Monday, February 4, 2019

Sundance Film Festival 2019

The Sundance Film Festival has concluded for 2019 and I had such a great time!  I am incredibly sleep deprived but I saw some amazing films and had some wonderful conversations with film aficionados from all over the world (including a couple from Sweden and a really cool girl from Toronto).  I was able to see fifteen films this year including two with students!  My first film was a documentary called Stieg Larsson: The Man Who Played With Fire which intrigued me because I am a huge fan of the Millennium series of books.  It chronicles Larrson's job as a journalist as he relentlessly investigated neo-Nazis and the extreme right in Europe, wrote books about the subject, and founded a magazine called Expo.  This suggests that he is every bit as interesting as his character Mikael Blomkvist.  I found it fascinating and alarming that so many extreme groups exist in Europe.  My second film was Adam, a comedy about a naive and inexperienced high school student (Nicholas Alexander) who convinces his parents to let him spend the summer in New York City with his older sister (Margaret Qualley) who is hiding the fact that she is a lesbian from them.  He attends a party with his sister and her LGTBQ friends and meets Gillian (Bobbi Salvor Menuez).  He immediately falls in love with her but she is a lesbian and she thinks that he is transgender.  Hilarity ensues as he tries to keep up the ruse.  This film is really funny and what I liked most about it is that a cisgendered heterosexual male is the outsider whose character arc involves learning how to accept others.  My third film was To the Stars which is set in a rural town in Oklahoma during the 1960s.  Iris Deerborne (Kara Hayward) is an incredibly repressed teenager who is bullied by her mother and all of the kids at school.  Her life changes when she meets a new girl from the city with a secret (Liana Liberato).  It was shot in black and white which made it quite moody and atmospheric and, while it did become heavy-handed at times, I enjoyed this coming of age story.  My fourth film was another documentary called David Crosby: Remember My Name.  It is a brutally honest portrait of a man living with regrets with an amazing soundtrack!  As a fan of Crosby, Stills, Nash & Young I really loved it!  My fifth film was a free midnight screening of Honey Boy.  The script was written by Shia LaBeouf about his own experiences as a child actor with an abusive father.  Lucas Hedges plays Otis, a young actor on a downward spiral when several DUIs and a drunken tirade land him in court-mandated rehab.  He is forced to confront his past through a series of flashbacks with Noah Jupe playing the young Otis and LaBeouf brilliantly playing his own father.  It is a beautiful and heartbreaking film and I am so glad I got to see it (even though I might be getting too old for these midnight screenings on school nights).  My sixth film was The Souvenir, a huge hit with the critics which I found to be a bit boring.  Julie (Honor Swinton-Byrne) is a young and inexperienced film student from a wealthy and privileged background struggling to find her voice.  She meets an older and charismatic man named Anthony (Tom Burke) and they begin a tumultuous affair.  Julie eventually discovers that Anthony is a heroin addict and their doomed relationship helps her find her voice as a filmmaker.  This film is incredibly episodic and vague and, even though many scenes are incredibly beautiful, sometimes they seem rather pointless.  I think it requires more engagement than I was willing to give it.  My seventh film was a student screening of The Boy Who Harnessed the Wind (go here for my review).  I really loved this film and so did my students.  My eighth film was Them That Follow, an incredibly atmospheric coming of age story about a young girl in rural Appalachia.  Mara (Alice Englert) is a devout member of a snake-handling Pentacostal community who is about to enter an arranged marriage but is secretly in love with a nonbeliever.  She must choose between her beliefs and the man she loves.  It starts very slowly but, when it gets going, it is very intense (audience members at my screening gasped out loud multiple times).  My ninth film was Midnight Traveler.  One of my colleagues in the English department asked me to chaperone his field trip to another student screening (he chaperoned my field trip, too).  This documentary chronicles the harrowing three year journey that filmmaker Hassan Fazili and his family, including two young daughters, take from Afghanistan to Europe seeking asylum after he receives a death threat from the Taliban.  The students were incredibly affected by everything this family had to go through which is truly heartbreaking.  My tenth film was The Last Black Man in San Francisco, a story about a young black man (Jimmie Fails) and his obsession with a Victorian house built by his grandfather.  It is a fresh, original, and quirky exploration of identity, friendship, gentrification, and urban violence.  I really liked it but it might not be for everyone.  My eleventh film was Clemency, which is my favorite film of the festival.  It is a powerful story about the death penalty (to which I am vehemently opposed) and how it affects those who are required to carry out executions.  Alfre Woodard stars as warden Bernadine Williams who conducts these "procedures" dispassionately and by the letter of the law until she suffers from PTSD over a botched execution.  She then becomes emotionally involved with Anthony Woods (Aldis Hodge), the next inmate scheduled for execution who may well be innocent.  Both Woodard and Hodge give brilliant and affecting performances which reduced me, and the entire audience, to tears multiple times.  I highly recommend this amazing film.  My twelfth film, Top End Wedding, is about a young woman's search for her mother and, ultimately, her own identity before her wedding.  I'm not usually a fan of romantic comedies but I had to see this film because it stars Gwilym Lee (who played Brian May in Bohemian Rhapsody)!  It is fairly typical of the genre but it is quite funny and I enjoyed the setting in Australia.  My thirteenth film was Brittany Runs a Marathon, another favorite of mine.  Brittany (Gillian Bell) spends her evenings partying at clubs, her mornings recovering from hangovers, and her afternoons going late to her dead-end job as a ticket taker at a theatre.  She goes to a doctor to get a prescription for adderall but, instead, is told that she needs to lose weight or face serious health consequences.  She decides to start running and, eventually, to train for the New York Marathon.  This film is not just about Brittany's journey to run a marathon but it is also about her journey learning to love herself and I think it is not only funny but also incredibly inspiring.  I loved it!  My fourteenth film was Official Secrets which tells the true story of Katharine Gun (Keira Knightley), a whistleblower who leaks a classified document to the press hoping to stop the Iraq War.  I liked this film for its important story about an ordinary woman willing to face catastrophic consequences in order to follow her conscience as well as its stellar cast (the aforementioned Knightley, Ralph Fiennes, Matthew Goode, Matt Smith, Jeremy Northam, and Rhys Ifans).  My fifteenth and final film was Love, Antosha, a documentary about the late actor Anton Yelchin.  It begins when his parents, professional ice skaters Irina and Viktor, decide to leave the Soviet Union to give their infant son a better life in the United States.  We learn that Anton suffered from cystic fibrosis, was not just a precocious child actor but a dedicated student of film, and was an accomplished photographer and musician (all of which I did not know before this film).  There are very touching interviews with many of his co-stars (most notably Chris Pine, Jennifer Lawrence, Martin Landeau, and Jodie Foster).  It made me miss him all over again!  Fifteen movies, ten days, five venues, two student screenings, and zero sleep produced countless memories!  I loved every minute!

