Scream

Last night my plans were unexpectedly canceled so I decided to see Scream instead.  I had initially been on the fence about seeing it because I am just a casual fan of the franchise but I have to admit that I had a blast with this latest installment!  Twenty-five years after the original murders in Woodsboro, someone wearing the Ghostface mask is once again terrorizing a new group of teens.  After her sister Tara (Jenna Ortega) survives an attack, Sam Carpenter (Melissa Barrera) returns to Woodsboro with her boyfriend Richie Kirsch (Jack Quaid) and reveals that she is the biological daughter of the original killer Billy Loomis (Skeet Ulrich).  After subsequent attacks, she realizes that the victims all have a connection to the original killers so she contacts Dewey Riley (David Arquette) for help.  He then notifies Sidney Prescott (Neve Campbell) and Gale Weathers (Courteney Cox) and the three of them come to suspect Tara's group of friends, including Chad Meeks-Martin (Mason Gooding), Mindy Meeks-Martin (Jasmin Savoy Brown), Amber Freeman (Mikey Madison), and Liv McKenzie (Sonia Ben Ammar), because that is the formula used in the Stab movies based on events in Woodsboro.  Of course this leads to an epic, and very bloody, conclusion revealing the identities of the killers!  I absolutely loved how meta this movie is about the horror genre and the discussion that Tara has with Ghostface over the phone about the elevated horror found in The Babadook, Hereditary, and The Witch had me laughing out loud (because I love those movies).  I also found the motivation for the killings to be incredibly clever and a spot-on reflection of movie culture today (unfortunately).  Arquette, Campbell, and Cox each have a poignant moment as legacy characters but I really appreciated the fact that they play a secondary role in the plot and that the young cast is allowed to shine (I especially enjoyed Ortega and Barrera).  The kills are absolutely brutal and there were a few moments when I actually jumped in my seat.  I correctly guessed the identity of one of the killers fairly early on (I followed the formula used in the Stab movies) but I enjoyed this movie so much more than I was expecting.  I suspect that hard-core fans of the franchise will love it!

Belle

I am not a huge fan of Japanese anime, mostly because I haven't seen very much of it, but I found the trailer for Belle to be absolutely beautiful so I went to see it last night.  It is a modern retelling of the fairy tale Beauty and the Beast and I loved it!  Suzu (Kaho Nakamura) is a quiet and mousy high school student who is still mourning the loss of her mother who died saving the life of a drowning child.  She used to enjoy singing and writing songs with her mother but, since her death, she has lost her love of music.  Her friend Hiro (Lilas Ikuta) encourages her to join a virtual world known as "U" because she can be completely anonymous there.  She is able to channel all of her emotions into writing songs and performing them as her avatar Belle and she becomes very popular until an avatar known as Dragon (Takeru Satoh) interrupts her performance.  A vigilante group, let by Justin (Toshiyuki Morikawa), wants to unveil him (reveal his identity) but Belle is drawn to the pain she sees in him and wants to protect him.  When she and Hiro locate Dragon in the analog world, she realizes that she must reveal her true identity to him in the digital world in order to reach him.  There are so many themes explored in this movie but the one I especially enjoyed is that it is better to be your true self than to hide behind a persona.  This is a theme that really resonates with me (go here, here, and here) and it is portrayed so beautifully when Suzu sings a song in U as herself and Belle's millions of fans support her by singing along with her.  This moment literally took my breath away!  I also enjoyed it when Suzu uses her newly acquired confidence to stand up to some cyberbullies who are harassing her for her friendship with Shinobu (Ryo Narita), the most popular boy at school, and to approach Ruka (Tina Tamashiro), the most popular girl at school.  This suggests that the online world is not necessarily such a bad place because being Belle has helped Suzu find her voice in more ways than one.  Finally, I loved that Suzu's decision to find Kei (the boy using the Dragon avatar) helps her to understand her mother's actions and make peace with her death.  The animation is dazzling (I especially loved all of the fantastical creatures in the virtual world and the ballroom in Dragon's castle where he and Belle have their iconic dance) and the music is incredible (especially "Lend Me Your Voice").  I loved this movie so much and I highly recommend it!

Note:  I saw the subtitled version (which I tend to enjoy more) but there is also an English dubbed version.

