Friday, January 15, 2021

The Marksman

Is it really even January if there isn't a movie with Liam Neeson portraying a character with a very particular set of skills exacting revenge against someone who has wronged him?  I saw the latest iteration, The Marksman, last night and it is a mediocre action thriller elevated by a lot of heart.  Jim Hanson (Neeson) is a former Marine with a ranch on the Arizona-Mexico border.  He uses alcohol to cope with the recent death of his wife from cancer as well as the imminent foreclosure on his ranch.  Rosa (Teresa Ruiz) and her son Miguel (Jacob Perez) are on the run from the cartel and, when they cross the border onto Hanson's land, he immediately informs border patrol.  Before they can be apprehended, Mauricio (Juan Pablo Raba) and several other cartel members arrive and, since Jim's very particular skill is marksmanship (hence the title), a shoot-out ensues which kills Rosa and Mauricio's brother.  Before she dies, Rosa begs Jim to take Miguel to her family in Chicago and he reluctantly agrees (after surrendering him to border patrol and then breaking him out).  They are pursued on the road by Mauricio, who has vowed revenge for the death of his brother, and border patrol agents, including his stepdaughter (Katheryn Winnick), which leads to a confrontation on a farm in the middle of the heartland.  The plot is incredibly predictable, the villains are walking stereotypes, and the action sequences are surprisingly bland (with more hiding out than shooting out) but what makes this movie enjoyable, in my opinion, is the relationship that develops between Jim and Miguel.  Their alliance is an uneasy one in the beginning because Miguel blames Jim for his mother's death and Jim is more motivated by what is inside a mysterious bag that belonged to Rosa than any feelings for Miguel.  However, Miguel eventually penetrates Jim's curmudgeonly heart as they come to rely on each other on the road and their final resolution is powerful and heart-warming.  Perez is incredibly appealing as Miguel and Neeson displays a sensitivity that is usually not required in these action roles.  There is an off-hand comment about the government not being able to sort out the mess of immigration but this is curiously apolitical and I actually appreciated that.  This is one of the lesser Neeson revenge movies but it features enough genuine emotion for me to recommend it.

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