Pictures at an Exhibition

Last night's Utah Symphony concert featured one of my very favorite pieces, Pictures at an Exhibition by Modest Mussorgsky.  It seems like the Utah Symphony programmed the 2016-2017 season with me in mind as they have featured so many of my favorites (Tchaikovsky's Piano Concerto No. 1, Mozart's Requiem, and now Pictures at an Exhibition).  The concert began with Military March No. 1 from Pomp and Circumstance by Edward Elgar which is instantly familiar to anyone who has ever been through a commencement ceremony.  I enjoyed hearing it and I am looking forward to hearing it again in seven weeks (but who's counting?) when my seniors are unleashed on the world!  The concert continued with Elgar's Violin Concerto with soloist Fumiaki Miura.  I loved this piece so much, especially the second movement which is almost unbearably beautiful and incredibly emotional.  Miura played brilliantly and received a rousing standing ovation!  After the intermission, the orchestra played Mussorgsky's masterpiece which, as the name implies, was written to commemorate the exhibition of ten paintings by Victor Hartmann after his death.  There are ten pieces which correspond to each of the paintings and these are connected by a Promenade (in several iterations played by different sections of the orchestra) which represents walking through the gallery from picture to picture.  I had goosebumps when I heard the opening fanfare in the first Promenade played by the brass!  It is amazing to me how you can almost visualize each painting as the orchestra plays.  I love each piece but I think my favorite is for the painting Byldo which experts believe is a group of oxen pulling a cart (many of Hartmann's paintings haven't survived).  I loved the theme played by the tenor tuba and the timpani because it is so atmospheric.  I always try to hear this piece whenever it is performed and I certainly enjoyed it last night.  You can hear it when this program is performed again tonight (go here for tickets) and I definitely recommend that you do so!

Personal Shopper

I really enjoyed The Clouds of Sils Maria so I have been looking forward to Personal Shopper, the latest collaboration between Olivier Assayas and Kristen Stewart.  I saw it last night and my mind was blown.  Maureen (Stewart) has moved to Paris to visit the house where her twin brother died of the same congenital heart condition that she has.  The two of them made a vow that whoever died first would return to give the other a sign that there is an afterlife.  As she waits for this sign, she works as a personal shopper for a celebrity, borrowing couture clothing and designer jewelry for her client to be photographed in.  Maureen is haunted by a spirit in her brother's house (in some of the scariest scenes I've ever seen) and is harassed by an unknown stalker who sends her menacing texts.  The film begins as a typical ghost story, then becomes a murder mystery, and ends as a psychological study of a young woman in an existential crisis.  It is a brilliant juxtaposition of the spiritual and the material.  It is incredibly suspenseful and part of that is due to the fact that I never knew what would happen from one moment to the next.  The atmospheric score only added to my unease.  Stewart gives the best performance of her career, in my opinion, and she is simply riveting.  It is definitely the best performance I've seen this year.  The scenes on the Eurostar where she receives a string of texts are intense, to say the least, and the final scene raised the hairs on the back of my neck.  I know that this film won't appeal to many moviegoers, especially those who don't like ambiguous endings, but I found it to be fascinating and I'm sure that I will be thinking about for many days to come.

T2 Trainspotting

Twenty years ago, in the cult classic movie Trainspotting (which I absolutely loved), Mark Renton (Ewan McGregor) betrayed his three best friends and took the £16,000 that the four of them had stolen all for himself to start a new life.  In the voice-over he told the audience that he was a bad person but that was going to change.  Have you ever wondered if things really did change for him?  I liked Mark Renton as a character but I hoped, rather than believed, that he would overcome his heroin addiction and make something of himself.  I felt the same way when I went to see the sequel, T2 Trainspotting, last night.  I hoped, rather than believed, that it would be a good movie.  Although Renton is going through a divorce and the company he works for is downsizing, he has been clean for the past twenty years so he is doing much better than I expected.  He returns to Edinburgh after the death of his mother and is reunited with Sick Boy (Jonny Lee Miller), who is now running his aunt's pub while engaging in a blackmail scheme with his Bulgarian girlfriend (Anjela Nedyalkova), Spud (Ewen Bremner), who is still addicted to heroin and estranged from Gail (Shirley Henderson) and his son Fergus, and Begbie (Robert Carlyle), who has recently escaped from prison.  The three of them are still bitter about Renton's betrayal and their interactions are highly amusing.  Like the first movie, there is an opportunity and a betrayal but there is also a twist so the story feels fresh but there are many nostalgic nods to the original for hard-core fans, including a new "Choose Life" speech, this time railing against social media rather than consumerism, a scene with a toilet (thankfully not as gross as the first movie), and a cameo by Kelly Macdonald, Renton's underage girlfriend who is now a lawyer.  The first movie explored the existential angst of young men who didn't see a future for themselves while this one centers on the cynicism of middle-aged men who now long for the past.  Once again Danny Boyle employs fast cuts, freeze frames, text on the screen, and pulse pounding music underneath the action and, while this seemed groundbreaking and mind-blowing in the first film, it seems a little tired in this one.  However, this movie, much like the fate of Renton, is a lot better than I expected!

Third

Over the weekend my niece Tashena competed at a by-invitation-only track meet at Utah Valley University.  Only the best of the best were invited and, apparently, Tashena is ranked third in the state of Utah in discus!  Yeah.  No big deal!  I think it is amazing that she has this ranking because she is only a sophomore!  At this meet she ended up getting fourth place (which made her very unhappy) but everyone ahead of her was a senior.  I am so proud of this girl!

Note:  We are all saving our money to watch her compete at the Olympics!

North by Northwest

Yesterday I had the chance to see North By Northwest on the big screen again!  It is one of my very favorite movies so I couldn't pass up the chance to see it as it was meant to be seen one more time.  It is the first Alfred Hitchcock movie I remember watching (on PBS late at night when I was in high school) and I think it is a great introduction to Hitchcock because it is a stylish and suspenseful action thriller with Cold War intrigue that is highly entertaining.  Cary Grant is Roger Thornhill, a Madison Avenue ad executive, who is inadvertently mistaken for George Kaplan, a nonexistent CIA agent created to protect a real agent in pursuit of a spy seeking to smuggle microfilm out of the country.  Eva Marie Saint is Eve Kendall, the requisite icy blonde who helps Thornhill elude the police.  In my opinion, almost every scene in this movie is absolutely iconic, including the kinetic typography in the opening credits, the drunken car chase along a winding coastal highway, the crop duster attack on a lonely prairie highway, and the final confrontation on top of Mount Rushmore.  I look forward to each of these scenes with anticipation.  I love all of the locations in this film:  the Plaza Hotel, the mansion in Glen Cove, the U.N. General Assembly Building, Grand Central Station, the cafeteria at Mount Rushmore, and the house inspired by architect Frank Loyd Wright.  The costumes are fabulous, especially the grey suit worn by Cary Grant through most of the movie, and those worm by Eva Marie Saint, which, apparently, she selected at Bergdorf Goodman.  I love the characters and I find Roger Thornhill to be the very definition of suave and sophisticated (all men should try to be more like Cary Grant).  The witty banter between Roger and Eve is so much fun.  Finally, the score by Bernard Herrmann, who scored many of Hitchcock's movies, is quite stirring and adds much to the suspense.  I love this movie so much!

Note:  It was screened as part of TMC's Big Screen Classics series.  Go here for more information about the upcoming movies in the series.  I am really looking forward to quite a few of them!