The Marksman

Is it really even January if there isn't a movie with Liam Neeson portraying a character with a very particular set of skills exacting revenge against someone who has wronged him?  I saw the latest iteration, The Marksman, last night and it is a mediocre action thriller elevated by a lot of heart.  Jim Hanson (Neeson) is a former Marine with a ranch on the Arizona-Mexico border.  He uses alcohol to cope with the recent death of his wife from cancer as well as the imminent foreclosure on his ranch.  Rosa (Teresa Ruiz) and her son Miguel (Jacob Perez) are on the run from the cartel and, when they cross the border onto Hanson's land, he immediately informs border patrol.  Before they can be apprehended, Mauricio (Juan Pablo Raba) and several other cartel members arrive and, since Jim's very particular skill is marksmanship (hence the title), a shoot-out ensues which kills Rosa and Mauricio's brother.  Before she dies, Rosa begs Jim to take Miguel to her family in Chicago and he reluctantly agrees (after surrendering him to border patrol and then breaking him out).  They are pursued on the road by Mauricio, who has vowed revenge for the death of his brother, and border patrol agents, including his stepdaughter (Katheryn Winnick), which leads to a confrontation on a farm in the middle of the heartland.  The plot is incredibly predictable, the villains are walking stereotypes, and the action sequences are surprisingly bland (with more hiding out than shooting out) but what makes this movie enjoyable, in my opinion, is the relationship that develops between Jim and Miguel.  Their alliance is an uneasy one in the beginning because Miguel blames Jim for his mother's death and Jim is more motivated by what is inside a mysterious bag that belonged to Rosa than any feelings for Miguel.  However, Miguel eventually penetrates Jim's curmudgeonly heart as they come to rely on each other on the road and their final resolution is powerful and heart-warming.  Perez is incredibly appealing as Miguel and Neeson displays a sensitivity that is usually not required in these action roles.  There is an off-hand comment about the government not being able to sort out the mess of immigration but this is curiously apolitical and I actually appreciated that.  This is one of the lesser Neeson revenge movies but it features enough genuine emotion for me to recommend it.

The White Tiger

When I saw the trailer for The White Tiger I was really intrigued (I have not read the best-selling novel by Aravind Adiga upon which it is based) so I decided to see it last night.  I enjoyed it because it reminded me of Slumdog Millionaire and Parasite, although it is not quite as charming as the former or as unsettling as the latter.  Balram Halwai (Adarsh Gourav) was the smartest student in his school when he was a boy and had great dreams of earning a scholarship to get out of his poor Indian village.  However, when his father is unable to pay the harsh landlord of the village (Mahesh Manjrekar), his grandmother pulls him from school to work in the family tea shop.  He is told that this is the best he can hope from life but he is ambitious.  He conspires to become the driver for the landlord's son Ashok (Rajkummar Rao), who has recently returned from studying in America, and his American wife Pinky (Priyanka Chopra).  Thinking himself lucky to have risen so far, Balram does everything he can to ingratiate himself to them.  While they are kind to him, they still think of themselves as better and have no compunction about betraying him to save themselves after a horrifying incident.  Balram eventually decides to become a white tiger, an aberration in nature that appears only once in a generation, and rebels against the rigid caste system that has held him down.  This is a sort of rags to riches story with quite a bit of dark humor but it is also a scathing indictment of an economic system that conspires to keep the majority of the people subservient to a privileged few.  The narrative employs flashbacks as Balram narrates his life story in a letter to the Chinese premier who is visiting India and, while this does lesson the dramatic tension a bit, it keeps the audience invested to see how a lowly servant is able to become an entrepreneur.  Gourav is incredibly appealing in the role because he makes you sympathize with Balram even though some of his actions are pretty despicable.  I do think the ending goes off the rails a little bit but I liked this movie and I would definitely recommend it.  It is now in theaters for a limited engagement and then it will stream on Netflix beginning January 22.

