The Addams Family at HCT

Last night I got to see the musical The Addams Family on the Jewel Box Stage at Hale Centre Theatre.  I've seen this show several times before and it is a lot of fun so I have been anticipating it for quite a while. A nearly perfect cast and some amusing little additions make this one of the best productions of this particular show that I have seen.  The Addams family is not like other families because they are all obsessed with the macabre and rely on their dead ancestors to help them through life.  Things start to go wrong when Wednesday (MaKenna Tinney) falls in love with Lucas Beineke (Nathaneal Abbott), a normal Midwestern boy. She wants to introduce his uptight parents, Mal (Shawn Lynn) and Alice (Carolyn Hartvigsen), to her family which includes her father Gomez (Josh Richardson), her mother Morticia (Erin Royall Carlson), her brother Pugsley (Blake Walker), her uncle Fester (Jeff Thompson), her Grandma (Jayne Luke), and their manservant Lurch (Michael Von Forrell). She arranges a dinner and begs her family for just one normal night.  Of course, chaos ensues when a mishap involving a poisonous potion occurs and it is up to Uncle Fester, with the help of the ancestors, to convince everyone that love is the answer. The plot is quite silly but the message about the importance of families is very appealing. The songs in this show are not especially memorable but the cast is so outstanding that they made them very enjoyable, particularly "Just Around the Corner," "The Moon and Me" (a highlight), and "Tango de Amor."  The choreography is outstanding and I especially enjoyed all of the big song and dance numbers involving the ancestors (a Conquistador, Caesar, Cleopatra, Marie Antoinette, a Pirate, General Custer, Joan of Arc, and a Titanic passenger). The set is fantastic and features an ornate spiral staircase, a Medieval torture chamber, bedrooms with velvet draped canopy beds (Pugsley's bed is made out of a guillotine), and an imposing iron gate. The costumes are also quite spectacular, especially Morticia's slinky gowns and Gomez's elaborate smoking jackets. The entire cast is strong but Richardson and Carlson are absolutely perfect as Gomez and Morticia.  I laughed and laughed at just about everything they said and did!  Speaking of laughter, if you see this show pay very close attention to the antics of Lurch and Thing (Eden Tinney) because they provide many laugh out loud moments of physical comedy that are often hidden in the background.  The Addams Family is a lot of fun and I highly recommend it but act quickly (go here for tickets) because shows are selling out at a record pace.

Rodgers & Hammerstein's Cinderella at HCT

I am not a big fan of the Rodgers & Hammerstein version of Cinderella (I much prefer the Disney version) but I was actually looking forward to HCT's production because I knew the sets and costumes would be amazing. I saw the show last night and I was definitely not disappointed. In fact, I was absolutely enchanted by this magical production! The updated version of the story turns Cinderella (Shae Robins) into a social reformer who must rescue Prince Topher (Preston Taylor) from the evil Lord Protector Sebastian (B. J. Whimpey) who is deceiving him about the conditions in his kingdom. Her Fairy Godmother (Michelle Blake) tells her that she has the power to make her own dreams come true and her stepsisters Gabrielle (Rachel Bigler) and Charlotte (Kristi Curtis) eventually become sympathetic conspirators. I understand that this update is to make the story more appealing to a modern audience but when I saw the Broadway touring production a few years ago I yearned for the classic fairy tale. I missed the romance and the magic. However, director Dave Tinney managed to infuse the magic back into the contemporary story for a show that is a must-see! First of all, this is one of the strongest casts that I have ever seen at Hale Theatre! I was especially impressed with Robins as Cinderella and Blake as the Fairy Godmother. Since this is the Rodgers & Hammerstein version, the songs require an impressive range and these actresses are absolutely brilliant, especially in the songs "In My Own Little Corner," "Impossible," "Glass Slipper/ It's Possible," and "There Is Music In You." The choreography is dazzling and I particularly liked the staging of "A Prince Is Giving A Ball/ Now Is The Time" because it involves multiple levels and props and "Ten Minutes Ago" because the dance between Cinderella and her prince is so romantic. The sets are absolutely gorgeous, with elements coming up from the pit, down from the rafters, and in from the wings. I think my favorites are the wisteria covered gazebo used in the wedding scene and the palace steps at the stroke of midnight. The costumes are amazing. Of course Cinderella's ball gown is every little girl's dream come true but all of the ball gowns are sparkling and the Fairy Godmother's dress is also beautiful. Finally, the special effects are incredible! I was completely immersed in this production and I almost believed that the transformation scene involved actual magic! There are LED lights all around the theatre that are programmed to blink on and off whenever the Fairy Godfather waves her magic wand and the effect is spectacular!  I was literally giggling out loud and the little girl sitting near me squealed with delight! The transformation of the fox and raccoon into the coachman and footman is so clever and that of the pumpkin into a coach is so much fun (the coach is spectacular). Cinderella's change into her ball gown happened so quickly I couldn't believe what I was seeing! It is simply one of the best productions I've seen at Hale Theatre and I highly recommend it, especially for children who will be captivated by what they are seeing (even if the story is different from what they are used to). Cinderella runs on the Main Stage until September 7 and tickets may be purchased here (but you better get them before the clock strikes twelve).

Note:  Don't forget Freaky Friday which is on the Jewel Box Stage until August 24.

