Showing posts with label Broadway Las Vegas. Show all posts
Showing posts with label Broadway Las Vegas. Show all posts

Friday, October 28, 2022

Hamilton in Las Vegas (Again)

I was not really planning on seeing Hamilton at the Smith Center in Las Vegas (I have seen it many times including at the Smith Center) but I decided that I would be really sad if I didn't go and ended up getting a ticket.  I went on my first road trip with my new car yesterday to see it and I loved it as much as the first time I saw it!  Alexander Hamilton was played by the understudy Manuel Stark Santos (he was Aaron Burr when I saw it in SLC) and I really enjoyed his interpretation of the role.  He has a beautiful voice so his renditions of "Dear Theodosia" and "Hurricane" were lovely and I had tears in my eyes when he kissed Eliza's hand during "It's Quiet Uptown."  He brought quite a bit of originality to his performance in "Non-Stop" and many of his facial expressions and gestures where hilarious ("I was chosen for the Constitutional Convention!").  I saw Donald Webber, Jr. as Aaron Burr in San Francisco and SLC and last night his rendition of "Wait For It" was incredibly powerful but the phrasing was a little bit different.  I have often wondered whether the actors change their performances from city to city and it seems that he does!  The same could be said for Paris Nix (who I saw as Marquis de Lafayette/ Thomas Jefferson in Chicago and SLC) because he changed the running man to wiping his feet (which Santos imitated) in "Cabinet Battle #1."  His interactions with Brandon Louis Armstrong (as Hercules Mulligan/ James Madison) were absolutely hilarious and I laughed out loud at his antics during "What'd I Miss," "The Reynolds Pamphlet," and "The Election of 1800" because he seemed even more over the top than usual!  Darnell Abraham was an incredibly commanding George Washington when I saw him in SLC and he gave me goosebumps, and earned thunderous applause from the crowd, once again when he stormed the stage during "Right Hand Man" (which is one of my favorite moments in the show).  Eliza was played by the understudy Milika Cheree (she also played the role as the understudy in SLC) and her performance of "Burn" brought a tear to my eye once again (she had a huge flame when she set the letter on fire!).  Finally, last night I noticed for the first time that when Eliza reads the letter about John Laurens' death, Lafayette and Hercules Mulligan are up on the balcony reading letters as well.  I've always been focused on Hamilton's reaction in that scene so I have never seen them before and it was very moving!  I loved every minute of this performance (I honestly don't think I will ever get tired of it) and I am so glad that I decided to get a ticket!

Note:  Since this is such a popular show, patrons were only able to select a section on the website and then seats were randomly assigned.  I selected the main floor and was thrilled to discover that my seat was a few rows from the stage in the exact center of the theater!

Thursday, September 22, 2022

SIX in Las Vegas

Yesterday my sister Kristine and I went on a quick road trip to Las Vegas to see SIX at the Smith Center.  Both of us are huge fans of the music in this show (we listened to the cast recording during the whole drive) and we were so excited to finally have a chance to see it!  The former wives of King Henry VIII, including Catherine of Aragon (Gerianne Perez), Anne Boleyn (Zan Berube), Jane Seymour (Amina Faye), Anna of Cleves (Terica Marie), Katherine Howard (Aline Mayagoitia), and Catherine Parr (Sydney Parra), get together to perform a concert with their Band, The Ladies in Waiting (Katie Coleman on Keybords, Sterlyn Termine on Bass, Liz Faure on Guitars, and Caroline Moore on Drums).  Since they have no leader, they decide that it should be the one who has suffered the most heartache and then each Queen proceeds to tell her story.  Catherine of Aragon (Divorced) agreed to leave her homeland at age 15, come to a country where she didn't speak the language, marry a man, spend seven years in a nunnery after he died, and then marry his brother but she didn't agree to be replaced in "No Way."  Anne Boleyn (Beheaded) is sorry not sorry because she was just trying to have a little fun (what was she meant to do?) in "Don't Lose Ur Head."  Jane Seymour (Died) loved Henry but she knows that his love for her was only because of her son in "Heart of Stone."  Anna of Cleves (Divorced) was rejected by Henry for being ugly but brags about getting a castle out of it in "Get Down."  Katherine Howard (Beheaded) says she couldn't help it if she drove all the boys wild and that they used her for one thing in "All You Wanna Do."  Catherine Parr (Survived) argues that even though she survived her marriage she sacrificed true love for it in "I Don't Need Your Love."  However, they ultimately decide that they do not want to be defined by Henry and that they should lead the group together in "Six."  This is the ultimate ode to girl power and each Queen's song embodies her history so well (this show is so clever!).  I loved the fact that each performance is inspired by a real life pop star (Aragon by Beyonce, Boleyn by Avril Levigne, Seymour by Adele, Cleves by Nicki Minaj, Howard by Ariana Grande, and Parr by Alicia Keyes).  The costumes have a Tudor silhouette but feature the fabrics and bling of contemporary pop princesses and the dramatic lighting is so much fun (my favorite moment was when Henry swipes left then right while looking at profile pictures in "Haus of Holbein").  I enjoyed every Queen but I had goosebumps during Faye's performance of "Heart of Stone" because she just about blew the roof off the Smith Center!  Both Kristine and I really loved this show and we both agreed that it was definitely worth the drive to Las Vegas (we both hope that it comes to SLC at some point).

