Skinamarink

The trailer for Skinamarink really freaked me out so of course I had to see it at the Broadway last night (the theater was packed for a late screening on a Sunday).  Two children, six-year-old Kaylee (Dali Rose Tetreault) and four-year-old Kevin (Lucas Paul), wake up disoriented in the middle of the night in their dark suburban house to discover that their parents seem to be missing.  They decide to go downstairs, build a fort out of blankets, eat some cereal, and watch cartoons (as one does) but strange and terrifying things begin happening in the house.  This experimental film will definitely not be for everyone because it is more concerned with evoking a feeling rather than telling a linear story.  I also think that you have to be able to commit fully to the vibe in order for it to work for you but, as someone who truly believed that there were monsters in my closet and under my bed when I was a child, this really worked for me.  It is terrifying, not for what you see, but for what you think you see.  The camera angles are low as if the images are from the perspective of a child and, even though it was shot digitally, it looks as if it was shot using grainy analog film which really makes it appear that there are things lurking in the darkness.  The lack of a score, along with the audio from the cartoons, really adds to the unease.  Seeing this with a large crowd really enhanced the experience for me because there was a lot of nervous laughter (the tension is palpable) and even a few screams (I screamed out loud for the first time since seeing  Hereditary at Sundance).  There were also lots of interesting conversations in the lobby when it was over!  I recommend this to anyone who ever let their imagination get the better of them in the middle of the night!

Holy Spider

I became interested in Holy Spider when Zar Amir Ebrahimi won Best Actress for her performance at the Cannes Film Festival this year.  I decided to see it at the Broadway (my second home this week) last night and it is disturbing but very compelling.  A journalist named Arezoo Rahimi (Ebrahimi) travels to the holy city of Mashhad in Iran to investigate a serial killer known as the Spider.  Saeed Hanaei (Mehdi Bajestani), a middle-aged veteran of the Iran-Iraq War who laments the fact that he did not become a martyr for Allah, travels through the city on a motorcycle, lures prostitutes to his apartment when his wife and children are away, strangles them with their own headscarves, and disposes of their bodies in the same location.  He believes that what he is doing is a crusade to rid the streets of sin and, as Rahimi investigates, she suspects that the chief detective on the case (Sina Parvaneh) and an important local cleric (Nima Akbarpour) believe the same thing because there have been no new leads in the case in the past six months.  She decides to intervene and poses as a prostitute in order to catch him herself (in scenes filled with so much tension that I was holding my breath) but then must contend with the public who view him as a hero.  I was very struck by the difficulties that Rahimi faces as a woman trying to investigate a crime.  She is almost refused a room in a hotel because she is a single woman, she is berated for showing too much hair (there are many parallels with the situation in Iran today), she must be accompanied by a male journalist (Arash Ashtiani) everywhere she goes, and she is physically attacked by the police chief (the juxtaposition between the threat posed by a serial killer and by men in power is very thought-provoking).  I was also struck by how normal Hanaei is in his interactions with his wife and family and by how easy it is for him (and, later, his son) to get swept up in a religious mania.  Even though the audience knows who the murderer is very early on (it is based on true events) it is still incredibly suspenseful because of what happens after Hanaei is arrested and there are a few twists and turns that had me on the edge of my seat.  Ebrahimi is brilliant in the role because you can see the fury on her face even as she pulls her hijab tighter.  This scathing condemnation of misogyny and religious extremism is difficult to watch (the violence is very graphic and the final scene left me shaking) but I recommend it.

Women Talking

I have been anticipating the wide release of Women Talking for months and I was so happy to finally have a chance to see it at the Broadway last night!  It is incredibly powerful with performances that should be generating a lot more awards buzz.  Many women in an isolated Mennonite community have been drugged and raped but, despite waking up bruised and bleeding, they are not believed until there are eyewitnesses.  All of the men go to town to post bail for those accused and the women are admonished to forgive them or else face being exiled from the community and excommunicated from their faith.  While the men are gone the women take a vote about whether they will do nothing, stay and fight, or leave the colony but there is no clear winner.  A group of women, including Ona (Rooney Mara), Salome (Claire Foy), Mariche (Jessie Buckley), Mejal (Michelle McLeod), Agata (Judith Ivey), Greta (Sheila McCarthy), and an older member of the congregation known as "Scarface" (Frances McDormand) who disagrees with the process, are elected to come to a decision and they meet in the hayloft of a barn to debate the merits of each option.  A sympathetic schoolteacher named August (Ben Whishaw) is asked to join them to record the minutes because the women are illiterate.  The themes are incredibly compelling, especially the notion of forgiveness.  There is a phenomenal scene during which Greta realizes that her teachings may have encouraged the violence against her daughters and granddaughters because forgiveness can sometimes be misconstrued as permission.  The performances are outstanding because my attention never wavered from the dialogue-heavy narrative.  Foy and Buckley have the showier roles, portraying fiery women who eventually have their opinions challenged, but Mara gives a beautiful performance as a woman trying to reconcile their decision with their faith.  I have heard many complaints about the color grading but, in my opinion, the gray tones reflect the despair the women have been living with and serve to keep the time and place ambiguous.  Finally, I loved the score by Hildur Gudnadottir because it is tense during the flashbacks that hint at the violence but haunting during scenes showing the children the women are fighting to protect at play.  I was very moved by this sensitive depiction of a heavy subject and I highly recommend it.