Freaky Friday at HCT

Last night I had the chance to see the new Disney musical Freaky Friday at Hale Centre Theatre and I enjoyed it so much more than I thought I would. I'm not a big fan of turning a popular movie into a stage musical but this production has a lot going for it. Those who have seen the 1976 movie with Jodie Foster and Barbara Harris or the 2003 version with Lindsay Lohan and Jamie Lee Curtis know the basic story about a mother and daughter who don't understand each other and accidentally switch bodies for a day. In this iteration Katherine Blake (Korianne Orton Johnson) is a single mother who owns her own catering business. She is incredibly stressed out because she is catering her own wedding to Mike (Neal C. Johnson), which she hopes will be featured in a popular bridal magazine, and she wants everything to be perfect. Her moody and argumentative daughter Ellie (Bailee Johnson) doesn't want her to marry Mike and definitely doesn't want to attend the rehearsal dinner. She would rather participate in the school scavenger hunt organized by her crush, Adam (Zack Elzey). Both Katherine and Ellie wish that the other could see the situation from her perspective and this wish (and a magic hourglass) causes them to switch bodies. Chaos ensues as Katherine tries to navigate high school while Ellie deals with wedding preparations and a photo shoot. They must learn to appreciate each other before things can return to normal. As with many musical adaptations from movies, I found most of the songs to be contrived and largely forgettable (with the exception of "Just One Day," "Somebody Has To Take The Blame," and "I'm Not Myself Today"). However, what elevated this show for me was the talented cast, the choreography, and the set design.  Korianne Orton Johnson and Bailee Johnson have wonderful voices and great comedic timing, especially when imitating each other. They both give very heartfelt performances. I also really enjoyed the ensemble because they bring a lot of energy to the big song and dance numbers. I absolutely loved Cory Stephens' fun and innovative choreography, especially in "Watch Your Back" which involves a high school gym class (the climbing rope sequence is amazing) and "Oh, Biology" which features moving lab tables. The fabulous set by Jean Stapely Taylor consists of bright and colorful multi-level towers which are easily transformed into various settings, from kitchen appliances to high school lockers. This show is definitely a lot of fun and teens are sure to enjoy it (the girls sitting behind me loved it).  It runs on the Jewel Box Stage in the Mountain America Performing Arts Center until Aug. 24 (go here for tickets).

Note:  Some of the wigs worn by supporting characters look really fake. It is a petty criticism but I kept noticing it and it distracted me from the action.

Matilda at HCT

Two years ago I had the opportunity to see the Broadway touring production of Matilda and, unfortunately, I didn't like it very much. I found it to be really dark and sinister and, frankly, I wondered why it was marketed as a show for children. When HCT announced their 2019 season, I was not especially thrilled that this show was part of the lineup but I went to see it last night. HCT's production turned me into a fan because I absolutely loved what they did with it! Matilda Wormwood (Lucy White) is a precocious five year old with a penchant for reading and telling stories and, sometimes, being just a little bit naughty. She is ignored by her mother (Amelia Rose Moore), an amateur Latin ballroom dancer, and father (Ryan Simmons), an unscrupulous used car salesman, and is terrorized by Miss Agatha Trunchbull (Aaron Ford), the tyrannical headmistress of her school and the former Olympic champion in hammer throwing. With the help of a sympathetic teacher named Miss Honey (Bre Welch) and a little bit of magic, Matilda triumphs over the neglectful adults in her life! What I loved about this production is that the tone is much more lighthearted than the Broadway original and the adults are portrayed more like over-the-top caricatures rather than villains, especially Miss Trunchbull. Even the sets and costumes have a lighter color palette and I especially loved all of the colorful balloons used throughout. One of the things I really enjoyed about the Broadway production was the use of typography and the HCT version incorporates this through very clever projections. The library and the school yard sets, which come down from the ceiling, are fantastic. The big song and dance numbers, particularly "School Song" performed in a chain-link cage in the school yard, "Loud" performed by Matilda's mother and her Latin ballroom dance partner Rudolpho (Jeremy Egan), "Smell of Rebellion" performed by the children during a physical education class, and "Revolting Children" performed by the children in the classroom, are a lot of fun and feature innovative choreography. My favorite number was "When I Grow Up" which featured the children on swings that seemed to be held aloft by bouquets of balloons. This song is so poignant and it brought a tear to my eye. White is absolutely enchanting in the lead role and all of the children are incredible performers but, in my opinion, Bridget Maxwell steals the show as Lavender! Welch has a beautiful voice but I sometimes think that she is miscast. However, she is perfect in the role of Miss Honey and gives one of the best performances I have seen from her. The scenes with White (who is her niece) are so tender. I was very pleasantly surprised by my reaction to this show and I highly recommend it (go here for tickets and information).  It runs on HCT's main stage through June 15.

Note:  Don't forget about the lovely production of Steel Magnolias which is currently being performed in HCT's Jewel Box Theatre through June 1.

