Sunday, September 17, 2017

Mother!

I debated with myself back and forth about whether I should see the film mother!  Darren Aronofsky is very hit or miss with me (I liked Black Swan and couldn't stop thinking about it for days but I thought Requiem for a Dream was one of the worst films I've ever seen) and the polarizing reviews did little to help me make up my mind.  Ultimately, I decided to see it Saturday afternoon and, now that I have, I honestly don't know what to make of it.  I appreciate the message about destroying Mother Earth that Aronofsky is practically hitting the audience over the head with and the Biblical allegories about creation are quite brilliant but many of the images on the screen upset me deeply.  The first two-thirds of the film are about a writer (Javier Bardem) and his wife (Jennifer Lawrence) who live in a house, which they have rebuilt after a devastating fire, in a remote and isolated area.  A man (Ed Harris), thinking that their house is a bed and breakfast, arrives and is invited to stay by the writer despite his wife's objections.  Next, a woman (Michelle Pfeiffer) arrives and completely takes over the house, even trying to see a room which is forbidden and breaking a priceless artifact.  Soon, their sons arrive (Brian and Domhnall Gleeson) and, arguing over an inheritance, one kills the other.  More and more people come to the house and begin destroying it until the wife demands that the writer force everyone to leave.  The references to the Garden of Eden are obvious and, despite my extreme frustration at the wife's subservience and powerlessness, it worked for me as a taut and intense psychological thriller.  The close-up camera shots which track Lawrence's character from room to room as she becomes increasingly more desperate create a tension which just keeps building and building.  Pfeiffer gives one of her best performances to date, dominating each scene she appears in.  In my opinion, the film should have ended there but it doesn't.  The third act descends into a visceral, disturbing, and surreal mess which, at times, made me sick to my stomach.  The Biblical allegories continue but I didn't like the portrayal of God as vain and selfish and His followers as fanatical and destructive (It should be noted that this is my interpretation and others may view it differently).  I don't consider myself to be a very religious person but this just seemed very offensive to me.  I was also disturbed by the portrayal of the destruction of Mother Earth because the way Lawrence's character is treated was too much for me to watch.  There is one particular scene where she is literally thrown to the ground and beaten that had me sobbing and don't get me started on the scenes with her baby, which are horrific  Again, I appreciate the message but the images are so repulsive.  I guess you could say that I really liked mother! until the main character became a mother!

An Awesome Sack

All of a sudden it feels like fall in the Salt Lake valley.  One day I had my air conditioning on and literally the next day my furnace came on!  I am incredibly happy about this change in the weather because I absolutely love fall.  I love the cooler temperatures, the smell of decomposing leaves, wearing sweaters, everything pumpkin flavored, Halloween, and watching football.  Yesterday was the perfect day for football because the sky was a crystal blue, the temperature required a hoodie, and I started to notice some of the leaves changing!  Sean's team is struggling this season but I sure do love watching him play.  Even though the Braves lost to the Kearns Cougars, Sean played very well and got an awesome sack (he told us later that he could hear us cheer on the field).

Note:  His Dad gives him $5.00 for every sack so he was pretty excited!

Saturday, September 16, 2017

Augustin Hadelich Performs Beethoven's Violin Concerto

Last night I found myself at Abravanel Hall for the second time this week and, since I love the Utah Symphony, this was a very happy circumstance!  Last night was the opening concert for the 2017-2018 Season and it featured works by Mozart, Beethoven, and Strauss which, in my opinion, was a great way to start what looks to be a great season.  The orchestra began with the Overture to Don Giovanni by Mozart.  Why yes that is my very favorite opera so, as you can imagine, I definitely enjoyed this piece.  The music is so dramatic and it gave me goosebumps.  Next, Augustin Hadelich joined the orchestra for Beethoven's Violin Concerto.  I always enjoy it when he comes to town and, once again, his performance was simply brilliant!  He was so passionate and the speed with which his fingers moved in the third movement was mind-blowing.  The audience immediately jumped to their feet in a thunderous ovation which prompted Hadelich to perform Paganini's Caprice No. 21 to everyone's delight.  After the intermission, the program concluded with two tone poems by Strauss.  Don Juan was very tempestuous and I particularly enjoyed the theme played by the horns.  Till Eulenspiegel's Merry Pranks was lighthearted with fun and playful themes by a solo horn and then the woodwinds.  I really enjoyed myself this evening and I am definitely looking forward to many amazing concerts during the upcoming season.  This program will be performed again tonight and tickets may be purchased here.

