An Awesome Sack

All of a sudden it feels like fall in the Salt Lake valley.  One day I had my air conditioning on and literally the next day my furnace came on!  I am incredibly happy about this change in the weather because I absolutely love fall.  I love the cooler temperatures, the smell of decomposing leaves, wearing sweaters, everything pumpkin flavored, Halloween, and watching football.  Yesterday was the perfect day for football because the sky was a crystal blue, the temperature required a hoodie, and I started to notice some of the leaves changing!  Sean's team is struggling this season but I sure do love watching him play.  Even though the Braves lost to the Kearns Cougars, Sean played very well and got an awesome sack (he told us later that he could hear us cheer on the field).

Note:  His Dad gives him $5.00 for every sack so he was pretty excited!

Augustin Hadelich Performs Beethoven's Violin Concerto

Last night I found myself at Abravanel Hall for the second time this week and, since I love the Utah Symphony, this was a very happy circumstance!  Last night was the opening concert for the 2017-2018 Season and it featured works by Mozart, Beethoven, and Strauss which, in my opinion, was a great way to start what looks to be a great season.  The orchestra began with the Overture to Don Giovanni by Mozart.  Why yes that is my very favorite opera so, as you can imagine, I definitely enjoyed this piece.  The music is so dramatic and it gave me goosebumps.  Next, Augustin Hadelich joined the orchestra for Beethoven's Violin Concerto.  I always enjoy it when he comes to town and, once again, his performance was simply brilliant!  He was so passionate and the speed with which his fingers moved in the third movement was mind-blowing.  The audience immediately jumped to their feet in a thunderous ovation which prompted Hadelich to perform Paganini's Caprice No. 21 to everyone's delight.  After the intermission, the program concluded with two tone poems by Strauss.  Don Juan was very tempestuous and I particularly enjoyed the theme played by the horns.  Till Eulenspiegel's Merry Pranks was lighthearted with fun and playful themes by a solo horn and then the woodwinds.  I really enjoyed myself this evening and I am definitely looking forward to many amazing concerts during the upcoming season.  This program will be performed again tonight and tickets may be purchased here.

American Assassin

Last night I went to a Thursday preview of American Assassin, based on the novel of the same name by Vince Flynn, and, as a huge fan of the spy genre, I thought it was very standard.  Mitch Rapp (Dylan O'Brien) is the victim of a terrorist attack which claims the life of his fiancee.  Consumed by thoughts of revenge, he tries to infiltrate a terrorist cell in Libya which attracts the attention of the CIA Deputy Director (Sanaa Lathan) who then proceeds to recruit him as a black ops agent.  He is sent to train with veteran agent Stan Hurley (Michael Keaton) and the two of them are sent on a covert mission to various locations around the world with a mysterious Turkish agent (Shiva Negar) to retrieve some plutonium stolen by a rogue mercenary (Taylor Kitsch).  The story has a few interesting twists along the way but it is fairly predictable and more than a little far-fetched.  There are some great action sequences including a fantastic virtual reality training simulation, a car chase through the streets of Rome, a fistfight on a speeding boat, and an epic explosion at sea.  The low lighting and hand-held camera work give it a certain grittiness but I never really felt an edge-of-my-seat tension.  The characters are pretty one-dimensional but O'Brien does a good job as the brooding loner turned operative (I suspect that he will appeal to a certain demographic) and Keaton is an absolute hoot to watch in an over-the-top performance, especially in a scene where he is tortured by a former protege.  This movie is entertaining and fans of the genre will probably like it but it is ultimately forgettable.  There is nothing that we haven't seen a million times before done much better in movies like the Bourne series.

An Evening with Renee Fleming

Last night I had the incredible opportunity to hear Renee Fleming, one of the most acclaimed opera stars in the world, perform with the Utah Symphony and the Utah Opera Chorus at a benefit concert in celebration of the Utah Opera's 40th Anniversary and to raise money for Utah Opera's education programs.  Wonderful doesn't even begin to describe this concert.  I saw Renee Fleming perform a Christmas concert with the Mormon Tabernacle Choir several years ago so I knew I was in for a lovely evening when I bought my ticket!  The orchestra began with the Overture to La Forza Del Destino by Verdi and then Thierry Fischer introduced Renee Fleming to thunderous applause.  She sang Four Last Songs by Strauss and, even though I was unfamiliar with this piece, I loved her performance, especially "At Sunset" which was mournful, atmospheric, and gave me goosebumps.  Then the Utah Opera Chorus sang a rousing rendition of "Vedi le fosche" from Verdi's Il Travatore.  I wouldn't consider myself an expert in opera but I definitely recognized this piece and it was spectacular!  Fleming returned to the stage to perform the mad scene from Mefistofele by Boito, "O mio babbino caro" from Gianni Schicchi (another instantly recognizable piece), and Mattinata by Leoncavallo.  As much as I loved the opera pieces, I think my favorite songs of the evening were "Somewhere" and "I Feel Pretty" from West Side Story by Bernstein.  The former was achingly beautiful and the latter was spirited and playful.  Then Fleming told the audience that she really wanted to find a contemporary piece that would work with her voice and, interestingly enough, she found the song "Virus" by Bjork!   Her rendition was awesome!  The final piece brought the crowd to their feet: "Libiamo" from La Traviata, one of my favorite operas, performed with Utah Opera Resident Artist Christopher Oglesby!  I was so sad when this concert came to an end but I am thrilled that I got to be a part of such an enchanting evening, made all the better by knowing that all of the proceeds are going to such a great cause!