Ain't Too Proud at the Eccles

Last night I had the chance to see Ain't Too Proud at the Eccles Theatre and it was so good!  It is a jukebox musical about The Temptations and it reminded me a lot of Jersey Boys (a musical I love).  It obviously features all of the wonderful music by the group (and others) but I also really enjoyed the story because I didn't know a lot about The Temptations.  After Otis Williams (Michael Andreaus) has a brush with the law, he decides to form a music group so he can rise above the streets of Detroit and never lose his freedom again.  He recruits Al Bryant (Devin Price), Melvin Franklin (Harrell Holmes, Jr.), Eddie Kendricks (Jalen Harris), and Paul Williams (E. Clayton Cornelious).  Bryant is soon replaced by David Ruffin (Elijah Ahmad Lewis) and they are signed by Berry Gordy (Jeremy Kelsey) to Motown Records where they begin working with Smokey Robinson (Omar Madden) as a songwriter and producer.  The show features the creation of their biggest hits, their rivalry with The Supremes (Amber Mariah Talley, Shayla Brielle G, and Traci Elaine Lee) at Motown, and how personal conflicts and tragedies as well as racial tensions in the United States threaten to tear them apart.  The entire cast is unbelievably talented because the singing and dancing in this show is absolutely brilliant!  I especially loved Lewis because, just like David Ruffin does in The Temptations, he often steals the spotlight and dazzles with his vocal performance!  Andreaus is also outstanding because he narrates the show from beginning to end and provides many of the emotional beats.  I really enjoyed the staging of the songs, especially when they would seamlessly transition from city to city while performing a song on tour through choreography and the changing of the marquee above them.  I also enjoyed the recreation of their performance of "Ain't Too Proud to Beg" on American Bandstand because the cameras become part of the choreography.  My favorite numbers were "My Girl" and "Get Ready" (I may or may not have been singing along) but I also liked how many of the songs mirror what is happening in the story such as "If You Don't Know Me By Now" when Josephine (Quiana Onrae'l Holmes) leaves Otis, "I Wish It Would Rain" when Martin Luther King is assassinated, "Ball of Confusion (That's What The World is Today)" when the group wants to record more politically charged music, "Superstar (Remember How You Got Where You Are)" when Ruffin and Kendricks insist on joining the group for a reunion tour, "Papa Was A Rollin' Stone" when personal tragedies befall the group members, and "What Becomes Of The Brokenhearted" when Otis Williams is the last original member left.  I didn't really know what to expect from this show but I enjoyed everything about the production and I highly recommend getting a ticket for one of the remaining performances (go here) at the Eccles.

EO

When my nephew and I were at the Broadway for Babylon, we saw the trailer for EO and he was fascinated by it.  He asked me if I would take him to see it so we went last night and, while he thought it was incredibly thought-provoking (we discussed it the whole drive home), I found it to be one of the most heartbreaking films I've ever seen.  EO, a small gray donkey with expressive brown eyes, is a circus performer in Poland and is lovingly cared for by his handler Kasandra (Sandra Drzymalska).  When an animal rights organization protests outside the circus, EO and the other animals are removed and thus begins an odyssey throughout Europe where EO experiences both kindness and cruelty from the people he encounters.  One of the most amusing sequences turns into one of the hardest to watch when EO inadvertently becomes the mascot of a soccer team when he distracts an opposing player kicking a penalty shot but is then viciously beaten by fans of the losing team.  There are so many ideas presented but the ones that resonated the most with me are the ways in which humans have disrupted the natural environment with technology so animals no longer have a habitat (birds are killed by wind turbines and foxes are shot in the forest by hunters using laser sights) and the ways in which humans exploit animals (using them as beasts of burden or for sport) and view them as disposable (herding them off to slaughter).  The imagery is incredibly striking, particularly the use of red which evokes very strong emotions, and the editing and sound design are disorienting but effective at portraying EO's place in the world.  I found this to be both incredibly beautiful and profoundly upsetting (the ending made me cry) but I recommend it.

Note:  I asked my nephew what drew him to this movie and he told me that he prefers creative storytelling.  I have turned him into a cinephile and I couldn't be prouder!

