke has seduced but this often earns their anger, especially Count Monterone (Christopher Clayton) who places a curse on Rigoletto in retaliation.  Rigoletto returns home to his beloved daughter Gilda (Jasmine Habersham) and, even though he is fiercely protective of her, she manages to meet and fall in love with a man she sees at church.  This mystery man, who is none other than the Duke, contrives to meet her that night and professes his undying love to her.  The courtiers, who want to teach Rigoletto a lesson, kidnap Gilda and bring her to the Duke.  Rigoletto is distraught and arranges for an assassin named Sparafucile (Kevin Thompson) to help him get revenge.  However, the plan goes horribly wrong leading Rigoletto to despair because Monterone's curse has come to pass.  The music in this opera is incredibly beautiful and I especially loved "Caro nome," in which Gilda declares her love for the Duke (who she thinks is a penniless student), because it uses coloraturas to mimic the themes played by two flutes, "La donna e mobile," in which the Duke accuses women of being fickle, because even though it is light and charming it is really an indictment of the Duke's behavior, and "Cortigiani, vil razza dannata," in which Rigoletto tearfully begs the courtiers to release his daughter, because it is so affecting.  I also really loved the themes played by a solo cello, a solo bass, and the woodwinds when Rigoletto first meets the assassin Sparafucile because it is so sinister.  The entire cast is outstanding (I was particularly struck by the ensemble in the number "Scorrendo uniti," in which the courtiers tell the Duke that they have kidnapped Rigoletto's daughter, because the staging is so humorous) but the three leads are absolutely phenomenal.  I loved White's voice but the choice to have such a young, charismatic, and handsome actor play the villain was very effective because it made his behavior seem even more reprehensible.  Habersham was absolutely luminous and her rendition of "Caro nome" just about brought the house down.  Hendricks has tremendous stage presence and he was brilliant at portraying both the foolish jester and the devoted father willing to do anything to protect his daughter (he made me laugh multiple times and brought a tear to my eye).  The period sets and costumes reflected the both opulence of the Duke's court (lots of luxurious red and gold fabrics) and the simplicity of Rigoletto's house and Sparafucile's workshop.  This production is heartbreaking but powerful and I enjoyed everything about it!  There are two more performances and I highly recommend getting a ticket (go here) to one of them!

Tuesday, March 14, 2023

Tuck Everlasting at the Terrace Plaza Playhouse

Last night I went to see Tuck Everlasting, a musical adaptation of the beloved novel by Natalie Babbitt, at the Terrace Plaza Playhouse and I really enjoyed it. Winnie Foster (Jenna Francis) feels trapped in a house where her mother Betsy (Tracie Davies) and her Nana (Juliene Snyder) are in mourning for her dead father and she longs for adventure. One day she sneaks into the woods and meets Jesse Tuck (Jace Fawcett) near a stream. He stops her from taking a drink from the stream and inadvertently reveals that the water has made his family immortal. Jesse is happy to have made a friend but the rest of the Tuck family, including Mae (Hailey Jasper), Angus (Sheldon Cheshire), and Miles (Max Fawcett), worry that their secret will be revealed. Little do they know that the Man in the Yellow Suit (David Hales) has overheard Jesse and has evil plans for the water. Eventually Jesse asks Winnie to drink the water when she turns seventeen but his family warns that being immortal is not as enchanting as it appears. Francis and Fawcett are incredibly endearing as Winnie and Jesse, respectively, and I especially enjoyed their renditions of "Top of the World" and "Seventeen." Some of the performances from the rest of the main cast are definitely better than others but they are all filled with tremendous heart. Throughout most of the show I was really confused as to why there were so many seemingly extraneous people on stage because they often pulled focus from the action. However, this staging made a lot more sense at the end of the show during "The Wheel," where Angus tells Winnie that she doesn't need to live forever she just needs to live, and "The Story of Winnie Foster," which shows the joys and sorrows as Winnie lives out the remainder of her mortal life, because these extra characters are actually revealed to be the people in Winnie's future life who have been shadowing her as she makes the decision of whether to drink the water or not. This is an interesting, but ultimately very effective, choice because it led to several major a-ha moments for me! I also really enjoyed the choreography, especially in "Partner in Crime" where Winnie and Jesse sneak away and go to the fair, the set, which includes a large tree with a stream in front of it in the middle of the stage, and the costumes, particularly the iconic yellow suit. This production is so charming and heartwarming that I couldn't help but love it and I highly recommend it, especially to families!  It runs through April 8 and tickets may be purchased here.

