The Nutty Professor at HCT

Other than one of the best versions of Fiddler on the Roof that I've ever seen, I haven't been very impressed with the shows at HCT this season. Happily, that changed with their production of the new musical The Nutty Professor, which I was able to see last night, because it is so much fun! I don't know what I loved more: the story, the performances, the choreography, the costumes, the sets, or the projections! Julius Kelp (Spencer Jackson Hohl) is a nerdy and socially awkward chemistry professor at Korwin College who is often reprimanded by the dean, Dr. Warfield (BJ Whimpey), for blowing up his lab. He befriends Stella Purdy (Bre Welch), a new adjunct professor, but when he is humiliated by the star football players (Eric Ascione and Even McKay Naef), he decides that he must make some changes in order to impress her. He creates a serum that transforms him into the handsome and charismatic, but narcissistic, Buddy Love and soon the entire studentbody, including Stella, is under his spell. However, when Stella sees that Buddy is having a negative influence on the students, she realizes that it is Julius who she truly loves! This is a delightful and entertaining show and I love the message that it is always better to be yourself. Hohl is absolutely hilarious as Julius/Buddy because he is so good at the physical comedy! A scene where the serum wears off and he keeps transforming from Buddy to Julius and back again at inopportune times, with just a change in posture and facial expression, had me laughing out loud. He is also incredibly charming in all of the scenes with the students and it is entirely believable that Buddy could have them all swooning over him (I think Hohl may have actually taken the serum because all of the girls around me were swooning over him, too!). Welch has a beautiful voice and I especially loved her performances of "Too Much for Me" and "While I Still Have the Time." Everyone in the ensemble is insanely talented but I have to give a shoutout to Phil Lewis for the epic baton twirling! The choreography by Afton Wilson is amazing and it is worth the price of admission just to see all of the dazzling song and dance numbers. My favorites were "Dance to My Own Drummer," "(Hey Is It Me Or) Is It Hot in Here," "Buddy's Place" (especially when Julius suddenly appears and starts dancing awkwardly and then all of the students mimic him), "Everything You've Ever Learned is Wrong," and "Step Out of Your Shell" (the ballroom dancing is lovely). All of Joy Zhu's costumes are incredible (I was impressed by the sheer number of them) but I really loved the purple sequined suit worn by Buddy the first time he appears and all of the purple and yellow uniforms worn by the Korwin College cheerleaders, football players, and marching band (probably because they are the same colors as my college alma mater). I always love the sets at HCT and this one is no exception! The attention to detail in Julius' laboratory (I loved all of the neon potions in the beakers) is fabulous! Finally, the projections featuring atoms and the periodic table on the LED screens around the theater and on the stage are very amusing! I really cannot say enough about every aspect of this production and I highly recommend that you do not miss it! It runs on the Young Living Centre Stage through August 17 and tickets may be purchased here (but act quickly because many shows are sold out).

Note:  I saw Bre Welch last night in this show and her husband Addison the night before in Kiss Me Kate!

