Saturday, December 26, 2020

Soul

After opening presents yesterday I watched the new Pixar movie Soul which is now streaming on Disney+.  It is an incredibly clever exploration of the true meaning of life that is funny, touching, and profound.  I really loved it!  Joe Gardner (Jamie Foxx) is a jazz pianist who has aspirations of being a professional musician but is stuck in a job as a middle school band teacher.  He gets the opportunity of a lifetime when he auditions for jazz legend Dorothea Williams (Angela Bassett) and is offered a position in her band.  On his way home to prepare for the gig he has an accident and his soul leaves his body.  Angry that he has died right before his big break, he runs away from the Great Beyond, which is the afterlife, and ends up in the Great Before, where souls get their personalities before coming to Earth.  Joe eventually poses as an instructor and is assigned to mentor 22 (Tina Fey), a soul who has been in the Great Before for many years because she doesn't see the point of living.  Joe decides to help 22 find her spark and is helped by Moonwind Stardancer (Graham Norton), an enlightened soul who sends them both to Earth, and is pursued by Terry (Rachel House), an accountant who is obsessed with finding the missing soul in her count.  As Joe helps 22 find her passion through a series of adventures with his mother Libba (Phylicia Rashad), his neighbor Paul (Daveed Diggs), his barber Dez (Donnell Rawlings), and his student Connie (Cathy Cavadini), he also learns the importance of living life to the fullest.  I loved the message that the journey itself is just as important as the destination and that you shouldn't get so caught up in achieving a big goal that you miss out on the little things that give life meaning.  I loved the character design, especially the shape-shifting line drawings (they reminded me of Cubist paintings) used for the mentor souls because they are the physical manifestations of a theoretical construct and the almost amorphous shapes of the new souls because they have not yet developed any characteristics.  Finally, I loved all of the humorous pop culture references (as with most Disney and Pixar animated movies I think this is actually much funnier for adults than for children), particularly the commentary on 22's former mentors Mother Teresa, Copernicus, Mohammad Ali, Marie Antoinette, Abraham Lincoln, and Carl Jung.  I also laughed out loud over a reference to Tetris!  This movie is even better than I thought it would be (there is an amusing twist about midway through that I wasn't expecting) and I highly recommend it.

Note:  I am not a huge fan of jazz music but I enjoyed the songs composed by Jon Batiste, especially the music performed by Joe when he is in the "zone."  I also loved the ethereal score, composed by Trent Reznor and Atticus Ross, used in the Great Beyond and the Great Before.

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