Note:  I saw this show on Broadway a few years ago and it closed two days later!

Sunday, March 12, 2023

Emma at Parker Theatre

My friend Karen recommended the play Emma at Parker Theatre so, because I trust her and because I am a huge fan of Jane Austen, I decided to check it out last night. I am glad that I did because I was incredibly impressed with both the production and the theatre and I will definitely be back! After Emma Woodhouse (Ariana Bagley, a wealthy young woman who has no desire to get married herself, is successful in matching her former governess Miss Taylor (Eden Benson) with Mr. Weston (Michael Hohl), she decides to take Harriet Smith (Taylor McKay Barnes), a young woman of unknown parentage, under her wing. She encourages Harriet to reject the proposal of Robert Martin (Sam Schmuhl) because he is a farmer and not worthy of her and sets her sights on the vicar Mr. Elton (Seth Larson) as a suitor instead.  However, he mistakes Emma's interest in him and declares his love to her. Then she selects Frank Churchill (Ren Cottam), whom everyone tries to match with her, but he is secretly engaged to someone else. Finally Harriet falls in love with Mr. Knightley (John Hayes Nielsen), a Woodhouse family friend, but chaos ensues when Emma realizes that she has loved Mr. Knightley all along! There are some other delightfully eccentric characters in the village of Highbury, such as her hypochondriac father Mr. Woodhouse (David Glaittli), a chatty old maid named Miss Bates (Abbie Webb), the long-suffering Jane Fairfax (Liz Nielsen), and Mr. Elton's snotty wife Augusta (Madeline Thatcher), and I absolutely loved the amusing projections that introduce and describe the dramatis personae! This adaptation, much like the one I recently saw of Pride and Prejudice at HCTO, does not include everything but it captures the essence of the novel in a way that feels fresh without sacrificing any of my favorite lines ("If I loved you less, I might be able to talk about it more."). I am normally a purist when it comes to changing the source material but I really liked having Robert Martin propose to Harriet first before Knightley declares his feelings to Emma because this allows the play to end with a touching moment between the two main characters. Bagley is wonderful in the title role, especially when she breaks the fourth wall to address the audience because it seems like we are all in on her schemes, and so is Barnes as Harriet because she is so physically awkward (I loved a scene where she is described as graceful while she slaps a bug on her arm and then wipes the guts off her sleeve). I also enjoyed Glaittli as Mr. Woodhouse, because he is hilariously overwrought, and Cottam as Frank Churchill, because he is such a foppish rake. However, there isn't a lot of romantic chemistry between Bagley and Nielsen (I think there should be a spark between them from the beginning and not just at the end) but that is my only criticism of the performances. The impressive set features an elegant drawing room at Hartfield that moves forward when needed, a backdrop with board and batten paneling that, with the addition of a few Regency furniture pieces, is used for the other houses in Highbury, and arches that come in from the wings to represent outdoor locations. The period costumes are a lot of fun but, strangely, I preferred the ones for the men over the ones for the women because they are more embellished. I loved this thoroughly entertaining show and I highly recommend getting a ticket for one of the three remaining performances (go here).

