My Penguin Friend

Last night I returned to the Broadway to see My Penguin Friend and I think it is one of the most heartwarming movies I've seen in a long time.  It tells the true story about a Magellanic penguin who traveled from Patagonia every year to visit the man in Brazil who nursed him back to health after being caught in an oil spill.  Joao Pereira de Souza (Jean Reno) is a fisherman living on the coast of Brazil who has isolated himself from the villagers around him because he is still grieving the loss of his young son who died many years ago in a boating accident for which he feels responsible.  A penguin is separated from his colony during its annual migration from Patagonia and washes up on Joao's beach sick and covered in oil.  Joao brings the penguin home, much to the dismay of his exasperated wife Maria (Adriana Barraza), and cares for him tenderly until he is ready to be released back into the wild.  When the penguin, dubbed Dindim by a girl in the village, returns the following year, it brings Joao back to life and Dindim ultimately helps him reconcile his son's death.  The underwater cinematography following Dindim's journey from Patagonia to Brazil and back again is incredibly beautiful and immersive and I loved the footage of the penguin colony because I learned so much about their behavior.  There are also some shots from Dindim's POV that are highly amusing because he is very curious and a little bit naughty.  Some liberties are taken with the story but it is really touching, especially a scene when Dindim is in peril and another when we realize that Joao is desperate to save him because he was unable to save his son.  Reno gives a performance that is subtle but affecting and I also love that Dindim is portrayed by ten different rescue penguins. This is such an uplifting movie about the power of friendship and forgiveness that I think almost anyone would enjoy it!

Peter and the Starcatcher at Murray Park Amphitheater

Last night I was able to see Peter and the Starcatcher under the stars at the Murray Park Amphitheater and it was enchanting!  This show is a really clever and imaginative origin story for Peter Pan which explains how a mistreated orphan boy gets magical powers after arriving on Neverland and how the inept pirate Black Stache becomes Peter's arch-nemesis Captain Hook.  The entire cast, most of whom play multiple roles with the addition of costumes and props located on stage, is fantastic.  I particularly enjoyed Trinity Medina as Peter, Cece Capps as Molly, Georgia Collings as Smee, and Hunter Oliphant as Mrs. Bumbrake because they all give slightly different interpretations of their characters from ones I've seen before.  However, Matthew Davids absolutely steals the show as Black Stache because he is incredibly flamboyant as a misunderstood poet looking for a hero to defeat so that he can become a menorable villain.  His facial expressions are hilarious and many of his ad-libbed lines had me and the audience laughing out loud, especially a line about being a Disney villain wannabe.  I also loved his physicality, particularly in the scenes where he loses his hand and where he impersonates Michael Jackson.  A multi-level stage is transformed into the ships The Wasp and The Neverland as well as a volcanic island with ordinary objects that are used in very creative ways (I especially loved having a rope represent different areas on the ships, green parasols as the forest, and a ladder as a crocodile) so the audience must use their imagination much like the Lost Boys do.  I was also impressed by some really clever staging and choreography including how Molly reveals her powers, how Molly shows the stars to Peter, and how Peter and Molly are thrown overboard.  The costumes are also a lot of fun (the use of a fan as a mermaid's tail is ingenious) and all of the amusing sound cues by pianist Jennifer Hansen and percussionist Angel Williams add to the playful vibe.  There are some small pacing issues with this production because I think the second act loses steam but this is a complicated show to mount and I am impressed with what a community theatre company was able to do with it.  Unfortunately, last night was the final performance but there are still a few opportunities to see shows at the Murray Park Amphitheter (go here) before the summer ends.

Note:  I felt a hint of fall in the air because I needed a jacket after the sun went down.

Sing Sing

Last night I went to the Broadway for Sing Sing, a movie that I have been anticipating for months, and it absolutely delivered because I loved it!  It is about a group of men incarcerated in Sing Sing Maximum Security Prison who participate in a real-life theatre program operated by Rehabilitation Through the Arts (RTA) and the cast features many formerly incarcerated men who are alumni of the program.  The narrative alternates between the brutal realities of living behind bars with scenes of guards roughing up inmates and tossing cells and the chance to escape from those realities for a few hours with scenes showing the men participating in acting exercises and rehearsals for performances. The dialogue is very authentic as the men work through how their life experiences inform their characters and how their characters allow them to express feelings that have been repressed.  It is incredibly powerful, especially when one of the men says that this program allows him to be human again.  I especially loved the relationship between John "Divine G" Whitfield (Colman Domingo) and Clarence "Divine Eye" Maclin (Himself).  Divine G feels very protective of the group and is initially hesitant when Divine Eye joins because he is resistant to the process but he soon does whatever he can to help Divine Eye find success both on stage and in seeking parole.  Then, when Divine G suffers a setback and gives into despair, it is Divine Eye who helps him find his way back to the stage (the resolution between the two characters is so emotional that I was practically sobbing and I wasn't alone).  I also loved that it is Hamlet's soliloquy that helps Divine Eye express his emotions.  Domingo's brilliant performance absolutely blew me away, especially when the camera comes in close to show the subtle changes in his expression, and he should definitely be in the conversation for every Best Actor award.  Maclin is also very affecting as is Sean San Jose who plays Divine G's cellmate.  This is an incredibly moving depiction of the redemptive power of art and it is one of the best movies I've seen this year.  I highly recommend seeking it out.

