The Boogeyman

Movie adaptations of Stephen King's works are really hit or miss with me.  In my opinion, The Shining is the best and The Dark Tower is one of the worst.  Last night I went to see The Boogeyman, the latest adaptation based one of King's short stories, and I think it falls somewhere in the middle of these two extremes because I certainly didn't hate it but I don't think it will have a lasting impression.  Sadie (Sophie Thatcher) and her younger sister Sawyer (Vivien Lyra Blair) are almost debilitated by the recent death of their mother and they are not getting much support from their father Will (Chris Messina) because he is burying his own pain in his work as a therapist.  Will is approached by an unstable man named Lester Billings (David Dastmalchian) who claims that his children were killed by a monster that is now stalking him.  When Lester hangs himself in a closet in their home, this mysterious monster begins terrorizing the family.  Sadie eventually reaches out to Lester's wife Rita (Marin Ireland) and learns that this creature lives in the dark and feeds off feelings of grief and sadness.  This movie is incredibly atmospheric with a menacing sound and light design that makes the buildup to the terror extremely effective even if it does strain credulity (why don't they just turn on the lights?).  One scene in particular, when Sawyer rolls a glowing orb down a dark hall to see if the monster is lurking at the end of it, is so scary that I almost had to cover my eyes.  However, the final confrontation with the monster is very anticlimactic after all of the terrifying shots of dark closets and the message about getting over the trauma of losing a loved one is a bit heavy handed.  All of the performances are outstanding, although the characters are not developed fully, and I was especially impressed by Blair, who is very convincing as a child suffering from night terrors, and Dastmalchian, who is equally affecting and creepy in a brief role.  This is a serviceable horror movie that I enjoyed but it is not very memorable and I recommend waiting until it is streaming.

Puffs at West Valley Arts

I am a huge fan of the Harry Potter franchise (I have read all of the books and seen all of the movies countless times and I even flew to San Francisco just to see Harry Potter and the Cursed Child) so I was absolutely thrilled to be able to see Puffs, or Seven Increasingly Eventful Years at a Certain School of Magic and Magic at West Valley Arts last night! It is a really fun and clever parody of the popular series and I loved it! A Narrator (Brandwynn Michelle) introduces the audience to a brave orphan wizard with a lightning bolt scar named Harry Potter (Sofia Parades-Kenrick) but then tells us that this story is about another orphan named Wayne Hopkins (Grayson Kamel) who is also sent to the school of female magic and male magic after learning that he is a wizard. The story begins with a ceremony that sorts everyone into one of the four houses: Braves, Smarts, Snakes, and Puffs. The sorting hat places Wayne in Puffs and he is soon introduced to the prefect, Cedric Diggory (Adam Packard), and the other outcasts and misfits in this house, including Oliver Rivers (Tanner Larson), Megan Jones (Bryn Campbell), Susie Bones (Natalie Ruthven), J. Finch Fletchley (Oran Marc Di Baritault), Sally Perks (Ally Choe), Ernie Mac (Lucas Stewart), and others. Over the next seven years, Wayne struggles to learn magic and tries to protect everyone from the Dark Lord, Mr. Voldy (Adam Packard). However, he is constantly overshadowed by Harry who steals all of the attention, including the moment when the Puffs are finally allowed to shine during the three wizard tournament. Eventually he starts to feel useless but the Headmaster tells him that everyone is a hero to someone and that friendship is the most important magic! What makes this show so much fun (and so clever) is that all of the well-known characters from the books are alluded to with enough recognizable traits to know exactly who they are without naming them (my favorite is a certain potions teacher) and all of the memorable events still happen but they are shown from the perspective of secondary characters who are not involved in the action. Fans will have a blast spotting all of the references! The action is non-stop (it is almost frenetic), with most of the actors playing multiple roles (I laughed out loud when a different actor played the Headmaster in the second act), and the "magic" happens using ingenious costumes, props, and choreography rather than special effects. The ensemble cast does a great job executing all of the physical comedy with Packard as the standout for me, especially as the bumbling Mr. Voldy. The set, which consists of the great hall and the Puffs' common room on the main stage and a variety of classrooms and corridors in the castle located in areas above the wings, is incredibly simple but effective and I especially loved all of the candles floating in the rafters. I enjoyed this so much and I highly recommend it (go here for tickets), especially for fans of the series!

