An American in Paris in Concert

I love the movie An American in Paris so I was positively giddy with excitement to see it on the big screen while the Utah Symphony performed the score by George and Ira Gershwin last night!  Who could ask for anything more?  Jerry Mulligan (Gene Kelly) is an American ex-GI who decides to stay in Paris after the war to study painting.  One day he meets a lovely Parisian shopgirl named Lise Bouvier (Leslie Caron) and they immediately fall in love while dancing along the Seine.  However, Lise is engaged to Henri Baurel (Georges Guetary) and feels that she can't break her engagement because he kept her safe during the war.  Jerry also feels indebted to his sponsor, an American heiress (Nina Foch) who is in love with him, because she is helping him sell his paintings.  It takes an incredible dream sequence with Jerry and Lise dancing through Jerry's paintings of Paris for them to realize that they belong together.  I loved hearing the orchestra play all of those wonderful Gershwin songs, including "Embraceable You," "Nice Work If You Can Get It," "I Got Rhythm," "Love Is Here to Stay," "I'll Build a Stairway to Paradise," and "'S Wonderful."  However, my favorite moments from the score were Concerto in F for Piano and Orchestra and the American in Paris ballet.  The former is a piece that Adam (Oscar Levant), a composer living in the same building as Jerry, daydreams that he is performing and it is hilarious because he is also the conductor, several musicians, and members of the audience but I was too busy watching the same musicians in the Utah Symphony mimic him (especially the gong and the timpani) in those moments.  The latter is the music used during the extraordinary 17-minute ballet which is said to represent George Gershwin's impressions as an American visitor walking the streets of Paris and I especially loved the themes played by the oboe and horns.  I say this after every performance in the films in concert series but this was so immersive and I loved that the audience applauded after every number!  It was wonderful!

Note:  I had so much fun at this concert but I honestly cannot wait for the next one, Star Wars: The Force Awakens, because I get to hear "Kylo Ren Arrives at the Battle" performed live!  Go here for tickets.

Emily

It seems like I have been waiting forever to see Emily but I finally had the chance last night at the Broadway.  Not much is known about the life of Emily Bronte so this is a fictionalized account speculating about what could have made a sheltered and inexperienced young woman capable of writing something like Wuthering Heights and I loved it.  We meet Emily (Emma Mackey) when she is ill and near death.  In her final moments her sister Charlotte (Alexandra Dowling) asks her how she came to write a book as scandalous as Wuthering Heights. Several years earlier Emily is viewed as strange by the people in the village because she is sensitive, imaginative, and unconventional.  She is chastised for her behavior by her harsh father, the Rev. Patrick Bronte (Adrian Dunbar), and encouraged by her sisters, the uptight Charlotte and the docile Anne (Amelia Gething), to give up writing her fanciful stories and poems.  It is her poetry, however, that attracts the attention of her father's new curate William Weightman (Oliver Jackson-Cohen).  Despite clashing with each other, they fall madly in love and are soon drawn into a forbidden affair that is as passionate and doomed as that of Cathy and Heathcliff.  She is devastated when he suddenly ends the relationship and vows that she will never write again but her dissolute brother Branwell (Fionn Whitehead) reveals a secret which enables her to find her voice and write her masterpiece.  I love dark and brooding Gothic romances and this is a particularly good one due, in large part, to a highly nuanced performance by Mackey.  I loved all of the close-up shots of her face, because even when those around her are forcing her into submission her expressive eyes betray her inner rebellion, as well as all of the scenes depicting her wild abandon on the moors.  Jackson-Cohen is also outstanding, particularly in a scene where he struggles to suppress his passion while getting into his clerical garb, and I enjoyed Whitehead's boyish charm (as opposed to all of the psychopathic villains he has portrayed lately).  The beautiful cinematography showing the wild and windswept moors (which almost feel like a character) and the evocative score add to the otherworldly atmosphere.  Finally, I thoroughly enjoyed all of the subtle allusions to Wuthering Heights, particularly a scene involving the supernatural.  I highly recommend this, especially to all of my fellow fans of Gothic romances.

