Wednesday, August 27, 2025

Honey Don't

Even though I was not a fan of Drive-Away Dolls (to put it mildly), I decided to see Honey Don't, the second in Ethan Coen's proposed lesbian trilogy, with my nephew as the first in a double feature at the Broadway last night.  Unfortunately, I was not a fan of this movie, either, and I will definitely not be seeing the third one.  Honey O'Donahue (Margaret Qualley) is a tough-as-nails private detective in Bakersfield, California who visits the scene of a fatal car crash after she discovers that the victim had scheduled an appointment with her for later that day.  She begins investigating and discovers that her death may not have been an accident.  Honey is a compelling character because she is a throwback to the famous private detectives in classic noir thrillers and Qualley does a good job embodying her world-weary, cynical, and stoic attitude but there is not much for her to do because the central mystery is so underdeveloped.  There are lots of fun and eccentric characters, including Drew Devlin (Chris Evans), a sleazy reverend who uses his church as a front for trafficking drugs, Chére (Lera Abrova), a fixer in town to keep Drew in line for his mysterious bosses, Marty Metakawich (Charlie Day), a police detective who propositions Honey every time he sees her despite the fact that she likes girls, MG Falcone (Aubrey Plaza), a troubled police officer involved with Honey, Heidi O'Donahue (Kristen Connolly), Honey's sister who struggles to keep her many children under control including her rebellious daughter Corinne (Talia Ryder), Honey and Heidi's estranged father (Kale Browne) who wants to reconnect with them, and Shuggie (Josh Pafcheck), Drew's incompetent henchman, but most of these characters are involved in random subplots that go nowhere.  The resolution is very abrupt and unexpected and the killer's motivation makes absolutely no sense.  Finally, there are many continuity errors and, even though this is a very minor point, they really bugged me.  Honestly, the only point of this movie seems to be to show as much gratuitous sex as possible.  I was really hopeful that I would like this because the opening credits are some of the best I've seen but it is a jumbled mess and I recommend that you don't watch it.

Note:  I think Ethan Coen should stop collaborating with his wife and start collaborating with his brother again.

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