The Time Machine at HCT

Last night I went to Hale Theatre for the world premiere of The Time Machine, an original work by local playwright Michael D. Fox inspired by the novella of the same name by H.G. Wells. The premise is an interesting one and the sets, projections, and special effects are very impressive but, unfortunately, the narrative is a mess. Fifteen-year-old Skye Mason (Mariah Grace Bowman) opens a mysterious package meant for her grandmother Helene Briggs (Lori Rees) and discovers a puzzle box containing a handwritten manuscript of The Time Machine by H.G. Wells. Helene panics when she sees the manuscript because she believes it is a desperate message across time telling her that she is in danger. She reveals that the story in the manuscript is real and that it was inspired by her travels to the future in a machine of her own invention. A young Helene (Amber Dodge) travels to the far future and returns to 1888 with a powerful source of energy stolen from a savage group known as the Morlocks. Fearing what use might be made of such a powerful object she seeks advice from her friend Gregory Whitman (Kaden Caldwell) and her fiance H.G. Wells (Dallin Suman). She ultimately decides that she should take the power source to the future and hide it and, since she cannot go back to a specific time and place more than once, she stays in 1988 and makes a life for herself. However, the message from Wells sends her and her granddaughter on a journey through time to keep the power source safe from someone with plans to abuse it. The way the original novella is integrated into a new story is clever but I found it really convoluted (lots of overly complicated exposition about time travel), hard to follow (lots of jumps between timelines and relationships between characters that are not very explicit), and inconsistent (there are a few elements that did not make sense to me). I definitely think this could have used another draft before it was performed for an audience (I usually do not have this much trouble following a plot). What really impressed me about this production, however, is the set!  I was intrigued by it the moment I took my seat because it is made up of large geometric panels that move to form concentric circles through which different set pieces (including an elaborate time machine) move on and off stage and on which various images are projected. I especially loved the clock motif that is used in many of the projections. The lighting design is very dramatic, particularly the lightning effects that happen when the time machine travels, and so is the score (which was composed by fifteen-year-old Cameron Dietlein!). Once again, Hale delivered on the style without much of the substance and I was left feeling underwhelmed.

Note:  I have only really loved one production out of the four I've seen at Hale this season.

The Phantom Menace

I have very vivid memories of seeing The Phantom Menace with my friend Tony on opening day when it was first released.  We were able to get advance tickets but, because seats were not assigned back in the day, we decided to go really early to make sure we got good ones.  When we got to the theater the line was already stretched out to the parking lot (we still got good seats) but it was so much fun because the anticipation and excitement were palpable!  I remember how thrilling it was to hear the instantly recognizable fanfare while watching a new opening crawl!  I almost couldn't contain myself!  Tony and I (and the rowdy crowd we saw it with) really liked it and we were surprised by the critical response because it sets up the characters Anakin, Obi-Wan, and Palpatine to become who they are in the original trilogy in a really intriguing way and it is dazzling to look at (there has been a big reassessment of the prequel trilogy in recent years but I always liked them).  Episode I is now back in theaters in honor of its 25th Anniversary and it was so much fun to see it on the big screen again last night with a large crowd!  Jedi Master Qui-Gon Jinn (Liam Neeson) and his apprentice Obi-Wan Kenobi (Ewan McGregor) are assigned to negotiate the end of the Trade Federation's blockade of Naboo but are unable to prevent the invasion of the planet.  They eventually rescue the young queen, Amidala (Natalie Portman), and escape but are forced to land on Tatooine for engine repairs.  There they meet a young slave named Anakin Skywalker (Jake Lloyd) who helps them get the parts they need.  He also makes a big impression on Qui-Gon who arranges for his release.  They travel to Coruscant where Amidala and Palpatine (Iam McDiarmid), the senator from Naboo, hope to plead their case to the Senate only to discover that the blockade is just the beginning a sinister plot by the long dormant Sith to control the galaxy.  This is a movie that definitely should be seen on the big screen because the worldbuilding and visuals are so spectacular, especially the architecture on Naboo, the underwater world of the Gungun, and the senate chamber on Coruscant, and the sound design during the podrace is absolutely epic.  The action sequences are impressive, particularly the aforementioned podrace, the battle against the droid army, the gunfight in the throne room, and the starfighter battle against the droid control ship.  It also features what is widely considered to be the best lightsaber duel in the entire series when Qui-Gon and Obi-Wan fight Darth Maul (accompanied by "Duel of the Fates" which is one of my favorite pieces from all of the Star Wars soundtracks).  Neeson has a suitably imposing presence as the Jedi Master and I think McGregor is an entirely believable younger version of Obi-Wan as portrayed by Alec Guinness.  Lloyd's performance as Anakin has been much maligned but the farewell scene with his mother is genuinely heartbreaking (and really sets his path to the dark side in motion).  Some of the characters are still problematic (although Jar Jar Binks isn't as annoying as I remember him) and the dialogue is really clunky but it is definitely worth seeing while it is back in theaters (especially if you have never seen it on the big screen).