Note:  It's nice to know that I have good taste!  All of my favorite films won awards this year:  Clemency won the U.S. Dramatic Grand Jury Prize, The Last Black Man in San Francisco won the U.S. Dramatic Directing Prize, Honey Boy won the U.S. Dramatic Special Jury Award for Vision and Craft, Brittany Runs a Marathon won the U.S. Dramatic Audience Award, and The Boy Who Harnessed the Wind won the Alfred P. Sloan Prize.  Good stuff!

Sunday, February 3, 2019

Wicked at the Eccles

I took a little break from the Sundance Film Festival (a full wrap-up is coming soon) to see the musical Wicked with my sister.  When I found out that the Broadway at the Eccles 2018-2019 season would include Wicked as an add-on to the season package, I thought that, since I have seen it so many times, I didn’t need to get a ticket.  Then I realized how sad I would be if I didn't see it while it was in SLC and decided that I had to go.  My sister Kristine had never seen it before so I got a ticket for her and she was so excited!  Even though I have seen it so many times I think I was just as excited as she was.  This show is extremely clever at telling the story of what happened to the Wicked Witch of the West, Glinda the Good, the Wonderful Wizard of Oz, the Wicked Witch of the East, the Cowardly Lion, the Tin Man, and the Scarecrow before Dorothy makes an appearance in Oz.  Not only do I love the story but I also love every single song ("What Is This Feeling?," "I'm Not That Girl," and "As Long As You're Mine" are my favorites), the elaborate costumes, the choreography, and the steampunk set design.  It is such an amazing show!  This particular production featured two of the best actresses I've seen as Glinda (Kara Lindsay) and Elphaba (Jackie Burns).  Lindsay is so funny and is particularly adept at all of the physical comedy in the role, especially in the song "Popular." Every actress I've seen play Glinda has added some little bit of business in "Popular" to make it her own and Lindsay was hysterical with her high kicks!  Burns has an incredibly powerful voice, especially in "Defying Gravity" and "No Good Deed."   She definitely gave me goosebumps!  The rest of the cast is great and I particularly liked Jody Gelb as Madame Morrible (I love all of the character's malapropisms).  This is a production that I highly recommend (even if you have seen it as many times as I have) and it runs at the Eccles Theatre until March 3.  Most shows have sold out but I have noticed tickets on the ArtTix website.

Note:  I ran into my dear friend Karen in the elevator, I saw one of my current students in the lobby, and found one of my colleagues in the English department at intermission (I got her tickets before they went on sale to the public).  I felt really popular!