Kiss Me Kate at CPT

I went to see Kiss Me Kate at CPT a few weeks ago with my sisters but I had to leave at intermission because I was feeling sick. I was really disappointed because I had been looking forward to it and I liked it up to that point. I decided to get another ticket and, thankfully, I was able to stay for the whole show last night! Ironically, I enjoyed the first act, which I had already seen, much more than the second. This features the classic show-within-a-show conceit as a theatre company stages a musical version of Shakespeare's play The Taming of the Shrew. Chaos ensues when life imitates art and the former husband and wife actors Fred Graham (Addison Welch) and Lilli Vanessi (Michelle Blake) engage in backstage squabbling that mirrors that of their characters Petruchio and Katherine on stage. I especially loved the scenes from The Taming of the Shrew (I will be seeing it at the Utah Shakespeare Festival later this summer) because they involve a lot of physical comedy that made me and the rest of the audience laugh out loud as Fred and Lilli actually fight with each other in character ("Were Thine That Special Face" and "I Sing of Love" were highlights because they are absolutely hilarious). I think the story takes a detour in the second act in favor of random musical numbers ("Too Darn Hot") and a less compelling subplot involving a romance between Lois Lane (Keely Parry), who plays Bianca, and Bill Calhoun (Isaac Carrillo), who plays Lucentio ("Always True to You in My Fashion" and "Bianca"), until Fred and Lilli, as well as Petruchio and Katherine, suddenly get back together without much motivation. Even though the musical numbers in the second act are extremely well done (the tapping in "Too Darn Hot" is amazing and the English teacher in me loved "Brush Up Your Shakespeare") I found my mind wandering because I wanted more hijinks from the main couple. My complaints are with the material and not with the cast because the performances are fantastic. Both Welch and Blake have beautiful voices and their renditions of "So In Love" and "Where Is the Life That Late I Led," respectively, gave me goosebumps. As previously mentioned, their comedic timing and chemistry with each other is so much fun to watch. Parry and Carillo also have beautiful voices and the ensemble is incredibly talented but Jeremy Botelho and Brandon Garside practically steal the show as gangsters collecting on an IOU who end up on stage. The choreography, particularly for "Another Op'nin, Another Show," "Tom, Dick, or Harry," and "Too Darn Hot," is incredibly dynamic and high energy. The set, featuring backstage, an alley behind the theatre, dressing rooms, as well as a curtain and backdrops for the production of The Taming of the Shrew, is brilliant and the period costumes look great. I enjoyed this production even if the show itself is not my favorite. It runs on the Barlow Main Stage through July 13 and tickets may be purchased here.

Horizon: An American Saga Chapter 1

Last night I decided to see Kevin Costner's Horizon: An American Saga Chapter 1 because I really respect it when someone is willing to take a risk for something they are passionate about (this is why I am also eagerly awaiting Francis Ford Coppola's Megalopolis).  A group of rogue Apache stage a raid on a new settlement in the San Pedro Valley and massacre most of the inhabitants.  One survivor, a young boy named Russell Ganz (Etienne Kellici), joins a group of bounty hunters, led by a tracker (Jeff Fahey) interested in trading scalps for money, in order to get revenge.  Two other survivors, Frances Kitteredge (Sienna Miller) and her daughter Lizzie (Georgia MacPhail), follow Lt. Trent Gephardt (Sam Worthington) to the military fort Camp Gallant.  A horse trader named Hayes Ellison (Costner) arrives in the Wyoming Territory and, after he inadvertently runs afoul of brothers Junior and Caleb Sykes (Jon Beavers and Jamie Campbell Bower, respectively) as they search for the woman (Jena Malone) who shot their father and took their son, he flees with a prostitute (Abbey Lee) who was caring for the child.  On the Santa Fe Trail, Matthew Van Weyden (Luke Wilson) leads a group of covered wagons traveling west but an English couple, Juliette Chesney (Ella Hunt) and Hugh Proctor (Tom Payne), stirs up trouble within the group.  Tying the disparate narratives together is a poster, printed by Bailey Pickering (Giovanni Ribisi) and carried by many of the characters, advertising Horizon, the settlement attacked by the Apache.  This feels very much like the first episode of a TV miniseries where lots of characters and plots, which are sometimes hard to keep track of due to some major issues with pacing, are tantalizingly introduced but not developed or connected (there is even a montage at the end featuring scenes from the next episode).  Having said that, I do feel invested enough in the fate of these characters to see Chapter 2 (which will be released in August).  I also think the beautiful and sweeping cinematography, which showcases the grandeur of the West (it was filmed in Utah where I live), warrants releasing this on the big screen rather than as a TV show.  I did end up enjoying this (I really liked Costner's performance and direction) but I can only recommend it to people who are willing to commit to the entire saga (which could be four separate movies) because it definitely does not work as a standalone.