Friday, September 15, 2017

American Assassin

Last night I went to a Thursday preview of American Assassin, based on the novel of the same name by Vince Flynn, and, as a huge fan of the spy genre, I thought it was very standard.  Mitch Rapp (Dylan O'Brien) is the victim of a terrorist attack which claims the life of his fiancee.  Consumed by thoughts of revenge, he tries to infiltrate a terrorist cell in Libya which attracts the attention of the CIA Deputy Director (Sanaa Lathan) who then proceeds to recruit him as a black ops agent.  He is sent to train with veteran agent Stan Hurley (Michael Keaton) and the two of them are sent on a covert mission to various locations around the world with a mysterious Turkish agent (Shiva Negar) to retrieve some plutonium stolen by a rogue mercenary (Taylor Kitsch).  The story has a few interesting twists along the way but it is fairly predictable and more than a little far-fetched.  There are some great action sequences including a fantastic virtual reality training simulation, a car chase through the streets of Rome, a fistfight on a speeding boat, and an epic explosion at sea.  The low lighting and hand-held camera work give it a certain grittiness but I never really felt an edge-of-my-seat tension.  The characters are pretty one-dimensional but O'Brien does a good job as the brooding loner turned operative (I suspect that he will appeal to a certain demographic) and Keaton is an absolute hoot to watch in an over-the-top performance, especially in a scene where he is tortured by a former protege.  This movie is entertaining and fans of the genre will probably like it but it is ultimately forgettable.  There is nothing that we haven't seen a million times before done much better in movies like the Bourne series.

Thursday, September 14, 2017

An Evening with Renee Fleming

Last night I had the incredible opportunity to hear Renee Fleming, one of the most acclaimed opera stars in the world, perform with the Utah Symphony and the Utah Opera Chorus at a benefit concert in celebration of the Utah Opera's 40th Anniversary and to raise money for Utah Opera's education programs.  Wonderful doesn't even begin to describe this concert.  I saw Renee Fleming perform a Christmas concert with the Mormon Tabernacle Choir several years ago so I knew I was in for a lovely evening when I bought my ticket!  The orchestra began with the Overture to La Forza Del Destino by Verdi and then Thierry Fischer introduced Renee Fleming to thunderous applause.  She sang Four Last Songs by Strauss and, even though I was unfamiliar with this piece, I loved her performance, especially "At Sunset" which was mournful, atmospheric, and gave me goosebumps.  Then the Utah Opera Chorus sang a rousing rendition of "Vedi le fosche" from Verdi's Il Travatore.  I wouldn't consider myself an expert in opera but I definitely recognized this piece and it was spectacular!  Fleming returned to the stage to perform the mad scene from Mefistofele by Boito, "O mio babbino caro" from Gianni Schicchi (another instantly recognizable piece), and Mattinata by Leoncavallo.  As much as I loved the opera pieces, I think my favorite songs of the evening were "Somewhere" and "I Feel Pretty" from West Side Story by Bernstein.  The former was achingly beautiful and the latter was spirited and playful.  Then Fleming told the audience that she really wanted to find a contemporary piece that would work with her voice and, interestingly enough, she found the song "Virus" by Bjork!   Her rendition was awesome!  The final piece brought the crowd to their feet: "Libiamo" from La Traviata, one of my favorite operas, performed with Utah Opera Resident Artist Christopher Oglesby!  I was so sad when this concert came to an end but I am thrilled that I got to be a part of such an enchanting evening, made all the better by knowing that all of the proceeds are going to such a great cause!

Note:  Seriously, listen to Bjork's version of "Virus" and imagine what that sounded like with Renee Fleming and a full orchestra!  Mind blown!
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