Note:  I am so glad that my sister was able to get the time off to go because she is the one who introduced this show to me and we had so much fun together!

Wednesday, September 7, 2022

Jagged Little Pill in Las Vegas

I have been a huge fan of Alanis Morissette ever since I heard the album Jagged Little Pill for the first time so the musical based on her music has been near the top of my must-see list for a really long time!  When I found out that it was part of the Broadway Las Vegas 2022-2023 season I immediately got a ticket and planned a little road trip.  People always think I'm crazy to drive such a long distance just to see a show but I had so much fun and I loved Jagged Little Pill!  The show includes most of the songs from Jagged Little Pill, including "All I Really Want," "You Oughta Know," "Perfect," "Hand in Pocket," "Forgiven," "You Learn," "Head Over Feet," "Mary Jane," "Ironic," "Not the Doctor," and "Wake Up," but it also includes songs from Morissette's other albums as well, including "So Unsexy," "So Pure," "That I Would Be Good," "Your House," "Unprodigal Daughter," "Uninvited," and snippets of "Hands Clean" and "Thank U."  Morissette also wrote the song "Smiling" especially for the show and it was one of the highlights for me!  I knew that I would love the music but I also found the story to be incredibly compelling!  The Healy family appears to be the perfect upper middle class suburban family but under the surface each of them are dealing with complicated issues.  Mary Jane (Heidi Blickenstaff) has become addicted to opioids after a car crash and an incident brings to light a past trauma that she has been repressing.  Her husband Steve (Chris Hoch) knows that something is wrong but he can't reach her so he retreats to his job more and more.  Her adopted daughter Frankie (Lauren Chanel), who is Black, is struggling to find her identity, her sexuality, and her voice about important causes she believes in while her son Nick (Dillon Klena) is buckling under the weight of his parents' high expectations.  Through their pain they learn that the most important thing is to love and accept each other.  There are many scenes that were so powerful and poignant that the audience spontaneously erupted in very enthusiastic cheering and applause and I was incredibly moved multiple times.  I especially loved the staging of "Smiling" as Mary Jane lives her day in reverse while trying to keep up appearances because the choreography is clever, particularly the soul cycle sequence, of "Forgiven" because Blickenstaff just about blows the roof off of the Smith Center as Mary Jane visits a church to deal with her trauma for the first time, of "You Oughta Know" when Jade McLeod, as Frankie's girlfriend Jo, accuses her of abandoning her for the new boy at school in a performance that generated a mid-show standing ovation, and finally of "Uninvited" (my favorite Morissette song) as Mary Jane literally wrestles with her younger self in order to continue repressing her trauma.  Also, the staging of "Ironic," when Frankie recites a poem in English class and is told by her classmates that she isn't using irony correctly, is proof that Morissette has a sense of humor!  I loved the performances, the dynamic choreography executed by the talented ensemble, the minimal sets and projections, and the message about healing so it was definitely worth the six hour drive!  If it ever comes to SLC I will probably see it multiple times!