She Started It

My June Book of the Month selection was She Started It by Sian Gilbert (the other options were The Wishing Game by Meg Shaffer, Ink Blood Sister Scribe by Emma Torzs, Lady Tan's Circle of Women by Lisa See, and Banyan Moon by Thao Thai). I defaulted to the thriller yet again and this twisty page-turner kept me up all night! Former school friends Annabel, Esther, Tanya, and Chloe are surprised when they receive invitations to an all-expenses-paid bachelorette weekend from Poppy Greer. The four of them often bullied Poppy at school but it was so long ago and she must have forgiven them for their little pranks by now. Besides, who could resist the opportunity to stay at a luxury resort on a private island in the Bahamas? They are discomfited to discover that they are Poppy's only guests but soon settle in for three days of sun, sand, and cocktails. However, it soon becomes clear that Poppy has arranged this weekend to exact revenge but, when one of the four is murdered, Poppy is not the only one with a motive. The narrative alternates between the POVs of Annabel, Esther, Tanya, and Chloe in the present and Poppy's diary entries about past events when they were at school. The four main characters are unlikable and unreliable narrators with lots of secrets that are revealed little by little and the diary entries cleverly inform what is happening on the island and why (although the diary entries read as if they are a creative writing project rather than the words of a young girl). The suspense builds and builds as the island is transformed from a tropical paradise into a literal prison with no way to communicate with the outside world and no way to leave. The plot is quite ingenious (I especially enjoyed how Poppy uses technology to get even with her tormentors) and there are so many twists and turns (it is really fun when the women begin turning on one another) that I actually suspected everyone at one point! I did figure out one of the biggest twists before the big reveal but it didn't detract from my enjoyment because the story is so engaging that I raced through to find out if I was right and I giggled out loud when something happened to confirm my suspicions. This is a quick and easy read that combines Mean Girls with The Lord of the Flies and I recommend it for fans of thrillers.

The Cure at the Vivint Arena

Last night I was at the Vivint Arena once again to celebrate my birthday with The Cure. I have seen them twice before but it has been a while so I was really excited for the show.  It had a completely different vibe than the Duran Duran concert did the night before but it was equally amazing.  The Cure played for almost three hours, with a main set, an encore, and a second longer encore, featuring a career-spanning mix of their biggest hits, deeper tracks, and even a few new songs (including "Alone," which opened the show, "I Can Never Say Goodbye," about the death of Smith's brother, and "And Nothing Is Forever").  My favorites were "Pictures of You," "Lovesong," "Plainsong," "Disintegration," "Lullaby," "Let's Go to Bed," "Friday I'm in Love," "Close to Me," "In Between Days," "Just Like Heaven," and "Boys Don't Cry."  All of these crowd favorites, except for "Pictures of You" and "Lovesong," were performed during the encores so the audience got more and more frenzied just as the concert concluded!  Another noteworthy moment came during "Burn" in the main set because drummer Jason Cooper gave an unbelievable performance that was featured on the screen behind him.  Robert Smith was in his usual black (although he did have a bit of red on his shirt) with wild hair, red lipstick, and eyeliner but, compared to other times that I've seen The Cure, he was positively ebullient!  He interacted with the crowd quite a bit, often walking over to the corners of the stage to make eye contact with people in the upper bowl, and he was even dancing at one point (the last time I saw The Cure at USANA he didn't move away from the microphone and didn't talk to the crowd at all).  He also sounded great with the same expressive voice that he is known for. The stage was very stripped down with just a riser for the drum kit and rows of amplifiers and guitar racks.  However, it was bathed in a wall of lights that looked really cool changing from one color to another and there was a large screen which alternated between a live feed of the band and curated images (my favorite was a large spider web during "Lullaby").  Like most of the capacity crowd, I was wearing the requisite eyeliner and Doc Martens and I had an absolute blast.  It was a great way to spend my birthday!

Duran Duran at the Vivint Arena

I have loved Duran Duran since I was a sophomore in high school but I had never seen them live before last night's concert at the Vivint Arena!  I was so excited I could hardly contain myself!  Even though they didn't play "Union of the Snake" (boo!) I loved every minute and I know I will be on a high for a long time because the show was amazing!  They began with "Night Boat" and played quite a few other songs from their debut album Duran Duran, including "Careless Memories," "Friends of Mine," "Is There Something I Should Know," "Planet Earth," and then "Girls on Film" to end their main set.  They also played "Give It All Up" and "Anniversary" from their latest album Future Past and, even though I wasn't very familiar with these songs, I really liked them.  The rest of the concert consisted of an eclectic mix of their hits, such as "Come Undone," "Lonely in Your Nightmare," "A View to a Kill," "The Wild Boys," "Notorious," "The Reflex" (which was the only song they played from my favorite album Seven and the Ragged Tiger), and "White Lines (Don't Do It)."  My favorite songs in the main set were "Hungry Like the Wolf," because it made me feel so nostalgic, and "Ordinary World," because Simon Le Bon gave such a lovely and heartfelt vocal performance after dedicating it to the people of Ukraine. As I mentioned, I was a little bit disappointed when they didn't play "Union of the Snake" because it is my favorite song by the band but I forgave them because they played "Save a Prayer" during the encore. I also really love this song and it was so cool to hear the crowd singing along and see all of the lights from phones!  They ended the show with a rousing rendition of "Rio" and this was another fun and nostalgic moment!  Simon Le Bon looked really good (sigh!) but, more importantly, he (and the band) sounded great!  I couldn't believe that I was actually so close to him (I splurged on a lower bowl ticket) and every time he interacted with the crowd I would scream like the fifteen year old girl who once had the biggest crush on him!  Compared to other shows I've seen lately they had a very traditional stage but there were giant screens behind them with lots of dynamic visuals.  My favorite was a montage of all of the magazine covers they appeared on during their heyday (I think I had all of them on my bedroom walls back in the day).  I am so glad that I finally had the chance to see one of my favorite bands after all of this time!  It was definitely worth the wait!