Corsage

I became fascinated with Empress Elisabeth when I visited the Sisi Museum in the Hofburg Palace on a trip to Austria so I have been looking forward to Corsage for months.  I finally had the chance to see it last night at the Broadway and I absolutely loved it!  I loved everything about it!  The narrative follows a year in the life of Empress Elisabeth (Vicky Krieps) beginning with her 40th birthday.  She is wild and restless but is constrained by her husband Emperor Franz Joseph (Florian Teichtmeister), who refuses to give her a voice in politics, her children Rudolf (Aaron Friesz) and Valerie (Rosa Hajjaj), who implore her to behave in a more dignified manner, her duties, which she finds tedious, and her image, which is becoming harder and harder to maintain.  She is also literally constrained by corsets (the title Corsage is in reference to the German word for corset) as her ladies-in-waiting pull the laces tighter and tighter.  She attempts to rebel by fleeing the palace every chance she gets, spending hours riding and fencing (which are considered unseemly for a woman), flirting with her riding instructor (Colin Morgan) and her cousin King Ludwig II (Manuel Rubey), finding ways to avoid her duties (there is a hilarious scene where she fakes a swoon), and, finally, cutting her hair because it takes hours to braid every day.  She finds a kind of freedom in the final scene, which is fictionalized (as is much of the narrative) but incredibly powerful.  Krieps is absolutely brilliant in the role because her performance never becomes a caricature and she embodies so many emotions even when she is completely still.  I loved the use of anachronistic details, such as contemporary music (I especially enjoyed the cover of "Help Me Make It Through The Night"), because they suggest that Elisabeth is ahead of her time and I loved the opulent interiors inside buildings that look to be crumbling and abandoned because Elisabeth is trapped in a society that is soon coming to an end.  This is very atmospheric and episodic so it might not be for everyone but I was mesmerized and I highly recommend it!

Note:  I also recommend The Empress on Netflix which has just been renewed for a second season.

The Marvelous Wonderettes at the Terrace Plaza Playhouse

My first live theatre production of 2023 was The Marvelous Wonderettes at the Terrace Plaza Playhouse last night. It is a really fun jukebox musical featuring songs from the 1950s and 60s and I thoroughly enjoyed it. The Springfield High School Class of 1958 is having their senior prom but the leader of the boys glee club originally scheduled to perform was suspended for smoking so the songleaders, known as the Marvelous Wonderettes, are asked to provide the entertainment at the last minute. In between the musical numbers, Betty Jean (Emily Richards), Cindy Lou (Jessica Andrus), Missy (Jenni Cooper), and Suzy (Katie Swainston) engage in witty banter about the rivalries within the group and their boy troubles as well as vie with each other to become prom queen (the audience gets to vote using a ballot distributed before the show). After the intermission, the Class of 1958 has their ten year reunion at Springfield High School and the Marvelous Wonderettes are, once again, asked to perform. They each have a chance to catch their classmates (the audience) up on what has been happening in their lives during the past ten years. The best part of this show is the amazing music (I grew up listening to all of these songs) and my favorites were "Mr. Sandman," "Lollipop," "All I Have To Do Is Dream," "Dream Lover," "Stupid Cupid," "Hold Me, Thrill Me, Kiss Me," "You Don't Own Me," "It's In His Kiss," "I Only Want to Be With You," "It's My Party," "Son of a Preacher Man," "Leader of the Pack," "Rescue Me," and "Respect."  Richards, Andrus, Cooper, and Swainston have great four-part harmony and sound fantastic but they also do a good job with the choreography and the physical comedy. My favorite was Cooper (I voted for Missy to be prom queen) because her facial expressions are hilarious, especially when she confesses her crush on one of their teachers (Mr. Lee is played by someone picked out of the audience each night and our Mr. Lee got really into the choreography). The costumes are a lot of fun (each character has her own color) with elaborate tea length prom dresses made of tulle in the first act and sheath dresses and go-go boots in the second. The stage has been transformed into a high school gym decorated for the prom, complete with crepe paper streamers, posters advertising the candidates for prom queen (the posters correspond with each character's color), tables full of punch and cookies, and a bandstand with shimmering door curtains and standing microphones. The Terrace Plaza Playhouse is sometimes hit or miss with me but I feel like they really shine with smaller productions and this one is outstanding.  It is a delightful way to spend an evening and I highly recommend it (go here for tickets).

M3GAN

Last night I took my nephew to see M3GAN.  We were both really looking forward to this and we had a ball with it!  After her sister and brother-in-law are killed in a car crash, Gemma (Allison Williams), a roboticist with a major toy company, becomes the guardian of her niece Cady (Violet McGraw).  She is ill-equipped to care for her niece, who is suffering from the loss of her parents, so she resumes working on a lifelike doll with artificial intelligence capable of learning and adapting (Model 3 Generative Android or M3GAN) with the hope that it will become a companion for Cady as well as help her cope with parenting duties.  When M3GAN (acted by Amie Donald and voiced by Jenna Davis) bonds with Cady in a demonstration, Gemma's boss (Ronny Chieng) believes it will be incredibly profitable for the company but Gemma becomes concerned when M3GAN takes her directive to protect Cady too far.  This is not particularly scary or gruesome and the premise is one we have seen many times before but it almost doesn't matter because M3GAN is such an amusingly diabolical character.  We saw this with a really large crowd and there were many times when everyone laughed out loud (the biggest laugh came when M3GAN sings "Titanium" as a lullaby to Cady).  In addition to the camp, there are also some incredibly poignant scenes about the nature of grief (Williams and McGraw are outstanding in several of these moments) and it is definitely a cautionary tale about our over-reliance on technology, especially when technology is used by parents as a substitute for spending time with children.  This will probably not feature on any top-ten list for the year but it is wildly entertaining and both Sean and I had so much fun watching it!