Creed III

I finally had the opportunity to see Creed III yesterday afternoon and I absolutely loved it!  Three years after retiring from boxing, Adonis "Donnie" Creed (Michael B. Jordan) is  enjoying life with his wife Bianca (Tessa Thompson) and daughter Amara (Mila Davis-Kent), is running the Delphi Boxing Academy, and is promoting a fight between the heavyweight champion Felix "El Guerrero" Chavez (Jose Benavidez, Jr.) and Viktor Drago (Florian Munteanu).  An old friend that Donnie boxed with in his youth named Damian "Dame" Anderson (Jonathan Majors) comes back into his life after being released from prison and asks him for a chance at the title.  Donnie tells him that it is impossible but, when Drago is attacked and unable to fight, he convinces Chavez to give Anderson the same opportunity that his father gave Rocky.  Against all odds, Anderson wins the fight to become heavyweight champion but Donnie eventually learns that he manipulated him.  It seems that the two of them have unfinished business and Anderson believes that he should have the life that Donnie has.  He bullies him into coming out of retirement to fight him in an epic match, dubbed the "Battle of Los Angeles."  Donnie struggles to get in shape with "Little Duke" Evers (Wood Harris) and Draco (in a fun training montage that ends with a fantastic Rocky moment above the Hollywood sign) but once he gets in the ring, he is not only fighting Anderson, he is attempting to slay the ghosts of his past. I really enjoyed the story, especially Donnie's fear that he doesn't deserve all that he has because of his troubled past and his determination to see that his daughter doesn't have the childhood that he did (although I wish this was explored more fully).  Jordan is incredibly compelling but Majors is an absolute knock-out in a performance that is both intense and sympathetic (he is becoming one of my favorite actors).  The two of them have tremendous chemistry together and the final resolution between them brought a tear to my eye.  Finally, the fight choreography is amazing and the way that these sequences are filmed is exhilarating.  I especially liked the close-up shots of their eyes and the way the crowd disappears to focus on the intimate showdown happening between two men who used to be friends.  This is, in my opinion, one of the best entries in the franchise and it should not be missed!

Saturday, March 11, 2023

Scream VI

I consider myself to be a casual fan of the Scream franchise but, since I thoroughly enjoyed the last installment, I have been eagerly anticipating Scream VI.  I had the chance to see it last night and I loved it...for the most part.  The four survivors of the recent Woodsboro killings have relocated to New York City so Tara Carpenter (Jenna Ortega), Mindy Meeks-Martin (Jasmin Savoy Brown), and Chad Meeks-Martin (Mason Gooding) can attend college and Sam Carpenter (Melissa Barrera), who is struggling because of an online campaign to paint Richie Kirsch (Jack Quaid) as the victim and her as the killer, can keep a close eye on her sister.  However, a new Ghostface has also appeared in New York which puts the four survivors and their friends, Quinn Bailey (Liana Liberato), Ethan Landry (Jack Champion), and Anika Koyoko (Devyn Nekoda), in danger.  Ghostface begins killing people close to the Carpenter sisters and leaves a different mask used by the previous killers with each victim, prompting survivors Kirby Reed (Hayden Panettiere), an FBI agent, and Gale Weathers (Courteney Cox), a renowned journalist, to join Detective Bailey (Dermot Mulroney), Quinn's father, in the investigation.  They eventually discover a shrine to Ghostface, filled with artifacts from every killer, where a showdown ensues.  I enjoyed so much about this movie!  It leans heavily into the mythology of Ghostface and this time the meta-commentary involves the tropes used in horror franchises where expectations are subverted (the cold open with Samara Weaving and Tony Revolori accomplishes this brilliantly) and anyone can be a victim (even legacy characters!) in service to the IP.  The kills are even more brutal with lots of blood and guts and there are some thrilling set-pieces, including a tension filled sequence on a subway train, an nerve-wracking escape between buildings across an alleyway, and a violent shoot-out in a bodega.  The performances are great with Barrera as the stand-out as Sam grapples with the trauma of what she had to do to survive.  Finally, there are lots of fun Easter eggs from the previous movies as well as other horror movies (my favorites are the red balloon from It and the twins from The Shining).  Having said that, I did find the third act reveal to be anticlimactic because it really strains credulity.  Still, it is a fun and entertaining slasher movie and I highly recommend it to fans of the genre.

Friday, March 10, 2023

65

I have been anticipating 65 for almost two years and I finally had the chance to see it at a Thursday preview last night.  It seems to be getting a lot of bad reviews for some reason but I really liked it! 65 million years ago Commander Mills (Adam Driver) is leading a long-range exploratory mission in space with passengers in cryogenic stasis.  An asteroid forces the ship to crash land on Earth, splitting it in half and killing most of the passengers.  Mills eventually discovers one survivor, a young girl named Koa (Ariana Greenblatt), and makes the decision to try to find the rest of the ship, which is some distance away, because it contains the escape pod.  In order to get to the ship they must contend with dinosaurs and another asteroid on a collision course with Earth but Mills must also deal with his guilt over leaving his daughter behind to lead this mission and Koa must deal with her grief over the death of her family from the crash.  The action sequences are great and the CGI is pretty good because I didn't find it distracting.  The scenes involving the dinosaurs are actually quite scary (I jumped out of my seat at one point) with a menacing score that adds to the tension.  Driver is fantastic in an incredibly physical role (you can definitely tell that he is a former Marine by the way he moves and handles all of the weapons) and he is able to portray so much without a lot of dialogue. The survival story is compelling but I particularly enjoyed the father-daughter relationship between Mills and Koa.  There are some really tender scenes between them, especially when he teachers her how to whistle and when she rescues him from some quicksand.  I thoroughly enjoyed this (and not just because Driver looks really good in it) and I recommend that you ignore the critics and go see it!