Steel Magnolias at HCT

Before Steel Magnolias was a popular movie, it was a play written by Robert Harling as a way for him to deal with the death of his sister from complications resulting from diabetes. I loved the movie so I was really excited to see Hale Theatre's production of the play last night. I laughed out loud many times and I admit that I wiped a tear from my eye. The story is about the bond a group of women, including Truvy Jones (Michelle Linn Hall), Annelle Dupuy (Amy Ware), Clairee Belcher (Teri Cowan), M'Lynn Eatenton (DeLayne Bluth Dayton), Shelby Eatenton (Madison Ford), and Ouiser Boudreaux (Jayne Luke), share in a small town in Louisiana and how they cope with the death of one of their own. The action takes place over several years in Truvy's beauty shop where the women meet to discuss the triumphs and challenges of their lives. Through it all the women support each other saying that they might be as delicate as magnolia flowers but, when it comes to adversity, they are as tough as steel. All six of the actresses are superb and very well suited to their roles but my favorite was definitely Luke! Ouiser has some of the best dialogue in the show ("I'm not crazy! I've just been in a very bad mood for forty years.") and Luke's delivery is absolutely hilarious with lots of physical comedy. The characters are very well known and I associated them with the actresses who portrayed them in the movie so I was pleasantly surprised that each actress in this production was able to make the character her own. The set is a lot of fun with all of the accoutrements of a real beauty parlor and they actually work! Annelle literally washes and sets M'Lynn's hair during one scene. I loved all of the wacky seasonal decorations, made by Annelle after she discovers arts and crafts, to denote the different time periods. The 1980s period costumes are a hoot and I especially liked all of Shelby's outfits in different shades of pink (her signature color). The best thing about this show is the message that you can get through anything with the support of your friends! I really enjoyed this heart-warming production and I highly recommend it (especially if you are a fan of the movie). It runs at HCT through June 1 (go here for tickets and information).

An American in Paris at HCT

If you need a little joie de vivre in your life (and who doesn't in the middle of winter) then might I suggest attending An American in Paris at Hale Centre Theatre. It is a song and dance extravaganza set in Paris after World War II featuring the music of George and Ira Gershwin. 'S wonderful! 'S marvelous! Jerry Mulligan (Wesley Valdez) is an American soldier who decides to stay in Paris after the war to pursue his dream of becoming a painter. He sees Lise (Juliet Doherty), a Parisian shopgirl with aspirations of becoming a ballerina, on the street and begins to pursue her. They meet every afternoon along the Seine and inevitably fall in love but complications arise. Lise feels a duty to the Baurel family for hiding her from the Nazis and accepts a proposal of marriage from their son Henri (Taylor Morris). Jerry is indebted to his patron Milo Davenport (Ashley Gardner Carlson), a rich American heiress who promotes his art and falls in love with him. It takes several more dazzling dance sequences for Jerry and Lise to realize that they belong together! The choreography, which is used to tell the story, is simply amazing! I especially loved the big production numbers "I've Got Rhythm" in the middle of a Parisian cafe, "I've Got Beginner's Luck" in the Galleries Lafayette where Lise works, "Rhapsody Ballet" at a costume ball, and "Stairway to Paradise" at a Parisian nightclub. I loved how the choreography incorporates props such as umbrellas, benches, lampposts, and perfume counters into the numbers. The cast features incredibly talented dancers, especially the two leads. Doherty (who is single-cast) performs the demanding choreography, much of it on pointe, effortlessly and with so much passion while Valdez is charismatic and captivating to watch. I was so impressed with their performance in the final ballet because it requires a lot of stamina coming at the end of the show. I also really enjoyed Carlson's characterization of Milo as a formidable, yet vulnerable, woman and she provides quite a bit of comic relief with her delivery. The costumes are fantastic, especially Milo's elaborate gowns, the dramatic black and red costumes at the ball, and the sparkly showgirl costumes in "Stairway to Paradise."  The set is very clever and incorporates inventive choreography as pieces are moved on and off the stage. Who could ask for anything more? This production is a beautiful love letter to the City of Lights (my favorite city) and I highly recommend it. An American in Paris runs at HCT on the Main Stage through April 6 (go here for tickets).

Note:  Don't forget about the hilarious A Gentleman's Guide to Love and Murder which is currently being performed on the HCT Jewel Box Stage through March 16.