One Night in Miami

Last night I had the chance to see One Night in Miami and I think it is absolutely brilliant!  It is a fictionalized version of a meeting that happened between boxer Cassius Clay (Eli Goree), singer Sam Cooke (Leslie Odom, Jr.), football legend Jim Brown (Aldis Hodge), and activist Malcolm X (Kingsley Ben-Adir) in a hotel room in Miami Beach after Clay becomes the World Heavyweight Champion by defeating Sonny Liston (Aaron D. Alexander) in 1964.  Their conversations are highly charged as they discuss the responsibility they have as successful Black men to further the civil rights movement.  The story is incredibly thought-provoking and I had tears in my eyes in the final scene because it is so powerful and, more importantly, because change is still needed even after all of these years.  The structure of the narrative is extremely effective because we are introduced to the four characters, and the struggles they face despite their fame and wealth, individually in a prologue before their meeting and then we see the effect of that meeting on their later lives in an epilogue afterwards. Regina King's direction is surprisingly dynamic considering the fact that the majority of the action takes place in the confined space of a hotel room.  My attention never wavered.  The four lead actors give absolutely phenomenal performances but I was especially impressed with Hodge, who has an imposing presence but is heartbreaking in a scene where a family friend (Beau Bridges) showers Brown with praise for his athletic prowess but won't let him inside the house, and Odom, who is defiant when Cooke is accused of selling out and then vulnerable when he laments that fact that he should have been the one to write "Blowin' in the Wind."  I loved hearing Odom sing Cooke's songs because it is impressive how well he captures his voice, particularly in an incredibly emotional version of "A Change is Gonna Come" (which is what prompted my tears at the end of the movie), and I also really enjoyed his original song "Speak Now" which plays during the credits.  This is an important and timely movie and I highly recommend it (with the proviso that there is a lot of profanity).  It is in theaters now for a limited engagement and then it will stream on Prime Video beginning January 15.

Shadow in the Cloud

Everything I heard about Shadow in the Cloud made it seem absolutely bonkers so, of course, I wanted to see it!  I had the chance last night and it was so much fun!  During World War II, Flight Officer Maude Garrett (Chloe Grace Moretz) is on a secret mission with a mysterious package that she must guard at all costs.  She catches a ride on an Allied B-17 bomber flying from New Zealand to Samoa and the male crew (Taylor John Smith, Beulah Koale, Nick Robinson, Callan Mulvey, Benedict Wall, Joe Witkowski, and Byron Coll) take great exception to having a woman on board.  They force her into the gun turret during takeoff where she hears their misogynistic comments about her over the radio.  She confronts them but they soon question both her identity and her mission.  They completely disregard her when she tells them that she sees a shadow on the wing but they are, in fact, being attacked by both Japanese bombers and winged mythological creatures which she must then fight in order to save them.  At first I thought the inclusion of the creatures was crazy, even though I was willing to suspend my disbelief in order to enjoy the movie, but I did a little bit of research and it actually does make sense within the context of World War II and they serve as a metaphor for Maude.  What I really liked about this movie is that the men are so dismissive of Maude (with some of the most cringe-worthy dialogue imaginable) but she is the one who shoots down two zeros, fights several creatures, and crash lands the plane (in some thrilling, if unrealistic, action sequences).  She proves that she is just as capable of fighting as the men (the end credits include photos of real female pilots during World War II) which is all the more powerful when the crew learns the contents of her mysterious package.  Moretz, who is hit or miss with me, is fully committed to the physicality of the role and gives a campy performance that is a lot of fun to watch.  It is as bonkers as I predicted but, if you can just go along with everything that is happening on screen, you will have a blast with this movie!  I recommend seeing it on a Friday night (the later the better) with a big tub of popcorn!

Note:  This reminded me of Overlord because they both combine World War II intrigue with elements of horror and I liked them both more than I thought I would!

Pieces of a Woman

I was interested in seeing Pieces of a Woman because Vanessa Kirby won the Volpi Cup for Best Actress at the Venice Film Festival last year.  I had the chance to see it last night and I was absolutely blown away by her performance.  Martha Weiss (Kirby) and Sean Carson (Shia LaBeouf) are an unlikely couple who are expecting a baby and hope to have a home birth.  When Martha goes into labor, they learn that their preferred midwife is unavailable and a replacement named Eva (Molly Parker) is sent instead.  Tragedy strikes when the baby's heartbeat slows down during the labor and, even though Eva does everything she can and eventually has them call for an ambulance, the baby dies shortly after it is born.  Martha must deal with her overwhelming grief, the disintegration of her relationship with Sean, and the pressure from her overbearing mother (Ellen Burstyn) to prosecute the midwife.  As I mentioned, Kirby gives an incredibly powerful and poignant performance.  The scene in which Martha goes into labor and gives birth happens in one long and sustained shot and it is absolutely brilliant because it is so immersive.  Martha's emotional confrontation with Eva in court is also an incredibly intense moment but I found the scene where she returns to work after her maternity leave, in another long tracking shot, to be so heartbreaking because none of her colleagues know what to say to her which adds to her isolation.  Burstyn and LaBeouf also give outstanding performances but it was sometimes difficult to watch the scenes where Sean becomes abusive towards Martha in light of the recent allegations against LaBeouf.  I loved the recurring motifs of building of a bridge and the germination of an apple seed because they represent the ways in which Sean and Martha are able to heal.  This movie is devastating to watch and, while it is not quite as good as Ordinary People or Manchester by the Sea (which, in my opinion, are two of the best movies about death and its aftermath) because it founders a bit with the addition of some unwieldy subplots, it is a very authentic portrayal of grief and I highly recommend it for the performances.  It is in theaters for a limited engagement and then begins streaming on Netflix January 7 (today).