Wednesday, March 8, 2023

Putting It Together at PTC

I like to call myself a big fan of Stephen Sondheim but the truth of the matter is the only shows that I am really familiar with are West Side Story, Sweeney Todd: The Demon Barber of Fleet Street, and Into the Woods. I have seen A Funny Thing Happened on the Way to the Forum but it was a long time ago and I don't remember much (beyond the togas) and I am embarrassed to admit that I haven't seen Sunday in the Park with George, Merrily We Roll Along, A Little Night Music, Follies, Assassins, Anyone Can Whistle, or Company (I will be remedying this very soon). I was, therefore, really excited to see PTC's new production of Putting It Together, a musical revue showcasing the works of Stephen Sondheim, last night because it features many songs from these other shows. A concert consisting of Sondheim's music would be worth the price of admission on its own but there is a loose narrative tying it all together (and a set featuring a luxury penthouse apartment, glamorous costumes, and fun choreography) involving a dinner party with a Husband (Nicholas Rodriguez) and Wife (Judy McLane), who are experiencing marital difficulties, a Young Associate (Brent Thiessen) and His Date (Cayleigh Capaldi), who are awkwardly navigating a new relationship, and an Observer (Tyrick Wiltez Jones), who narrates the goings-on. I particularly enjoyed the dynamic between McLane (I absolutely loved her in Next to Normal which is one of my favorite productions at PTC) and Rodriguez in "Country House" from Follies and the harmonies between McLane and Capaldi in "There's Always a Woman" from Anyone Can Whistle because I had never heard those songs before.  However, my favorite numbers were McLane's version of "The Ladies Who Lunch" because she just about blew the roof off the theater, Thiessen's heartfelt rendition of "Marry Me A Little," McLane's hilarious take on "Getting Married Today," and the entire cast's incredible performance of "Being Alive," all from Company. The theater was only about 2/3 full last night which is really a shame because it was an amazing evening of music performed by an insanely talented cast! I highly recommend it to everyone (go here for tickets) because those who are fans of Sondheim will love it and those who are not just might become ones after seeing it!

Note:  As I mentioned, I will be attending a performance of Company at the Empress Theatre next month and I am even more excited for it after seeing this show!

Tuesday, March 7, 2023

One Fine Morning

The second movie in my double feature yesterday was One Fine Morning at the Broadway.  Unfortunately, I was a bit underwhelmed by it.  Sandra Kienzler (Lea Seydoux) is a young widow working as an interpreter in Paris while raising her pre-teen daughter Linn (Camille Leban Martins), who is growing up and starting to pull away from her, and caring for her father Georg (Pascal Greggory), who is suffering from a neurodegenerative disorder and will soon require more supervision that she can provide.  She becomes reacquainted with her husband's old friend Clement (Melvil Poupaud) and eventually begins a passionate affair with him despite the fact that he is married and has a child.  She wants a commitment from him but he is unwilling to hurt his family.  Sandra deals with these losses by choosing to celebrate the little moments that bring her happiness.  Seydoux gives a lovely performance filled with quiet desperation as she gets on with the duties of her life (there are so many scenes of her walking and taking public transportation from place to place) but I found her character's passive resignation to the realities of life, while relatable, to be very depressing.  Also, while there are some incredibly poignant scenes, such as when Sandra and her mother (Nicole Garcia) and sister (Sarah Le Picard) try to convince Georg that he needs to go to a care center, the action becomes repetitive and I found my mind wandering many times (in all fairness I was really tired when I watched this).  Like most of Mia Hansen-Løve's films, this is beautifully shot and features an atmospheric score but, in my opinion, nothing about it is extraordinary enough to warrant all of the praise that it has received.  It didn't really appeal to me and I wouldn't recommend it.