A Gentleman's Guide to Love and Murder at HCT

Several years ago I had the opportunity to see the Broadway touring production of A Gentleman's Guide to Love and Murder and I thought it was one of the funniest shows that I had ever seen! I was absolutely thrilled when I learned that it would be a part of HCT's 2019 season! I got to see it last night and I laughed and laughed! After the death of his mother, Monty Navarro (Jacob Squire) learns that she was once a member of the wealthy and aristocratic D'Ysquith family but was disinherited for marrying his father. He is really Montague D'Ysquith Navarro and he is in line to inherit the earldom. However, there are eight family members in line ahead of him! When his vain and heartless girlfriend Sibella (Erin Royall Carlson) marries the rich and handsome Lionel Holland, he decides to murder all eight family members ahead of him in the succession to become the earl and win her back. Standing in his way are the Reverend Lord Ezekiel D'Ysquith (who has an unfortunate fall from a cathedral tower), Asquith D'Ysquith, Jr. (who has a bizarre ice skating accident), Henry D'Ysquith (who is stung by his hive of bees), Lady Hyacinth D'Ysquith (who disappears in deepest darkest Africa), Major Lord Bartholomew D'Ysquith (who is decapitated while lifting weights), Lady Salome D'Ysquith Pumphrey (who is killed by a prop gun with real bullets during her debut in Hedda Gabbler), Lord Asquith D'Ysquith, Sr. (who is driven to a heart attack), and, finally, Lord Adalbert D'Ysquith, the Earl of Highhurst (who is poisoned). The entire D'Ysquith family is played by Dallyn Vail Bayles and he is absolutely brilliant! I was sitting on the front row in the Jewel Box Theatre so I had a great view of his facial expressions and they are hilarious! I laughed out loud many times at his antics! Every member of the D'Ysquith family has a distinct personality. I loved them all but my favorites are the eccentric Reverend Ezekiel (there was a bit of a mishap with his prosthetic teeth but it was so funny how he played it off), the flamboyant Henry, and the over the top Lady Hyacinth. Along the way Monty falls in love with Phoebe D'Ysquith (Lisa Zimmerman) and marries her to make Sibella jealous. Eventually, Monty becomes the Earl of Highhurst but he is arrested soon after for the murder of Lord Adalbert, the only D'Ysquith death for which he is not actually responsible! The charges are dismissed when both Phoebe and Sibella each give proof that the other one committed the murder! But Monty might not have long to live because Chauncey, another disinherited member of the D'Ysquith family, is lurking! The songs are all a lot of fun but my favorites are "I Don't Understand the Poor," "It's Better With a Man," "Lady Hyacinth Abroad," "Barrel of a Gun," and "That Horrible Woman."  Squire, Carlson, and Zimmerman have beautiful voices but I especially loved Bonnie Wilson Whitlock as Miss Shingle and Kacee Neff as Eugenia D'Ysquith, Countess of Highhurst, because they are such crazy characters. The set is incredibly clever with projections to depict the many locations. I especially liked the singing portraits of D'Ysquith ancestors at Highhurst Castle!  I loved this hilarious production and I can't recommend it enough! Get tickets (go here) as soon as possible!

The Wizard of Oz at HCT

Last night I saw The Wizard of Oz, which is quite possibly the biggest and most ambitious show ever produced by Hale Theatre! It is an awesome spectacle, using all of the bells and whistles afforded by the new stage! This version of the L. Frank Baum book is very much informed by the 1939 film of the same name and tells the familiar story of how Dorothy Gale (Lexi Walker) lands, literally, in the fantastical world of Oz and how the Scarecrow (Jordan Dahl), the Tin Man (Preston Taylor), and the Cowardly Lion (Dustin Bolt) help her get to the Wizard (B.J. Whimpey), hoping that he can get her back to Kansas, while avoiding the Wicked Witch of the West (Carolyn Hartvigsen), who wants her sister's ruby slippers back. I have to be honest and say that I have seen a few productions of the stage musical and I vastly prefer the movie but I thought this was a lot of fun. Lexi Walker gives an incredible performance and her rendition of "Over the Rainbow" will definitely give you goosebumps. Dahl, Taylor, and Bolt are amazing dancers and they each have a moment to shine in "If I Only Had A Brain," "If I Only Had A Heart," and "If I Only Had A Nerve," respectively. I was especially impressed with Dahl's acrobatics. The costumes are spectacular and the sheer number of them created for this show is mind-boggling! I particularly loved Glinda's (Eden Benson) glittering gown and the Wicked Witch's cape of raven feathers. The special effects are dazzling, especially the tornado and the scenes with the Wizard! The Wicked Witch (and her monkeys) fly all around the stage, beautiful aerialists represent the snow in the poppy field, and Glinda's floating bubble is epic. My only complaint is that the pacing seems a bit off because some scenes went on for much too long, especially in Act II. However, it is very early in the run and I am sure things will tighten up. This would be a perfect holiday show for families (go here for tickets) and I recommend it.

Wait Until Dark at HCT

The movie Wait Until Dark, starring Audrey Hepburn as a blind woman trapped in her apartment with a killer, is incredibly suspenseful so I've been very intrigued about HCT's production (the movie is originally based on a stage play) and I had the opportunity to see it last night. Sam Hendrix (Jacob Theo Squire) is unknowingly given a doll containing heroin and there are three criminals who are trying to get it back: Mike Talman (Lonzo Liggins), Sgt. Carlino (Zac Zumbrunnen), and Harry Roat (Benjamin J. Henderson). They arrange for Sam to go out of town and stage an elaborate plot in order to get his blind wife, Susy (Riley Branning), to trust them and allow them to search the apartment for the doll.  She, with the help of a neighbor girl named Gloria (Bridget Maxwell), eventually figures out that she is being conned and uses the dark to confront Roat in an epic showdown! The first act is full of a lot of complicated exposition and, I have to admit, that it did get a bit tedious trying to keep everything straight.  But the second act really gets going with a lot of edge-of-your-seat action, greatly enhanced by the lighting and sound design. I actually jumped about a foot during one particularly intense scene and I was not alone (the woman behind me screamed). The set design is quite innovative. I liked the use of the stairwell beyond the door to the apartment and the large windows in the kitchen area to convey the action taking place outside and I liked the fact that I could see everything in the apartment (which is not always the case in the Jewel Box Theatre). Branning is very convincing as a blind woman and the rest of the cast is solid but Maxwell absolutely steals the show as Gloria! She is a hoot and I loved watching all of her funny facial expressions! This is the perfect show to see during the month of Halloween (it runs through November 17).