Note:  With this, Of An Age, and Close I am three for three with movies at the Broadway this week!

Jazz vs. Thunder

Last night I went to another Jazz game with my friend Angela and it was one of the most exciting games I've been to in a really long time!  I specifically picked the game against the Oklahoma City Thunder because, when I had season tickets many years ago, the Thunder and the Jazz had a great rivalry because of Deron Williams and Chris Paul.  The current Jazz and Thunder teams are very evenly matched so I was expecting a close game but the final minutes were absolutely crazy!  The Jazz took an early lead but the score went back and forth until the Thunder went on a 9-0 run to end the half ahead 55-46.  The Jazz had a lot of turnovers, struggled defensively under the net, and missed a lot of three point shots but they never gave up.  They battled back at the beginning of the second half with the help of Jordan Clarkson, who scored or assisted on the first six baskets, to come within two but the Thunder went on another run to end the third quarter 78-86.  The fourth quarter was the Lauri Markkanen show because he contributed 18 points, including a sweet slam dunk and a really pretty three point jump shot!  Walker Kessler got a nice block and putback layup to tie the Thunder 106-106 which sent the game into overtime (and sent the crowd into hysterics).  The score went back and forth in overtime with three point shots from Kelly Olynyk (whenever he does anything noteworthy Angela reminds me that he is Canadian), Lauri Markkanen, and Jordan Clarkson!  The score was 119-117 in favor of the Thunder with 4.6 seconds left when Markkanen was fouled on a three point shot.  He then made all three foul shots to pull ahead 120-119 and the crowd erupted!  It was so thrilling to be a part of it!  With only a few seconds remaining Shai Gilgeous-Alexander, who ended the game with 39 points, missed a jump shot to give the Jazz the win!  Even though I had a hard time breathing during the final minutes I had to much fun at this game and I'm so glad that Angela keeps inviting me!

Of An Age

I originally had a ticket to see Of An Age on Wednesday night but the Broadway, like much of SLC, was closed because of the massive snowstorms we have been having.  Luckily, I was able to exchange my ticket and went to see it yesterday afternoon.  I can't even begin to express how much I loved this movie!  Kol (Elias Anton) is a young Serbian immigrant to Australia who aspires to be an amateur ballroom dance champion.  The only problem is that his partner Ebony (Hattie Hook) wakes up hungover on an unknown beach the morning of their competition with no memory of how she got there.  He has no way to come and get her so she suggests that he contact her older brother Adam (Thom Green) because he has a car.  Kol and Adam slowly get to know each other on the long drive to the beach and, by the time they reach Ebony, they are both clearly smitten.  Later that night, Adam attends a party with Ebony and insists that she invite Kol so he can see him again.  They end up spending a passionate night together but Adam is leaving to study abroad the next morning so they reluctantly part.  Eleven years later, they reunite at Ebony's wedding and, while they both realize that they cannot be together, it is clear that their encounter has had a profound effect on each of them.  I really loved how the dynamic between the two characters changes in the two timelines.  In 1999 Kol is awkward, insecure, uncomfortable in his own skin, and just beginning to question his sexuality.  Adam is confident, self-assured, and incredibly appealing and Kol is completely under his spell (so was I).  In 2010 Kol is handsome, stylish, successful, and social (the scene where he dances with Ebony at her wedding is in complete contrast to the one at the earlier party where he is bullied by his peers).  Adam is captivated by him (I have to admit that I was as well) and spends much of the wedding seeking him out without success.  Their scenes together are romantic and filled with so much longing that it is palpable (Anton and Green have tremendous chemistry) and I loved how the close-up camera shots on their faces reveal the feelings they are trying to repress.  Finally, I loved the messages about the importance of being truly seen by someone else and that it is better to experience love, even if it is fleeting or ephemeral, than not (it reminded me a lot of Call Me By Your Name but with a very different vibe).  It is melancholy but so beautiful (I really couldn't help but love it) and I highly recommend it!