All Quiet on the Western Front

When the Academy Award nominations were announced last month, All Quiet on the Western Front was the only Best Picture nominee that I hadn't seen (click on the titles for my commentaries on Avatar: The Way of Water, The Banshees of Inisherin, Elvis, Everything Everywhere All At Once, The Fabelmans, TÁRTop Gun: Maverick, Triangle of Sadness, and Women Talking).  Even though it is streaming on Netflix I really wanted to see it on the big screen so I waited, hoping that it would return to theaters.  I was able to find a screening yesterday afternoon and I was completely overwhelmed by this devastating portrayal of the futility of war.  After a particularly deadly battle three years into World War I, the uniforms are removed from the dead, transported, laundered, repaired, and given to the new recruits.  Paul Baumer (Felix Kammerer) and three of his school fellows, Albert Kropp (Aaron Hilmer), Franz Muller (Moritz Klaus), and Ludwig Behm (Adrian Grunewald), enthusiastically enlist in the Imperial German Army hoping for adventure and the opportunity for glory.  They unknowingly receive these repurposed uniforms and are transported to the front, where they are soon confronted by the brutal realities of trench warfare.  As Paul watches his friends and comrades, Tjaden Stackfleet (Edin Hasanovic) and "Kat" Katczinsky (Albrecht Schuch), die in battle one by one, a German politician named Matthias Erzberger (Daniel Bruhl) attempts to negotiate a ceasefire with the Supreme Allied Commander Ferdinand Foch (Thibault de Montalambert) to prevent more loss of life.  Foch refuses and gives Germany 72 hours to agree to Allied terms during which Paul's unit is decimated in battle.  The armistice is eventually signed with a ceasefire scheduled to take place at 11:00 on November 11 but General Friedrichs (Devid Striesow) does not want the war to end without a victory so he orders an attack at 10:45 with deadly consequences.  The battle sequences are some of the most realistic ones I've seen and they are visceral and unrelenting.  The jarring and foreboding score only adds to the horror and chaos of battle.  The juxtaposition of the elegant drawing rooms and beautifully appointed train compartments where the ceasefire is negotiated with the desolate landscape of battle littered with corpses is also very effective.  Kammerer gives a brilliant and heartbreaking performance, especially in a scene where he finds his friend's body after his first battle and a scene where he begs the soldier he has just killed for forgiveness.  This is a movie I will not soon forget and I highly recommend it even though it is hard to watch.

Note:  Everything Everywhere All At Once seems to be the front-runner to win but, honestly, with the exception of The Fabelmans (which I did not care for) I would be happy with a win for any of the nominees.  Do you have a favorite?

Monday, March 6, 2023

RRR

I didn't have a chance to see RRR (which stands for "Rise, Roar, Revolt") when it was first released so I am really glad that Salt Lake Film Society brought it back for a limited engagement!  I had heard a lot of rave reviews so I went to see it with a large crowd at a late screening last night and it was absolutely amazing!  I had so much fun watching it and I may or may not have cheered out loud during several thrilling sequences!  It takes place in India during the British Raj in the 1920s.  When a young girl named Malli (Twinkle Sharma) is taken from her village by the British Governor Scott Buxton (Ray Stevenson) and his wife Catherine (Alison Doody), the guardian of the tribe, Komaram Bheem (N. T. Rama Rao, Jr.), travels to Delhi and vows to do whatever it takes to rescue her.  Meanwhile, a member of the Indian Imperial Police named Alluri Sitarama Raju (Ram Charan) begins searching for him when the Governor offers a promotion to the officer who captures the man reported to be coming for Malli.  Bheem and Raju meet when they cooperate to save a young boy from a burning train wreck and bond with each other but, when they finally learn of their true allegiances, there is an epic confrontation between them at the Governor's residence leading to Bheem's capture.  However, Bheem eventually discovers Raju's motivation for his actions while Raju begins to question whether his cause justifies the betrayal of a friend and they ultimately join together (literally) to defeat their common enemy.  This is obviously about overthrowing the evils of colonialism (the portrayal of the British almost verges on caricature) but I really loved the message about the power of friendship.  Rao and Charan are incredibly charismatic and have tremendous chemistry with each other.  Their physical performances are almost larger than life and so dazzling on the screen!  The action set pieces are spectacular (my favorites are a scene where Raju single-handedly subdues an angry mob and a scene where Bheem fights a tiger) with unbelievable visual effects (I loved that Raju is associated with fire and Bheem with water) and soaring choral music which acts as narration.  Speaking of which, the dance-off between Bheem and Raju and the stuffy British guests at a garden party during the song "Naatu Naatu" is wildly entertaining (it is nominated for the Academy Award for Best Original Song and I am really looking forward to its performance during the broadcast).  I am so happy that I got a chance to see this on the big screen because I thoroughly enjoyed it and I highly recommend it (it is currently streaming on Netflix).