Spider-Man: Across the Spider-Verse

I was absolutely blown away by Spider-Man: Into the Spider-Verse so I was already looking forward to Spider-Man: Across the Spider-Verse but all of the early buzz made me even more excited!  My nephew and I saw it last night and the hype is real because it is amazing!  Miles Morales (Shameik Moore) is adjusting to life as Spider-Man but is struggling to balance these responsibilities with the expectations of his mother Rio (Luna Lauren Velez) and father Jefferson (Brian Tyree Henry).  Gwen Stacy (Hailee Steinfeld) is facing similar struggles as Spider-Woman in her universe because her father George (Shea Whigham) is hunting Spider-Woman for the murder of Peter Parker.  When her identity is revealed to her father, she is reluctantly admitted to the Spider Society, an organization charged with protecting the Spider-Verse, by Miguel O'Hara/ Spider-Man 2099 (Oscar Isaac) and Jessica Drew/ Spider-Woman (Issa Rae).  When Miles encounters the Spot (Jason Schwartzman), a scientist altered by the explosion of the collider at Alchemax, Gwen joins him in pursuit of this villain to another universe where they are aided by Pavitr Prabhakar/ Spider-Man India (Karan Soni) and Hobie Brown/ Spider-Punk (Daniel Kaluuya).  However, events in this universe show Miles that he must defy all of the other Spider-People to protect those he loves from the Spot. This is one of the best sequels I've seen because it expands the ideas explored in the first movie about who can be Spider-Man to include what it means to be Spider-Man and the stakes for each of the characters are much higher.  I found the narrative to be incredibly compelling because, just when I thought I knew where things were going, my expectations were subverted in the best possible way.  There is also a greater emotional weight to the tone and all of the voice actors really deliver, particularly Isaac.  The images on the screen are absolutely dazzling and, as with the first movie, I loved all of the different styles of animation used for each of the characters, particularly the watercolor palette used for Gwen and the cut-and-paste style of punk rock posters for Spider-Punk (my favorite character).  Finally, all of the Easter eggs are so much fun!  I laughed out loud every time I spotted something (I loved the Lego Spider-Man) but for every one I found my nephew, who loves the comics, found ten more!  We both loved this movie so much (go see it!) and we can't wait for Spider-Man: Beyond the Spider-Verse next year!

Tina: The Tina Turner Musical at the Eccles

Last night I saw Tina: The Tina Turner Musical at the Eccles Theatre and I found it to be especially poignant after the recent passing of Tina Turner.  This is a jukebox musical about the life of Tina Turner (Zurin Villenueva) from her humble beginnings as Anna Mae Bullock (Ayvah Johnson) in Nutbush, Tennessee to her rise to success with Ike Turner (Roderick Lawrence) and then her reinvention as a global superstar after overcoming prejudices against her race, gender, and age.  I knew that Tina was physically abused by Ike but I didn't know everything else that she endured in her life so I found the narrative to be incredibly compelling.  However, the best part of this show is the music and I think its use in a thematic order, rather than a chronological one, is very effective in giving context to her struggles and ultimate triumph.  I especially enjoyed how "Let's Stay Together," "Better Be Good to Me," and "I Don't Wanna Fight No More," show her dysfunctional relationship with Ike, how "Private Dancer" shows her years of performing in Las Vegas to pay her debts after leaving Ike, and how "We Don't Need Another Hero" shows the turning point in her life and career.  Villenueva gives a powerful vocal performance and her renditions of "River Deep - Mountain High" and "(Simply) The Best" just about blew the roof off the Eccles (and gave me goosebumps).  The choreography is energetic, to say the least, and Villenueva and Aliyah Caldwell, Reyna Guerra, Takia Hopson, and Parris Lewis (as the Ikettes) are so much fun to watch in "I Want to Take You Higher" and "Proud Mary" (the highlight of the show for me).  Because of Turner's recent passing, I've seen a lot of footage of her performances, especially during her time with Ike Turner, and I was really impressed with how well the real-life choreography and costumes are replicated.  This production makes use of projections and minimal set pieces but the final set depicting the stage of a concert in Brazil is spectacular with amazing lighting effects (it was almost like an actual rock concert with lots of enthusiastic audience participation).  This show is an incredibly moving tribute to a remarkable woman and I highly recommend it (although it features very disturbing scenes of domestic violence, lots of profanity, and the use of racial epithets which some might find upsetting).  Go here for tickets to one of the four remaining performances.

