Zion National Park

Zion National Park is one of my favorite places on Earth so it is really hard for me to resist driving through whenever I am in St. George.  The park was really crowded yesterday but I was still able to stop at some of my favorite viewpoints.

My best memory of Zion is driving through the park in my Dad's blue Dodge Ramcharger while listening to the Eagles.  Zion is my happy place!

Mary Poppins at Tuacahn Amphitheatre

One of my very favorite things to do in the summer is see a live music or theatre performance outdoors!  Last summer I had a wonderful time visiting all of my favorite venues after a year of missing out and this year I am planning on adding a few new ones.  I got started yesterday by taking a quick road trip to St. George to see a preview of Mary Poppins at Tuacahn.  I love this show so much and Tuacahn's production is absolutely magical.  Mary Poppins (Gail Bennett) comes to Cherry Tree Lane to look after Jane and Michael Banks (Lilly Pearson and Charlie Stover, respectively) but, after a few adventures with Bert the chimney sweep (Neil Starkenberg), she ends up saving their father, George Banks (James Taylor Odom).  Bennett is practically perfect in every way as Mary.  She has a beautiful voice, especially in the songs "Spoonful of Sugar" and "Feed the Birds," and she is an outstanding dancer in "Jolly Holiday," "Supercalifragilisticexpialidocious," and "Step in Time."  She has a lot of chemistry with Pearson and Stover, who are adorable and have lovely voices, particularly when she is being stern with them.  Starkenberg is an amazing dancer and I really enjoyed an effect that had him dancing on the wall in "Step in Time."  Speaking of which, the choreography in the whole show is absolutely brilliant.  I thought "Supercalifragilistiexpialidocious" would be the highlight of the show because it is incredibly high-energy and so much fun to watch (I don't know how they formed the letters so fast) but the tap dancing on the rooftops of London in "Step in Time," including an epic dance-off between Mary and Bert, is spectacular!  The show features large LED panels, which display row houses on Cherry Tree Lane, the park, the London skyline, and the bank, along with elaborate moving sets for the living room, nursery, and kitchen of the Banks' house, as well as the bank.  Sometimes I found the screens to be a bit distracting but I did enjoy seeing the perspective of the row houses change to correspond with the different levels of the living room, nursery, and roof.  The costumes are elaborate and colorful (my favorites were for "Jolly Holiday") and the lighting is very dramatic (I loved the red in "Brimstone and Treacle").  Because it is Tuacahn, there are always a lot of special effects.  Mary makes some very exciting entrances and exits with her umbrella (the young woman sitting next to me squealed with delight and pointed to her flying in the air), the Admiral (Randal Keith) uses a real cannon at sunrise and sunset (I jumped every time it went off), and real horses are used in "Jolly Holiday."  This is one of my favorite shows and this production did not disappoint!  It was definitely worth the four hour drive!  Tuacahn is performing Mary Poppins, Wonderland, and Joseph and the Amazing Technicolor Dreamcoat in repertory through the end of October (go here for information and tickets).

Thierry Fischer Conducts Messiaen, Smetana & Sibelius 2

Even though I was not familiar with any of the pieces performed by the Utah Symphony last night, I thoroughly enjoyed the concert because each one was so stirring.  The orchestra began with The Moldau by Bedrich Smetana and this was definitely my favorite piece of the evening.  It is one of a series of symphonic poems about the composer's homeland and it is meant to represent the the course of the Moldau River as it flows through fields and woods where peasants are celebrating a wedding then past castle ruins and then into the heart of Prague (which is one of my favorite cities).  It is very atmospheric and I especially liked the theme played by the clarinet and violas, which represent the joining of two springs to become a river, and the theme played by the horns, which represent a jubilant hunting party.  Next the orchestra played two movements from Des canyons aux etoiles (From the Canyons to the Stars) by Olivier Messiaen with Utah Symphony musicians Jason Hardink on piano, Keith Carrick on xylorimba, and Eric Hopkins on glockenspiel as soloists.  This piece is inspired by the beautiful red rocks and bird song encountered by the composer during visits to Bryce Canyon, Cedar Breaks, and Zion National Park.  I especially liked all of the percussion, particularly the wind machine and the chimes, the theme played by the piccolos, and the melodies played by the horns.  The Utah Symphony will be performing this piece in its entirety at the O.C. Tanner Amphitheater (with Zion National Park as a backdrop) in a few weeks.  The concert concluded with Symphony No. 2 by Jean Sibelius.  This piece eventually became a symbol for Finnish independence and I loved it.  I especially enjoyed the second movement, with themes played by the basses and cellos that are quite dark and melancholy (possibly representing death and defeat), and the finale, with stirring themes that are triumphant (possibly representing life and resurrection).  This concert was absolutely spectacular and if you are interested in attending tonight's performance of the same program go here for tickets.

The Drowsy Chaperone at the Empress

I really love the musical The Drowsy Chaperone because not only is it one of the funniest shows I've ever seen but it is a poignant ode to the power that musical theatre has to transport you away from the real world and all of your problems to a place where happy endings are possible for a few hours.  I saw a production at the Empress Theatre last night and I had so much fun!  Man in Chair (Ryan Fallis) is feeling a little bit blue so he decides to listen to the cast recording of The Drowsy Chaperone, a popular musical from 1928.  As he listens to the record, the actors appear in his apartment and bring the show to life with frequent pauses for his commentary on all of the theatre tropes used in the show.  Mrs. Tottendale (Chalise Craig) and her Underling (Brian Mecham) are hosting the wedding of oil tycoon Robert Martin (Patrick Hawkins) and Broadway star Janet Van De Graaff (Alayna Bria), who is giving up her glamorous career for love.  Robert is leaving the wedding details to George (Ezekiel Petersen), his best friend and best man, while Janet's Chaperone (Candice J. Jorgensen), who gets "drowsy" when she drinks, is charged with keeping the couple apart to avoid bad luck.  Broadway producer Feldzieg (Nate Fairclough) is unhappy about losing his biggest star and sets out to stop the wedding by hiring a Latin lover named Adolpho (Michael Ricks) to seduce the bride.  An investor in the Feldzieg Follies is also worried about losing its biggest star and hires two gangsters (Trae Fairclough and Nathaniel DiVall), disguised as pastry chefs, to stop the wedding.  A ditzy chorus girl named Kitty (Kandace Keddington) is hoping to take Janet's place.  Mayhem ensues, especially when Main in Chair puts the wrong record on at the beginning of Act 2 and the cast starts performing a song from Message From a Nightingale instead, but the happy ending comes eventually when Trix the Aviatrix (Marie Roe) is enlisted to marry four couples on her plane while flying to Rio.  The best part of this show is Fallis as Man in Chair because he is absolutely hilarious when he joins in with the choreography during "Toledo Surprise" and "Bride's Lament" but he also shows a lot of vulnerability when he compares the show to his life during a rant against the song "Love is Always Lovely in the End."  I also really enjoyed it when he spontaneously interacted with audience members (including me!).  Other standouts in the cast are Hawkins (I loved his tap dancing in "Cold Feets" and his roller skating in "Accident Waiting to Happen"), Ricks (I loved every entrance he makes), and Jorgensen (I loved it when she pushes Janet out of the way during "As We Stumble Along").  Once again, the use of the intimate space is incredibly clever with the Man's apartment at one end of the stage and an Art Deco hotel lobby complete with elevator at the other.  I also loved the plane and the staging of "I Do, I Do in the Sky."  I laughed and laughed through the entire show and I highly recommend getting a ticket (go here) for one of the two remaining performances.