Note:  I enjoyed it so much it was worth having to drive home during a snow storm at midnight!

Sunday, March 5, 2023

Dear Evan Hansen at the Eccles

When Dear Evan Hansen was announced as an add-on to the Broadway at the Eccles 2022-2023 season, I decided that I probably didn't need to see it again but, as the date of the run got closer and closer, I started to feel really sad that I wasn't going.  I ended up getting one of the few remaining tickets for last night's performance and I am so glad I did because I love this show and its message so much!  Evan Hansen (Anthony Norman) suffers from anxiety and feels insignificant and alone ("Waving Through a Window").  Heidi (Coleen Sexton), his busy single mother, doesn't know what to do to help ("Anybody Have a Map?").  His one friend, Jared (Ian Coursey), is only nice to him so his parents will pay for his car insurance and he is too scared to talk to Zoe (Alaina Anderson), the girl he likes.  His therapist encourages him to write letters to himself to help build his confidence but Connor (August Emerson), a deeply troubled young man, intercepts one of them from the printer because it mentions his sister Zoe.  When Connor takes his own life, his parents, Cynthia (Lili Thomas) and Larry (John Hemphill), find the letter and, assuming it is a suicide note, reach out to Evan.  To comfort Connor's parents, Evan pretends that they were friends ("For Forever").  When Cynthia and Larry press for more information, Evan asks Jared to create a history of emails between him and Connor ("Sincerely, Me").  Larry and Zoe struggle to reconcile Evan's version of Connor with the difficult son and brother they knew ("Requiem").  Zoe tells Evan that the only nice thing Connor ever said to her was in his suicide note, which Evan wrote ("If I Could Tell Her").  Alana (Gillian Jackson Han), another lonely girl at school, wants Evan to do more to keep Connor's memory alive ("Disappear") so they create The Connor Project and Evan gives a heartfelt speech about loneliness at a memorial assembly for him ("You Will Be Found") which goes viral.  He soon begins a relationship with Zoe ("Only Us") and bonds with her family ("To Break in a Glove") to the exclusion of Jared, Alana, and Heidi ("Good For You").  Eventually the falsehoods spiral out of control and, when the truth is finally revealed ("Words Fail"), Heidi helps him realize that he has never been alone ("So Big/ So Small").  As someone who suffers from anxiety and struggles to interact with people, I find Evan's story to be incredibly powerful and I always have tears in my eyes during "Disappear" and "You Will Be Found."  Norman is very endearing and sympathetic in the role and I loved all of his idiosyncratic tics and rapid-fire line deliveries.  The rest of the cast is also really strong and Anderson, Emerson, and Han portray Zoe, Connor, and Alana, respectively, very differently than I have seen before which I enjoyed.  Finally, as always, one of my favorite elements in this show is the use of social media, which is depicted on large moving panels, because, even though the world seems increasingly connected by technology, so many people still struggle to find a connection.  This inspirational show only has two performances left at the Eccles Theatre but it is definitely worth getting a ticket (go here).

Note:  Just so you know, the stage musical is so much better than the movie!