Note:  The marketing for this movie has been brilliant with life-size M3GAN dolls showing up everywhere performing that viral dance sequence!

Elgar's Enigma Variations

Last night I went to my first Utah Symphony concert of 2023 and it was certainly a good one!  The concert began with a contemporary number called Near Midnight by Helen Grime and, according to the composer, it is a moody and atmospheric piece about the reflection and introspection that occurs when when one day moves into the next.  I really liked the chimes used throughout to represent the tolling of the hour.  The orchestra continued with Scottish Fantasy by Max Bruch with Concertmaster Madeline Adkins as soloist.  This piece was inspired by several different Scottish folk songs and, as someone with Scottish heritage, I loved it!  I was especially moved by the first movement, which is based on the song "Auld Robb Morris," because it is quite mournful and features a duet between the solo violin and the harp (performed brilliantly by Louise Vickerman who is Scottish).  I also liked the second movement, which is based on the song "Dusty Miller," because it is very lively and I could picture people dancing.  I am always impressed by Adkins (I met her very briefly at a Utah Symphony after party and she was really cool) and it was fun to watch her because her performance was so passionate (I also enjoyed watching Vickerman).  After the intermission, the orchestra concluded with the Enigma Variations by Edward Elgar which is such an amazing piece.  It came about, as the story goes, when Elgar sat at the piano after a long day and began to play a theme that he made up on the spot.  His wife really liked it and asked him to play it again.  He then began playing it again and again as different sketches representing some of their friends and he had her guess who each one was.  It was really fun to listen for the central theme in each variation and, like most people, my favorite one is "Nimrod," which is based on Elgar's friend August Jaeger, because it is incredibly somber and evocative, but very beautiful (it was played at Princess Diana's funeral), and the timpani rolls get me every time!  I love hearing Christmas music but it felt really good to be back at Abravanel Hall for a Masterworks concert!  I highly recommend getting a ticket (go here) for the same program tonight!

A Man Called Otto

I really enjoyed the Swedish film A Man Called Ove so I have been looking forward to the remake, A Man Called Otto, starring Tom Hanks ever since I heard about it.  I had the chance to see it last night and, much like the original, I found it to be very touching.  Otto Anderson (Hanks) is a curmudgeonly old man who, as the former chairman of the neighborhood association, takes great pains to see that the rules are followed to the letter which sometimes puts him at odds with his neighbors.  He is also despondent over the death of his wife Sonya six months earlier (the younger version of Otto shown in flashbacks is played by Hanks' son Truman) and wants to join her but his half-hearted attempts at suicide always go awry.  A stray cat, a young pregnant woman (Mariana Trevino) who moves in across the street with her family, a transgender teenager (Mack Baydan) who takes refuge with him after he is kicked out by his father, and the former friend (Peter Lawson Jones) who staged a coup to remove him as head of the association all help him find the joy in living once again.  This is incredibly predictable and a bit manipulative (and probably didn't need to be made since it follows the original beat for beat) but I would be lying if I said I didn't enjoy it because it is just so heart-warming.  I think Hanks is incredibly appealing (even when he is grouchy) and he does a great job with Otto's transformation.  I also really enjoyed Trevino's charismatic performance and I loved it whenever Marisol goes toe-to-toe with Otto because she has great chemistry with Hanks.  There are some really dark themes but there is also quite a bit of humor and my audience laughed out loud many times.  This is an old-fashioned crowd-pleaser that almost everyone is sure to enjoy and I highly recommend it!

Note:  My favorite scene in A Man Called Ove is when Ove and his friend Rune have a falling out over Volvos vs. Saabs.  I'm glad that this was kept and that Otto and Reuben clash over Fords vs. Chevrolets (I laughed out loud during this moment).

