The musical Jekyll and Hyde is one of the first shows I saw on Broadway (the OBC with Linda Eder as Lucy) so it will always be a favorite of mine. I was, therefore, absolutely thrilled when the Empress Theatre very graciously provided me with a ticket to their production last night. I loved everything about it! Dr. Henry Jekyll (Danny Keetch) is a passionate man of science who wants to cure his father, who is suffering from madness, with a chemical formula he developed to separate food from evil. When his request to test his formula is denied by the hypocritical Board of Governors at St. Jude's hospital, he takes matters into his own hands. His alter-ego Mr. Edward Hyde, a terrifying madman, is created when Jekyll experiments on himself and all of his inner demons are unleashed. The two women who love him, his fiancee Emma Carew (Angela Warnock) and a prostitute named Lucy Harris (Joy Babcock Austin), and his friend John Utterson (Tyler Rasmussen) are unaware of his secret as Jekyll tries to control the monster within. However, he is unsuccessful and Hyde eventually kills all of the members of the Board of Governors and becomes a danger to the rest of the citizens of London, to Lucy and Emma, and to himself. Warnock and Austin are outstanding and I especially loved their touching renditions of "Once Upon a Dream" and "Someone Like You," respectively. Their performance of "In His Eyes" is one of the many highlights of the show because their voices blend together so beautifully and they both also have tremendous chemistry with Keetch, particularly a romantic version of "Take Me As I Am" featuring Warnock and an incredibly passionate performance of "Dangerous Game" featuring Austin. Speaking of Keetch, I loved his voice (it is very well suited to the pop-rock score) and he absolutely blew me away with his powerful performance of "This is the Moment," my favorite song in the show, but then he took it to another level in "Alive!" I was also impressed by the distinct changes in his physicality and his voice for the two characters (his first transition to Hyde is spectacular) and the entire audience was riveted when he transitioned back and forth between Jekyll and Hyde in "Confrontation" (it gave me goosebumps). The ensemble is one of the strongest I've seen at this theatre and, while the singing and dancing throughout the entire show is phenomenal, they do an exceptional job embodying the class divide found in Victorian London. This is especially true in the song "Facade" as the aristocracy and the members of the dance hall underworld circle each other. I enjoyed the patterns created in the choreography for the engagement party (I liked seeing Stride, played by Coulter Thomsen, chase Emma through the rows of dancing couples) and the boisterous cabaret number "Bring on the Men," is another highlight. The staging for "Murder, Murder!" is incredibly dynamic (this number sometimes drags for me) because the pacing, energy, use of newspapers as props, and use of the different areas of the stage make it very engaging. The stage and surrounding areas of the theatre mimic the cobblestone streets of nineteenth century London and the set, which is minimal but very effective, features a small six-sided platform for Jekyll's laboratory, St. Jude's Hospital, the Red Rat, and other locations with the addition of a few pieces. The color red in the lighting design is very dramatic and is used to great effect during "Confrontation" to denote the two characters. Finally, the period costumes are gorgeous and may be my favorite at this theatre. I had a really fun night watching a show I love performed brilliantly by one of my favorite community theatres and I cannot recommend it enough! There are performances every Thursday, Friday, and Saturday through October 17 with a newly added performance on Monday, October 5. Go here for tickets.
Sunday, October 4, 2026
Jekyll and Hyde at the Empress Theatre
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