Note:  Stay through the bows for a continuation of the concert featuring "Nutbush City Limits" and "Proud Mary."

Fischer's Farewell: Mahler's Symphony No. 3

Last night's Utah Symphony concert, while absolutely brilliant, was a little bit bittersweet for me because it was the final opportunity to see Thierry Fischer conduct the orchestra as the Music Director (I am holding out hope that he will return as a guest conductor at some point).  I have been attending Utah Symphony concerts for more than 30 years and Fischer is my favorite conductor (followed by Pavel Kogan who was the principal guest conductor for several years) because he has such a light touch and brings out the very best from the orchestra without a lot of theatricality.  For his final performance, Fischer selected Symphony No. 3 by Gustav Mahler and, in my opinion, it was the perfect choice because it is such a monumental piece about creation and he has done such a wonderful job of helping the orchestra create a distinctive sound.  The women of the Tabernacle Choir, the choristers of Madeleine Choir School, and mezzo-soprano Anna Larsson joined the Utah Symphony for this amazing piece and I loved it!  According to Fischer, the first movement is about the invisible forces within a planet and I especially loved all of the dramatic fanfares by the brass, particularly those by the solo trombone and the solo trumpet, along with the timpani (there are two sets of timpani used in this piece and I was fascinated by how many times the musicians changed mallets).  The second movement is meant to mimic the appearance of flowers and trees and is much more delicate with a beautiful melody by the oboe.  The third movement introduces birds and other animals and I loved all of the woodwinds and the trumpet solo played off stage.  The fourth movement is when man arrives and it features a powerful text by Nietzsche about the nature of mankind sung as a simple melody by Larsson (who has a beautiful voice).  The two choirs join the orchestra in the fifth movement and represent angels who watch over mankind.  I loved hearing the children's choir imitate the sound of bells along with the chimes.  Many believe that the sixth movement is Mahler's vision of Heaven and I really enjoyed the beautiful themes played by the swelling strings and then the triumphant notes played by the timpani (I couldn't take my eyes of the musicians because it was so thrilling).  The audience immediately erupted into a thunderous standing ovation for Fischer (he also received one when he took the stage) and he appeared to become emotional as he hugged Concert Master Madeline Adkins and acknowledged all of the section leaders.  I admit that I had a tear in my eye, too!  This was a spectacular conclusion to the 2022-2023 season (which has been stellar) and the remarkable tenure of Maestro Fischer!

Note:  The 2022-2023 season may be over but there are still plenty of opportunities to hear the Utah Symphony perform this summer.  There are community concerts (several of which are free) in June, the Deer Valley Music Festival in July (I can't wait for the Music of Queen), and a state tour in August (these concerts are free but require a ticket).  Go here for tickets and more information.

Bountiful High School Class of 2023

Yesterday Sean graduated from Bountiful High School and we were all able to watch him receive his diploma at the Dee Events Center.  We are so proud of him because it wasn't easy but he did it!

He will be going to Neumont College in the fall for a Bachelor's Degree in Cyber Security and we are really excited for him!

The Little Mermaid

Last night my sister Marilyn and I took our nephew Sean, our niece Tashena, and her boyfriend Tucker (they are in town for Sean's graduation) to see the new live action version of The Little Mermaid.  Marilyn and I absolutely loved it!  Everyone else?  Not so much!  A mermaid named Ariel (Halle Bailey) doesn't think that all humans are as evil as her father King Tritan (Javier Bardem) believes them to be and she is fascinated by them.  After she saves Prince Eric (Jonah Hauer-King) during a storm which sinks his ship, Triton destroys her collection of human objects and forbids her from going to the surface again.  Ariel defies her father and accepts a deal with her aunt, a sea witch named Ursula (Melissa McCarthy), to trade her voice for a pair of legs.  She must get Eric to give her true love's kiss within three days so a crab named Sebastian (Daveed Diggs), a fish named Flounder (Jacob Tremblay), and a seabird named Scuttle (Awkwafina) attempt to help her.  Can Ariel get Eric to fall in love with her and, more importantly, can she convince Tritan that not all humans are bad?  Bailey is phenomenal in the role and her version of "Part of Your World" gave me goosebumps.  Her wide-eyed innocence is so charming and the chemistry between her and Hauer-King is palpable (especially in the star-gazing scene).  I also really enjoyed McCarthy and Diggs because their characterizations of Ursula and Sebastian are so much fun.  The new songs by Lin-Manuel Miranda, including "Wild Uncharted Waters" by Eric, "For the First Time" by Ariel, and "The Scuttlebutt" by Sebastian and Scuttle (this is my favorite because I loved hearing Diggs of Hamilton fame rap again) are fantastic and really add to the narrative.  I also really appreciated some subtle changes to the story such as making the sisters more diverse as representatives of the seven seas and the addition of the character of Queen Selina (Norma Dumezweni) to emphasize the humans' fear of the ocean in juxtaposition to Tritan's fear of humans (this gives Ariel and Eric a better motivation to fall in love, in my opinion, because they recognize that they are both fighting against parental control and for more understanding).  Sean, Tashena, and Tucker criticized the visual effects and they do have a point because the underwater sequences look really unnatural, especially, rather ironically, in "Under the Sea." I also found the hyper-realistic portrayal of the animals to be somewhat jarring but it wasn't as bad as I was expecting (definitely not as bad as the live-action version of The Lion King) and it didn't detract from my enjoyment.  I loved it in spite of these flaws and Marilyn and I are making plans to see it again (without the others).