Downton Abbey: A New Era

My sisters and I haven't been able to do anything together for over two years because one of us was always taking care of our parents so it was really fun (and a little bittersweet) for the three of us to be able to go to an early access screening of Downton Abbey: A New Era last night.  We are huge fans of the PBS series (we even saw the first movie together) so it was great to catch up with the Crawley family once again.  Violet (Maggie Smith) calls the family together to inform them that she is altering her will.  It seems that she has inherited a villa in the south of France and intends to bequeath it to her great-granddaughter, Sybbie.  Robert (Hugh Bonneville) and Cora (Elizabeth McGovern), Edith (Laura Carmichael) and Bertie (Harry Hadden-Paton), Tom (Allen Leech) and Lucy (Tuppence Middleton), and Lady Bagshaw (Imelda Staunton) all decide to travel to France to meet the current owners of the villa to unravel the mystery of Violet's past.  Meanwhile, Mary (Michelle Dockery) stays behind because a director (Hugh Dancy) wants to use Downton Abbey as the location for a film starring Guy Dexter (Dominic West) and Myrna Dalgleish (Laura Haddock).  Chaos ensues when the movie suddenly becomes a "talkie" and when the downstairs staff, including Barrow (Robert James-Collier), Mrs. Carson (Phyllis Logan), Mrs. Patmore (Lesley Nicol), Molesley (Kevin Doyle), Baxter (Raquel Cassidy), Daisy (Sophie McShera), Andy (Michael Fox), and Anna (Joanne Froggat), are roped into being extras.  Everything about this movie is simply delightful and fans of the series are sure to love it.  The locations and costumes are stunning and, even though there are a lot of characters to keep track of, the story is really engaging.  I particularly enjoyed the character arcs for Barrow, Molesley and Baxter, and Violet.  I laughed out loud many times and I had a tear in my eye at the resolution (series creator Julian Fellowes has stated that he is happy with the resolution if this is the last movie and so am I but I hope there is another one).  My sisters enjoyed it as much as I did (we were the last people out of the theater because we had to discuss it at length immediately afterwards).  I recommend this installment to people who love the series as much as my sisters and I do!

Note:  I think the next movie should be a prequel featuring the exploits of a young Violet.

Hello, Dolly! at PTC

Pioneer Theatre Company is ending the 2021-2022 season with a wonderful production of Hello, Dolly! starring Broadway star and TV personality Paige Davis.  I saw it last night and I loved it!  At the turn of the century, the irascible Horace Vandergelder (Kris Coleman) wants to get married again so he will have someone to do all of the chores at his Hay & Feed store in Yonkers, New York.  His niece Ermengarde (Hannah Balagot) wants to marry an artist named Ambrose Kemper (Myles Tracy Woolstenhume) but her uncle objects because he doesn't have a steady income.  His clerk Cornelius Hackl (Alexander Mendoza) is longing for an adventure in New York City so he convinces his fellow clerk Barnaby Tucker (Michael J. Rios) to come along with him and they vow not to return to Yonkers until they have both kissed a girl.  They soon meet Irene Molloy (Kelly McCormick), who owns a millinery shop in NYC but wants a rich husband to take her away because she hates hats, and her assistant Minnie Fay (Dori Waymer).  A recently widowed matchmaker named Dolly Levi (Davis) is hired to find a wife for Vandergelder but she decides that she wants to marry him herself.  She just needs to convince him!  She eventually arranges for all of the couples to meet for a memorable evening at the Harmonia Gardens Restaurant in NYC and merriment ensues!  This is a big old-fashioned musical and I loved all of the exuberant song and dance numbers, especially "Put on Your Sunday Clothes," "Dancing," and "Hello, Dolly!" because they feature dynamic choreography with a large ensemble.  I also really enjoyed the songs "Before the Parade Passes By" and "It Only Takes a Moment" because they both have poignant messages about life and love.  The sets are fantastic, particularly Vandergelder's Hay & Feed store and the Harmonia Gardens Restaurant, and I loved the elaborate period costumes, especially the lavish gown worn by Dolly at the Harmonia Gardens.  Davis is incredibly charismatic in the role of Dolly and I was really impressed with her singing and dancing!  The rest of the main cast is also really strong with Mendoza and McCormick as standouts.  I was absolutely delighted by this production and I highly recommend getting a ticket (go here) before the parade passes by.

Note:  The role of the judge is being performed by various notable people from local government and the media.  Last night it was the former state epidemiologist Dr. Angela Dunn and she was great!

