Shrek the Musical at Hopebox Theatre

I was really happy to see Shrek the Musical at Hopebox Theatre last night because it is such a fun show and it is for a very worthwhile cause! Shrek (Gregory Harrison) is an ogre just minding his own business when his swamp is invaded by the Fairytale Creatures banished from Duloc by Lord Farquaad (Justin L. Cook). After some encouragement from Pinocchio (Ace Johnston), he decides to visit Farquaad himself to get his swamp back. Along the way, he saves Donkey (Lance McDaniel) from Farquaad's guards and they end up traveling to Duloc together. Farquaad agrees to give Shrek back his swamp if he rescues Princess Fiona (Dusti Mulder) from a tower guarded by fire-breathing Dragon (Kaylee Echeverria) so he can marry her and become King. Donkey distracts Dragon so Shrek can rescue Fiona but chaos ensues on the way back to Duloc when Shrek develops feelings for Fiona. I was very impressed with the talented cast because everyone gives a performance that will put a smile on your face. Harrison is great in the title role because he is very charismatic but he also shows a lot of vulnerability behind the gruff exterior, especially in the songs "Who I'd Be," "When Words Fail," and "Build a Wall." McDaniel is so much fun as Donkey because his energetic physical performance is hilarious (I laughed out loud at his pole dance in "Make a Move"). Mulder has a beautiful voice and I particularly enjoyed her versions of "I Know It's Today" with Lizzie Abercrombie as Young Fiona and Everleigh Jensen as Teen Fiona (they harmonize so well together) and "This is How a Dream Comes True" with Harrison and McDaniel but I also enjoyed her physical performance in "I Think I Got You Beat" and "Morning Person" because her comedic timing is spot on. I loved Echeverria as Dragon because she can really sing the blues and her rendition of "Forever" is definitely a highlight. However, Cook steals the show as Farquaad because I don't think I stopped laughing whenever he was on stage! I especially loved seeing him dangle his tiny legs from his tower in "What's Up Duloc," ride in on a rocking horse to meet Fiona for the first time (when he dismounted from the rocking horse, it accidentally rolled away from him and his ad-libs had the crowd in hysterics), and walk down the flower-strewn aisle to his wedding. The ensemble is also very strong and I enjoyed the colorful costumes and lively choreography in "Story of My Life" and "Freak Flag." An honorable mention goes to Johnston as Pinocchio because their performance is very heartfelt. I am always impressed with how well the small space is utilized and for this show the stage features a series of steps configured to look like forest that revolve to become Farquaad's castle and the Dragon's keep with Shrek's swamp on one side of the stage and Fiona's tower on the other.  I had such a great time watching this show and I encourage everyone to get a ticket because not only will you be entertained but you will also be supporting the mission of Hopebox Theatre which is to bring hope to families battling cancer through the performing arts (go here to meet the inspiring recipient for this show). It runs Mondays, Wednesdays, Fridays and Saturdays (including a Saturday matinee) through September 6 and tickets may be purchased here.

The Bad Guys 2

I was really surprised by how much I enjoyed The Bad Guys so I decided to see the sequel last night as part of my double feature at the Megaplex.  The plot is a little bit silly and farfetched but it is funny and I loved the dynamic animation.  The Bad Guys, including Mr. Wolf (Sam Rockwell), Mr. Snake (Marc Maron), Mr. Shark (Craig Robinson), Ms. Tarantula (Awkwafina), and Mr. Piranha (Anthony Ramos), are finding it difficult to fit into society after giving up their criminal ways so, on the advice of Governor Diane Foxington (Zazie Beetz), they attempt to help the newly promoted police commissioner Misty Luggins (Alex Borstein) capture the Phantom Bandit.  However, they soon realize that the Phantom Bandit is really a criminal gang of Bad Girls, including a snow leopard named Kitty Kat (Danielle Brooks), a raven named Doom (Natasha Lyonne), and a wild boar named Pigtail Petrova (Maria Bakalova), who eventually blackmail them into helping with one final caper.  They steal a smartwatch that controls the MOON-X rocket from the billionaire inventor Mr. Moon (Colin Jost) so the Bad Girls can hijack it to use a substance known as MacGuffinite (this Alfred Hitchcock reference made me laugh out loud) to steal the world's gold from space.  Will the Bad Guys choose the allure of power offered by the Bad Girls and join them or will they choose to be respected rather than feared and stop them?  The story is surprisingly convoluted for an animated movie for children but it has a great message about not being defined by past mistakes and there are a lot of hilarious references to each animal's defining characteristics (I laughed out loud again when Mr. Snake accuses another character of being duplicitous).  I really enjoyed the vivid animation, particularly in the action sequences (which pay homage to the Mission: Impossible franchise and other heist movies).  My favorite scenes include a high-speed chase through the streets of Cairo after stealing a car and a stealthy infiltration into a high security society wedding.  The voice cast is outstanding with the back and forth banter between Rockwell and Brooks as the highlight.  I enjoyed The Bad Guys 2 and I recommend it to fans of the first movie.