Bryce Canyon National Park 2024

After driving through Zion I kept going on Highway 89 to Bryce Canyon (it is a really pretty drive and takes about two hours).  Unlike Zion, Bryce Canyon was absolutely packed and there was nowhere to park at Sunrise Point or Bryce Point.  I was able to stop at all of the other viewpoints and to find a parking spot at Rainbow Point to walk around so I'm calling it good!

I really loved seeing the snow against the red rocks!  This was a fun weekend road trip and I thoroughly enjoyed both Tuacahn and the national parks!  My next road trip will be to Washington for my niece's wedding later this month!

Zion National Park 2024

Zion is one of my favorite places on Earth and, whenever I am in St. George, I usually drive home through the park.  I hadn't planned on doing that this trip but I woke up early yesterday morning and got packed up very quickly so I spontaneously decided to make the detour.  I am so glad that I did because the temperature was perfect and the park wasn't very crowded.  It has been a long time since I really explored or hiked but I do enjoy driving through because it reminds me of all the times my family visited during my childhood.

It was a really nice morning in the park, especially since it wasn't crowded and I could pull into all of the viewpoints to get a closer look at the formations!

Frozen at Tuacahn Amphitheatre

Yesterday I left on a quick road trip to St. George to see Frozen at Tuacahn Amphitheatre.  Tuacahn is the first regional theatre in the U.S. to be given permission by Disney to produce this musical and it was spectacular!  I have seen the Broadway touring production and I think this version might be better!  A young Elsa (Harper Griffith) and a young Anna (Bentley Nulia) have fun building a snowman together but, when Elsa accidentally freezes Anna with her mysterious powers, the King and Queen tell her that she must hide herself away from Anna and the rest of Arendelle.  When the King and Queen are lost at sea, Elsa (Cayleigh Capaldi) must open the doors of the castle for her coronation.  She loses control of herself, with devastating consequences, when Anna (Daisy Wright) requests permission to marry Hans of the Southern Isles (Preston Taylor) and she flees Arendelle.  Anna follows her, hoping to save Arendelle from the endless winter, and is aided by an ice harvester named Kristoff (Joe Caskey) , his reindeer Sven (William Bishop), and Olaf (Kyle Kemph), the snowman she built with Anna when they were girls.  Elsa fears that she is a monster and Anna is injured again but it is her ability to love that ultimately saves Anna and Arendelle.  Tuacahn is known for its big productions and this is the most ambitious one yet!  The large set pieces, special effects, and projections are absolutely amazing!  I knew that the song "Let It Go" would probably be a highlight but I was not prepared for how epic it was.  There were moving set pieces that looked like giant icicles and projections of snow and ice on large LED panels in sync with all of Capaldi's dramatic gestures and her costume change happens in an instant (people in the audience gasped).  It seemed to snow in the entire amphitheatre and the song, which featured an incredibly powerful performance by Capaldi, concluded with fireworks!  I also really loved Capaldi's renditions of "Dangerous to Dream," "Monster," and "I Can't Lose You" with Wright because she has such a beautiful voice filled with so much emotion.  Wright's performance is also outstanding and I loved her voice, as well, but her physicality was so much fun to watch, especially in "Love is an Open Door" and "Fixer Upper."  The entire cast is fantastic (I was impressed with Caskey because he is the understudy) and it features a strong ensemble who made me laugh at all of their antics during the choreography in "Hygge."  The costumes are slightly different from those of the movie and the Broadway production but they are recognizable and gorgeous.  I also loved the puppets for Sven and Olaf.  This show is magical and I am so glad that I got to see it!  It is being performed in repertory with Anastasia and Jersey Boys through the middle of October (go here for tickets).