Happening

Another highly acclaimed film that I was unable to see at Sundance this year was Happening but it is now playing at the Broadway so I had the opportunity last night.  It is incredibly timely, given what is happening with Roe v. Wade in this country right now, and very powerful.  Anne (Anamaria Vartolomei) is a bright and talented university student in France in the early 1960s.  Her parents are working class owners of a cafe who have sacrificed much to enable her to go to school and they are justifiably proud of her accomplishments.  When she learns that she is unexpectedly pregnant, she sees her promising future slipping away.  However, she doesn't have many options because abortion is illegal.  She tries to persuade several people, including two different doctors, to help her get one but they all fear the possibility of prison and refuse to even speak about it.  Exams are looming and she becomes more and more desperate so, despite the pain, she attempts to terminate the pregnancy herself with a knitting needle but is unsuccessful.  Eventually, she finds someone willing to perform an abortion in secret but is forced to sell most of her possessions to pay for it and suffers devastating consequences.  The fact that Anne is not able to get a safe abortion is appalling, in my opinion, but I also found the shaming that she endures from the other girls in her dormitory for being sexually active to be just as deplorable.  There is a very poignant scene where one of Anne's friends confesses that she had a relationship over the summer and the only reason she didn't get pregnant is because she is luckier than Anne.  Vartolomei gives an affecting central performance in which Anne's despair is palpable.  The scenes involving Anne's two attempts at an abortion are quite visceral and very difficult to watch but there is another scene where she cries silently that is absolutely gut-wrenching.  This film is set in the 1960s but it may as well be today, which is a terrifying thought, and for that reason it should be seen by everyone.

Memoria

I finally had the chance to see Memoria last night at the Broadway (it seems like I have been waiting forever for it to get a wide release) and, while I sometimes found it to be incomprehensible, I was absolutely mesmerized.  Jessica (Tilda Swinton), a Scottish orchid farmer living in Colombia, is awakened one night by a mysterious booming sound that only she can hear.  She continues to be plagued by the sound, which prevents her from sleeping, as she wanders aimlessly from place to place interacting with strangers.  She seems to be an outsider everywhere she goes but she absorbs the energy of every place and ultimately has a strange connection to the memories of others as she tries to find the source of the sound.  There is an explanation, of sorts, but it is almost unimportant because the real discovery is the connection between everyone and everything.  Not a lot happens and I sometimes found the lack of a narrative structure to be frustrating, especially with the long takes of particular images and with the lack of a score, but whenever I stopped trying to figure out what was happening on the screen and just let myself get lost in what Jessica was experiencing I found it to be very haunting and profound.  Swinton gives a captivating performance because, even though you don't know much about her character, she is still able to create a lot of sympathy for Jessica.  Not everyone will enjoy this film (a group was discussing it in the lobby and one thought it was a masterpiece and the rest thought it was the most boring thing they had ever seen) but I haven't been able to stop thinking about it!

Breathless

My May Book of the Month selection was Breathless by Amy McCulloch (the other options were Yerba Buena by Amy LaCour, The Hacienda by Isabel Canas, Take My Hand by Dolen Perkins-Valdez, Part of Your World by Abby Jimenez, and Darling Girl by Liz Michalski). I was hooked by this atmospheric and exciting thriller from the very first chapter and I read well into the early morning hours in order to finish it. Cecily Wong has just landed the interview of a lifetime with world-renowned alpinist Charles McVeigh as he attempts to climb Mt. Manaslu, the last in his quest to summit all fourteen peaks above 26,000 feet in one year. Even though she has limited climbing experience, McVeigh insists that she be a part of his expedition as a condition for granting the interview. Summiting at such a high elevations is extremely dangerous, even for experienced climbers, because of the freezing temperatures, harsh terrain, and lack of oxygen but it becomes even more menacing when two climbers die under mysterious circumstances. Cecily must not only face the elements, and her doubts about her abilities, but also a killer lurking on the mountain and it seems that everyone on her team is a potential suspect. I really enjoy murder mysteries with a closed circle of suspects and this novel takes that concept to new heights (pun intended) because everyone is trapped on the mountain due to the extreme conditions. The tension escalates the higher they climb and I was completely riveted. Cecily is an interesting narrator because she is a novice in the world of high altitude climbing and she is somewhat unreliable when she begins experiencing the effects of hypoxia (lack of oxygen to the brain). I actually started to question if the deaths were merely accidents or more sinister in nature myself which made the narrative even more suspenseful. It was also fascinating to learn about what it takes to summit a peak that high in elevation, particularly the need for acclimatization and how to scale sheer faces of rock and ice, and McCulloch's vivid descriptions (she actually summited Mt. Manaslu herself) made me feel like I was right there on the mountain with the characters. I even felt a little bit short of breath during several key moments. My only complaint is that the ending is a bit abrupt but, other than that, I thoroughly enjoyed Breathless and I recommend it to fans of thrillers.

Note:  Fans of this novel might also enjoy One By One by Ruth Ware. It has a similar vibe because it is a murder mystery that takes place at a Swiss chalet that is cut off from civilization after an avalanche.

Remembering My Mom

My Mom passed away very peacefully in the early morning hours of May 6 after a long and hard-fought battle with dementia.  This loss is especially difficult for me and my sisters because it comes so soon after losing our Dad but it is actually a blessing because she is now free from the disease that destroyed her mind.

Last night we held a visitation for family and friends and it was such a lovely evening.  My Mom's wish was to be cremated and we were able to find the perfect mother of pearl urn for her.  The flower arrangement we picked out for the display was also really beautiful.

It was nice to see so many family and friends pay tribute to my Mom and support me and my sisters (once again I wish I had taken more pictures).  The consensus was that my Mom was a gentle soul who touched the lives of everyone with whom she came in contact and these kind words were such a comfort to us!