Note:  Seriously, listen to Bjork's version of "Virus" and imagine what that sounded like with Renee Fleming and a full orchestra!  Mind blown!

The Wrath of Khan

In honor of its 35th Anniversary (all of these anniversaries of films that I saw in the theater as a kid are making me feel old), I had the opportunity to see Star Trek II: The Wrath of Khan on the big screen last night and I absolutely loved it.  In my opinion it is the best of the original Star Trek movies.  When the starship Reliant surveys a barren planet for its suitability in the Genesis Project, the crew finds Khan (Ricardo Montalban), an old enemy who had been marooned there many years ago.  Seeking revenge against Admiral Kirk (William Shatner), Khan commandeers the Reliant to attack the Enterprise and tries to take Genesis for use as a weapon.  This forces an epic confrontation in which Spock (Leonard Nimoy) sacrifices his life to save the Enterprise (William Shatner, in the interview that preceded the movie, wondered if there was anyone who didn't know how the movie ends and if he was giving spoilers when he talked about Spock's death).  What I loved most about this movie, aside from the great story which continues a plot from the original series and Montalban as a fabulous villain, is the relationship between Kirk, Spock, and McCoy.  There are several great scenes between the three of them which really develop their characters on a deeper level.  Spock's death scene is one of the greatest scenes, ever.  I did find the special effects to be a bit dated but that hardly mattered because the story is so great.  It was so much fun watching this on the big screen with a fun and rowdy crowd, many of whom were in very elaborate costumes.  When Kirk shouted, "Khaaaaaaaaaan," the whole audience cheered!  If you are a fan of Star Trek, this is a must see on the big screen.  There is one more opportunity to see it on Wednesday (go here for more information) and I highly recommend it!

It

I have read Stephen King's best-selling novel It multiple times but the last time I read it was quite a while ago.  As I watched the new movie adaptation, I knew enough about the story and the characters to be completely invested very quickly but I couldn't remember enough to make comparisons between the script and the novel.  That was just the right mix for me because I thought the movie was fantastic (unlike the other Stephen King adaptation this summer).  There is something evil lurking in the sewers of Derry and it reappears, most often in the guise of Pennywise the Dancing Clown (Bill Skarsgard), to haunt the town's inhabitants every 27 years.  After Georgie Denbrough (Jackson Robert Scott) goes missing, his brother Bill (Jaeden Martell) and his friends Ben (Jeremy Ray Taylor), Beverly (Sophia Lillis), Richie (Finn Wolfhard), Stan (Wyatt Oleff), Mike (Chosen Jacobs), and Eddie (Jack Dylan Grazer) try to figure out what is causing so many of Derry's children to disappear.  Bill and the rest of the "Loser's Club" are all misfits in one way or another and Pennywise appears to each of them as what they fear the most.  They must band together in an epic confrontation with Pennywise in order to save Beverly.  The narrative ends with all seven of the kids making a blood pact to come back and face Pennywise again if it comes back, setting the stage for the next movie.  What I liked most about this movie is that it is an emotionally satisfying coming-of-age story about a group of kids who have to face their greatest fears.  By the end of the movie I cared deeply about each one of them and that is due, in large part, to the nuanced performances of the young actors, especially Lillis whose story arc is the most disturbing.  All seven of them are wonderful and I loved their interactions with each other because they seemed so natural and real with quite a few really funny moments to balance out the terror.  I've heard some criticism that it isn't scary enough but don't listen to it.  In my opinion, it is plenty scary (so please don't take your young children to see it). I jumped about a mile in a particularly tense scene.  Skarsgard plays Pennywise in a way that is completely different from Tim Curry's portrayal in the 1990 miniseries but it is no less frightening.  I definitely recommend this movie!

Note:  Now I am very eager for the sequel and, I have to admit, I already started casting the adult roles in my head before the movie even ended!  Amy Adams as Beverly?  Yes! 

