Old

I am a huge M. Night Shyamalan fan (I even like the Shyamalan movies that most other people hate) and I have been looking forward to Old for what seems like forever so I saw it at the earliest possible opportunity which was a Thursday preview last night.  Guy (Gael Garcia Bernal) and Prisca (Vicky Krieps), along with their children Maddox (Alexa Swinton) and Trent (Nolan River), are vacationing at a resort on a tropical island.  There is a lot of tension between them and it turns out that they are giving their children one final vacation before announcing their intention to divorce.  The manager of the resort (Gustaf Hammarsten) tells them about an exclusive and secluded beach and offers to have an employee (Shyamalan) drive them there for the day.  They decide to go but are annoyed when they are joined by a doctor named Charles (Rufus Sewell), his trophy wife Chrystal (Abbey Lee), his daughter Kara (Kyle Bailey), and his mother Agnes (Kathleen Chalfant), as well as a nurse named Jarin (Ken Leung) and his wife Patricia (Nikki Amuka-Bird).  A rapper named Mid-Sized Sedan (Aaron Pierre) is already there having spent the night with a woman he just met.  When the woman's drowned body is discovered in a cove, they are all horrified to discover that it has decomposed at a rapid rate.  They are also stunned to see that the children are changing drastically every hour (Maddox is played by Thomasin McKenzie at 16 and Embeth Davidtz as an adult; Trent is played by Luca Faustino Rodriguez at 11, Alex Wolff at 15, and Emun Elliott as an adult; and Kara is played by Mikaya Fischer at 11 and Eliza Scanlen at 15).  Evidently, time is passing at a rate of one year for every 30 minutes on the beach and the guests can't seem to leave.  This is an absolutely brilliant concept and I really enjoyed the discussions about living in the present and cherishing the time spent with loved ones.  The tone is incredibly surreal (it reminded me of an episode of The Twilight Zone) with line deliveries that are almost hysterical in pitch, jarring camera work that emphasizes the disorientation of the characters, and an uncomfortably menacing sound design.  Many might disagree with these choices but they worked for me and I enjoyed the effect.  However, I didn't enjoy the typical Shyamalan plot twist as much as I usually do (I think it is anti-climactic after the tense build-up).  I really need to think about Old a bit more before I decide if I love it but I definitely didn't hate it.

Note:  When I say that I like the Shyamalan movies that most other people hate I, of course, do not mean The Last Airbender.  Did anyone like that movie?

Pig

When I first heard about the movie Pig, I had certain preconceived notions about the kind of movie it would be, especially since it starred a deranged looking Nicolas Cage, so I decided not to see it.  However, I started reading rave reviews (which admonished viewers to go into the theater knowing as little as possible to fully enjoy it) so I changed my mind.  I went to see it last night and I'm not sure what I expected but it certainly wasn’t a philosophical meditation on finding meaning in a seemingly meaningless world!  Robin Feld (Cage) is living off the grid in a rustic cabin deep in the woods of Oregon.  His only means of support is selling truffles to Amir (Alex Wolff), who then sells them to the trendy restaurants in Portland, and his only companion is his prized foraging pig.  He is a broken man and he clearly has his demons.  One night he is savagely attacked and his pig is stolen which leaves him devastated.  He enlists the help of a reluctant Amir, who has his own demons, to help him find his pig and their search brings them to Portland, where is is revealed that Feld was once a well-regarded chef.  That is really all you should know before going in but you should also know that this is a complex character study rather than a traditional revenge thriller (there is a scene of shocking violence but it is not at all what you are expecting) and that might prove disappointing for some.  I think it is brilliant because, while it is definitely a slow burn, everything that happens builds upon and expands the central idea.  Cage is really hit or miss with me but this is one of his best performances.  His delivery of a monologue at the midway point is absolutely haunting and it gave me goosebumps.  Wolff is also very good and Amir's character arc is as compelling as Feld's.  This is definitely one of the best movies I've seen this year and I highly recommend it!