Jesus Christ Superstar at the Eccles

I was able to see the Broadway touring production of Jesus Christ Superstar starring Ted Neeley as Jesus and Corey Glover (lead singer of the band Living Colour) as Judas with my friend Dana several years ago.  The experience of seeing the show was more memorable than the show itself because my friend, who is quite a bit older than me, had a massive crush on Ted Neeley and I was completely starstruck by Corey Glover (I loved Living Colour) so we were both a bit giddy!  Luckily, I had the chance to see it again, this time the 50th Anniversary Tour, at the Eccles Theatre last night and I loved it!  This is a rock opera with music by Andrew Lloyd Webber and lyrics by Tim Rice.  It tells the story of the Passion of Jesus Christ from the perspective of Judas as he grows dissatisfied with Jesus' popularity and fears that his cult of personality is taking away from his mission to help the less fortunate.  The show features contemporary sensibilities and Jesus is portrayed as a sort of rock star with a guitar and microphone.  This particular production has been completely reimagined with new sets, costumes, and choreography and I literally could not take my eyes off the stage because it is so dynamic!  The set features multi-level steel towers, that look a bit like scaffolding, on either side of a large platform in the shape of a cross.  It is very dramatic!  The costumes are very contemporary and quite subdued (except for King Herod's) in different shades of gray.  The choreography is absolutely amazing and almost seems frenetic with synchronized movement and dazzling light displays.  I especially loved how "Hosanna" incorporates stylized palm leaves and how "The Temple" uses glitter.  The three leads, Aaron LaVigne as Jesus, Omar Lopez-Cepero as Judas, and Jenna Rubah as Mary Magdalene, are outstanding and have beautiful voices.  I particularly enjoyed Rubah's rendition of "I Don't Know How to Love Him" (my favorite song in the show) and LaVigne's version of "Gethsemane (I Only Want to Say)."  Lopez-Cepero does a very good job in portraying Judas' psychological torment, especially in "Damned For All Eternity/ Blood Money."  I found the whole show to be exhilarating and very moving but it might not be for everyone because "Trial By Pilate/ 39 Lashes" and "Crucifixion" are difficult to watch.  It runs at the Eccles Theatre through May 15 (go here for tickets).

Utah Opera's The Pirates of Penzance

Utah Opera is closing out the 2021-2022 season with Gilbert & Sullivan's comic operetta The Pirates of Penzance and I had a chance to see this delightful production last night at the Capitol Theatre.  Frederic (John Reisen) has reached his 21st birthday and wishes to leave the band of pirates to whom he has been mistakenly apprenticed.  After leaving the pirates, Frederic meets Major-General Stanley (Hugh Russell) and his daughters, falls in love with the youngest daughter Mabel (Madison Leonard), and enlists the Sergeant of Police (Kevin Nakatoni) and his constables to arrest the pirates.  Chaos ensues when the Pirate King (Craig Irvin) and Ruth (Meredith Arwady), Frederic's former nursemaid, tell him that he was born during a leap year and, since he has only had five birthdays, he must continue to serve his apprenticeship.  The staging of this show is so much fun and I laughed out loud during the scene where the pirates attempt to seduce the Major-General's daughters and when the constables and the pirates both hide from the Major-General in the graveyard.  Reisen is incredibly engaging as Frederic and, not only does he have a fantastic voice, but he has great comedic timing as the straight man in the show.  I especially enjoyed his interactions with Ruth when he tries to find out if she is beautiful when compared with other women.  Leonard has a beautiful voice as Mabel and I loved her rendition of "Poor wand'ring one."  Russell is absolutely hilarious in "I am the very model of a modern Major-General" and I loved the choreography involving his umbrella.  Irvin also has great comedic timing and I especially enjoyed his fancy footwork in "Oh, better far to live and die."  The large chorus, performing as pirates, daughters, and constables who sing and dance, is outstanding and so much fun to watch.  I loved all of the costumes, especially all of the colors and patterns used for the daughters' dresses and the argyle socks worn by the Major-General.  The set is quite simple consisting of a ship, the seaside, and a graveyard, but the proscenium is meant to look like a vaudeville theatre and is very effective at creating an amusing mood even before the show begins.  Hurrah for this production because I loved everything about it and I highly recommend it to anyone, even children, who might be intimidated by opera because it is very accessible.  There are only two more performances (go here for tickets) so act quickly.

Note:  Utah Opera recently announced the 2022-2023 season and it includes The Flying Dutchman, The Daughter of the Regiment, Rigoletto, and The (R)evolution of Steve Jobs.  I am incredibly intrigued by the last one.

The Duke

Last night I went to my favorite art house theater, for the second night in a row, to see the charming British comedy The Duke.  It is based on the true story of the theft of Francisco de Goya's portrait of the Duke of Wellington from the National Gallery in 1961.  Kempton Bunton (Jim Broadbent), a retired bus driver from Newcastle who is also an aspiring playwright, feels tremendous guilt over the death of his daughter several years earlier and is compelled to do something for the good of mankind to assuage that guilt.  His chosen cause is a campaign against making pensioners and war veterans pay for a license to watch television.  His long suffering wife Dorothy (Helen Mirren) begs him to stop all of his nonsense but he requests one last trip to London to bring attention to his message.  When he is turned away from the BBC, The Daily Mirror, and Parliament, he impulsively steals the painting in order to blackmail the government into exempting the less fortunate from paying for a license as a condition to get it back.  He enlists the help of his son Jackie (Fionn Whitehead) to hide it but, after a few misadventures, he decides to return it after which he is arrested.  When his trial at the Old Bailey begins, his barrister (Matthew Goode) tells him that his case is hopeless but he unexpectedly becomes a hero to the common man.  The narrative has a few twists and turns to keep it from being completely predictable and both Broadbent and Mirren give stellar performances full of wit and charm.  I found many scenes to be highly amusing and I laughed out loud several times (I love British humor).  I also really enjoyed the retro vibe in the cinematography because it looks like actual footage from the 1960s.  This is a lighthearted feel-good movie and watching it was a delightful experience (I was in a theater full of people twenty years older than me).

Petite Maman

I absolutely loved Portrait of a Lady on Fire so I was very eager to see the latest from Celine Sciamma, Petite Maman.  It seems like I have been waiting forever for it to get a wide release but it is finally playing at the Broadway and I had a chance to see it last night.  Sciamma is two for two with me because I loved Petite Maman just as much as Portrait of a Lady on Fire!  After the death of her maternal grandmother, eight year old Nelly (Josephine Sanz) travels with her mother (Nina Meurisse) and father (Stephane Varupenne) to her mother's childhood home to clear it out.  Nelly asks her mother questions about her childhood, including the location of the fort she once made out of tree branches, but she is too upset to answer her and eventually leaves in the middle of the night without saying goodbye.  While her father clears out the house, Nelly explores the nearby woods and finds a young girl named Marion (Gabrielle Sanz) building a fort out of tree branches.  Nelly begins spending all of her time with Marion building the fort, playing games, and acting out plays.  Marion ultimately helps Nelly understand her mother and helps her say goodbye to her grandmother.  This is such a beautiful film!  It is very slow and deliberate and, at times, it is unclear what is happening but if you are patient you will be rewarded with a beautiful message about love, grief, and the evanescence of childhood.  There are so many scenes that seem really simple, even mundane, on the surface but end up fraught with meaning and I found myself with tears in my eyes on more than one occasion.  The images on the screen are gorgeous, especially when the natural light bathes the fall foliage in the woods with a golden glow.  Finally, Josephine and Gabrielle Sanz give captivating performances and I couldn't take my eyes off of them even when they are simply walking together.  I was incredibly moved by this simple film and I cannot recommend enough!