Shania Twain at USANA

I am not a big fan of country music (it is probably my least favorite genre) but there are a few artists that I like and Shania Twain is definitely one of them.  I love her and I always try to see her whenever she comes to town.  She was at USANA Amphitheater last night in support of her latest album Queen of Me and I had so much fun at this show!  She sang quite a few songs from the new album, starting with "Waking Up Dreaming" while she traveled through the audience in disguise wearing large sunglasses and a wig.  She also performed "Giddy Up!," "Inhale/ Exhale Air," "Number One," "Pretty Liar," and then "Queen of Me" to end her main set.  However, the crowd really wanted the hits and she sang them, too, including "Any Man of Mine," "Whose Bed Have Your Boots Been Under?," "Don't Be Stupid (You Know I Love You)," "From This Moment On," "Honey, I'm Home," "Rock This Country," "You're Still the One," Party for Two," and a really sultry version of "Roll Me on the River."  The crowd sang every word of these songs!  Most people really love the album Come On Over but my favorite is Up! because this album was my first introduction to her music.  I was so happy that she played "Up!" (which is my favorite Shania Twain song), "I'm Gonna Getcha Good," and "Forever and for Always."  She also played a medley of songs from Up! including "Nah!," "She's Not Just a Pretty Face," "Waiter! Bring Me Water," and "Thank You Baby! (For Makin' Someday Come So Soon)."  She played her two biggest hits for the encore, starting with "That Don't Impress Me Much," while wearing the same leopard print outfit from the music video (there were many people in the audience also wearing leopard print), and ending with a rousing rendition of "Man! I Feel Like A Woman!"  Twain does not have the voice she had in her heyday because she sang many songs in a lower key and relied heavily on her backup singers but her performance was enthusiastic and she certainly hasn't lost any attitude!  She had the most stripped down stage I've seen at one of her concerts and she wore the same red mini dress until the encore but the show itself was dynamic with lots of cool visuals.  It was obvious that she was really happy to be back on stage because she repeatedly thanked the sold-out crowd and, at one point, she even brought a fan on stage to sing with her.  She is definitely still the one!

Note: The night got off to a rough start with heavy rain while I was standing in line (for over an hour) but it eventually stopped and I ended up really enjoying this concert!

The Prom at PTC

I absolutely love the movie The Prom (I've lost track of how many times I've seen it) because it has an incredibly powerful and important message and it is also a sparkly love letter to theatre. As good as the movie is, I have always really wanted to see the stage musical upon which it is based so I was thrilled when PTC announced it as part of the 2022-2023 season! I've basically been waiting impatiently since then to see it and I finally had the chance last night. It was definitely worth the wait because it is one of the best shows I've seen this year! Down and out Broadway stars Dee Dee Allen (Anne Tolpegin) and Barry Glickman (Branch Woodman) are commiserating over the fact that their latest show has closed on opening night because the critics don't like them as people. They think the best way to resurrect their careers is to champion a cause to show the public that they care about something other than themselves. They hear about a girl named Emma Nolan (Celeste Rose) in Indiana who wants to attend her high school prom with her girlfriend Alyssa Greene (Mia Cherise Hall). Rather than allow this, Mrs. Greene (Erin Wilson), the head of the PTA, cancels the prom despite the support of the principal Tom Hawkins (Bernard Dotson). They decide to help Emma and are joined by Trent Oliver (Josh Adamson), an out of work actor who never fails to mention that he attended Juilliard, and Angie Dickinson (Wendy Waring), a chorus girl who has been the understudy for Roxie Hart for twenty years, on a bus for a non-union tour of Godspell headed to Indiana. They help get the prom reinstated for the good publicity but, when the situation becomes worse, they realize that they really care about helping Emma. I love every single song because they are all so impactful but my favorites are "We Look to You," because it is about the power of theatre, "Love Thy Neighbor," because it calls out the hypocrisy of believing that you are a good person when you hate and discriminate against those who are different from you (a particularly important message here in Utah right now), "Alyssa Greene," because it is about the courage to be who you really are, and "Unruly Heart," because it is about the freedom to love who you want. The choreography is joyful and exuberant, particularly the Fosse-inspired "Zazz" as well as "Tonight Belongs to You" and "It's Time to Dance" with the young and talented ensemble. Everyone in the main cast is absolutely perfect but I especially loved Tolpegin as a narcissistic Broadway diva and her rendition of "It's Not About Me" had me laughing out loud!  I was also really impressed with Rose and Woodman because their versions of "Unruly Heart" and "Barry Is Going to Prom," respectively, are really touching. All of the costumes are colorful and sparkly and the multiple sets are so much fun, particularly the high school gym decorated for the prom. I loved this show so much and I cannot say enough about it! I had a big smile on my face from beginning to end and I highly recommend it (tickets may be purchased here).