The Scarlet Pimpernel at HCT

I have seen two of HCT's three productions of The Scarlet Pimpernel and they are among my very favorite shows at Hale or anywhere else! I think I squealed out loud when I learned that they were mounting a new production this season and I have been eagerly anticipating it for months to see what they could do in their new space. I was not disappointed because it is even bigger and better than ever! I have always loved the novel by Baroness Orczy (one of my students is reading it and we discuss it every day) and the music by Frank Wildhorn adds a dazzling romance to the thrilling story.  Percy Blakeney (Daniel Beck) has disguised himself as the Scarlet Pimpernel and has recruited a band of followers in order to save the people of Paris from the sinister Chauvelin (Dallyn Vail Bayles) and his guillotine during the French Revolution. He keeps his identity a secret from his wife Marguerite St. Just (Erin Royall Carlson), a Parisian actress, because he believes that she is helping Chauvelin, her former lover.  He is also keeping his identity secret from the Prince of Wales (Jeffrey Whitlock) by pretending to be a foppish nincompoop. However, he must make his most daring rescue when Marguerite and her brother Armand (Nathan Kremin) are arrested. What I loved most about Hale's former productions was the carousel during Marguerite's performance of "Storybook" at the Comedie Francaise. With a bigger stage and more toys at his disposal, set designer Kacey Udy outdid himself with the carousel in this show because it is amazing. I heard an audible gasp from the audience as it rose from below the stage. The 23-foot guillotine is another impressive set piece. I also really liked Percy's study and the rose garden. The costumes are absolutely gorgeous throughout the entire show but my favorites were those worn by the League of the Scarlet Pimpernel during "The Creation of Man."  They take "frou frou" to new levels. I really enjoyed the choreography, especially the intricate "Ouilles Gavotte" where Marguerite questions the men to try to learn the identity of the Pimpernel. The three leads are outstanding and it is incredibly powerful when the three of them sing "The Riddle." Beck, especially, does a good job at portraying Percy's strength as the Pimpernel, his vulnerability as a man who loves but can't trust his wife, and his silliness as a man trying to hide his identity. He is so funny in his interactions with Chauvelin and I laughed out loud every time he mispronounced his name! I cannot recommend this show enough (go here for more information) but you better hurry because most shows are sold out making tickets even more elusive than the Pimpernel!

Newsies at HCT

I really love the musical Newsies (go here, here, here, and here for reviews of other productions) so I have been anticipating Hale's production all season. I was really eager to see what they would do with it on their intimate stage and, when I saw it Thursday night, I was certainly not disappointed. It exceeded my expectations in every way.  When Joseph Pulitzer (Ric Starnes) decides to raise the price of newspapers, Jack Kelly (James Bounous) rallies his fellow newsies to strike. With a little help from intrepid reporter Katherine Plummer (Kelly Hennessey Pulver) and Governor Roosevelt (Bradley Moss), the newsies score a victory for all of the children of New York. I loved the entire cast (they are all so incredibly talented) but Bounous and Peter Reid Lambert, who plays Davey, are especially charismatic. I also really liked Pulver's rendition of "Watch What Happens." The big production numbers are absolutely amazing and, as always, I really enjoyed "Carrying the Banner," Seize the Day," "The King of New York," and "Once And For All." I had goosebumps in my very favorite song, "The World Will Know" because it was performed with such passion. The choreography maintains the spirit of the Broadway production (there are plenty of high energy leaps and spins in unison) but there are a lot of touches here and there which keep it fresh and vibrant. I think this production might be the best I've ever seen because the staging is brilliant! I felt so close to the action. The metal towers used to represent the New York City skyline are in the middle of the stage making them three-dimensional and the actors utilize them very effectively. The use of the LED screens around the theatre for Jack's drawings and for the newspaper headlines is extremely clever.  I also loved the use of a vintage printing press during "Once And For All" because it looks like they are really printing a newspaper! I enjoyed this show so much and I highly recommend it!  It runs through September 1 at the Mountain American Performing Arts Centre (go here for tickets) but act soon because tickets will go quickly!

The Music Man at HCT

Last night I went to Hale Theatre's production of The Music Man and I had a huge smile on my face during the entire show because it is just so delightful! There is something so comforting about the old favorites and I eagerly anticipated every familiar song: "Ya Got Trouble, " "Goodnight My Someone," "Seventy-Six Trombones," "Marian, the Librarian," "The Wells Fargo Wagon," "Gary, Indiana," and "'Till There Was You." I tried very hard not to sing along but the adorable older gentleman sitting next to me told me he didn't mind if I did! Hale does a fantastic job of staging this show to make it interesting and fresh. I especially loved the choreography in "Seventy-Six Trombones," "Marian, the Librarian," and "Shipoopi."  This new stage may be bigger and more technologically advanced than the old one in West Valley but it still impresses me what the choreographers can do with such a large cast in a relatively small space. The sets are absolutely amazing! The train in "Rock Island," the multi-level library with wrought iron spiral staircases in "Marian, the Librarian," and the foot bridge in "'Till There Was You" were my favorites. Addison Welch is incredibly charismatic as Professor Harold Hill and Rachel Woodward Hansen has a beautiful voice as Marian Paroo. There are a lot of funny characters in this show and I thought they were very well cast especially Janae Gibbs Cottam as Mrs. Paroo, Brandon Suisse as Mayor Shinn ("Not one poop out of you madame!"),  and Sharon Lynn Kennison as Eulalie MacKecknie Shinn ("One Grecian Urn.").  Ryder Mason and Christine Bernards are adorable as Winthrop and Amaryllis, respectively.  Finally, the barbershop quartet (Luke Shepherd, Juston Lebaron, Jason Baldwin, and Ricky Parkinson) is fantastic! If you are a fan of the classic musicals, then this will definitely put a smile on your face like it did me.  It runs at the Mountain America Performing Arts Centre until June 9 (tickets may be purchased here).