Doctor Strange in the Multiverse of Madness

I have been looking forward to Doctor Strange in the Multiverse of Madness with great anticipation because I am a fan of the character and the first trailer was so thrilling it gave me goosebumps.  I had the chance to see it last night and I enjoyed it but I didn't love it as much as I expected to.  Dr. Stephen Strange (Benedict Cumberbatch) is attending the wedding of his colleague and former lover Christine Palmer (Rachel McAdams) when he is forced to rescue a young girl named America Chavez (Xochitl Gomez) from a demon with the help of Sorcerer Supreme Wong (Benedict Wong).  It turns out that Chavez is being pursued by demons because she possesses the power to travel through the multiverse.  Strange enlists the help of Wanda Maximoff (Elizabeth Olsen) to protect Chavez but learns that the Scarlet Witch is responsible for the attack and is using spells from the Darkhold, a book of forbidden magic, to summon the demons.  Wanda wants Chavez's power to travel to an alternate universe where a version of herself is still a mother and will stop at nothing to get it.  Strange and Chavez travel to another universe looking for the Book of Vishanti, which will counteract the Darkhold, and chaos ensues as he is confronted with different versions of himself and other superheroes.  I think the story is incredibly convoluted with a lot of different characters and backstories to follow (you might find the action confusing if you haven't seen WandaVision, which I have, and What If?, which I have not).  I got the gist of what was happening but I feel like I missed a lot of the subtleties because I am not familiar with all of the characters, especially scenes involving the Illuminati (which feature some really fun cameos).  Having said that, Sam Raimi's distinct visual style is what makes this movie so entertaining because the images on the screen are absolutely brilliant, especially when Strange and Chavez travel through the multiverse and the space between universes.  I also really enjoyed the horror elements integrated into the action, particularly the sequences involving a zombie.  Finally, Cumberbatch is, as ever, a fantastic Stephen Strange but this movie really belongs to Olsen because Wanda's character arc dealing with her grief is very powerful and she absolutely delivers!  I definitely recommend seeing Doctor Strange in the Multiverse of Madness but I think the MCU is running the risk of becoming bloated with too many characters, stories, and timelines for the casual movie fan.

Camelot at HCTO

The first theatrical performance I remember seeing is the musical Camelot.  I remember everything about it very vividly because it was the last day of school so spirits were already running high.  I got all dressed up and went with a youth group to see the show at Promised Valley Playhouse and I found it to be an incredibly thrilling experience.  It is not performed very often any more but it will always be a sentimental favorite!  I was very excited to see HCTO's version last night and it was no less thrilling than when I saw it as a 13 year old girl!   This production is a stripped down and simplified telling of King Arthur and his Knights of the Round Table featuring Rex Kocherhans as Arthur, Kat Hawley Cook as Guenevere, and Scott Hendrickson as Lancelot with a small ensemble (Jordan Briggs, Jake Slater, Wade Flanagan, Caleb Collier, Braedon Reynolds, and Daniel Bradley) performing all of the other roles.  The set and props are very minimal and several scenes are described by narrators rather than explicitly portrayed.  However, all of the well-known songs are included such as "Camelot," "The Lusty Month of May," "How to Handle a Woman," "If Ever I Would Leave You," "Fie on Goodness," "What Do the Simple Folk Do?," and "Guenevere."  Despite the simplicity of the storytelling, I really loved the staging of all of the numbers, particularly "The Lusty Month of May" during which colored ribbons drop from the ceiling with choreography that mimics the dancing of the maypole, "The Joust" during which members of the ensemble create the sounds of the galloping horses and the crashing armor with household objects, and "Guenevere" during which the death of the knights in battle is portrayed with red scarves surrounding them as they fall.  This adaptation really focuses on the love triangle between Arthur, Guenevere, and Lancelot and the three lead actors give wonderful performances filled with pathos.  I was especially impressed with Kocherhans in the scene where Arthur discovers that Lancelot and Guenevere love each other because the conflict he feels is palpable.  Even though the sets and props are scaled down, the costumes are not because they are gorgeous!  I couldn't pick a favorite among Guenevere's gowns because they are all incredibly elaborate and beautifully embellished!  There's simply not a more congenial spot than HCTO for their production of Camelot!  I highly recommend that you get a ticket (go here) before the lusty month of May is over!

The Scarlet Pimpernel at the Terrace Plaza Playhouse

I enjoyed the Terrace Plaza Playhouse's production of Seven Brides for Seven Brothers so much I knew I had to come back! Last night I was able to see their version of one of my very favorite shows, The Scarlet Pimpernel, and I loved it. Percy Blakeney (Jeremy Gross) has disguised himself as the Scarlet Pimpernel and has recruited a band of followers in order to save the people of Paris from the sinister Chauvelin (Maxx Teuscher) and his guillotine during the French Revolution. He keeps his identity a secret from his wife Marguerite St. Just (Jessica Andrus), a Parisian actress, because he believes that she is helping Chauvelin, her former lover. He is also keeping his identity secret from the Prince of Wales (Quin Geilman) by pretending to be a foppish nincompoop. However, he must make his most daring rescue when Marguerite is arrested trying to rescue her brother Armand (Jaron Michaelis). I have attended three different productions of this musical at HCT as well as other productions around the Salt Lake valley and I think Gross is the best Percy I have ever seen. He is incredibly powerful in "Into the Fire" (my favorite song in the show) and very moving in "She Was There" but I especially enjoyed his hilarious physicality as the foppish nincompoop. I laughed out loud every time he mispronounced Chauvelin and could hardly breathe during "The Creation of Man." I also really enjoyed Teuscher's portrayal of Chauvelin, particularly his exasperation with Percy. His rendition of "Falcon in the Dive" is very stirring and he displays more passion during "Where's the Girl" than I have ever seen before. Andrus has an incredibly beautiful voice but she is sometimes overpowered by the music and the ensemble, especially during "Storybook" and "The Scarlet Pimpernel." However, she gives a very affecting performance of "I'll Forget You" (I had a tear in my eye) and I loved her interactions with Gross and Teuscher during "The Riddle." As with Seven Brides for Seven Brothers, I was really impressed with the clever use of the intimate space, particularly the staging of "Into the Fire" as the League of the Scarlet Pimpernel travels from England to France by boat and then rescues the condemned prisoners from the guillotine. The choreography is fantastic and I loved how silk handkerchiefs and walking sticks are incorporated into "The Creation of Man" and I loved the intricate patterns created in "Ouilles Gavotte." The backdrop consists of marble archways with flags denoting England or France and various set pieces are brought in to create Percy's study, a garden, and a prison. The guillotine is very dramatic and the special effects used as the blade drops are impressive because it looks very real.  Finally, the costumes in this show are spectacular!  All of Marguerite's gowns are absolutely gorgeous but the outfits worn by the League of the Scarlet Pimpernel take "frou frou" to new levels (I loved the neon colored animal prints). I can't tell you how many times I've read the novel by Baroness Orczy (I love the story) or how many times I've listened to the Original Broadway Cast recording (I love the music) so I have very high expectations whenever I see this show and the Terrace Plaza Playhouse did not disappoint! I highly recommend getting a ticket (go here).