The Pale Blue Eye

My first movie of 2023 was The Pale Blue Eye which I saw at the Broadway last night.  This moody and atmospheric murder mystery was actually the perfect movie to see on a gloomy and snowy winter evening.  World-weary detective Augustus Landor (Christian Bale) is summoned to West Point, the U.S. Military Academy, in secret to solve the grisly murder of a cadet before bad publicity can shut the fledgling institution down in 1830.  He is approached by another cadet named Edgar Allan Poe (Harry Melling), who has some ideas about the case, and the two eventually work together.   They begin to suspect that the occult is involved until Poe discovers the truth in a shocking twist.  Bale is as compelling as always and the rest of the cast, which includes Gillian Anderson, Lucy Boynton, Charlotte Gainsbourg, Toby Jones, Simon McBurney, Timothy Spall, and Robert Duvall, is outstanding but Melling gives an absolutely brilliant performance as the young (and somewhat fictionalized) Poe. The bleak setting, the middle of winter in the Hudson valley, and the ominous tone really emphasize the brutality of the crime and I loved the cinematography, especially the overhead shots of snow-covered trees during the search for another missing cadet, the period costumes, and the haunting score.  I also enjoyed the Gothic horror elements (I literally jumped out of my seat when a character walks down a foggy path in the middle of the night with just a lantern for illumination) but I think the story falls apart in the third act when this genre is abandoned in favor of a more mundane ending.  Despite my disappointment with the resolution, I definitely think it is worth a watch when it starts streaming on Netflix this weekend.

2022: Year In Review

This year has had its share of difficult moments but I am finally back to feeling like myself again and the good definitely outweighed the bad.  Among other things I have had so much fun going on camping and road trips and seeing a lot of amazing theatre productions!  Here are some of the highlights!

Hamilton at the Eccles

Anastasia at the Eccles

Jazz Game With Angela

Spring Camping Trip

Jesus Christ Superstar at the Eccles

My Mom's Visitation

Zion National Park

Bryce Canyon National Park

Memorial Day Weekend

Utah Shakespeare Festival

Hadestown at the Eccles

Alice in Chains at USANA

To Kill a Mockingbird at the Eccles

The Lion King at the Eccles

Fall Camping Trip

Corn Maze with Tashena

New Car

Road trips to Las Vegas to see Jagged Little Pill, SIX, and Hamilton at the Smith Center

Harry Potter and the Deathly Hallows Part 1 in Concert

Moulin Rouge at the Eccles

I hope everyone has a prosperous and healthy new year!  For once I am really looking forward to the new year (I already have three road trips planned) instead of feeling relieved that the old one is over!

Favorite Movies of 2022

This year I was able to see 121 new releases in the theater and, as in year's past, I thought it would be fun to compile a list of my top ten favorites.  My ranking is not based on the critical response or on box office receipts but, rather, on how much I enjoyed each movie so it is an interesting mix of blockbusters and indie darlings!  (Click on the title to read my original review).

10.  The Banshees of Inisherin

I enjoyed this movie about the end of a long-standing friendship so much more than I was expecting!  The goings-on descend into the absurd at times and there are some genuinely hilarious moments but this has some thought-provoking things to say about depression, isolation, loneliness, mortality, and the desire for a legacy and I think McDonagh strikes the perfect balance between the comedy and the tragedy.  Both Colin Farrell and Brendan Gleeson deliver incredible performances and Kerry Condon and Barry Keoghan are also superb.  The cinematography is simply breathtaking and I loved the haunting score.

9.  Aftersun

This is the most quietly devastating movie I've seen in a long time but I loved the complex relationship between a father living with regret and a daughter just starting to live.  Writer/ Director Charlotte Wells employs hazy cinematography and an episodic structure to convey the fragmented nature of childhood memories and the ambiguity of the final shot is more heartbreaking than something more explicit would have been.  Both Paul Mescal and Frankie Corio, in her debut, give incredibly moving performances and I was absolutely gutted by the end.

8.  Decision to Leave

This neo-thriller about mutual obsession is complex but ultimately very compelling.  What I enjoyed most is how Park Chan-wook plays with perception by having images come into and go out of focus and by using clever editing and innovative camera work.  This is a straightforward police procedural but these stylistic choices, as well as multiple subplots, keep the audience guessing until the haunting conclusion.  Tang Wei gives an enigmatic performance worthy of Hitchcock's best femme fatales and the chemistry between her and Park Hae-il is smoldering.  The overhead shots of mountain peaks and crashing waves are beautiful and the woodwind heavy score is incredibly evocative in this atmospheric mystery.

7.  Triangle of Sadness

I laughed out loud during the entirety of this social satire that takes aim at the vacuous and shallow idle rich!  I loved how class divisions are dismantled in an absurdly amusing way (a scene involving just about every bodily fluid imaginable) and I really appreciated the message that people should not be judged solely on their wealth or looks but rather their knowledge, abilities, and experience and that it pays to treat the people who serve you with kindness and respect.  The cast is fantastic but Dolly DeLeon gives a standout performance in the third act and I am still thinking about her character's actions in the final scene!

6.  The Northman

This is a very simple revenge story but the references to Norse mythology and symbolism are what make it so interesting and compelling.  The images on the screen are stunning and feature the usual atmospheric world-building that Robert Eggers is known for.  The medieval warfare is visceral and unrelenting and I also loved the sound design and the heart-pounding score.  Alexander Skarsgard is an absolute beast but I also found Nicole Kidman's performance to be fascinating and Anya Taylor-Joy is luminous.  It is brutal, bloody, and brilliant and, while it may not be for everyone, I loved it!