Raiders of the Lost Ark in Concert

Last night I had so much fun watching the movie Raiders of the Lost Ark on the big screen at Abravanel Hall as the Utah Symphony performed the score by John Williams live!  I love this movie concert series that the Utah Symphony has started (go here and here) so much because listening to the music played live makes the movie so much more entertaining.  I may or may not have cheered out loud when we heard the iconic fanfare for the first time as Indiana Jones runs through the jungle.  It has been a really long time since I've seen this movie about an adventurous archaeologist and his quest to locate the Ark of the Covenant before the Nazis do.  I was my nephew's age when this first came out and it is really the first big epic adventure that I remember watching in the theater.  It felt just as exciting to me last night as it did then.  I'm starting to respect Steven Spielberg more and more because, just like with Close Encounters of the Third Kind, I think the special effects in this movie hold up incredibly well.  There are so many scenes that I loved such as when Indiana shoots a man who dramatically brandishes a sword at him, when he fights one of the Nazis near the propeller of a plane, when he crawls underneath a moving truck, when he is trapped in a tomb full of snakes (this gave me nightmares when I was a kid), and when the Ark burns the faces off of the Nazis.  I also thought it was really clever to use a red line across a map to indicate a long journey and I liked the use of shadows (that fedora is instantly recognizable).  It is such a great movie and the orchestra played the music magnificently under the baton of guest conductor Constantine Kitsopoulos.  It was a really fun way to begin the weekend.  The next movie in this series is The Nightmare Before Christmas in October and tickets may be purchased here.

Forever Plaid at HCT

Hale Centre Theatre has two shows running simultaneously: The Heart of Robin Hood is currently playing at the West Valley Theatre and Forever Plaid is playing in the Sorenson Jewel Box Theatre at the new Mountain America Center for the Performing Arts in Sandy. I have been eagerly anticipating this first show in the new theatre and I wasn't disappointed.  First of all, the theatre is absolutely amazing! The Jewel Box Theatre is a more traditional proscenium theatre (the main theatre opens in November with a production of Aida) and I am happy to report that there is leg room! Hallelujah! Second, the show is simply delightful in every way! Forever Plaid is essentially a juke box musical featuring a doo-wop group from the early sixties. While traveling to their very first gig at the Airport Hilton they crash into a bus of parochial school girls on their way to the Ed Sullivan Show to see the Beatles and are killed. They are given the chance to come back and perform the show they never got to in life. It is full of wonderful songs from the 1950s (my Dad would love this show) such as "Three Coins in the Fountain," "Moments to Remember," "No, Not Much," "Heart and Soul," "Shangri-La," "Rags to Riches," and "Love is a Many Splendored Thing." My favorite numbers were "Sixteen Tons" which was hilarious and "Lady of Spain" because they recreated all of the famous acts from the Ed Sullivan Show (I laughed and laughed when they pretended to be seals balancing beach balls). Keith McKay Evans (Frankie), Ricky Parkinson (Smudge), Jonathan Rex Baker (Sparky) and Will Perkins (Jinx) harmonize beautifully together. The choreography is a lot of fun, especially when they use plungers as microphones. In between the musical numbers, there is a lot of funny banter which emphasizes each of the characters' quirks such as Sparky's speech impediment, Jinx's propensity for bloody noses, Frankie's nervousness in front of a crowd, and Smudge's ulcer. I loved the minimal set design which included a piano (played by Tanner DeHaan) and a bass (played by Kelly DeHaan). This show is so much fun and I highly recommend that you see it (instead of The Heart of Robin Hood).

The Heart of Robin Hood at HCT

Last night I saw the Hale Centre Theatre production of The Heart of Robin Hood and I hate to admit this but I did not like it at all. In fact, there were parts of it that actually upset me and, had I not been sitting in the middle of a row, I would have left during the second act. This musical takes the story of Robin Hood (Derek Smith) that we all know and love and turns our hero into a villain who terrorizes the inhabitants of Sherwood Forest for personal gain rather than to give to the poor. It is up to Maid Marion (Riley Branning), eager to escape an arranged marriage to the despicable Prince John (Benjamin J. Henderson), to show him the way as they attempt to rescue two children (Sam Murdock and Ava Hoekstra). One of the problems that I had with the show is that it doesn't seem to know what kind of story it is telling. Is it a swashbuckling adventure with lots of comedic elements? Is it a romance filled with swelling power ballads? Or is it a tragedy about a family who dares to defy an unjust overlord at great cost? There are so many jarring tonal shifts I almost couldn't believe it. One minute you see Prince John forcing two children to watch the execution of their father (thankfully offstage) and the next you have Maid Marion singing a peppy love song. At one point Prince John is swishing around the stage with dancing colored lights on him while his soldiers torture people. It was awful to watch. I was bewildered by some of the choices the production team made. The costumes have absolutely no rhyme or reason with some characters dressed in Renaissance clothing and others wearing neon wigs, go-go boots, dreadlocks, Doc Martens, and eyeliner (Prince John reminded me of Adam Ant). Frankly, I thought it was a mess.  This is really too bad because I did like some of the songs and the two lead actors have wonderful voices. I don't understand why Hale would choose such an edgy production considering the demographic of it patrons. The crowd last night seemed very lukewarm to me. This is the second production in a row that has disappointed me so I only hope that Forever Plaid later this week can redeem HCT for me.