Hatching

There are always a few films at Sundance that catch my eye but, for one reason or another, I am not able to see them.  One such film was Hatching but, luckily, it is now playing at the Broadway.  I had the chance to see it last night and, while I found it to be a bit gross, it is absolutely riveting.  Tinja (Siiri Solalinna) is a twelve-year-old gymnast who is desperate to please her mother (Sophia Heikkila), a lifestyle blogger who continually documents her "lovely life."  Mother expects perfection from everyone in the family, especially from her daughter, and they do everything they can to keep up appearances like automatons.  Mother is even going through the motions herself because she is having an affair with a handyman (Reino Nordin) but stays with her meek husband (Jani Volanen) for the sake of her blog.  When a bird accidentally flies into their living room and wreaks havoc in the picture perfect space, mother kills it mercilessly.  Tinja finds the bird's abandoned nest and discovers an egg which she brings home and cares for until it hatches.  Tinja lavishes all of the love that has been denied her by her mother on the creature (a bird with humanoid characteristics) until it begins acting out all of her repressed emotions with tragic consequences.  Solalinna (in her acting debut) gives an amazing performance as a young girl coming undone under the weight of her mother's expectations, particularly in several scenes where Tinja looks at her mother and tries to figure out what she wants and in the scenes where she interacts with the creature and is finally able to show her emotions.  Heikkila is also outstanding because mother always has a smile on her face but she still manages to be incredibly menacing.  The design of the creature is brilliant because it is quite scary but also sympathetic, especially as it transforms into a version of Tinja, and the practical effects involving the creature (which required five puppeteers) are deeply disturbing to watch but you can't look away.  The production design creates a world where everything is perfect on the surface (lots of pastels and flowers) but the lighting and sound design show the evil lurking underneath and this is incredibly effective in creating an unsettling atmosphere.  This is definitely a cautionary tale about seeking perfection.  Sometimes the highly curated images people post on social media mask a deep unhappiness and I found the exploration of this theme to be fascinating.  I recommend this movie but only to fans of body horror (it is really gross).

The Bad Guys

Last night I spontaneously decided to see The Bad Guys (there aren't many new releases this weekend) and I enjoyed it more than I thought I would.  A crew of notorious criminals made up of anthropomorphic animals known for being scary to humans, including Mr. Wolf (Sam Rockwell), Mr. Snake (Marc Maron), Mr. Shark (Craig Robinson), Ms. Tarantula (Awkwafina), and Mr. Piranha (Anthony Ramos), attempt to steal a valuable trophy being presented to a philanthropist guinea pig named Professor Marmalade (Richard Ayoade) by the governor Diane Foxington (Zazie Beetz) but they are caught by the overzealous human chief of police (Alex Borstein) who has been pursuing them for years.  Professor Marmalade convinces the governor that he can reform them by the time of his charity gala and she promises them a pardon if he succeeds.  Mr. Wolf agrees to the proposal, telling his crew that they will only be pretending to be good to get the pardon and to have another crack at stealing the trophy.  However, Mr. Wolf starts to like being one of the good guys and some of the heroes start acting like bad guys.  Chaos ensues.  The story gets a bit bogged down in the second act but I think the emphasis on each animal's defining characteristic is really clever, particularly when the tarantula (a computer hacker) uses all eight of her legs to type on different keyboards.  The voice cast is outstanding and I liked the look of the animation because it is very stylized with both 2D and 3D images.  The action sequences are a lot of fun, especially a high-speed chase after a bank robbery and an elaborate escape from prison, and the message that you shouldn't judge someone based on their appearance is a good one.  As with most animated features geared for children, there are a lot of references that adults are sure to find very amusing (lots of nods to other heist movies).  This is a highly entertaining movie and I recommend it for both children and adults.

Little Women at West Valley Arts

Last night I went to see Little Women at the West Valley Performing Arts Center. I fell in love with this musical when I saw a production at HCT (on the same stage!) and I enjoyed this show just as much! The story, based on the beloved classic by Louisa May Alcott, shows the March sisters, Jo (Lindsea Garside), Meg (Madison McGuire), Beth (Ellie Hughes), and Amy (Mia Hansen), coming of age in Concord, Massachusetts during and after the Civil War. We first meet Jo when she is in New York pursuing her dream of becoming a writer.  However, when Professor Bhaer (Josh Egbert), another resident at her boardinghouse, tells her that she should write about what she knows rather than the sensational pieces she has been submitting to magazines, there are flashbacks to the trials and triumphs of her adolescence with her sisters and mother "Marmee" (Heidi Hunt), her neighbor Theodore "Laurie" Laurence (Ricky Dowse), his grandfather Mr. Laurence (Nick Cash), and her Aunt March (Wanda Copier). Jo encounters sorrow in the death of a sister, disappointment in love with Laurie, redemption as she writes a story she can be proud of, and, ultimately, love with Professor Bhaer. I have always loved the character Jo (I wanted to be her the first time I read the novel) because she is so fiery and independent and the beautiful music adds another layer to her story. I especially love the songs "Astonishing" and "The Fire Within Me." Garside has a beautiful voice and the emotion that she puts into these songs make them incredibly powerful. I also really appreciated her passion in the scene with Aunt March when she learns that she won't be going to Europe because you could really feel her frustration. A number that put a smile on my face was "The Weekly Volcano Press" where Jo reads one of her sensational stories to Professor Bhaer as it is acted out. I found myself watching Garside more than what was happening on stage because she mouths all of the words as they are sung and she is so hilariously over the top! There are quite a few poignant moments with wonderful performances from the rest of the cast as well, such as when Hunt (who is the swing) as Marmee laments that her husband is not with her to help her raise their daughters in "Here Alone," when Cash as Mr. Laurence allows a bit of vulnerability to show through his gruff persona in "Off to Massachusetts," and when Hughes as Beth confesses that she knows she will die in "Some Things Are Meant to Be." I had a tear in my eye during the latter number. The choreography, especially in "Five Forever," is a lot of fun and the minimalist set is very effective. I was a little bit disappointed with some of the costumes and wigs but this didn't detract from my enjoyment. This production is extremely well done with lovely performances and I highly recommend getting a ticket (go here).