5.  TÁR

This cautionary tale about a brilliant conductor's fall from grace is incredibly compelling and thought-provoking.  Cate Blanchett gives an unbelievably powerful performance because her character is very unsympathetic and yet you somehow begin to feel sympathy for her.  Every scene is fraught with meaning (the significance of which is not always immediately apparent but is eventually revealed) and I loved the ambiguity of the narrative because the audience is never really sure if she is guilty of what she has been accused.  It is an interesting commentary on cancel culture and I haven't been able to stop thinking about it or the discussion of whether artists should be judged by their work or their behavior.

4.  The Batman

I really loved the darker tone of this movie because it feels more like a classic noir thriller rather than a stylized superhero action movie.  I also really loved Bruce Wayne's character arc as a man almost broken by the weight of living up to his parents' legacy to finally accepting their fallibility and Batman's journey from exacting vengeance to becoming a symbol of hope for Gotham City.  Robert Pattinson is brilliant in the role and I enjoyed the juxtaposition between his more explosive performance as Batman with his restraint as Bruce Wayne.  The action sequences are exciting and intense and the images on the screen are gorgeous (I loved the use of red).  Finally, the atmospheric score by Michael Giacchino is one of the best I've heard this year.

3.  Everything Everywhere All At Once

The narrative is chaotic, strange, fantastical, and sometimes even ridiculous but it tells an incredibly touching story about the weight of missed opportunities and the pressures of living up to expectations.  I laughed uproariously through most of it but I had a tear in my eye at the resolution.  The images on the screen are gorgeous and I loved the fact that each of the multiverses has its own unique visual style with brilliant cinematography and editing.  Michelle Yeoh gives an amazing performance that showcases her range (I was so impressed that she performed her own stunts) and both Ke Huy Quan and Stephanie Hsu are also outstanding.  I loved this quirky masterpiece!

2.  Avatar: The Way of Water

That this is an immersive spectacle with unparalleled visual effects is to be expected from James Cameron but I think it is so much more than that.  I really loved the emphasis on what it means to be an outsider, particularly the relationship between Lo'ak and Payakan, a cetacean who has been shunned by his species.  I also really loved the journey that Sully and Neytiri take as parents because they focus so much on protecting their children but ultimately end up being saved by them and the father-son relationship between Sully and Lo'ak is incredibly poignant.  Finally, the theme of respect for the environment is very powerful, particularly the scenes where the whalers hunt tulkuns merely for the sake of acquiring a valuable resource.  The action sequences in the third act kept me on the edge of my seat and I was very impressed by the emotional performances of Sam Worthington and Zoe Saldana.  Seeing this was a thrilling experience but it didn't quite live up to that of watching...

1.  Top Gun: Maverick

This is quite possibly the most exhilarating movie I have seen in a very long time!  The story is incredibly compelling and a lot more emotional than I was expecting.  It pays homage to the original, with a lot of fun callbacks that fans will instantly recognize, while paving the way for a new narrative with a new group of pilots who are easy to root for.  The action sequences are unbelievably thrilling and immersive (the audience is literally in the cockpit with the pilots thanks to all of the practical stunts) and the final dogfight in an F-14 Tomcat had me cheering out loud.  I loved Tom Cruise's performance and Maverick's character arc is a logical progression from the original movie because, even though he is still a bit cocky, he is more mature and feels his responsibility to his team of young pilots.  Val Kilmer's performance reduced me to tears and Miles Teller is outstanding.  I loved everything about this movie and I had a smile on my face during the whole runtime!

Honorable Mentions:  After Yang, The Woman King, Elvis, Bones and All, and White Noise.

Mannheim Steamroller Christmas at the Eccles

I have had a lot of fun seeing Christmas performances this holiday season!  I had one more last night featuring Mannheim Steamroller at the Eccles Theater and, as always, it was a wonderful show.  Mannheim Steamroller is known for incorporating authentic period instruments, such as harpsichords, lutes, and recorders, with synthesizers so their sound is a mash-up of Renaissance music and rock and roll and I love it.  They performed their arrangements of "Joy to the World," "Hark! The Herald Angels Sing," "Greensleeves," "Good King Wenceslas," "O Little Town of Bethlehem," and "Angels We Have Heard on High."  I really enjoyed "Catching Snowflakes on Your Tongue," which Chip Davis wrote as a lullaby for his three children, because the theme played by the recorder made me imagine a snowflake floating in the air.  I also enjoyed "Fairies" because it is a rock and roll version of "Dance of the Sugar Plum Fairy" from the Nutcracker Suite by Tchaikovsky.  They ended their first set with "Cantique de Noel (O Holy Night)" and this was the fifth time that I was able to hear my favorite Christmas song live.  It was an incredibly beautiful version!  After the intermission, they performed their well-known arrangements of "Deck the Halls," "We Three Kings," "Gagliarda," "Christmas Lullaby," "God Rest Ye Merry Gentlemen," and my favorite Mannheim Steamroller song, "Pat-A-Pan."  In addition to their Christmas music they also performed "Morning," which was written after the devastating fires in Yellowstone, and the songs "Come Home to the Sea" and "Dancing Flames."  They ended the concert with "Carol of the Bells," which is one of their best known songs.  For the encore, they performed "Stille Nacht, Heilige Nacht" and "Hallelujah," which is another favorite.  This concert was a great way to end the holiday season!  I almost didn't get a ticket because I've seen them so many times but I'm glad I changed my mind!  There is a matinee and evening show today and I highly recommend getting a ticket (go here) for one last dose of holiday cheer!