Escape Room: Tournament of Champions

I liked the movie Escape Room a lot more than I thought I would.  I enjoyed the premise, the design of the rooms, and the suspenseful action sequences.  My only problem was with the ending because it lacks any kind of credibility and it slows down the action with a lot of clunky dialogue in an attempt to explain everything.  There is also a groan-worthy cliffhanger that I thought was a blatant bid for a sequel (and I was right).  Did you enjoy the lengthy recap of my review for the first movie?  More about that later!  Last night I went to see the promised sequel, Escape Room: Tournament of Champions, and this time around I didn't like it as much as I thought I would.  After surviving the escape rooms set up by the Minos corporation, Zoey (Taylor Russell) and Ben (Logan Miller) are suffering from PTSD and want to hold Minos accountable for the deaths of the other players.  They follow a clue to a dilapidated warehouse in New York but eventually end up in another escape room with Theo (Carlito Olivero), Nathan (Thomas Cocquerel), Rachel (Holland Roden), and Brianna (Indya Moore).  Once again, the players must solve puzzles in order to escape from elaborately staged rooms or face deadly consequences.  This movie begins with a lengthy bit of exposition recapping everything that happened in the first one (maybe the filmmakers wanted to pad the runtime, which is 88 minutes, to compensate for a thin plot?) but this just serves to emphasize that the original characters are more sympathetic than the new ones.  The premise for the new game, namely that each player is the sole survivor of his or her respective game, is not as compelling as the original one (each player has a secret which is revealed in one of the rooms) and there is not even an attempt at characterization.  The new players are dispatched very quickly, without leaving much of an impression, in order to get to the reason why Zoey was lured back into the game and this, once again, strains credibility. We also get a cliffhanger that is even more groan-worthy (is the whole world just one elaborate escape room?).  I will concede that the design of the rooms, especially the subway car and the bank lobby, and the action sequences within the rooms are actually an improvement upon the original but I just didn't care as much about whether or not the characters survived them.  You can give this one a miss.

Haydn's Cello Concerto No. 1 at St. Mary's Church

Last night I drove back up to the mountains for an intimate Utah Symphony concert at St. Mary's Church in Park City.  I've gone to a few of these concerts, which are part of the Deer Valley Music Festival, and they always end up being absolutely wonderful.  St. Mary's is a beautiful church with amazing views of the mountains through a wall of plate glass windows and it is a fantastic venue for chamber music!  The concert began with String Sinfonietta by Vivian Fung.  I really enjoyed this piece, especially the second movement, which seemed very atmospheric and otherworldly, and the third movement, because the musicians plucked the strings of their instruments (and even tapped on their instruments to create a rhythm) through this whole section and it was really cool.  Next the orchestra played Within Her Arms by Anna Clyne.  The title comes from a poem by Thich Nhat Hahn, in which the Earth wraps her arms around a dear one who has died in order to transform her into flowers to comfort those left behind, and it is dedicated to Clyne's mother who died suddenly and unexpectedly.  This piece is mournful and elegiac and I thought it was hauntingly beautiful.  The concert concluded with Concerto No. 1 for Cello and Orchestra by Joseph Haydn with Utah Symphony Principal Cello Matthew Johnson as soloist.  This piece is very technically challenging and Johnson performed it beautifully.  As predicted, this was a wonderful evening filled with incredible music!  I believe that all of the remaining concerts at St. Mary's are sold out but there are a few tickets available for some of the other shows at Deer Valley (go here).

The Loneliest Whale: The Search for 52

I have been able to go whale watching twice (in Alaska and Australia) and seeing a whale breach is one of the most exhilarating experiences I have ever had.  I think whales are absolutely fascinating so I was intrigued by the trailer for The Loneliest Whale: The Search for 52 and I even drove about 45 minutes out of my way to see it at the only theater that is screening it in my area yesterday.  At the height of the Cold War, the U.S. Navy developed classified methods to listen underwater for Soviet submarines.  However, it was difficult to distinguish the sounds of submarines from those of marine life so an oceanographer, Dr. William A. Watkins, was enlisted to help classify the sounds.  In 1989 he discovered a single whale that broadcast at a 52 hertz frequency.  No other species of whale broadcast at that frequency so he started tracking the signal until his death 2004.  He was never able to see it or discover another whale who broadcast at the same frequency so it was dubbed "the loneliest whale in the world" and it gained a certain notoriety because people related to its outsider status.  This captured the imagination of filmmaker Joshua Zeman, who believes the ocean is a mysterious environment where unknown discoveries are still possible, and he assembled a team of scientists to try and locate the loneliest whale.  Interspersed between images of their search are discussions about the mythological characteristics of whales, the history of the whaling industry, the discovery that whales use sound to communicate with one another, the origins of the movement to save the whales, the disruption of whale communication by shipping traffic, as well as the social nature of whales and whether this solitary whale would experience the emotion of loneliness.  I found all of this to be very interesting but the footage of the whales encountered during the expedition is absolutely breathtaking, especially the images from trackers placed on the whales because they are so immersive!  I enjoyed this documentary very much but, honestly, I don't think it needs to be seen on the big screen (it will be available on VOD starting July 16).