Freaky Friday at the Empress

There are exceptions but I am not a big fan of turning popular movies into stage musicals because, in my opinion, they are incredibly contrived and this is especially true of Freaky Friday.  However, I saw a production of this show last night at the Empress Theatre and, while I didn't especially like the material, I enjoyed the performances.  Katherine Blake (Jen Kroff) is a single mother who owns her own catering business.  She is stressed out because she is catering her own wedding to Mike (Jeremy Jonsson) with the hope that it will be featured in a popular bridal magazine so she wants everything to be perfect.  Her moody and argumentative teenage daughter Ellie (Beck Skeen) doesn't want her to marry Mike and definitely doesn't want to attend the rehearsal dinner because she would rather participate in the school scavenger hunt organized by her crush Adam (Eli Carillo).  Both Katherine and Ellie each wish that the other could see the situation from her perspective and this wish (and a magic hourglass) causes them to switch bodies.  Chaos ensues as Katherine tries to navigate high school while Ellie deals with wedding preparations and a photo shoot.  They think that finding another hourglass will switch them back but Katherine and Ellie must ultimately learn to appreciate each other for who they are before things can return to normal.  Most of the songs are largely forgettable (although I do like "I'm Not Myself Today" because it is an emotional turning point) but the show is elevated by the performances of Kroff and Skeen.  They both have wonderful voices and great comedic timing, especially when they imitate each other (I loved Kroff's wobble while walking in high heels and Skeen's facial expressions when reacting to the goings on at school).  I also really enjoyed the ensemble because they are enthusiastic and give it their all in executing the fun choreography.  When I saw a production of this show at HCT I was really impressed with their elaborate set but I think I actually prefer the minimal set in this production because it put all of the emphasis on the choreography.  This show will never be a favorite but I had a lot of fun watching this heartfelt production and recommend getting a ticket to one of the three remaining performances (go here).

Master Gardener

The next movie in my double feature at the Broadway last night was Master Gardner.  As a huge fan of First Reformed, I was very intrigued by Paul Schrader's latest exploration of redemption and, even though it pales in comparison to that movie, I appreciated a more optimistic resolution.  Narvel Roth (Joel Edgerton) is a man with a violent past who has left that life behind to become the head gardener at an extensive estate owned by Norma Haverhill (Sigourney Weaver).  He appreciates the rules and order that can be imposed upon a garden after living a life of chaos and records his thoughts in a daily journal.  However, his ordered life is thrown into chaos once again when Norma demands that he take her troubled grand-niece Maya (Quintessa Swindell) on as an apprentice but his need to protect her from the consequences of her past becomes a way for him to atone for his.  A lot of the dialogue in this is incredibly cringe-worthy (I even laughed out loud during a scene that was definitely not meant to be funny) and I wasn't as emotionally invested in the story as I was for the one told in First Reformed (perhaps because the themes are becoming repetitious).  However, all of the performances are compelling, especially Weaver's turn as the haughty and petty owner of the estate (I think it is her best in years).  Also, I was initially a bit disappointed that, apart from a beautiful stop-motion title sequence with blooming flowers, the gardens seem very drab and lifeless but a gorgeous sequence involving magical realism as Narvel and Maya drive through a forest of flowers highlights how empty his life has been without Maya (this is my interpretation).  Finally, I loved the metaphor about how planting a garden is an act of hope for the future because it left me feeling positive about the fate of these characters (which is rare in a film by Schrader).  I didn't love this as much as I was expecting to but it is thought-provoking enough for me to recommend it.

Carmen

It was another double feature at the Broadway for me last night and I started with Carmen, Benjamin Millepied's directorial debut.  It is meant to be a reimagining of Carmen by Georges Bizet but it shares a vibe with the famous tragic opera rather than a plot.  After her mother Zilah (Marina Tamayo) is brutally gunned down, Carmen (Melissa Barrera) is forced to leave her home in the Mexican desert and cross the border illegally.  Aidan (Paul Mescal), a veteran of the war in Afghanistan who is clearly suffering from PTSD, volunteers with the border guard but ends up impulsively killing another volunteer who captures Carmen.  Soon the two of them are on the run to Los Angeles so Carmen can find Zilah's friend Masilda (Rossy de Palma) who owns a nightclub there.  They begin a passionate relationship but can they outrun their fate?  There are some amazing dance sequences (Millepied is better known as a choreographer and it shows) interspersed in the narrative and this, rather than dialogue, is how all of the characters express their emotions (my favorite is a high energy hip-hop dance sequence when Aidan is involved in an underground boxing match).  Barrera is a beautiful and expressive dancer and she and Mescal sizzle in their scenes together.  The visuals are absolutely gorgeous, particularly the recurring image of fire, and the music is incredibly evocative and haunting.  Even though the story is very superficial and Carmen and Aidan seem more like archetypes rather than fully fleshed out characters, I was mesmerized from beginning to end.  This might not be for everyone but I recommend it to those who appreciate movies with a unique vision.

