A Working Man

I am an unapologetic fan of action movies starring Jason Statham (I submit that we should get a new one every year) so I was really excited to see A Working Man with my nephew last night.  There are definitely flaws (I think The Beekeeper is better) but we had a lot of fun with it.  Levon Cade (Statham) is a former commando with the Royal Marines who is trying to put his violent past behind him in order to get a better custody arrangement with his daughter Merry (Isla Gie). He now works for a family-run construction company owned by Joe and Carla Garcia (Michael Pena and Noemi Gonzalez, respectively) and he feels especially protective of their nineteen year old daughter Jenny (Arianna Rivas).  When Jenny is abducted from a club, he reluctantly dusts off his commando skills, reconnects with an old war buddy (David Harbour), and promises the Garcias that he will bring her home.  His investigation leads him to the head of a Russian crime family (Jason Flemyng), a rogue member of that family named Dimi (Maximilian Osinski) who traffics young girls to the highest bidder, the head of a biker gang (Chidi Ajufo) who inadvertently helps him infiltrate Dimi's inner circle, and, finally, the kidnappers Viper and Artemis (Emmett Scanlan and Eve Mauro, respectively) who are bringing Jenny to the client who purchased her.  This leads to an epic showdown in which Cade must neutralize everyone (literally everyone!) involved in order to rescue Jenny and return home to his daughter.  One does not go to movies like this for the plot (this one is convoluted and messy) or for the acting (some of the performances are incredibly cheesy at times).  Rather, one goes to movies like this for the action and Statham (doing what he does best) executes the thrilling fight choreography very effectively as Cade improvises with whatever tools he has at hand.  I especially loved a scene in which Cade fights against two henchmen in the back of a van while he is restrained and the final shootout is a definite crowd-pleaser.  (However, my nephew and I could not suspend our disbelief when the henchmen are unable to hit Cade with a barrage of gunfire as he flees on a motorcycle in a straight line in front of them).  In addition to the action, I also enjoyed seeing a bit of heart in Cade's characterization as a father protecting a daughter as well as his touching interactions with Merry and Jenny.  This is exactly what I was expecting and, if you are a fan of Statham's other movies, I'm sure you will enjoy this.

The Sound of Music at CPT

There are a few shows that just put a smile on my face no matter how many times I see them and The Sound of Music is definitely one of them because my mom loved it so much during the final year of her life. Last night my sisters and I went to see a production at CPT and all three of us really loved it! The story of how a prospective nun named Maria Rainer (Emily Henwood) brings music back to the household of Captain von Trapp (Clay Rockwood) when she becomes the governess to his seven children is so heartwarming and I always anticipate all of my favorite songs (although the order is a little bit different from the movie and I always find that a bit disorienting because I've watched the movie so many times). I really have to stop myself from singing along to every one of them! Henwood has a beautiful voice and her performance is lovely. Her interactions with the von Trapp children, Liesl (Kali Garrett), Friedrich (Jack Fillmore), Louisa (Audrie Corbaley), Kurt (Ty Wilson), Brigitta (Malan Poll), Marta (Eleanor Stephens), and Gretl (Kacey Kemp), are endearing in the songs "Do-Re-Mi" and "The Lonely Goatherd" and those with Rockwood when they dance the Landler and in the song "Something Good" are incredibly romantic. I always enjoy watching the young actress who plays Gretl and Kemp is adorable but in this production Poll steals the show as Brigitta because her line deliveries and facial expressions are hilarious (be sure to watch her if you see the show). I also really liked Garrett's performance because her chemistry with Drew Dunshee, who plays Rolf, is really sweet in "Sixteen Going on Seventeen." Other highlights are Valerie Parker's powerful rendition of "Climb Ev'ry Mountain" and Rockwood's emotional performance of "Edelweiss." There are some interesting variations in the staging of several numbers, including having Captain von Trapp and the children walk towards Maria during the wedding, having soldiers stationed throughout the theater wearing Nazi armbands during the music festival (it is so ominous), and having the von Trapp family climb to safety through a window in the abbey. The use of archival footage projected on screens around the stage, which I have never seen done before, is also very powerful. Finally, the set is absolutely incredible! It features a large structure that resembles a cathedral with beautiful stained glass windows on top and a snow-capped mountain with a valley filled with flowers below. This structure opens up to become the von Trapp villa with a spectacular double staircase and a terrace while dramatic set pieces are moved on and off stage to become Nonnberg Abbey and other locations (the large eagle and swastika over the stage during the music festival is particularly striking). This show is a classic for a reason and every aspect of CPT's production is outstanding! I highly recommend getting a ticket (go here) but they are going fast so don't delay!

