Monday, December 18, 2017

The Shape of Water

Saturday night I took a break from my regularly scheduled viewings of The Last Jedi to see another film I have been anticipating for months.  The trailers for The Shape of Water were absolutely luminous and I couldn't wait to see it!   It is a fantasy set during the height of the space race between the U.S. and the Soviet Union.  A humanoid fish captured in the Amazon is brought to a government research lab in Baltimore by Colonel Richard Strickland (Michael Shannon) to be studied for application in space travel because it can breathe both air and water.  Elisa (Sally Hawkins), a mute janitor at the facility, sees the "asset" and befriends it with hard-boiled eggs and Jazz music.  Soon they become close and Elisa decides to help it escape after the government decides to dissect it for study, enlisting the help of her coworker Zelda (Octavia Spencer), her neighbor Giles (Richard Jenkins), and a scientist at the facility who has misgivings about the project (Michael Stuhlbarg).  It is a beautiful love story and what I loved about it is that the misfits triumph over conformity.  Strikland is the quintessential soldier in mainstream America with a wife and two children in the suburbs and a Cadillac but he is a despicable character and I loved the symbolism of his decaying fingers.  All of the other characters mirror the otherness of the humanoid.  Giles is a closeted gay man who is also an out of work commercial artist struggling with alcoholism.  Zelda is an African-American woman, downtrodden by an abusive husband, who is too lowly even to merit being questioned by Strickland.  Dr. Hoffstetler is a Soviet spy, disillusioned when ordered by his superiors to kill the humanoid to stop the Americans from getting information.  Elisa is, perhaps, my favorite character because her muteness makes her so isolated and I love that she lives above an old movie theater and watches old movies (the sequence where she and the humanoid reenact an old Busby Berkeley type musical made me smile) to escape her tedious routine.  Sally Hawkins is absolutely brilliant in an entirely physical role.  She conveys so much emotion in just a gaze.  I loved that the entire film seems to be suffused in shades of blue-green and the score is beautiful (Alexandre Desplat can do no wrong in my opinion).  This movie may not be for everyone (nudity, sex, and violence) but I loved it and I highly recommend it!

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