Messiaen's Turangalîla

Last night's Utah Symphony concert was absolutely spectacular!  The entire program consisted of an 80-minute performance of Turangalîla-Symphonie by Olivier Messiaen and it was incredibly dramatic to say the least!  The title of the piece comes from two Sanskrit words which, when combined together, mean love, joy, time, movement, rhythm, life, and death.  I especially enjoyed the use of a large percussion section (I loved the gong and the chimes) featuring nine different musicians!  Utah Symphony Principal Keyboard Jason Hardink was a featured soloist on piano and Augustin Viard joined the orchestra on the ondes Martenot (he is one of only a few musicians who can play this instrument, which sounds a lot like a theremin, and it was flown in from France just for this concert).  It is comprised of ten separate movements but there are several themes that appear throughout.  My favorite themes were the "statue" theme, which is represented by the trombones and tuba and is incredibly powerful, and the "flower" theme, which consists of two clarinets and is very delicate.  They are often entwined together and are meant to represent the masculine and feminine, especially in the first and third movements.  The "love" theme includes a beautiful melody played by the strings and the ondes and this is incredibly ethereal in sixth movement.  Another theme involves chords played by the piano in opposition to the rest of the orchestra and this is energetic and almost frenzied, particularly with the percussion in the seventh movement.  Hardink's performance was brilliant with several very demanding solo cadenzas and I loved watching his fingers flying up and down the keyboard.  Viard was also really fun to watch on the ondes because I could never really figure out what he was doing.  He was definitely using the keyboard but he was also controlling the sound of the notes with the movement of his fingers.  Whatever he was doing, it looked and sounded really cool!  This piece was completely over-the-top and, while it was sometimes overwhelming to me, it was definitely thrilling!  It is not performed very often because of the orchestra personnel required so, if you are intrigued, you should definitely get a ticket to tonight's performance (go here).

In the Heights at the Grand Theatre

Last night I was really excited to see In the Heights at the Grand Theatre.  I love this show so much and this is a fantastic production!  A woman named Claudia (Sonia Maritza Inoa-Rosado Maughan) acts as an abuela, or grandmother, to everyone in a small community in Washington Heights.  Usnavi (Armando Serrano) runs a bodega which is beset with problems, including a refrigerator that doesn't work, and tries to keep his wayward cousin Sonny (Avery Sims) in line but dreams of returning to the cool breezes of the Dominican Republic.  Vanessa (Sophia Morrill Mancilla) is hoping to escape the barrio, and an abusive mother, to move downtown but a credit check for her new apartment stands in her way.  Nina (Aisha Marie Garcia) is the pride of her parents, Kevin (Monte Garcia) and Camila (Sophia Valdez Davis), and the whole neighborhood because she received a scholarship to Stanford.  But college is a lot harder than she thought it would be, especially since she has to work two jobs to make ends meet, and she is thinking of quitting.  Benny (Onias Snuka) dreams of taking over the cab company owned by Kevin but his interest in Nina sours his relationship with his employer.  Abuela Claudia has looked after all of them their whole lives and she just might find a way to help them make their dreams come true!  The entire cast, which is made up of POC, is amazing but the standouts for me are Garcia and Snuka as Nina and Benny.  My favorite songs in the show are "When You're Home," "Sunrise," and "When the Sun Goes Down" and Garcia and Snuka perform them with so much emotion that I had tears in my eyes during all three!  I also really enjoyed Whitney Harris Gutirrez as Daniela because she is so dramatic and her renditions of "No Me Diga" and "Carnaval del Barrio" are so fun.  The ensemble is also really strong and they can really dance!  Speaking of which, the choreography for "In the Heights," "96,000," "The Club" (the dance-off between couples is so sultry), "Blackout," and "Carnaval del Barrio" is incredibly energetic but I absolutely loved that it seamlessly includes a member of the ensemble who is in a wheelchair (Mason Burr is a fantastic dancer).  I was also really impressed with the set, which features storefronts for Daniela's salon, Usnavi's bodega, and the Rosario Cab Company as well as Claudia's stoop with fire escapes connecting them, and the lighting design, especially the fireworks and the candlelight procession during "Alabanza."  I have seen this show many times and this production is one of the best!  Definitely get a ticket (go here).