Sunday, October 17, 2021

Cats in Las Vegas

For Christmas two years ago I was given a season subscription to Broadway Las Vegas.  It was pretty much the best gift ever because I love live theatre and I love road trips!  Unfortunately, I only got to see one show before Covid shut everything down.  The good news is that I was able to apply my remaining tickets to the new 2021-2022 season and I saw the first show, Cats, last night.  I am not a big fan of the musical Cats because I saw it for the first time in London the night after I saw Les Miserables, which was a dream come true, and it suffered unfairly in comparison (and who can forget the trauma of watching the movie adaptation?).  I have since learned to appreciate the show and I was really happy to be back at the Smith Center for the first time since the pandemic started!  The story, such as it is, is based on a collection of poems called Old Possum's Book of Practical Cats by T.S. Eliot and features music composed by Andrew Lloyd Webber.  Once a year the Jellicle Cats meet for the Jellicle Ball where Old Deuteronomy chooses one of them to ascend (in a giant tire) to the Heaviside Layer and be reborn.  Each cat explains why he or she should be the one chosen in big song and dance numbers.  My favorites are "The Rum Tum Tugger," "Bustopher Jones:  The Cat About Town," "Mungojerrie and Rumpelteazer," "Macavity, The Mystery Cat," "Magical Mister Mistoffelees," and, of course, the showstopper "Memory."  The entire cast in this production is insanely talented but my favorite dancers were Hyla Mayrose Perillo as Victoria, Zach Bravo as Rum Tum Tugger, and Paul Giarratano as Mistoffelees.  Tayler Harris, as Grizabella, just about brought the house down with her powerful, yet vulnerable, rendition of "Memory" and I really liked Indalecio De Jesus Valentin's voice as Old Deuteronomy.  The choreography in this show is absolutely brilliant, especially in "Song of the Jellicles and the Jellicle Ball," "Skimbleshanks the Railway Cat" (I loved the way they created the train), and "Magical Mister Mistoffelees," and I really like how it incorporates the mannerisms of real cats. This show will never be my favorite but I have to admit that I got caught up in the excitement of the people around me and I really enjoyed it.  It has been a fun trip!

Note:  After watching the stage version again I was reminded that the movie was such a missed opportunity.

Sunday, January 12, 2020

Escape to Margaritaville in Las Vegas

I received a season subscription to Broadway Las Vegas for Christmas (I think the Smith Center is a fantastic venue and I don't mind the drive from SLC to Las Vegas) and the first show was Escape to Margaritaville last night.  The story is basically the lyrics to Jimmy Buffet's classic song "Margaritaville" but it features a lot of other Jimmy Buffet songs and it was a lot of fun!  Tully (Chris Clark) is wasting away as the singer at the Margaritaville Hotel and Resort on a tropical island.  He enjoys island life because his relationships with women only last for as long as they are on vacation.  Tammy (Shelly Lynn Walsh) and Rachel (Sarah Hinrichsen) travel to the island for one last fling before Tammy gets married.  Rachel is driven and uptight but Tully is able to get her to relax and they spend the whole week together.  Meanwhile, Tammy begins a flirtation with the bartender Brick (Peter Michael Jordan).  In addition, J.D. (Patrick Cogan), a beach bum who is perpetually searching for his lost shaker of salt, tries to woo Marley (Rachel Lyn Fobbs), the owner of the hotel.  When it is time for the women to go home, Tully realizes that he is in love with Rachel and Tammy is having second thoughts about her upcoming wedding.  When a volcano threatens the island, Tully and Brick decide to find Rachel and Tammy but will the women feel the same when they are not on island time?  It is really clever how Buffet's songs are incorporated into the story, especially "License to Chill," "Fins," "It's Five O'Clock Somewhere," "Changes in Latitudes, Changes In Attitudes," "Margaritaville," "Come Monday," and "One Particular Harbor."  I did think that "Cheeseburger in Paradise" was a little cheesy (pun intended) but my very favorite number was "Why Don't We Get Drunk" because it involved some audience participation for one particular word!  The singing and dancing were great and I enjoyed watching the incredibly talented band on stage (I really love steel drums).  This wasn't the greatest musical I have ever seen but it was such a blast watching it with a boisterous crowd filled with Jimmy Buffet fans (many were dressed for the islands) and quick road trips to Las Vegas are always a lot of fun!

