Sunday, June 8, 2025

Noises Off at Parker Theatre

Last night I went to Noises Off at Parker Theatre and it is definitely one of the best productions of this play that I have seen! Act I involves a disastrous dress rehearsal for the play Nothing On starring Dotty Otley (Mary Parker Williams), an aging television star, as Mrs. Clackett, Gary Lejeune (Roger Dunbar), a scatterbrained actor who can't finish a sentence, as Roger Tramplemain, Brooke Ashton (Corinne Adair), a young and inexperienced actress, as Vicki, Frederick Fellows (Thomas Hohl), an insecure and accident prone actor, as Philip Brent and the Sheikh, Belinda Blair (MacKenzie Pedersen), a reliable actress who knows all of the gossip about the cast, as Flavia Brent, and Selsdon Mowbray (Duane Stephens), an accomplished actor with a drinking problem and a tendency to miss his cues, as the Burglar. Lloyd Dallas (Michael Hohl) is the exasperated director, Poppy Norton-Taylor (Nicole Holbrook) is the put-upon assistant stage manager, and Tim Algood (Seth Larson) is the overworked and sleep deprived stage manager tasked with fixing every problem. Act II takes place backstage while the show is on tour and features the deterioration of a relationship between Dotty and Gary where they do everything they can to sabotage each other's performance as well as Lloyd's ill-fated attempts to keep Poppy and Brooke from finding out that he is having an affair with both of them (and multiple attempts to have Tim buy them flowers). Act III takes place at the end of the run and Dotty has a complete breakdown forcing the other actors to ad-lib the rest of the show while Brooke performs her lines and blocking as normal. The pace of this show is absolutely frenetic and the entire cast has brilliant comedic timing because they make the action look spontaneous and effortless. There is an extended sequence involving an ax in the second act that had me, and the entire audience, in hysterics and I have no idea how they were able to pull it off! In fact, I don't think I stopped laughing during the entire second act because the chaos is so well choreographed. I also really enjoyed all of the subtle bits of characterization created to distinguish this production from others, especially having Dunbar point his fingers whenever Gary makes a nonsensical comment, having Williams become emotional whenever Dotty forgets a prop, and having Stephens recite all of Selsdon's lines as if he was in a Shakespearean tragedy. This features the largest and most elaborate set I have seen at this theatre and the attention to detail, especially in the backstage area, is impressive. The sixties aesthetic used in the set decoration and costumes works really well but I think that Vicki's babydoll nightgown looks too similar to the dress she wears at the beginning of the show because I didn't immediately notice the costume change. I thoroughly enjoyed this production and I highly recommend seeing this stellar cast forget their lines, miss their cues, and misplace their props (go here for tickets).  It runs on Fridays and Saturdays (with matinees on Saturday) through June 28.

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