Wednesday, January 30, 2019

Sundance Student Screening 2019

Yesterday I had my annual Sundance Film Festival field trip which is always a hit with the students.  I actually had several students ask me about it at the beginning of the school year and I had a group of students who have gone with me all three years (they asked if they could come next year even though they are graduating).  Being able to take my students to see a film is always a highlight of the festival for me and I am so grateful that the Sundance Institute, with support from the George S. and Dolores Dore Eccles Foundation, provides these free screenings for students every year!  I derive so much enjoyment from the arts and it means so much to me to be able to share that with my students.  The film that we got to see this year was The Boy Who Harnessed the Wind which tells the true story of how a boy was able to save his entire village in Malawi during a severe drought by building a windmill to create electricity to power a water pump to irrigate the crops.  I really loved this film because, not only is it incredibly life-affirming, it also has a powerful message about the importance of education.  William (Maxwell Simba) is not allowed to attend school because his parents can no longer pay the fees but he sneaks into the school library every day to learn how to create electricity.  Simba is incredibly endearing and sympathetic in the role and there were times when I had tears in my eyes (so did my students), especially when he tries to convince his Dad (Chiwetel Ejiofor) to give up his bicycle to use for parts.  This film is Ejiofor's directorial debut and he was there for a Q & A afterwards.  My students were very taken with him and asked some great questions.  They loved the film as much as I did and talked about it the whole way back to school on the bus.  It was a really great experience for both me and my students.

Saturday, January 26, 2019

Serenity

The second movie in my Thursday night double feature was Serenity which looked like another intriguing psychological thriller.  It wasn't.  Baker Dill (Matthew McConaughey) is a down on his luck Iraq War veteran who makes his living taking tourists out on his fishing boat on an island off the coast of Florida.  He is obsessed with catching an elusive fish which sometimes causes problems with his paying customers.  He is often reduced to taking money from Constance (Diane Lane), his sometime lover, to pay for the gas to run his boat and must fire his first mate Duke (Djimon Hounsou) because he can't pay him.  Things change when Baker's ex-wife Karen (Anne Hathaway) approaches him to murder her abusive husband Frank (Jason Clarke) at sea for $10 million.  He initially refuses but begins to consider the offer for the sake of his son Patrick (Rafael Sayegh) who lives with Karen and Frank.  A mysterious businessman in a suit (Jeremy Strong), who has been stalking Baker, causes him to question his reality when he finally does make contact.  I have heard some critics refer to this movie as the worst of 2019 but they have clearly not seen Replicas which gets my vote for that dubious honor.  Like Replicas, this movie has an interesting concept, which could have been a really atmospheric noir thriller, but it is derailed by its execution and a completely implausible plot twist that I saw coming well before it was revealed.  Even though it is ridiculous and full of holes, this plot twist could have provided an interesting exploration of free will but, instead, we get McConaughey emoting in a sugarcane field.  Speaking of which, there is a lot of cringe-worthy dialogue (Hathaway refers to Clarke as "Daddy" more times than I could count) and most of the characters come across as wooden caricatures rather than actual people.  The only reason that it ranks slightly above Replicas is because of the cinematography.  Beautiful shots of ocean waves and sunsets are nicer to look at than sub-par CGI shots of robots any day!  Avoid both of these movies!

Friday, January 25, 2019

Glass

Last night I finally had a chance to see Glass, M. Night Shyamalan's sequel to Unbreakable and Split.  As one of the few people who actually liked Unbreakable, I was very eager to see it and, while there are problems, I really enjoyed this psychological thriller.  The movie begins with David Dunn (Bruce Willis) who, with technical support from his son Joseph (Spencer Treat Clark), acts as The Overseer, a vigilante taking down criminals using his extrasensory perception.  He encounters Kevin Wendell Crumb (James McAvoy) and learns the location of four girls whom Crumb has abducted.  The Overseer confronts him in the persona of The Beast which culminates in their arrest and imprisonment in the mental institution where Elijah Price (Samuel L. Jackson), known as Mr. Glass, is being held.  Dr. Ellie Staple (Sarah Paulsen), a psychiatrist specializing in treating people with delusions of grandeur, tries to convince David, Kevin, and Elijah that they are normal and that their superpowers have logical explanations.  She enlists Joseph, Mrs. Price (Charlayne Woodard), and Casey (Anya Taylor-Joy), who survived an attack by The Beast, to help convince the three that they are mentally ill rather than extraordinary.  Glass, acting in the role of a superhero mastermind, plans the escape of all three hoping for an epic showdown between The Overseer and The Beast to show the world that superheroes really do exist but they are ultimately stopped by Staple.  Of course, in true Shyamalan form, there are several plot twists which lead to some redemption.  While there are some rather sketchy plot holes in the narrative, I enjoyed Shyamalan's supposition that comic books are the mythology of real world superheroes.  I also really liked the theme that it is important to see people as they really are.  All three leads give fantastic performances.  McAvoy believably moves from character to character in an instant, Willis gives one of his best performances in recent memory, and Jackson is completely over the top.  The production design is really interesting with each character inhabiting a specific color (carried over from the previous movies) juxtaposed with an otherwise drab institutional color palette and the hand-held camera work reinforces the claustrophobia.  The biggest issue I have with this movie is that it sometimes has way too much exposition, as if Shyamalan doesn't think the audience has seen the prequels.  However, I think this is an interesting and entertaining end to the saga and would recommend it.
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