Sketch

Last night I saw the movie Sketch as part of another double feature, this time at the Megaplex, and I was very surprised by how much I loved it!  Taylor Wyatt (Tony Hale) is a recent widower who believes the best way for his children Jack (Kue Lawrence) and Amber (Bianca Belle) to move on from their mother's death is to remove all traces of her.  However, Amber begins acting out because she is suppressing her grief.  The school psychologist suggests that she channel all of her feelings into her drawings and she gives her a sketchbook which Amber uses to create terrifying monsters, some of whom specifically threaten a bully at school named Bowman (Kalon Cox) and her father after he disciplines her.  Meanwhile, Jack discovers a mysterious pond in the woods behind their house and, when Amber accidentally drops her sketchbook in the water, all of her drawings come to life.  The siblings must find a way to save Bowman, Taylor, and the rest of the town from Amber's monsters.  I loved the animation of the monsters because they accurately reflect the medium used to create them in the sketchbook (colored pencils, crayons, markers, and embellishments such as glitter and googly eyes) and the images look so cool.  I also really loved the way in which the children ultimately defeat the monsters because, without spoilers, it emphasizes the very powerful theme that one of the best ways to confront the bad is to remember the good (this is definitely one of the best explorations of grief that I have seen).  The performances are fantastic and I was especially impressed by how well Belle is able to portray Amber's simmering rage and Cox made me laugh out loud.  I also think Hale gives one of his very best performances as a father who thinks he doing what is best for his children but must learn to listen to what they really need.  I was really moved by this and I highly recommend it!

Note:  Every year I make the goal to see 100 new releases in the theater and I reached that milestone with this movie a month earlier than last year.

It's Never Over, Jeff Buckley

I love Jeff Buckley's voice and I really loved seeing the documentary about his life and music, It's Never Over, Jeff Buckley, at Sundance this year (it prompted me to listen to his album Grace, which is a masterpiece, on repeat for a month afterwards).  I decided that I needed to see it again now that it is in wide release and it was the second film in my double feature at the Broadway last night.  What I love about this documentary is that is framed from the perspectives of the women in his life who loved him.  His mother Mary Guibert details her struggle to raise him as a single mother and the difficult relationship he had with his father, singer-songwriter Tim Buckley, who abandoned him but also overshadowed him.  His girlfriend, experimental artist Rebecca Moore, recalls meeting him at a tribute concert for his father and describes their time together in the Lower East Side of Manhattan where he would spontaneously play at small cafes, such as Sin-é, which drew huge crowds and eventually brought him a record deal with Columbia.  She talks about his need to prove himself, his fight for complete artistic control, and the demise of their relationship due to his relentless touring schedule.  Another girlfriend, musician Joan Wasser, describes the intense pressure he felt to produce another album after the critical acclaim of Grace, the fight against his inner demons (now believed to be a chemical imbalance), and his move to Memphis in an attempt to find the peace needed to write new music before his tragic death.  These women, as well as friends and band members, provide deeply personal and emotional memories of Buckley and hearing them talk about losing him at such a young age makes his death even more heartbreaking (seeing his mother listen to the last message he left on her answering machine brought a tear to my eye).  I loved the use of never-before-seen footage of his performances as well as his own words and doodles from his journals.  If you are a fan of Jeff Buckley, this is definitely a must-see!

Note:  Stay through the credits for a bonus performance including, among other songs, an acoustic version of my favorite Buckley song "Last Goodbye" (sigh).

Cloud

Last night I decided to see a double feature at the Broadway and I began with Cloud because the trailer was so intriguing to me.  It is an intense and compelling psychological thriller and I honestly had no idea what would happen next at any given moment!  Ryosuke Yoshii (Masaki Suda) has a menial job in a Tokyo factory but he also has a side gig as an internet reseller.  After he scams a couple (Masaaki Akahori and Maho Yamada) desperate to sell their health devices and makes a massive profit after marking them up on his resell site, he decides to quit his job, even after his boss (Yoshiyoshi Arakawa) offers him a promotion, and cut ties with the friend (Masataka Kubota) who introduced him to the resell business.  He moves to a large and luxurious house in a suburb, which angers the locals, with his girlfriend (Kotone Furukowa), who soon grows bored and leaves, and hires a personal assistant (Daiken Okudaira), who he eventually fires for snooping into his business.  As Yoshii becomes more and more unethical in his dealings, several of those with grievances against him are able to connect through an online forum created by his disgruntled customers in order to dox him and this culminates in an epic shootout in an abandoned warehouse.  The first two acts are a very slow burn as Yoshii antagonizes the people in his life in an attempt to create a better life for himself but then the final act turns into a tension-filled action sequence with so many twists and turns that it is almost impossible to keep track of anyone's motivations (there were audible gasps from my audience).  The character of Yoshii is absolutely fascinating because I initially found him to be unsympathetic, especially when he is ambivalent about selling knock-off designer products to unsuspecting customers for exorbitant prices, but then I questioned the extreme response of those with grievances against him and actively rooted for him to succeed in the ensuing battle but then found the ambiguity of his fate to be strangely satisfying (Suda's performance is understated but riveting).  I also found the cautionary tale about digital actions having analog consequences to be fascinating because people often hide behind seemingly anonymous user names to say and do things online they wouldn't have the courage for face to face.  I was captivated by this (even more than I was anticipating) and I highly recommend it!