Good Boy

The second movie in my double feature at the Broadway last night was Good Boy and I loved the message about the loyalty of dogs.  Todd (Shane Jensen) is suffering from chronic lung disease when he decides to move from New York City to the isolated house in the woods where his grandfather (Larry Fessenden) died and where his grandfather's dog Bandit (Max) disappeared.  When he arrives, his dog Indy (himself) immediately senses a presence and repeatedly tries to warn Todd about the danger.  As Todd's health worsens and his behavior becomes more erratic, especially towards Indy and his sister Vera (Arielle Friedman) who frequently calls to check on him, the presence becomes more malevolent and manifests itself as shadows, unexplained noises, the ghosts of Todd's grandfather and Bandit, and, eventually, a dark entity that stalks and then tries to consume Todd.  Indy must go to extraordinary lengths to protect him.  The story is told entirely from Indy's POV and this is an incredibly clever premise because, as someone who has spent a lot of time around dogs, I know that they can intuit things that their human owners cannot.  It is also quite ingenious because a dog is not necessarily a reliable narrator which allows the audience to interpret the goings-on in several different ways (I choose to see the presence as a metaphor for illness).  It is really scary at times (at one point I jumped out of my seat), with clever cinematography and atmospheric lighting that uses reflections and shadows very effectively as well as an incredibly unnerving sound design, but it is also very emotional because of how Indy's unconditional love for Todd is portrayed.  Finally, Indy gives a fantastic performance (I think he is a better actor than his human co-stars) that is very compelling.  I definitely recommend this to fans of horror (and dogs).

The Smashing Machine

Last night I went to the Broadway for a double feature (there are so many movies I want to see in October).  I started with The Smashing Machine because I love inspirational sports movies and I was really intrigued by Dwayne Johnson's physical transformation in the trailer.  Unfortunately, I found it very underwhelming despite an outstanding performance from Johnson.  Mark Kerr (Johnson) is an incredibly successful UFC fighter who has never lost a match but, for financial reasons, he also fights in the Pride Fighting Championships in Japan.  When he loses a fight against Igor Vovchanchyn (Oleksandr Usyk) in a controversial decision, he spirals into depression which is exacerbated by his worsening dependence on prescription and illegal drugs.  When he overdoses, his best friend and fellow fighter Mark Coleman (Ryan Bader) convinces him to enter rehab.  He gets sober and begins training at a camp run by fellow fighter Bas Rutten (himself) in order to redeem himself at the next tournament in Japan but his dysfunctional relationship with his girlfriend Dawn Staples (Emily Blunt) threatens his comeback.  Johnson completely disappears into this role (I thought it was the hair but he is still unrecognizable when his character shaves his head before a match) and gives the best performance of his career.  In the scene after his first loss in Japan you can see the coiled rage in his body as the camera follows him walking to the locker room and then you can see him release it when he breaks down crying once he is alone.  It is a very powerful moment and Johnson conveys everything that Kerr is feeling without any dialogue.  I also really liked the way the fighting scenes were filmed because we see most of the action through the ropes from the POV of a spectator.  However, I found the narrative itself to be somewhat pointless.  This is a mild spoiler so you may want to stop reading but the first act sets up a revenge match between Kerr and Vovchanchyn since the latter won on an illegal move and the second act sets up a match between close friends Kerr and Coleman (either would have created interest and tension) but neither of these matches happen.  The filmmakers also take great pains to portray Staples as toxic and there is an incredibly satisfying moment when Kerr finally realizes it but an end title says that they eventually reconcile and marry which lessens the impact of that scene.  I understand that the filmmakers wanted to highlight a fighter who impacted the future of his sport without a lot of recognition but, in my opinion, Kerr is not a compelling enough subject for a movie.  I recommend giving this a miss.