Note:  I would really love to see larger audiences for this theater because every show I have seen (as an usher and a patron) has been outstanding and the ticket price is very reasonable!

An Evening With Brian Stokes Mitchell and the Utah Symphony

I have been lucky enough to see Broadway star Brian Stokes Mitchell perform several times, including an amazing concert with the Utah Symphony and the Mormon Tabernacle Choir, so I was thrilled when I found out that he would be performing with the Utah Symphony again and I bought a ticket almost immediately!  The concert last night was in honor of Kem Gardner, a long time USUO board member, and it was wonderful!  He began with a lively rendition of "There's No Business Like Show Business" from Annie Get Your Gun and then performed an eclectic program featuring Broadway hits and standards from the great American songbook with lots of stories and anecdotes in between (he is so charming and engaging).  I especially enjoyed "Man of La Mancha" from Man of La Mancha (he was nominated for a Tony award for his performance as Don Quixote) and a very sultry version of "Feeling Good."  Many years ago, during a Bravo Broadway concert with the Utah Symphony, he performed one of the most beautiful versions of "Stars" from Les Miserables that I have ever heard and I have always wanted to hear him sing it again.  I got my wish last night and it was definitely the highlight of the concert for me!  He ended the set with "Wheels of a Dream" from Ragtime (he originated the role of Coalhouse Walker, Jr. and was nominated for a Tony) which was incredibly powerful.  For the encore he sang "The Impossible Dream" from Man of La Mancha, which is the song he sang out of his apartment window in New York for essential workers during the pandemic, and then a heartfelt version of "Wonderful World."  I loved this concert and I love the fact that so many Broadway stars enjoy performing with the Utah Symphony!

The Unbearable Weight of Massive Talent

Last night I crossed off another one of my most anticipated movies on my list by seeing The Unbearable Weight of Massive Talent.  It is hilarious and it was so much fun laughing out loud with a large and boisterous crowd!  Nicolas Cage plays Nick Cage, a fictionalized version of himself who has just lost out on a coveted role of a lifetime and is tormented by a younger version of himself named Nicky (Nicholas Wittman) who bears a striking resemblance to his character in Peggy Sue Got Married.  He also has massive debts and a strained relationship with his sixteen-year-old daughter Addy (Lily Sheen) so, when his agent Richard Fink (Neil Patrick Harris) tells him that an eccentric billionaire named Javi Gutierrez (Pedro Pascal) has offered him $1 million to appear at his birthday party, he accepts.  He flies to Mallorca and soon bonds with Javi after role-playing some of his famous movies and watching Paddington 2.  However, CIA Agents Vivian (Tiffany Haddish) and Martin (Ike Barinholtz) believe that Javi is the leader of a notorious drug cartel responsible for the kidnapping of a politician's daughter (Katrin Vankova).  They recruit Nick and hilarity ensues as he channels all of his action hero characters to spy on Javi.  The plot is a bit nonsensical but it hardly matters because it is so entertaining.  Cage is at his most self-deprecating best (I loved the line about his nouveau shamanic acting style) and he has great chemistry with Pascal, particularly during an LSD-fueled trip around the island and a visit to Javi's shrine to the actor.  I also enjoyed all of the references to Cage's movies, including Con Air, Croods 2, Leaving Las Vegas, Captain Corelli's Mandolin, Guarding Tess, The Rock, Gone in 60 Seconds, Mandy, National Treasure, and Face/ Off (there are probably more), because they show what a unique career he has had.  I haven't laughed this much during a movie in a long time so, if you are in the mood for some lighthearted fun, definitely check this out!

The Northman

I am a huge fan of Robert Eggers (I think The Lighthouse and The Witch are both masterpieces) so The Northman was another one of my most anticipated movies of 2022.  I had the chance to see it last night at a Thursday preview and it certainly did not disappoint!  King Aurvandil (Ethan Hawke) returns home from battle with many injuries so he holds an initiation rite for his young son and heir, Prince Amleth (Oscar Novak), which is presided over by his friend Heimir (Willem Dafoe).  Amleth receives visions about his destiny and promises his father that he will avenge him should he fall in battle.  Soon after, Amleth witness his uncle Fjolnir (Claes Bang) brutally murder his father and kidnap his mother Queen Gudrun (Nicole Kidman).  Amleth escapes pursuit and vows to avenge his father, save his mother, and kill Fjolnir.  Years later Amleth (Alexander Skarsgard) has become a Viking warrior but, when he encounters a seeress (Bjork) while sacking a village, he is reminded of his vow and soon discovers that Fjolnir has been overthrown and exiled to Iceland.  He smuggles aboard a ship taking slaves to Fjolnir and encounters Olga (Anya Taylor-Joy), a sorceress with whom he eventually begins a relationship.  As he comes face to face with Fjolnir, he struggles to fulfill his destiny because he must choose between showing kindness to his kin or hatred for his enemy.  This is a very simple revenge story but the references to Norse mythology and symbolism (it is based on a medieval Scandinavian legend which is also the source material for Shakespeare's play Hamlet) are what make it so interesting and compelling, particularly the portrayal of the Tree of Kings, the Valkyrie, and Valhalla.  The images on the screen are stunning and feature the usual atmospheric world-building that Eggers is known for.  I lost count of how many times I was mesmerized by the beauty of a particular shot.  I also loved the sound design, the heart-pounding score, and the period detail.  The medieval warfare is visceral and unrelenting, especially the final confrontation between Amleth and Fjolnir, and many might be put off by this but I found it exhilarating!  Skarsgard is an absolute beast but I also found Kidman's portrayal of Queen Gudrun to be fascinating (it made me rethink Queen Gertrude's motivations in Hamlet) and Taylor-Joy is luminous.  Eggers has done it again because The Northman is brutal, bloody, and brilliant (but might not be for everyone).