Tuck Everlasting at HCT

When I went to New York a couple of years ago I had the chance to see Tuck Everlasting, the musical based on the beloved novel by Natalie Babbitt, and I really enjoyed it (I didn't review it here because the production closed a few days after I saw it). It was a big show with multiple sets and elaborate choreography so I was very eager to see what Hale Theatre would do with it. I saw it last night and I thoroughly enjoyed myself. It is a delightful and heart-warming show that the whole family will definitely enjoy. Winnie Foster (Mia Bagley) feels trapped in a house of mourning for her father and longs for adventure. One day she sneaks into the woods and meets Jesse Tuck (Kooper Campbell) near a stream. He stops her from taking a drink from the stream and inadvertently reveals a secret: the water has made his family immortal. Jesse is happy to have made a friend but Mae (Bailee Brinkerhoff Morris), Angus (David K. Martin), and Miles (Marshall R. Madsen) Tuck worry that their secret will be revealed.  Little do they know that the Man in the Yellow Suit (David W. Stensrud) has overheard Jesse and has evil plans for the water. Eventually Jesse asks Winnie to drink the water when she turns seventeen but his family warns that being immortal is not as enchanting as it appears. I loved this production! It is as good, if not better, as the one I saw on Broadway! Both Bagley and Campbell are so endearing in the lead roles and the rest of the cast is very strong. The choreography is wonderful and I am always amazed at what the choreographers are able to do on such a small stage. The final dance sequence is just lovely and brought a tear to my eye. The sets are incredible! The stage is framed by a giant lattice (the live orchestra sits at the top of the lattice) and all of the sets feature lattice-work, including the tree that the characters climb. It is incredibly clever. The costumes all feature beautiful floral patterns to go along with the lattice theme and this is very effective at portraying an enchanted world out of time. My favorite song in the show is "The Wheel" because Angus tells Winnie that she doesn't have to live forever she just has to live. I love that message so much! I highly recommend this beautiful show (go here for tickets) which runs through June 23 in the Jewel Box Theatre at the Mountain American Performing Arts Centre.

Note: A friend that I made on the New York trip is one of the dancers in this show and she was amazing!

The Hunchback of Notre Dame at HCT

I have been anticipating HCT's production of The Hunchback of Notre Dame since the 2018 season was announced and I finally had the opportunity to see it last night! It is amazing and you should probably stop reading right now and go here for tickets because they are going fast (with good reason). I loved just about everything in this show! Victor Hugo's classic tale about outcasts who find sanctuary in a Gothic cathedral is full of so much pathos!  Quasimodo (James Bounous) has been hidden by his master Frollo (Josh Richardson) in the bell tower of Notre Dame Cathedral all of his life because he is deformed until he decides to walk the streets of Paris during the Feast of Fools.  When the crowd turns on him, he is rescued by the gypsy Esmeralda (Rebecca Burroughs).  She also catches the eye of the captain of the cathedral guard Phoebus de Martin (Preston Yates) who falls in love with her and she bewitches Frollo who becomes obsessed with possessing her. When Esmeralda rejects Frollo, he orders Phoebus to arrest her but when he refuses they both become fugitives who are aided by Quasimodo until the final confrontation in the bell tower. The music by Menken and Schwartz is so amazing!  I liked every single song but my favorites were "God Help the Outcasts," "Top of the World," "Heaven's Light," "Someday," and "Made of Stone." All of the lead actors have beautiful voices but I think my favorite characters were the gargoyles (Jacob Theo Squire, Brock Dalgleish, and Kaitlyn Dahl) who act as a sort of Greek Chorus. The set for this show is absolutely incredible! I loved the many different levels of the bell tower and it was so cool to see Quasimodo ring the bells! I also really loved the stained glass windows shown on the LED screens throughout the theater.  This, along with frequent Latin chants, adds so much to the Gothic feel of the story. This show is much darker than the usual Disney musical so some might not like it as much as I did but I think the theme of being an outcast is an important one and I think the redemption at the end of the show is incredibly powerful. I highly recommend this show (I may need to see it again!).