Tulip Fever

I really love period dramas and, despite everything I had heard, I still thought I might like Tulip Fever so I went to see it last night.  It looked absolutely beautiful in the previews and it has a stellar cast so how bad could it be?  It is pretty bad.  Set in 17th Century Amsterdam, Sophia (Alicia Vikander) is an orphan essentially sold to Cornelis Sandvoort (Christoph Waltz), a wealthy merchant, because he is desperate for an heir.  She fails to produce said heir but he treats her kindly.  He hires Jan Van Loos (Dane DeHaan), a struggling artist, to paint their portrait and of course he falls in love with Sophia and they begin an affair.  In an attempt to be with Sophia, Jan begins speculating in the tulip market, where fortunes can be won and lost in an instant, with the help of the Mother Abbess (Judi Dench) who raised Sophia.  Maria (Holliday Grainger), Sophia's maid, is in love with a fishmonger named Willem (Jack O'Connell) who also speculates in the tulip market but when his fortune is stolen by an unscrupulous prostitute (Cara Delivigne) he is conscripted into the navy.  Sophia and Maria's stories converge in a ridiculous plot twist and the ending is anything but satisfying.  This movie is beautiful with gorgeous period costumes and lighting straight out of a Vermeer painting.  However, there are so many things wrong.  The story is convoluted but, even worse, it is also totally implausible, especially one plot element that defies common sense.  I didn't understand any of the characters' motivations.  Christoph Waltz usually plays such a good villain but in this movie his character is almost benign so I didn't understand Sophia's desperation to escape from Cornelis.  Sophia and Jan barely speak five words to each other before they are in bed together so I didn't really buy their relationship.  I also didn't understand Sophia's choice at the end of the movie.  What a letdown after everything the characters have been through!  The tone of this movie is also quite strange.  It is supposed to be a tense and compelling drama but there are some odd comedic elements, especially regarding a "little soldier" in some of the strangest sex scenes I've ever seen.  I also found the scenes where the tulips are bought and sold, which should be fraught with tension because of the consequences for the characters, to be incredibly boring.  It was a bit disappointing and I recommend giving it a miss.

Braves!

It was a hot one yesterday but we couldn't miss seeing Sean and the rest of the Bountiful Braves play the Alta Hawks!  I saw a lot of improvement in the Braves this week but this game ended much like the one they played last week.  The Hawks scored four unanswered touchdowns and then at the end of the game the Braves got a dramatic touchdown to spoil the shutout.  I'm really proud of Sean because this week he didn't let his frustrations get the better of him and he didn't give up!

They'll get the next game!

Close Encounters of the Third Kind

I will be honest and say that last week was really rough.  After a great first week things deteriorated rapidly with lots of schedule changes, an incredibly disorganized picture schedule (which always involves the English teachers), and spotty internet connectivity throughout the whole district.  The only thing that got me through was knowing that I had a screening of Close Encounters of the Third Kind (it is being screened for a limited engagement in honor of its 40th Anniversary) to look forward to on Friday night!  I vividly remember watching this movie in the theater when I was a kid (in fact, I remember being fairly obsessed with it) so it was an absolute thrill to be able to see it again on the big screen.   I'm sure that nostalgia played a big part in my reaction but I loved this movie about a group of people who have an encounter with a UFO and the government's attempts to cover it up just as much as I did when I was an impressionable nine year old.  Most of the narrative involves a select group of people, including Roy (Richard Dreyfuss) and Jillian (Melinda Dillon) among others, who are inexplicably drawn to Devil's Tower in Wyoming after their encounter.  It turns out that Devil's Tower is a coordinate broadcast by aliens to a group of scientists, including Claude Lacombe (Francois Truffaut), after they communicate with them through musical tones (those five iconic notes).  The final encounter with the UFO at Devil's Tower is just as epic as I remember it and, in my opinion, the special effects hold up very well after 40 years.  Even after seeing so many other alien movies, I was still absolutely spellbound.  What I like best about this encounter is that almost everyone reacts with awe rather than fear.  It is just so magical!   Once again, I was fascinated by Truffaut's portrayal of Lacombe and I can't really explain why other than to say that this movie was my first introduction to him (my Dad had to tell me that he was a famous director) and I also absolutely loved Barry's (Cary Guffey) wide-eyed wonder when he looks at the UFOs.  It is an amazing movie and I highly recommend seeing it on the big screen!

Note:  I was so obsessed with this movie I actually requested that my parents take me on a road trip to Devil's Tower when I was in high school.  It is a seriously cool place!