The Light in the Piazza at HCT

When HCT announced the 2022 season this time last year, the show I was most excited for was The Light in the Piazza. I had the opportunity to see it last night and I was not disappointed because it is one of the most beautiful productions I've seen! In 1953 Margaret Johnson (Michelle Blake) and her daughter Clara (Rachel Tregeagle) are touring Italy for the summer. When a strong wind blows Clara's hat across the Piazza Della Signoria in Florence, a young man named  Fabrizio Naccarelli (Matthew Sanguine) retrieves it for her and the two of them fall instantly in love. Margaret immediately separates them and continues to do so as Fabrizio pursues them to the Uffizi Gallery and the Duomo. Margaret finally gives in and agrees to a meeting with Fabrizio's family, including his father (Danny Inkley), mother (Mandi Barrus), brother Guiseppe (Landon Horton), and sister-in-law Franca (Cecily Bills), during which they are all enchanted by Clara. When it becomes clear that Fabrizio and Clara want to get married, Margaret takes her to Rome to get her away from him. It turns out that Clara is intellectually and emotionally delayed as the result of a tragic accident in her childhood and Margaret has always felt the need to protect her. However, she soon comes to realize that Fabrizio is the light in Clara's darkness. This is a very sweet and old-fashioned story where true love overcomes all obstacles and I found it to be charming. Every one in the cast is outstanding but I was particularly impressed by the three leads because they have beautiful voices.  Blake is formidable as a mother protecting her child but also shows a lot of vulnerability when she realizes that her own darkness might be influencing her decisions, Tregeagle is very effective at portraying wide-eyed wonder at everything Clara is experiencing, and Sanguine is incredibly charismatic as a smitten young man searching for the right words to express his love. I also really enjoyed Horton as Fabrizio's philandering brother because he can dance and his facial expressions are hilarious. The best part of this show is the music and I loved seeing the musicians (Sebastian Neugebauer on piano, Julie Beistline on violin, Hannah Brown on cello, and Alyssa Holman on harp) performing live on stage. My favorite songs are "Statues and Stories" because it describes the excitement Margaret feels as she discovers all of the history found in Florence (I felt the same way when I was in Florence), "Say It Somehow" because it is swoon-worthy as Clara and Fabrizio find a way to express their love without words, and "The Light in the Piazza" because it shows that, even with all of the beauty surrounding her in Italy, all Clara can see is Fabrizio's love. I had goosebumps through most of the songs because they are so beautiful. The set, designed by Jenn Taylor, features Roman columns that rotate on a turntable with various pieces that are brought in to create different scenes (my favorite was the Uffizi Gallery with paintings coming down from the rafters).  The attention to detail is incredible and I especially loved a cut-glass lamp used in Margaret's hotel room. Projections can be hit or miss with me but in this production they are literally works of art because they feature amazing impressionistic paintings of locations in Florence created by Madeline Ashton. Finally, the costumes, designed by Joy Zhu, are gorgeous! Every dress features textured, embellished, or embroidered fabrics and every outfit includes shoes, a hat, gloves, a purse, and jewelry (the brooches!). Everything about this show, which runs on the Sorensen Jewel Box Stage through June 18, is absolutely delightful and I highly recommend it (go here for tickets).

Note:  Don't miss out on seeing some insanely talented kids rock out in School of Rock now playing on the Young Living Main Stage through May 28 (go here for tickets).

Catch Me If You Can at the SCERA Center for the Performing Arts

The musical Catch Me If You Can, based on the movie of the same name starring Leonardo DiCaprio and Tom Hanks, is a lot of fun so I went to see a new production at the SCERA Center for the Performing Arts last night. It is fantastic! The show begins when Frank Abagnale, Jr. (A. J. Nielsen) is arrested by FBI Agent Carl Hanratty (Mark Gordon) at the Miami Airport. Then Frank breaks the fourth wall and begins telling the audience his story as if he were part of a 1960s television variety show (complete with go-go dancers) in the big production number "Live in Living Color." When his parents, Frank Abagnale, Sr. (Nathaniel Noyes) and Paula Abagnale (Samantha Frisby), get divorced, sixteen year old Frank decides to run away to New York and he starts forging checks in order to get by (almost two million dollar's worth by the time he is caught). This gets the attention of the FBI, especially Hanratty who is relentless in his pursuit as Frank impersonates a Pan Am pilot, a doctor, and a lawyer (he even passes the bar exam). Frank is always one step ahead of Hanratty until he falls in love with Brenda Strong (Shannon Follette). The two leads are so much fun to watch and I particularly enjoyed their interactions together! Nielsen is charm personified as the fast-talking confidence man (especially in the songs "Jet Set" and "Doctor's Orders") but he is equally adept at portraying the vulnerable teenager who ran away from home. Gordon is absolutely hilarious as the straight-laced FBI agent who has no life away from the job and his number, "Don't Break the Rules," is a definite crowd pleaser! The scene where Frank manages to elude Hanratty in a motel room is really funny but there is also a poignant moment between them when Frank calls Hanratty on Christmas Eve and they both realize that they don't have anyone to talk to but each other. I was also very impressed with Follette and her rendition of "Fly, Fly Away" is my favorite out of all the productions of this show that I've seen because she can definitely sing the blues! The choreography is a pastiche of the variety shows of the 1960s (such as Laugh-In and Hullabaloo) and the big song and dance numbers are incredibly entertaining. The set, which looks like it could be from a television awards show, has multiple levels which are used very effectively as various locations with the addition of just a few set pieces. Finally, the costumes are quite impressive (especially for the female ensemble who appear as go-go dancers, Pan Am stewardesses, FBI agents, nurses, and southern belles among other characters). I had a great time last night and, if you need a fun night out, look no further than Catch Me If You Can which runs at the SCERA Center for the Performing Arts through May 7 (go here for tickets).