Cash on Delivery at HCT

Wednesday night I took a little break from the Sundance Film Festival to see Cash on Delivery, a lighthearted slap-stick comedy, at Hale Centre Theatre. Eric Swann (Bryan Dayley) began defrauding the office of Social Services by accepting payments for nonexistent lodgers at his house two years ago after losing his job at the Electric Company. Social Services, becoming suspicious of so many payments being sent to the same residence, sends Mr. Jenkins (Mark Fotheringham) to investigate. Swann enlists the help of his actual lodger Norman McDonald (Greg Larsen) and his uncle George (George Anderson) in order to keep up the ruse with not only Jenkins but his wife (Michelle Linn Hall), Norman's fiancee (Shannon Ricks), a grief counselor (Margie Johnson), an enthusiastic undertaker (Ben Parkes), a marriage counselor (David Marsden), and Jenkins' superior Ms. Cowper (Alison W. Henriksen). Chaos ensues as each of them are forced to tell one outrageous lie after another and impersonate fictional characters, including one who is supposed to be deaf and two who are supposed to be dead, until the whole thing unravels with hilarious consequences. At one point, I couldn't remember who was impersonating whom! I laughed and laughed at all of their antics! Every member of the cast, especially Dayley and Larsen, has impeccable comedic timing and the British accents are entirely believable.  The physical comedy is an absolute hoot, especially when one of the characters who is pretending to be dead is stuffed into a window seat and I always love a comedy that features lots of slamming doors. My only complaint is that I couldn't see some of the action because a large couch blocked my view from the left side of the stage (perhaps the scenic designers are so used to creating sets for the theater-in-the-round that they need some practice for a more traditional stage).  It was such a fun evening and I highly recommend this show but, as always, tickets are going fast (go here).

Note: This was quite the departure from all of the dark and edgy films I've been seeing at Sundance!

A Christmas Carol at HCT 2017

It just wouldn't be Christmas if I didn't see Hale Centre Theatre's production of A Christmas Carol. I like to joke that I've seen it so many times I could probably stand in for any part!  However, this year it is an entirely new production! It is now held in the new Jewel Box Theatre at the Mountain America Performing Arts Centre which has a traditional proscenium stage.  The script and all of the musical numbers are the same but, since it is no longer being performed in the theatre-in-the-round, the staging and the choreography are completely different. The stage reminded me of a set for a Shakespeare play because there is a upper level with balconies on either side at different levels and a staircase connecting the levels. The design is actually quite simple but I really liked it because, at its heart, the story of Ebeneezer's redemption through visits from the Ghosts of Christmas Past, Present, and Future is a simple one. Sometimes the same actors reprise roles year after year but this year I was able to see many that I had never seen before, including Stephen Kerr as Scrooge, Lucas Charon as Fred, and Addison Welch as Bob Cratchit. It was fun to see some new interpretations of beloved characters and I particularly liked a scene where Bob Cratchit thanks Scrooge because it is so heartfelt and moving with an affecting performance by Welch that actually brought a tear to my eye. Tiny Tim, played by Alexander Scott, is absolutely adorable and I loved his interactions with Scrooge! There are some new costumes for the ghosts and the Ghost of Christmas Future is quite terrifying. I thoroughly enjoyed this updated classic and, even if you have seen it countless times like I have, I definitely recommend getting a ticket (go here) but hurry because almost every show is sold out!

Aida at HCT

Last night I had the opportunity to see Aida, HCT's first production at the beautiful new Mountain America Performing Arts Centre. It is an absolutely incredible building and I was so impressed. The main stage is much bigger than the one in West Valley and the seats have a lot more leg room! The stage is also state-of-the-art with hydraulic lifts capable of moving various areas of the stage up and down. There are super cool LED screens that line the walls of the theatre which featured images integrated into the story, such as Egyptian hieroglyphics and the banks of the Nile. At first I thought they were really distracting but then I got used to them. All of the technology is really mind-blowing and I look forward to seeing how the production designers use all of it in upcoming shows. Aida, the story of a Nubian princess who is brought to Egypt as a slave and then falls in love with a Captain betrothed to the Pharaoh's daughter, is one of my very favorite musicals and, after being disappointed with the last few shows at Hale (go here and here), I am happy to report that this production is amazing and I really loved everything about it.  The cast is phenomenal, especially the three lead actors. Casey Elliott has played Radames before in the Broadway touring production and it is evident because I felt like he really understood his character's motivation.  He has an amazing voice, very well-suited to the rock and roll score. Kandyce Marie is an incredibly powerful Aida and she just about blew the roof off the building in "The Dance of the Robe," my favorite song in the show, and "Easy As A Life." Elliott and Marie have great chemistry and I loved their renditions of "Elaborate Lives" and "Written in the Stars." Amy Shreeve Keeler (Amneris) is a lot of fun to watch in "My Strongest Suit" but she also has a really powerful moment in "I Know the Truth."  The three of them gave me goosebumps when they harmonized together in "Not Me" and "A Step Too Far."  The staging is quite innovative and I especially loved the pool in "Elaborate Lives" and the tomb at the end of the show. The costumes, particularly the elaborate gowns and headpieces worn by Amneris, are spectacular. I had so much fun watching this show with some good friends and I highly recommend it (tickets may be purchased here).