Christmas 2022

Last year Christmas was a blur.  My sisters and I had just lost our father and we were the sole caregivers for our mother who was deteriorating rapidly from dementia.  We opened the few presents we were able to buy and ordered dinner from Olive Garden for the sake of Sean and Tashena but our hearts were not in it.

This year things were much different!  We miss our parents but we know that they would be so happy that we have spent so much time together this holiday season.  Christmas Eve we played cards and ate way too many treats and then we had a lot of fun opening presents Christmas morning.  I got a few movies, another Colorado Avalanche jersey, and some new snowshoes (I am very excited about this because I wore my old pair out and have missed my excursions).

We had a wonderful dinner consisting of Trent's famous spare ribs, potato casserole, stuffing, asparagus, rolls, vegetables and dip, pomegranate salad, and pie for dessert.  In the evening we played Shanghai rummy and it descended into madness (but was so much fun).  I have really enjoyed this holiday season and I am looking forward to spending more time relaxing with my family this week!

Babylon

Yesterday Sean and I went to the Broadway to see Babylon and it was certainly entertaining!  Manuel "Manny" Torres (Diego Calva), an aspiring filmmaker working various jobs on the periphery of the silent film industry during the Roaring Twenties, observes the rise and fall of several people, including the oft-divorced matinee idol Jack Conrad (Brad Pitt), the self-destructive starlet Nellie LaRoy (Margot Robbie), the gossip columnist Elinor St. John (Jean Smart), the Jazz musician Sidney Palmer (Jovan Adepo), and the exotic cabaret singer Lady Fay Zhu (Li Jun Li), during the transition to "talkies."  When Manny returns to Hollywood years later and watches a screening of Singin' in the Rain (there are so many fun references to this movie), he is reminded of his past and realizes that he and everyone else making movies during the silent era had an impact.  Even though some of them go on much longer than they need to, I really loved all of the chaotic energy in the scenes showing the decadence and debauchery of the time (it was, however, a bit embarrassing to watch some of these scenes with my nephew).  There are also some absolutely brilliant sequences, such as the filming of an elaborate action shot involving hundreds of extras on location as well as a director trying to get the sound just right in take after take, and a profound monologue delivered by Smart about the fleeting nature but lasting legacy of fame.  Pitt gives one of the best performances of his career, Robbie is absolutely dazzling, Tobey Maguire is unsettling as a gangster, and Calva is definitely a compelling presence.  The images on the screen are alternately gorgeous and grotesque (an elephant defecating and some projectile vomiting) but never boring and the score by Justin Hurwitz is fantastic.  It is too long and the subject matter will not be for everyone but I enjoyed it (so did Sean) and recommend it to cinephiles.

The Nightmare Before Christmas in Concert

Last night I got to see the movie The Nightmare Before Christmas while the Utah Symphony played the score by Danny Elfman live and it was so much fun!  I usually think of this as a Halloween movie (it is one of my favorites and I watch it at Halloween every year) but it also works really well for Christmas and this concert was a great way to start the holiday weekend!  Jack Skellington, the Pumpkin King and leader of Halloween Town, is getting bored with scaring everyone with the same old tricks every year so, when he accidentally discovers Christmas Town while wandering through the woods, he decides that Christmas is a more appealing holiday and that he should take it over this year.  He has the best trick-or-treaters in Halloween Town, Lock, Shock, and Barrel, kidnap Santa Claus, assigns the rest of the residents the job of making toys, which are terrifying, and delivers them with a disastrous result.  Will Santa Claus be able to escape from the Oogie Boogie and save Christmas in time?  Only Tim Burton could dream up such a macabre, yet strangely enchanting, world filled with quirky characters brought to life with brilliant stop-motion animation.  The sold-out crowd at Abravanel Hall was in a really festive mood and there were cheers and applause when each character first appeared on the screen (the Mayor of Halloween Town got the loudest applause), when Jack first visits Christmas Town, when Sally escapes from Dr. Finkelstein, and when Jack rescues Santa and Sally from Oogie!  Hearing the Utah Symphony play Danny Elfman's iconic score was such an immersive experience!  I especially enjoyed the chimes in "This is Halloween" (the people around me sang this song out loud), the themes played by the brass in "What's This?" and "Kidnap the Sandy Claws," the themes played by the woodwinds in "Making Christmas" and "Oogie Boogie's Song," and the plaintive melody played by the strings in "Sally's Song."  I thoroughly enjoyed all of it!  I don't think I will ever tire of Utah Symphony's Films in Concert series because attending these performances has become one of my favorite things to do!  The next Film in Concert will be An American in Paris (go here for tickets) and I can't wait!

