I was so excited to see An American in Paris at The Ruth last night! It is such a beautiful show and I think this version rivals the Broadway touring production I saw several years ago. Jerry Mulligan (Johnathan Tanner) is an American soldier who decides to stay in Paris after the war to pursue his dream of becoming a painter. He sees Lise Dassin (Ella Bleu Bradford), a Parisian shopgirl with aspirations of becoming a ballerina, on the street and is instantly enchanted by her. They meet every afternoon along the Seine and inevitably fall in love but complications arise. Lise feels a duty to the Baurel family for hiding her from the Nazis and accepts a proposal of marriage from their son Henri (Thomas Wood). Jerry is indebted to his patron Milo Davenport (Teaira Burge), an American heiress who promotes his art and falls in love with him. It takes an incredibly romantic ballet sequence for Lise and Jerry to realize that they belong together. The dancing in this show is absolutely exquisite and I loved both the choreography and the performances. I especially enjoyed "Concerto in F" on the streets of Paris because it conveys the hardships experienced after the war very effectively, "I've Got Beginner's Luck" as Jerry wreaks havoc in the Galeries Lafayette where Lise works because it incorporates a lot of fun props such as umbrellas, mannequins, bolts of fabric, and display cabinets, and "Stairway to Paradise" at a Paris nightclub because it is dazzling. Bradford is an incredible dancer and I was so impressed by her ability to dance on pointe during the ballet "An American in Paris" because it is at the end of the show and requires an enormous amount of stamina. Tanner is very exuberant and I loved his energy in "I've Got Rhythm" and "Fidgety Feet" as well as his chemistry with Bradford in "Liza" (which is really lovely). Of course hearing all of the amazing music by George and Ira Gershwin is a treat and I particularly loved the beautiful rendition of "They Can't Take That Away From Me" by Jerry, Henri, and Adam (Jordan Briggs) at the end of the show. The set is simple but very dramatic with an arched screen upstage used for projections of Paris and flowing fabric covered by twinkling lights above the stage to represent the Seine while the moody lighting gives everything a dream-like quality. Finally, the costumes are gorgeous, especially Milo's elaborate gowns, the bold black and white costumes and masks at the ball, and the pink sparkly showgirl costumes and headdresses in "Stairway to Paradise." I loved everything about this beautiful production (Who could ask for anything more?) and I highly recommend getting a ticket (go here). It runs in the Smith Grand Theater through July 19.
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