No Other Land

Last night I went to see the Academy Award winning documentary No Other Land at the Broadway and, no matter where you stand on the conflict between Israel and Palestine, you cannot help but feel devastated and heartbroken after seeing firsthand the fate of people who have been displaced from land owned by their families for generations and who now have no place to go.  In 1980 the Israeli government declares that Masafer Yatta, a collection of 20 rural villages on the southern edge of the West Bank, will now be used for military training.  After a protracted legal battle fighting against expulsion, the Israeli high court rules against the villagers and the army begins demolishing homes with bulldozers.  Basel Adra, inspired by the activism of his parents against the Israeli occupation of the West Bank, decides to to start documenting the destruction in 2019 with the hope that people might be moved by what they see and do something to help.  He gains the attention of an Israeli journalist named Yuval Abraham, who disagrees with what the Israeli government is doing in the West Bank, and together they shoot footage with Hamdan Hallal, a Palestinian filmmaker, and Rachel Szor, an Israeli cinematographer and editor.  The images they capture are visceral and very difficult to watch.  I was in tears when a mother begs the soldiers to stop the bulldozers from tearing down her house because her two daughters are still inside and they tell her that they don't care, when the soldiers shoot a man because he won't give them his generator, when the mother of this man tearfully wishes that he would die because she doesn't have a house in which to care for him now that he is paralyzed, and when a family goes looking for any of their chickens that might still be alive after the soldiers bulldoze their chicken coop but the scene that affected me the most is when a group of crying children watch their school bulldozed to the ground.  I was really struck by the attitude of the Israeli soldiers, which ranges from callous indifference to outright cruelty, towards the villagers in the name of following the law.  However, I was also struck by the growing friendship between Basel and Yuval, contemporaries who have very different lives simply because they were born 30 miles apart, in scenes where they discuss the ongoing conflict because it gives some hope that Israelis and Palestinians might eventually be able to work together for peace despite the events of October 2023 depicted in the epilogue.  This is one of the most powerful and important documentaries I've seen and I am grateful that I had the opportunity to see it (it still does not have a distribution deal in the U.S. so independent theaters like the Broadway are screening it on their own).

The Alto Knights

Last night I went to see The Alto Knights with my nephew.  I was very intrigued by the idea of having the same actor play the two main characters but I eventually found this gimmick to be incredibly tedious.  Frank Costello and Vito Genovese (Robert De Niro) were once childhood friends who got their start in the criminal underworld as bootleggers.  The hotheaded Genovese is forced to flee the country in order to avoid a double murder charge and this leaves the more diplomatic Costello in charge of their organization.  While World War II keeps Genovese trapped in Europe, Costello legitimizes much of their business, which makes him and members of their organization very wealthy, and he also takes an interest in politics and the charities organized by his wife Bobbie (Debra Messing).  When Genovese eventually returns, he wants to go back to business as usual and to expand into narcotics but Costello strenuously objects to this.  They each vie for control of their organization until Genovese orders an unauthorized hit on Costello, which he survives.  The rest of the narrative, which is convoluted and moves at a glacial pace, focuses on how Costello attempts to leave organized crime and retire.  This is a true story that culminates in a raid that brings organized crime to the attention of the FBI but I didn't find it very compelling.  I actually found it very confusing because there are a lot of secondary characters and they are not developed very well (one very important character is assassinated in a barber shop and I didn't know who he was or why his death had such an impact on the organization until I researched it after the movie).  Even though De Niro does a good job differentiating the two characters (it is amusing to see him play off himself several times when the two characters sit down for meetings), I found it very distracting because I always had to wait until the character spoke to determine who was who.  The best thing about this movie is the 1950s production design, especially all of the cars, but the archival footage does get a bit old.  I would only recommend this to fans of gangster movies but there are definitely better ones out there to watch instead.

Note:  My nephew told me that he could tell I was bored watching this because I kept fidgeting.

Jazz vs. Celtics

Last night I went to another Utah Jazz game with my friend Angela and I had a lot of fun even though the Boston Celtics beat them pretty soundly.  I think there were twice as many Celtics fans than Jazz fans (a conservative estimate) at the Delta Center and that made it really interesting because they were very vocal whenever their team scored (and that happened often).  The Jazz won the opening tip off and Collin Sexton scored with a jump shot.  One minute later he got a nice three-point shot to put the Jazz ahead 5-0.  I joked that this would be the only lead the Jazz would have during the whole game and, sadly, I was right!  Boston went on to score six three-point shots out of their first seven baskets and they ended the first quarter firmly in control leading Utah 35-18.  The Jazz really struggled with offensive rebounds but they stayed competitive in the second quarter to end the first half down 60-51.  The Jazz battled back in the third quarter with three three-pointers from Sexton and a nice shot from Keyonte George to cut Boston's lead to 71-69.  Then Jayson Tatum (a lot of people sitting near us were wearing his jersey) scored 19 seconds later and that sparked a 13-0 run to put the Celtics up 89-75 at the end of the quarter.  Sexton, who ended the night with an impressive 30 points, and George tried to keep it close in the fourth quarter but Payton Prtchard scored 10 points to lead the Celtics to a 121-99 victory.  It seemed like the only fans in the arena at the end of the game were wearing green!  It has been hard to be a Jazz fan this season (we have the worst record in the entire NBA) but it is always fun to go to games with Angela!