Laufey at the Delta Center

I recently discovered Laufey and now I am completely obsessed with her music because she has such a unique sound that blends jazz, pop, and classical elements.  I love her voice because it is so expressive and her orchestrations because they are incredibly lush.  I found out about her concert at the Delta Center quite by accident and was thrilled when I was able to get a ticket at the last minute.  The show was last night and it was incredible!  It is very theatrical with an elaborate set that is a cross between a fairy tale castle and a Busby Berkeley musical with a curved runway to a secondary stage shaped like a clock complete with moving hands and the glamorous costumes are inspired by the Golden Age of Hollywood.  The show is divided into five different thematic acts with an introduction on the screen reminiscent of a silent movie and an encore featuring a surprise song specific to each city.  The first act is inspired by romance and fantasy and Laufey wore a sparkly gown with a tulle skirt while performing "Clockwork," "Lover Girl" with the requisite claps from the audience, "Dreamer," "Falling Behind," "Silver Lining" (my favorite Laufey song), "Bored," and "Too Little, Too Late."  The second act is meant to mimic an intimate jazz club so she moved to the secondary stage wearing a 1920s-inspired beaded dress.  She performed a cover of "Seems Like Old Times" and then sultry versions of her songs "Valentine," "Fragile," "While You Were Sleeping," and "Let You Break My Heart Again" with a trio of musicians. The third act is billed as an enchanting interlude and included "Carousel" "Forget-Me-Not," and "Cuckoo Ballet" (featuring ballet dancers in tutus) with whimsical images on the screens.  The fourth act represents vulnerability and heartbreak and she performed "Mr. Eclectic," "Castle in Hollywood," "Promise," "Goddess," "Tough Luck," "Snow White," and "From the Start" (another favorite) in a costume with lots of sequins and fringe inspired by the Ziegfeld Follies.  The fifth act is about self-acceptance and growth so she performed a dramatic version of "Sabotage."  She returned to the secondary stage for the encore and the surprise song was "Street By Street" (she told the crowd that she picked this song specifically for Salt Lake City because she performed her first live show here and she was so surprised that people actually knew the words to it) followed by an emotional performance of "Letter to My 13 Year Old Self."  She sounded amazing live (I would love to hear her in a venue like Abravanel Hall with a full orchestra backing her) and played guitar, piano, and even the cello (during the instrumental "Cuckoo Ballet").  Her interactions with the large and enthusiastic crowd were charming and she was incredibly appreciative of them singing along to every word.  She even commented on the many Laufey-themed costumes (I did not get the memo about wearing bows and felt crowns).  I thoroughly enjoyed this concert and I am so glad that I was able to go!

Note:  Suki Waterhouse was the opening act.  I didn't know anything about her (beyond being Robert Pattinson's girlfriend) or her music but I really liked her set.