Saturday, March 4, 2023

Dvorak's Symphony No. 5

I always love it when I have a Utah Symphony concert to look forward to during the week and the one last night was especially worth the anticipation because I was swept away by the music of Bruch and Dvorak.  The orchestra began with Ringelspiel by Ana Sokolovic and it pains me to say this but I didn't particularly care for this piece.  I appreciate that the composer meant to mimic the disoriented and dizzy feeling that one has while riding on a merry-go-round but most of the time it just sounded like noise to me, especially a section where it seemed like everyone was playing a different note (it was so jarring).  This hardly mattered because I absolutely loved the next piece as well as the soloist!  Randall Goosby joined the orchestra for Violin Concerto No. 1 by Max Bruch and he was brilliant!  I loved the themes played by the solo violin because they are passionate in the first movement, melancholy and filled with longing in the second movement, and intense in the third movement.  I also really enjoyed the orchestral background because it is incredibly lush but Goosby has such a magnetic stage presence that I couldn't take my eyes off him and all of my attention was focused on his dazzling performance.  The audience literally erupted with thunderous applause so he performed "Louisiana Blues Strut" by Coleridge-Taylor Perkinson as an encore!  After the intermission, the concert concluded with Symphony No. 5 by Antonin Dvorak.  I had never heard this piece before but I'm glad I had the chance last night because it is so emotional and romantic!  I always love it when the woodwinds are prominently featured and the themes played by the clarinets in the first movement are beautiful.  My favorite movement was the second because it has the feel of a Bohemian folk dance with a lyrical theme played by the cellos and then echoed first by the violins and then the woodwinds.  The final movement includes a tender dialogue between the clarinets and violins and another between the flutes, oboes, and violins followed by a triumphant conclusion from the brass.  It was another wonderful evening at Abravanel Hall and I highly recommend getting a ticket for tonight's performance of the same program (go here for tickets).

Note:  Yesterday I renewed all of my subscriptions (Masterworks, Films in Concert, and Opera) for the 2023-2024 season without even knowing what will be programmed!  That is how much I love attending Utah Symphony concerts (and Utah Opera performances).

Friday, March 3, 2023

Go Home Come Back at Plan-B Theatre

I was so excited to see Plan-B Theatre's production of Go Home Come Back in the Studio Theatre at the Rose Wagner Center for the Performing Arts last night because the playwright is my dear friend (and former colleague) Darryl Stamp. It is a heartwarming and humorous take on second chances and I thoroughly enjoyed it. Will (Calbert Beck) and James (Lonzo Liggins) find themselves in a waiting room of sorts with no explanation of where they are or how they came to be there. There are flashbacks to when Will met his future wife Janice (Dee-Dee Darby-Duffin) and to an awkward encounter between James and his estranged daughter Monica (Marilyn Melissa Salguero) as well as periodic announcements (thanking them for their patience which is, rather amusingly, repeated in Spanish) over an intercom.  They are eventually directed to enter to an office where they each meet Llecenia (Kris Wing Peterson), the replacement for the retired St. Peter. It turns out that both Will and James have recently died but, in a new promotion called "Go home come back," they have each been given the opportunity to go home for an hour before they return for permanent placement. Will uses his time to make sure Janice knows how much he loves her while James attempts to make amends for being an absentee father to Monica. There is a thought-provoking twist when they once again find themselves back in the waiting room. I loved so many things about this show! Heaven is portrayed as a corporation and it is a lot of fun, especially all of the references to marketing, but I also found Llecenia's final monologue about loving her job because of all of the happy reunions she gets to witness to be especially comforting after recently losing both of my parents. I also found it hilarious that, despite some questionable behavior in his past, Will is granted a place in Heaven because he taught middle school for ten years and I found it incredibly poignant that the ne'er-do-well James is offered a chance at redemption. The cast is wonderful (I was particularly impressed with the chemistry between Beck and Darby-Duffin), the simple set in the intimate space is highly effective, and the lighting is very dramatic (especially the pillar of light as the characters move from the waiting room to the office). This is such a lovely play (my audience responded very favorably) and I would definitely recommend getting a ticket but, unfortunately, all of the remaining performances are sold out!

Note:  Darryl also curated a playlist of music for the show which can be heard before it begins.  I especially liked "Once in a Lifetime" by the Talking Heads.