Sunday, January 20, 2019

Dear Evan Hansen in Las Vegas

This weekend I went on my first road trip of 2019 and I had so much fun!  I love road trips so when I found out that the musical Dear Evan Hansen was playing at the Smith Center in Las Vegas I got a ticket the day they went on sale.  I have wanted to see this musical for a really long time and, even though it is coming to the Eccles Theatre next season, I didn't want to wait!  I packed my car Thursday night so I could leave as soon as school was out on Friday to make it to Las Vegas for the Saturday matinee.  It was a quick trip but worth it because I loved this show so much!  Evan Hansen (Stephen Christopher Anthony) suffers from anxiety and feels insignificant and all alone ("Waving Through a Window").  Heidi (Jessica Phillips), his busy single mother, doesn't know what to do to help him ("Anybody Have a Map?").  His one friend, Jared (Jared Goldsmith), is only nice to him so his parents will pay for his car insurance and he is too scared to talk to Zoe (Maggie McKenna), the girl he likes.  His therapist encourages him to write letters to himself to help build his confidence but Connor (Marrick Smith), a deeply troubled young man, intercepts one from the printer because it mentions his sister Zoe.  When Connor takes his own life, his parents, Cynthia (Christiane Noll) and Larry (Aaron Lazar), find the letter, and assuming it is a suicide note, reach out to Evan.  To comfort Connor's parents, Evan pretends that they were friends ("For Forever").  When Cynthia and Larry press for more information, Evan asks Jared to create a history of emails between him and Connor ("Sincerely, Me").  Larry and Zoe struggle to reconcile Evan's version of Connor with the difficult son and brother they knew ("Requiem").  Zoe tells Evan that the only nice thing Connor ever said to her was in his suicide note, which Evan wrote ("If I Could Tell Her").  Alana (Phoebe Koyabe), another lonely girl at school, wants Evan to do more to keep Connor's memory alive ("Disappear") so they create The Connor Project.  Evan gives a heartfelt speech at an assembly ("You Will Be Found") about loneliness and it goes viral.  He begins a relationship with Zoe ("Only Us") and bonds with her family ("To Break in a Glove") to the exclusion of Jared, Alana, and his Mom ("Good For You").  When the truth is finally revealed ("Words Fail"), Evan realizes that he was never really alone ("So Big/So Small"). This story is incredibly powerful and anyone who has ever felt like they don't belong will be moved by Evan's story (the people in my audience were so overcome they started applauding before the final song was over and didn’t stop).  I loved every song and how they are staged but my favorite was "You Will Be Found" which brought tears to my eyes.  I also really liked the set because it consists of a series of moving panels on which computer screens and social media posts are projected.  This is now one of my favorite shows and I can't wait to see it again when it comes to SLC.

Wednesday, June 13, 2018

Hamilton in Las Vegas

I absolutely loved the cast of Hamilton when the show made a stop in SLC a few months ago and, even though I had the opportunity to see it three times, I still wanted to see it again.  Luckily the same company is now in Las Vegas and I was able to get a ticket.  Before I left on my road trip from SLC to Las Vegas I learned that Joseph Morales, who plays Alexander Hamilton, would be out of the show all this week and I have to admit that I was a little bit disappointed because I loved his performance so much!  However, I really liked Julius Thomas III who played Hamilton last night.  His voice is really beautiful and I especially loved his renditions of "Dear Theodosia" and "Hurricane." I've started judging each each actor in the role by how he makes me feel in "It's Quiet Uptown" and his version was incredibly emotional!  Just about everyone sitting near me was crying!  The show also featured the understudies for King George (Conroe Brooks) and George Washington (Desmond Sean Ellington) and both of their performances were more traditional like the other casts I've seen.  I especially liked Ellington's performance of "One Last Time" because he basically turned the ensemble into a gospel choir complete with choreography.  Like the SLC production, I was blown away by Nik Walker as Aaron Burr, especially in "Wait For It."  I loved all of the humor he infused in "Non-Stop" and "The Room Where It Happens." In this production Kyle Scatliffe, as Thomas Jefferson, blew kisses to the audience in "Cabinet Battle #1," Fergie L. Philippe, as Hercules Mulligan, threw his flowers to the audience in "Satisfied," and Shoba Narayan, as Eliza Hamilton, threw in some wild hand gestures as she was beat boxing in "Take a Break."  All of this business was new to the show since I saw it in SLC and it makes me wonder if the company changes things up when they move on to a new city!   Because I've now seen this show seven times, I am able to notice different things because I'm so familiar with the main action and last night I was particularly struck by the choreography of the British soldiers in "Stay Alive" and by the choreography of "Washington on Your Side."  Every time I see it I also notice something completely new and last night I noticed that the lantern lights flicker when Angelica (Ta’Rea Campbell) sings about Benjamin Franklin’s key and kite in “Satisfied.”  This show is so brilliant!  The excitement in the audience was palpable and I loved it when they applauded after the dance break in "Yorktown."  I've never been in an audience that did that!  A lot of people ask me if it gets old after watching it so many times and I can honestly say that I was just as giddy walking into the Smith Center last night as when I walked into the Richard Rodgers Theatre to see it for the first time.  I love this show so much!
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