Reckless Girls

I enjoyed the Book of the Month so much I decided to renew my subscription again this year. My January selection was Reckless Girls by Rachel Hawkins (the other options were Black Cake by Charmaine Wilkerson, Love & Other Disasters by Anita Kelly, Fiona and Jane by Jean Chen Ho, and The Magnolia Palace by Fiona Davis). I enjoyed The Wife Upstairs (a contemporary retelling of Jane Eyre) by Hawkins so I was really looking forward to this selection. Lux McAllister was at loose ends and working as a waitress in San Diego after dropping out of college to care for her dying mother when she met a wealthy and charming playboy named Nico Johannsen. He planned on sailing around the world on his boat, the Susannah, and she impulsively followed him to Hawaii to join him on his voyage. However, things don't work out as planned and she is now stuck working as a housekeeper at a resort hotel while he makes desultory attempts to repair his damaged boat. Their luck seems to change when they meet two college students named Brittany and Amma who want to hire Nico to take them to Meroe Island, a mysterious and deserted atoll in the middle of the Pacific Ocean with a grisly past. The $50,000 they are offering will repair the boat and allow them to resume their journey so Nico accepts and Lux, who is dying for an adventure, comes along. When they arrive at the island, they are dismayed to see a catamaran anchored in the harbor belonging to a wealthy Australian couple named Jake and Eliza. They all eventually become friends, especially after the four of them partake of the food and wine offered by Jake on his luxurious boat, and they enjoy their time in paradise. Soon they are joined by a mysterious stranger and the tension mounts as the island becomes less and less hospitable and secrets about each of them are revealed. The narrative alternates between Before, when each character's backstory and motivations are slowly revealed, and After, when the events on the island take place. There are also articles and interviews pertaining to the history of Meroe Island interspersed throughout which add to the foreboding atmosphere and sense of unease. Most of the characters are unsympathetic, including the main narrator Lux, but they are compelling and I was definitely invested in finding out what happens to them. Some elements of the plot do require the suspension of disbelief but I enjoyed it for all of the twists and turns and I appreciated the commentary on class and gender. I would definitely recommend this to fans of thrillers with the proviso that there is quite a bit of profanity (which, in my opinion, is used for shock value rather than character development).

A Hero

Last night I went back to the Broadway to see A Hero, another independent foreign film on my list, and I found it to be incredibly compelling and thought-provoking.  Rahim (Amir Jadidi) has been in debtors' prison in Iran for several years after being unable to repay a loan.  His girlfriend Farkhondeh (Sahar Goldust) found a purse full of gold coins at a bus stop and wants him to use them to pay back his creditor Bahram (Mohsen Tanabandeh).  He is allowed two days leave from prison and attempts to sell the gold coins but, because of fluctuating prices, it isn't enough to pay the entire debt and he doesn't have anyone to provide a guarantee for the remaining balance.  He starts to have second thoughts and decides to find the owner of the purse and return it.  When the administrators of the prison learn about what he has done, they contact the media to interview him for a human interest story because they need some good publicity and he becomes a celebrity of sorts.  He is given leave from prison again, a charity raises money to help him pay back the debt, and the local council offers him a job.  However, several minor inconsistencies in the story come to light which threaten to turn public opinion against him and things quickly spiral out of control.  I found the character of Bahram to be the most fascinating because he is viewed as the villain of the story just for wanting what is rightfully his and questions why Rahim is being celebrated for simply doing the right thing.  I also really enjoyed the moral ambiguity surrounding all of Rahim's actions because he often does the right thing but for the wrong reasons and it made me think about what I would do if faced with a similar situation.  I think the emphasis on social media is really interesting because it gives an exaggerated view of both Rahim's heroism and duplicity and it shows how easy it is to change public opinion with a rumor.  Jadidi is incredibly appealing in this role and he is somehow very sympathetic even when Rahim makes one bad decision after another.   This is a simple story with complex themes and I highly recommend it.

Drive My Car

There were quite a few new releases at my favorite art house theater this weekend but Drive My Car has received so much critical acclaim lately (including the Golden Globe for best foreign language film) that it was on the top of my list last night.  Yusuke Kafuku (Hidetoshi Nishijima), a theater actor and director, and Oto (Reika Kirishima), a television screenwriter, are a married couple with a complicated relationship living in Tokyo.  He eventually discovers that she is having an affair with a young actor named Koji Takatsuki (Masaki Okada) but he chooses to ignore it and rebuffs her attempt to discuss it.  When she dies unexpectedly of a brain hemorrhage, he takes a job directing a multilingual version of the play Uncle Vanya by Anton Chekhov at a prestigious festival in Hiroshima.  He requests accommodation an hour away because it is his practice to review his lines by listening to a cassette tape of the play recorded by Oto while driving but, for liability reasons, the festival organizers insist that he have a driver at all times and hire Misaki Watari (Toko Miura), a taciturn young woman who is also mourning the death of a loved one, to drive him.  Yusuke casts his wife's lover to play Vanya, a role he once played to acclaim but can't bring himself to reprise because of the emotional weight of it, and rehearsals are fraught with tension.  As Misaki drives Yusuke to and from rehearsal, they help each other to live with their guilt and grief.  This film is three hours long, with a slow and meditative pace, but there is so much to unpack that I hardly noticed.  I was absolutely captivated by the use of Uncle Vanya as a symbol for the regret Yusuke and Misaki feel about the death of their loved ones, the use of Yusuke's Saab 900 as a symbol of both sanctuary and escape, and the use of multiple languages within the play as a symbol for the understanding the characters seek.  I loved the emotionally restrained performances of Nishijima and Miura because their journey to self-discovery and healing is all the more poignant when it happens.  I also loved the ethereal mood of this film and the many profound silences that permeate it, including a scene where Yusuke and Misaki simply hold their lit cigarettes out of a sunroof in a moment of solidarity that needs no dialogue.  I loved this film so much and highly recommend it because it is definitely a journey worth taking.