The Magic of Queen at Sandy Amphitheater

I think Sandy Amphitheater is a great venue (it has a similar vibe to the Utah First Credit Union Amphitheatre but without all of the hassle of getting in and out) for summer concerts and the one there last night was so much fun!  The Magic of Queen is an amazing show featuring Brody Dolyniuk and his band performing the music of Queen (they also have shows featuring the music of Led Zeppelin and Elton John).  I have seen this show before and I enjoyed it so much I immediately got a ticket to see it again as soon as they went on sale!  They began with "One Vision" and the older gentleman sitting next to me was really impressed that I knew the words to this because he didn't recognize it!  He obviously had no idea who he was dealing with because I love Queen and I sang along to every single song!  They continued with "Tie Your Mother Down" (my neighbor told me that he definitely recognized this one), "Play the Game," "Keep Yourself Alive," "You're My Best Friend" (a highlight for me), "Killer Queen" (one of my favorite Queen songs), "Now I'm Here," "Somebody to Love," "Under Pressure," and "Love of My Life."  Then the crowd got to their feet for rousing renditions of "Another One Bites the Dust" and "Fat Bottomed Girls."  Next came "Crazy Little Thing Called Love," "Radio Ga Ga" (complete with clapping), and an epic version of "Bohemian Rhapsody" (which was another highlight of the night for me).  They ended their set with "We Will Rock You" and "We Are the Champions" with lots of audience participation!  Dolyniuk sounds so much like Freddie Mercury that you might be fooled into thinking that you are really listening to Queen but he doesn't try to imitate him.  He has his own charismatic stage presence and I really enjoyed all of his banter with the audience.  It was a perfect summer night for a concert because, while it was hot when I got there, it cooled off a bit and it was wonderful listening to music as the sun went down!  Go here for a schedule of concerts at Sandy Amphitheater this summer.

Note:  I ran into a couple of people who said they knew I would be at this concert!  Have I mentioned that I really love Queen?

Kinds of Kindness

I think Yorgos Lanthimos is an incredibly provocative director (my favorite kind) and I have enjoyed all of his previous movies so I was really excited to see his latest, Kinds of Kindness, last night at the Broadway with my nephew.  We both really enjoyed this absurdist black comedy (I was surprised by how much my nephew liked it).  This is an anthology of three different stories featuring the same actors in repertory with similar themes and motifs.  In the first, Robert (Jesse Plemons) is under the complete control of his boss Raymond (Willem Dafoe) who dictates every aspect of his life including what he wears, what he eats, what he reads, and even when he can have sex with his wife Sarah (Hong Chau).  When Raymond asks him to do something that goes against his conscience, Robert refuses and his life falls apart.  He learns that Raymond has recruited a woman named Rita (Emma Stone) to complete the task instead and, in a fit of jealousy, he takes matters into his own hands to impress him.  In the second, Daniel (Jesse Plemons) is a police officer whose wife Liz (Emma Stone), a marine biologist, has gone missing at sea.  When she is miraculously rescued, Daniel becomes irrationally convinced that the woman is not really his wife.  This prompts Liz to take extreme measures to prove that she loves him.  In the third, Emily (Emma Stone) has abandoned her husband Joseph (Joe Alwyn) and their daughter to join a sex cult led by Omi (Willem Dafoe) and Aki (Hong Chau).  She and Andrew (Jesse Plemons) are assigned to leave the compound to search for a woman prophesied to have spiritual powers.  However, Emily takes the opportunity to visit Joseph and her daughter and, in doing so, she becomes "contaminated" and is expelled from the cult.  She then goes rogue in order to find the woman (Hunter Schafer or is it Margaret Qualley?) the cult is looking for.  This is absolutely wild (I heard a lot of uncomfortable laughter and my nephew gave me a WTF look at one point) but all three of these stories explore the lengths that people will go to find love, acceptance, and community which is something almost everyone can relate to.  The fact that the same actors reappear in similar roles also reinforces the idea that this is a universal theme that continually plays out in society.  There are several bizarre recurring images (I was particularly struck by the use of dreams, shown in black and white, to foreshadow events) and the continual use of jarring piano notes during key moments is incredibly unnerving.  Plemons is outstanding, showing a range that definitely deserved to be rewarded at Cannes this year, and Stone is a perfect foil to his caged unpredictability.  This is most definitely not for everyone but fans of Lanthimos will find this to be a return to the absurdity of The Lobster and The Killing of a Sacred Deer.