Paul McCartney in Las Vegas

I have loved Paul McCartney since I was in 5th grade.  It was then that I discovered a song called "Coming Up" and, even though I didn't actually know who sang it, I played it incessantly.  My dad said it was Paul McCartney and if I liked that song I should listen to the Beatles.  He presented me with his copy of Rubber Soul (he eventually gave me all of his Beatles records) and thus began my obsession with McCartney and the Beatles.  I have been lucky enough to see him in concert several times by now so I really debated whether or not I should get a ticket for his latest North American tour, especially since I would have to travel to get to a show.  I ultimately decided that I would be so sad to miss seeing him again and got a ticket for the show at Allegiant Stadium in Las Vegas (an incredible venue!).  I took a quick road trip this weekend (I had to drive in a torrential downpour for half of it) and, as is usually the case, I am so glad I did because the concert was amazing!  One of the reasons for my hesitation, besides the cost, was McCartney's voice.  He seemed to really struggle the last time I saw him but I think he sounded great Saturday night!  His voice was obviously not what it once was but I realized that it didn't really matter because he and the songs are so iconic.  He played for close to three hours with his usual band (Paul "Wix" Wickens on keyboards, Rusty Anderson on guitar, Brian Ray on bass, and Abe Laboriel, Jr. on drums) as well as an incredible horn section (Mike Davis on trumpet and fugelhorn, Paul Burton on trombone, and Kenji Fenton on saxophone and clarinet) and I was so impressed with his stamina because he sang and played either guitar or piano for every song (even when the band took a break).  He opened with "Help!" which whipped the crowd into a frenzy because this is the first time he has performed it solo.  He played quite a few other Beatles songs, including "Got to Get You Into My Life," "Drive My Car," "Getting Better," "I've Just Seen a Face," "Love Me Do," a beautiful acoustic version of "Blackbird," "Lady Madonna," "Being for the Benefit of Mr. Kite," "Something" while playing the ukulele as a tribute to George Harrison, "Ob-La-Di, Ob-La-Da" with lots of audience participation, "Get Back," and "Let It Be."  The older gentleman sitting two seats down from me was openly weeping for most of these but what reduced me to tears was when he played the new Beatles song "Now and Then" because it reminds me of my dad.  He played the usual Wings songs "Let Me Roll It," "Let 'Em In," "Jet," "Band on the Run," and "Live and Let Die" (complete with the most extensive pyrotechnics I've ever seen) but he also played "Letting Go" which I had never heard live before.  I loved hearing his solo songs "Coming Up" (obviously), "Come On to Me," "My Valentine" which he dedicated to his wife Nancy who was in the audience, and "Here Today" which he dedicated to John Lennon but my favorite moment was when he played "Maybe I'm Amazed" because I love this song so much (I also love watching Rusty play the guitar solo).  He ended the main set, as he often does, with a rousing rendition of "Hey Jude" and this was a lot of fun!  For the encore, he sang "I've Got a Feeling" with John Lennon using footage from the rooftop concert (this was really cool), "Sgt. Pepper's Lonely Hearts Club Band," "Helter Skelter," "Golden Slumbers," Carry That Weight," and "The End."  Seeing an artist that I have loved for most of my life was such an incredible experience and I will be on a high from it for a long time.

The Official Release Party of a Showgirl

I listened to The Life of a Showgirl the second it was released late Thursday night and my first reaction was that it is not Taylor Swift's best album and it is not my favorite Taylor Swift album but I liked it, especially "Opalite" and "CANCELLED!"  After a few more listens I started liking it more and more and "Elizabeth Taylor" and "Ruin the Friendship" joined my list of favorites.  After seeing The Official Release Party of a Showgirl in a packed theater with my sister last night, I now love the entire album, including "Honey" which was the only song I was still feeling lukewarm about, and I am even more convinced that Swift is a brilliant songwriter!  The premiere of the video for "The Fate of Ophelia," Marilyn's favorite song on the album, is included at the beginning after which Taylor describes the meaning behind the imagery.  I love how she embodies the ways in which women have been depicted through the ages, from subjects of Renaissance paintings to pin-up girls, cabaret singers, dramatic actresses on stage, dancers in Busby Berkeley spectacles, showgirls, and pop stars.  Lots of behind-the-scenes footage of the making the video is shown (it was fun to see all of the Eras Tour dancers again) and interspersed between these vignettes are lyric videos with introductions by Swift about the meaning and inspiration for each song.  I loved the metaphor comparing an opalite, a man-made version of a opal, to the way we can make our own happiness in "Opalite," still my favorite song on the album.  I was very surprised by my emotional reaction to her description of "Eldest Daughter" because I really related to what she said about perfectionism and not wanting to let anyone down.  The crowd laughed out loud when she said the innuendo-filled "Wood" is about superstitions with a big smirk on her face (the lyric videos feature the clean versions of the songs and some of the word changes also elicited much laughter).  Finally, her descriptions of "Wi$h Li$t" and "The Life of a Showgirl" really got me thinking that this might be a farewell album because, in the former, she says that all she wants now is to settle down with Travis and, in the latter, that she is passing the torch to Sabrina and a new generation of singers.  I basically spent $15 to see videos that will be available online Sunday night (Swift is a marketing genius) but I regret nothing because it was so much fun to be with lots of fans who were as excited about the new album as I was (a surprisingly broad demographic of people).  I will now be listening to The Life of a Showgirl on repeat for the foreseeable future.