Forever Plaid at HCT

Hale Centre Theatre has two shows running simultaneously: The Heart of Robin Hood is currently playing at the West Valley Theatre and Forever Plaid is playing in the Sorenson Jewel Box Theatre at the new Mountain America Center for the Performing Arts in Sandy. I have been eagerly anticipating this first show in the new theatre and I wasn't disappointed.  First of all, the theatre is absolutely amazing! The Jewel Box Theatre is a more traditional proscenium theatre (the main theatre opens in November with a production of Aida) and I am happy to report that there is leg room! Hallelujah! Second, the show is simply delightful in every way! Forever Plaid is essentially a juke box musical featuring a doo-wop group from the early sixties. While traveling to their very first gig at the Airport Hilton they crash into a bus of parochial school girls on their way to the Ed Sullivan Show to see the Beatles and are killed. They are given the chance to come back and perform the show they never got to in life. It is full of wonderful songs from the 1950s (my Dad would love this show) such as "Three Coins in the Fountain," "Moments to Remember," "No, Not Much," "Heart and Soul," "Shangri-La," "Rags to Riches," and "Love is a Many Splendored Thing." My favorite numbers were "Sixteen Tons" which was hilarious and "Lady of Spain" because they recreated all of the famous acts from the Ed Sullivan Show (I laughed and laughed when they pretended to be seals balancing beach balls). Keith McKay Evans (Frankie), Ricky Parkinson (Smudge), Jonathan Rex Baker (Sparky) and Will Perkins (Jinx) harmonize beautifully together. The choreography is a lot of fun, especially when they use plungers as microphones. In between the musical numbers, there is a lot of funny banter which emphasizes each of the characters' quirks such as Sparky's speech impediment, Jinx's propensity for bloody noses, Frankie's nervousness in front of a crowd, and Smudge's ulcer. I loved the minimal set design which included a piano (played by Tanner DeHaan) and a bass (played by Kelly DeHaan). This show is so much fun and I highly recommend that you see it (instead of The Heart of Robin Hood).

The Heart of Robin Hood at HCT

Last night I saw the Hale Centre Theatre production of The Heart of Robin Hood and I hate to admit this but I did not like it at all. In fact, there were parts of it that actually upset me and, had I not been sitting in the middle of a row, I would have left during the second act. This musical takes the story of Robin Hood (Derek Smith) that we all know and love and turns our hero into a villain who terrorizes the inhabitants of Sherwood Forest for personal gain rather than to give to the poor. It is up to Maid Marion (Riley Branning), eager to escape an arranged marriage to the despicable Prince John (Benjamin J. Henderson), to show him the way as they attempt to rescue two children (Sam Murdock and Ava Hoekstra). One of the problems that I had with the show is that it doesn't seem to know what kind of story it is telling. Is it a swashbuckling adventure with lots of comedic elements? Is it a romance filled with swelling power ballads? Or is it a tragedy about a family who dares to defy an unjust overlord at great cost? There are so many jarring tonal shifts I almost couldn't believe it. One minute you see Prince John forcing two children to watch the execution of their father (thankfully offstage) and the next you have Maid Marion singing a peppy love song. At one point Prince John is swishing around the stage with dancing colored lights on him while his soldiers torture people. It was awful to watch. I was bewildered by some of the choices the production team made. The costumes have absolutely no rhyme or reason with some characters dressed in Renaissance clothing and others wearing neon wigs, go-go boots, dreadlocks, Doc Martens, and eyeliner (Prince John reminded me of Adam Ant). Frankly, I thought it was a mess.  This is really too bad because I did like some of the songs and the two lead actors have wonderful voices. I don't understand why Hale would choose such an edgy production considering the demographic of it patrons. The crowd last night seemed very lukewarm to me. This is the second production in a row that has disappointed me so I only hope that Forever Plaid later this week can redeem HCT for me.

Joseph and the Amazing Technicolor Dreamcoat at HCT

My friend Scott, who teaches high school theatre, says, rather derisively, that Joseph and the Amazing Technicolor Dreamcoat is the most overdone musical of all time. He has a point, as I have seen it performed countless times, but it is so popular because it is usually so fun and entertaining. It tells the well-known Bible story of how Joseph rose to become the Pharaoh's second-in-command after his brothers betrayed him for being their father's favorite with songs that span every musical genre. Each production adds their own special touches and Hale Centre Theatre's version, which I saw last Saturday night, is no exception. In "Journey to Egypt" the Ishmaelites are portrayed as a motorcycle gang, in "Potiphar" the title character plays miniature golf trying to hit the ball into a Sphinx-like feature (which I thought was hilarious), in "Go, Go, Go, Joseph" the dancers emerge from psychedelic VW buses, "The Song of the King" is performed as a Las Vegas floor show complete with showgirls and waiters offering cocktails to audience members, and the "Megamix" is performed in a nightclub with Mrs. Potipher as the DJ spinning the tunes. These were all really fun touches and both Joseph (Zack Wilson) and the Narrator (Amelia Rose Moore) have incredible voices, but I didn't really like this production. Perhaps my friend Scott is right and it is overdone because I have seen much better versions. First of all, the lighting is way too dark, relying on colored lights and illuminated stars strung throughout the theatre to light the action. Sometimes I had a hard time seeing what was going on. Next, there was a lot going on. The stage at Hale Theatre is small and intimate and this is a big show with a large cast. There were many times when the action seemed to be a bit unwieldy, and even messy, with the moving on and off of set pieces and props and those set pieces and props were so completely over-the-top that they detracted from the action. Finally, I did not like the costumes at all. I thought they were dark, edgy, and a bit too avant-garde for my taste. In my opinion, they should be fun, colorful, and whimsical. My complaints all have to do with style; the music is, as ever, what makes this musical so popular and the cast does a fantastic job with all of the songs. I'm sure that most people will enjoy this production more than I did.