Titanic The Musical at HCT

Other than Strictly Ballroom, I don't think I have ever been as excited for a show at HCT as I was for Titanic The Musical last night (I even drove through a major snowstorm to get to the theatre). It certainly didn't disappoint because it is amazing and rivals anything I have seen on Broadway! Just before the RMS Titanic sets sail on her maiden voyage, the designer Thomas Andrews (Kelton Davis), the owner J. Bruce Ismay (Justin Bills), and the captain E.J. Smith (Josh Richardson) marvel at the ship in the song "The Largest Moving Object" while a stoker named Fred Barrett (Brock Dalgleish), the lookout Frederick Fleet (R. George Banner), and the telegraph operator Harold Bride (Dallin Bradford) are in awe of it in the song "Ship of Dreams."  The third class passengers, represented by Kate McGowan (Adrien Swenson), Kate Murphy (Kenzie Davis Kremin), Kate Mullins (Erica Schoebinger), and Jim Farrell (Landon Horton), are excited to be going to America for a better life in the song "Lady's Maid," the second class passengers, especially Alice Beane (Ali Bennett), are excited to mingle with the wealthy passengers aboard the ship in the song "The Latest Rag," and the first class passengers, including John Jacob Astor (Paul Hamilton Murphy) and his wife Madeline (Kennedy Bradford), Benjamin Guggenheim (Davis Underwood) and his mistress Mme. Aubert (Casey Wawro), Isidor Straus (David Weekes) and his wife Ida (Sharon Lynn Kenison), John B. Thayer (Ricky Parkinson) and his wife Marian (Melody L. Baugh), George Widener (Tony Akin) and his wife Eleanor (Larissa Villers), Charlotte Drake Cardoza (Shawnda Moss), and a Major (Carson Davies), congratulate themselves on their success in the song "What a Remarkable Age This Is!" Ismay wants the ship to go faster to reach New York Harbor a day sooner for the publicity but that is dangerous and Titanic eventually strikes an iceberg in "No Moon." When it becomes clear that the ship will sink without enough lifeboats for all of the passengers, Andrews, Ismay, and Smith accuse each other in "Blame." Only women and children are allowed on the lifeboats and the men must say goodbye to their loved ones in "We'll Meet Tomorrow." Andrews laments the errors in his design as the ship goes down in "Mr. Andrews' Vision" while the survivors on the Carpathia express hope that they will be reunited with their loved ones in the song "Godspeed Titanic/ Finale." The large ensemble cast, which includes quite a few of my favorite regulars at HCT, is truly outstanding and everyone gets a moment to shine but I was particularly impressed by Richardson's commanding presence (pun intended) as the captain, especially when he takes responsibility in "The Blame." The music is beautiful and I loved it all but I was incredibly moved by the pathos in "The Proposal/ The Night Was Alive" when Barrett sends a telegram to his sweetheart, "The Staircase" when the third class passengers realize that they are trapped, "We'll Meet Tomorrow," as the men try to reassure their loved ones in the lifeboats that all will be well, and "Still" as Ida decides that she will stay on the ship with Isidor (I pretty much had tears in my eyes in all of these songs). The set is absolutely spectacular (one of the best I've seen at HCT and that is saying something!). A large multi-level structure rises from the pit to reveal the boat decks, the first class deck and smoking room, the second class deck, the third class deck and dining room, the boiler room, corridors, and the staircases to each level. The first class dining room, the bridge, the crow's nest (my favorite), and the radio room come down from the rafters. The costumes are fantastic, especially the elaborate turn-of-the-century gowns worn by the female first class passengers and the uniforms worn by the crew.  Finally, the opening montage when the crew and passengers first see the ship is very clever with blueprints and images projected on scrims and the sinking of the ship is incredibly dramatic (it even mimics when the ship breaks apart). I cannot say enough about this beautiful and moving production and, if you think you might want to see it (you should!), I recommend getting tickets as soon as possible because almost every show is sold out (go here).

Note:  Everyone is given the ticket of a real-life passenger with a QR code to scan to learn their fate. My passenger went down with the ship.