Alien: Romulus

I think Alien is one of the best science-fiction movies ever made so, even though I like some of the many sequels and prequels more than others, I have been beyond excited to see Alien: Romulus.  I had the chance last night at a Thursday preview and I loved it.  Rain (Cailee Spaeny) is an orphaned indentured laborer on a desolate mining colony eager to escape from Weyland-Yutani Corp.  She and Andy (David Jonsson), an android reprogrammed by her father to take care of her, are invited to join a group, consisting of Tyler (Archie Renoux), Kay (Isabela Merced), Bjorn (Spike Fearn), and Navarro (Aileen Wu), traveling to a decommissioned spaceship floating near the colony in order to access the cryogenic chambers required to leave because they need Andy to communicate with the computer on board.  When they arrive, they discover that the ship is really a space station and that it wasn't decommissioned but destroyed.  They also discover a damaged android who reveals that a xenomorph recovered from the wreckage of the Nostromo is on board and that they have inadvertently provoked an attack by multiple facehuggers.  They attempt to escape by implanting the android's chip into Andy so he can access the space station's controls but this changes his directive with terrifying results.  I was impressed by the story because it is definitely an homage to the movies that have come before (one specific callback had my audience cheering) while still bringing a unique vision to the franchise.  The practical sets, featuring damaged labs, airlocks, corridors, and elevator shafts, brilliantly emphasize the claustrophobia and the use of atmospheric lighting and unsettling sound design add to the almost unbearable tension.  There are some incredible action sequences, especially in the absolutely wild third act (which had me on the edge of my seat and holding my breath), and I was particularly blown away by one involving gravity.  I loved the relationship between Rain and Andy because it provides some emotional depth that I wasn't expecting and both Spaeny and Jonsson give outstanding performances (I was quite impressed with Jonsson because he effectively shifts between two different personalities).  My only complaint is that I sometimes had a hard time with the geography because I couldn't figure out where everyone was in relation to various locations and to each other.  Ultimately, I think this is the best entry in the franchise since Aliens and I highly recommend it.

Legally Blonde at West Valley Arts

Last night I went to see Legally Blonde at the West Valley Performing Arts Center and it was more fun than should be allowed on a Wednesday night! Elle Woods (Rachel Matorana), a fashion merchandising student and president of the Delta Nu Nu sorority at UCLA, is sure that her boyfriend Warner Huntington III (Wesley Valdez) is about to propose but he breaks up with her instead. He explains that he is going to Harvard Law School and he needs a more serious girlfriend for the future he imagines. She decides to prove him wrong and succeeds in getting into Harvard Law School but no one there takes her seriously, especially the notoriously difficult Professor Callahan (Jared Lesa) and Warner's new girlfriend Vivienne Kensington (Teaira Burge). However, a teaching assistant named Emmett Forrest (Geoff Beckstrand) and a beautician named Paulette Bonafonte (Madison Archibald) show her that she has what it takes to be a lawyer and she eventually gets an acquittal for her first client, fitness guru Brooke Wyndham (Bryn Campbell). Like most musicals adapted from popular movies, the songs are a little bit contrived but I have to admit that I enjoyed them, especially "Omigod You Guys," "What You Want," "Positive," "Blood in the Water," "Chip On My Shoulder,""Whipped into Shape" (this is incredible), and "Bend and Snap," because the fun and energetic choreography had the crowd cheering out loud! Matorana is absolutely perfect as the irrepressible Elle because her joy and optimism are palpable in every number. She definitely has the charisma to carry the show because you can't take your eyes off her and her voice is very well suited to the score. I also really enjoyed Archibald's performance because she oozes personality as well as Beckstrand's because he is both lovable and vulnerable. The use of a big group of Delta Nu Nu sorority sisters, rather than just the three that are usually found in most productions, as a Greek chorus whenever Elle needs inspiration really adds to the energy. Every inch of the stage is covered in pink and the set pieces for the Delta Nu Nu house, various locations at Harvard, the courtroom, and the beauty parlor are incorporated with very clever staging (I especially loved the scene where Elle is kicked out of class because it is so seamless). The costumes and lighting design also make liberal use of the color pink and it is so vibrant and playful. If you love the movie you will definitely love this entertaining show! It runs at the West Valley Performing Arts Center on Thursdays, Fridays, and Saturdays through August 31 (go here for tickets).