The Whale

There are a few movies left to catch up on before I make my end of year list of favorites so I went to see The Whale at the Broadway last night and, while I was very impressed with Brendan Fraser's performance, I did not like it at all.  Charlie (Fraser) is a morbidly obese and reclusive English professor who teaches writing courses online without enabling the camera on his computer.  When he has a health scare involving his heart he finds solace in reading a student's essay on the novel Moby Dick by Herman Melville and draws a comparison between himself and the whale.  His caregiver Liz (Hong Chau) fears that he is in congestive heart failure and that he doesn't have long to live but he refuses to go to the hospital.  Knowing that he could die at any moment, he attempts a reconciliation with his estranged teenage daughter Ellie (Sadie Sink) who is angry and bitter over his abandonment of her and her mother Mary (Samantha Morton) nine years earlier to have a relationship with one of his male students.  Ellie lashes out at her father but, despite her cruelty, he only sees the good in her.  This is reinforced by a sub-plot involving Ellie's relationship with an evangelical missionary named Thomas (Ty Simkins) because her betrayal ends well for him.  Many have had a very positive reaction to this movie but it was extremely difficult for me to watch because I found Aronofsky's portrayal of Charlie to be steeped in humiliation rather than empathy.  It is almost voyeuristic because every scene involving Charlie's body seems designed to shock the audience (particularly the scene where we actually see him for the first because he is awkwardly masturbating to gay pornography).  It was also upsetting to me that, with the possible exception of Liz, every character responds to him with disgust (even the pizza delivery boy with whom he has had a sort of friendship until he sees him).  Finally, Fraser does what he can with the material (his eyes and voice are incredibly expressive) but, ultimately, Charlie is a static character because everyone reacts to him instead of interacting with him and it is their redemption that he seeks rather than his own.  The symbolism is excessive, most of the performances are overwrought (I am definitely in the minority but I disliked Sink's performance because there is no nuance at all), the score is manipulative, and the one location (Charlie's dark and dingy apartment) makes this feel like a showy stage performance.  Not only do I not recommend this, I regret seeing it myself.

The Circus Train

My December Book of the Month selection was The Circus Train by Amita Parikh (the other options were Kiss Her Once for Me by Alison Cochrun, Babel by R. F. Kuang, All the Dangerous Things by Stacy Willingham, and The Light Pirate by Lily Brooks-Dalton). I am a huge fan of historical fiction, especially fiction set during World War II, so I enjoyed this. After his wife dies in childbirth and his infant daughter Lena suffers from a bout with polio which leaves her paralyzed and confined to a wheelchair, Theo Papadopoulos takes a job as an illusionist with a magnificent traveling circus. The World of Wonders travels all through Europe in a luxury steam engine with many opportunities for the intelligent and ambitious Lena, but Theo is strict and overprotective because he fears for her safety. When Alexandre, a young orphan boy with a mysterious past, is found hiding on the train Lena feels like she has found her first friend and soon they are inseparable. However, as Europe is plunged into a war, Alexandre and Theo are arrested and become separated from Lena. She is forced to fend for herself for the first time in her life and discovers that she is stronger than she ever imagined she could be. I really loved the character of Lena because she is so strong and resilient. Not only must she overcome her own disability, but she must survive the atrocities of World War II and, when the war is over, she must defy the limitations placed on women to become a doctor and, ultimately, forgive the two people she loves most for their betrayal in order to find happiness. I love it whenever a woman, a disabled woman no less, is able to achieve something that society says she cannot do! I also really enjoyed the romance between Lena and Alexandre because I am a sucker for star-crossed lovers and I like the fact that they are both outsiders who find strength in each other (although I found the resolution to their love story to be rather convenient and a bit rushed). I was very impressed by the descriptions of life in the Theresienstadt Ghetto during the war and I could definitely tell that this aspect of the novel was meticulously researched. I was a bit disappointed that the same care was not given to the circus setting because I had a difficult time visualizing what the various compartments on the train looked like (I especially wanted to know what the giant maze created for Lena looked like and how it fit inside of the train) or how the illusions were performed (particularly the escape from the water tank because it plays such a pivotal role). I've seen this compared to The Night Circus by Erin Morgenstern and Water for Elephants by Sara Gruen multiple times but I think the circus setting is the weakest element in the plot and it does not play any real role in the narrative once the war begins. I loved this novel as a historical coming-of-age story with elements of romance and I definitely recommend it as such rather than the circus story it is being marketed as.