Thursday, March 2, 2023

A Gentleman's Guide to Love and Murder at HCTO

I recently had the chance to see A Gentleman's Guide to Love and Murder at the Empress Theatre and I was very impressed by what they did with an incredibly ambitious show in such a small and intimate space.  Because HCTO is similar in scale I was really eager to see their version and I had the opportunity last night.  I was equally impressed by this production!  After the death of his mother, Monty Navarro (Jordan Nicholes) is informed by her friend Miss Shingle (Bonnie Wilson-Whitlock) that she was once a member of the wealthy and aristocratic D'Ysquith family but was disinherited for marrying his father.  He is really Montague D'Ysquith Navarro and he is in line to inherit an earldom.  However, there are eight family members ahead of him!  When his vain and heartless girlfriend Sibela (Brittany Sanders) marries the rich and handsome Lionel Holland, he decides to murder all eight family members in order to become the Earl of Highhurst and win her back.  Standing in his way are the Reverend Lord Ezekiel D'Ysquith (who has an unfortunate fall from the bell tower of his cathedral), Asquith D'Ysquith, Jr. (who has a bizarre skating accident), Henry D'Ysquith (who is stung by bees), Lady Hyacinth D'Ysquith (who disappears in deepest darkest Africa and is presumed dead), Major Lord Bartholomew D'Ysquith (who is decapitated while lifting weights), Lady Salome D'Ysquith Pomphrey (who is killed when a prop gun is mistakenly loaded with real bullets during her debut in Hedda Gabbler), Lord Asquith D'Ysquith, Sr. (who is driven to a heart attack after hearing about all of the deaths in his family), and, finally, Lord Adalbert D'Ysquith, the Earl of Highhurst, (who is mysteriously poisoned).  Along the way, Monty falls in love with Phoebe D'Ysquith (Lisa Zimmerman) and marries her which makes Sibela jealous.  When Monty becomes the Earl of Highhurst he is arrested for the murder of Adalbert, the only D'Ysquith death for which he is actually not responsible!  The charges are eventually dismissed when Phoebe and Sibela each give proof that the other committed the murder but Monty might not live happily after because Chauncey D'Ysquith, the next in line to the earldom, is lurking!  The cast is absolutely stellar and I particularly enjoyed both Wilson-Whitlock and Laurel Asay Lowe (as Lady Eugenia D'Ysquith) because their characters are so unhinged!  However, the star of the show is Bryan Dayley who plays every member of the D'Ysquith family (I loved him in a similar role in One For The Pot at HCT last year).  He is absolutely hilarious and makes every character feel distinct with his facial expressions and comedic physicality (as well as some quick costume changes).  Every time I see this show I always love a different family member and this time my favorites were the Reverend Ezekiel (because of the way he flails about before he falls) and Lord Adalbert (because of his plummy accent).  As with most productions of this show, the set is reminiscent of an old music hall but I loved the use of a falling red curtain in between scene changes and the elaborate painted backdrops.  A scene where Monty must keep Sibela and Phoebe apart at his flat is staged in an especially clever way and I also loved the singing ancestors at Highhurst.  Finally the period costumes are incredible, especially the highly embellished gowns worn by Sibela and Phoebe!  Do yourself a favor and get a ticket to this hilarious show (go here).  It runs through April 8 but many dates are sold out!

Wednesday, March 1, 2023

Cocaine Bear

Last night my nephew Sean and I went to see Cocaine Bear with a large crowd at the Broadway and we had a blast with all of the chaotic humor!  When a large shipment of cocaine is inadvertently dropped into the Chattahoochee National Forest, a 500-pound black bear ingests it and becomes highly aggressive as two unfortunate backpackers (Kristofer Hivju and Hannah Hoekstra) soon discover.  Drug kingpin Syd White (Ray Liotta) sends his henchman Daveed (O'Shea Jackson, Jr.) and son Eddie (Alden Ehrenreich) to retrieve it with a local detective (Isiah Whitlock, Jr.) hot on their trail.  Meanwhile, two teens named Dee Dee (Brooklynn Prince) and Henry (Christian Convery) skip school and head to the forest so she can paint a waterfall while her mother (Keri Russell) enlists the help of a park ranger (Margo Martindale) and a wildlife expert (Jesse Tyler Ferguson) to find them.  Add three juvenile delinquents (Aaron Holliday, J.B. Moore, and Leo Hanna), two paramedics (Kahyun Kim and Scott Seiss), and a police officer on the take (Ayoola Smart) and mayhem ensues!  As soon as I heard "Jane" by Jefferson Starship (all of the needle drops in this movie are fantastic) during the opening scene, I knew that it would be a wild ride and it was!  There are too many characters to keep track of and the pacing is sometimes uneven but I have to admit that it is wildly entertaining!  Sean and I laughed out loud through the whole thing with some of the funniest moments coming when the violence is at its most graphic (the ambulance scene is hilarious).  This is exactly what you would expect from a movie about a bear jacked up on coke and, if you go in knowing that, it is a lot of fun!  I recommend seeing it with the biggest crowd possible!
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