Grease

My sister Marilyn and I are huge fans of the movie Grease so we were really excited that it was being released in theaters again to commemorate its 45th anniversary (what?) as part of the Fathom's Big Screen Classics series. We went to see it last night and we both loved it (we tried hard not to sing along to every single song but we may or may not have been successful).  Grease is the quintessential high school movie featuring a love story between bad boy Danny Zuko (John Travolta), the leader of the T-Birds, and Sandy Olsson (Olivia Newton-John), a good girl who has recently transferred to Rydell High from Australia.  They have a summer romance but it takes a little help from the rest of the T-Birds (Jeff Conaway, Barry Pearl, Michael Tucci, and Kelly Ward) and the Pink Ladies (Stockard Channing, Didi Conn, Jamie Donnelly, and Dinah Manoff) to get them back together by graduation.  I love all of the songs, especially "Grease" during the opening and end credits, "Summer Nights," "Hopelessly Devoted to You," "Greased Lightnin'," "Sandy," and "You're the One That I Want," and the choreography is so much fun and definitely stands the test of time (I actually prefer the movie adaptation to the stage version because of the new songs that are used and the choreography).  I love Newton-John (it was a little bit sad to see her on the screen after her recent passing) and Travolta as Danny and Sandy because, even though they both look way too old to play high school students, they have so much chemistry together, especially during "Born to Hand Jive." I also really love all of the cameos by popular stars from the 1950s, such as Sid Caesar, Eve Arden, Alice Ghostley, Joan Blondell, and Frankie Avalon.  Finally, even though I didn't grow up during the 1950s, I love all of the nostalgia for the era with all of the leather jackets, letterman sweaters, poodle skirts, malt shops, drive-in movies, and fantastic cars.  It was so much fun to see this on the big screen with my sister and we are now looking forward to seeing The Birds in October and A Christmas Story in December as part of the Big Screen Classics series (go here to see all of the movies in this series).

Note:  Every time I watch this movie as an adult I am always really shocked by the suggestive lyrics because my sisters and I used to sing them at the top of our lungs whenever we watched it as kids!

Hans Christian Andersen in New York at HCT

Last night I went to the world premiere of the musical Hans Christian Andersen in New York at Hale Theatre. It is a reimagining of the 1952 movie musical Hans Christian Andersen and includes all of the songs by Frank Loesser but features a more contemporary story about the famous Danish storyteller's fictional ancestor who lives in New York City in 1962. Hans Christian Andersen (Alex King), a former dancer on Broadway, has inherited the lease of a bookstore from his aunt but she was behind on the payments so he faces eviction.  He lets his best friend Bunny Bailey (Erin Royall Carlson) use the back of the store as a dance studio where she teaches her young students, including Tiffany (Lucy White), Rosalie (Elsa Parry), Carol (Hailey Burnham), Ashley (Libby Despain), and Darlene (Sophia Quinn), to make some extra money.  She suggests putting on a show with her students to save the bookstore and, while he is initially against the idea, his great uncle Hans (Mark Pulham) appears periodically to encourage him.  Add Bobbie Tone (Selena Quayle Proctor), a Broadway friend roped into the job of director and choreographer, a possible romance with Nancy Offenbach (Amy Shreeve Keeler), the mother of two children, Natalie and Ian (Olivia Dietlein and Mason Burnham, respectively), who try out for the show, and Harry Porter (Ben Henersen), a bumbling but helpful community theatre actor from Omaha who offers to play Santa Claus, and merriment ensues!  This has the thinnest of plots (most of the scenes exist to set up the songs rather than tell a story) and it is not very compelling but, having said that, all of the musical numbers are fantastic!  I especially enjoyed "I Hear Music," "Hoop-Dee-Doo," "Thumbelina," "Tallahassee," and "The King's New Clothes" because they feature really fun choreography with the children who are unbelievably talented and charismatic! Unfortunately, I didn’t care for King in the title role because every movement, gesture, and facial expression is very mechanical so I didn't really buy his performance. The rest of the cast is fine but I loved Proctor's turn as an over-the-top diva, particularly when she instructs the girls on how to bow, and Mason Burnham steals the show every time he is on stage (he received the loudest applause and cheers during the bows).  There is an amazing live band, composed of Derek Crane, Reed Le Cheminant, Craig Moore, Alex Marshall, Eric Noyes, Emily Maddison, and Cris Stiles, and they sit in the windows of the buildings that surround the NYC set.  Speaking of which, it is pretty spectacular with a two-storey bookstore on one side of the turntable and a dance studio on the other.  The Christmas decorations at the store and the backdrops used for the show are a lot of fun and so are the 1960s era costumes. This show is a throw-back to the golden age of musicals and the big song and dance numbers are sure to put a smile on your face. It runs on the Sorenson Legacy Jewel Box Stage through July 15 (go here for tickets).

Note:  Don't miss the delightful production of Hello, Dolly! now playing on the Young Living Centre Stage through June 10 (go here for tickets).