Thursday, December 5, 2024
A Christmas Carol at HCTO 2024
Wednesday, December 4, 2024
A Christmas Carol at HCT 2024
Last night I went to Hale Centre Theatre for the fourth of five productions of A Christmas Carol that I have scheduled this holiday season. This is a very traditional version of Ebenezer Scrooge's reclamation by the Ghosts of Christmas Past, Present, and Future and it is my sentimental favorite. I have been attending this show 25+ years and, since it isn't part of the season subscription, I sometimes try to convince myself that I don't need to see it every year but then I realize that I would really miss it and end up getting a ticket. I am so glad that I did this year because I enjoyed this production even more than usual. I wait with anticipation for every single scene (I think I have the whole show memorized) and I love seeing actors return year after year in the same role, particularly Stephen Kerr as Scrooge because his transformation is very powerful. I also really enjoy seeing new interpretations of characters and I especially loved John Rex Kocherhans because he brings a dignity to Bob Cratchit, Ben Parkes because he is so overwrought as Marley, and Taylor J. Smith because he is absolutely hilarious as the Ghost of Christmas Present (his facial expressions are so funny and I laughed out loud every time he threw confetti at Scrooge). One of the things I love best about HCT's production is the use of music to tell the story with an octet (Brett Myers, Zack Grob, Dan VanOrmer, Quinn Dietlein, Rachel Worthen Grob, Jennifer Riley, Luana Parkes, and Courtney McMullin) who sing in between the scenes and various characters who sing as part of the narrative. My favorites are "Bring a Torch, Jeanette, Isabella" by Mr. Fezziwig (Mark Brocksmith) and his party guests, "Greensleeves" by Belle (Jordyn Aspyn Durfey), "Wassail, Wassail" by Fred (Josh Durfey) and his party guests, "Infant Holy, Infant Lowly" by the Poor Wife (Dawn Dietlein), and "Sussex Carol" by the Company. I also really love the elaborate sets, particularly the attention to detail in Scrooge's counting house (I love the ledgers and file boxes on the shelves), Scrooge's bed chamber (I love the opulent fabrics and wallpaper), Bob Cratchit's house (I love the fireplace), Fred's house (I love the Christmas tree), and the Rag and Bottle Shop (I love all of the items for sale displayed on the shelves). The only criticism I ever have of this show is that I think the scene at the Rag and Bottle Shop goes on a bit too long but last night I loved it because Taylor J. Smith made me laugh out loud as Old Joe. The holidays just wouldn't be the same without this show and I highly recommend getting a ticket (go here) but act quickly because many dates are sold out. It runs on the Sorenson Legacy Jewel Box Stage through December 28.
Tuesday, December 3, 2024
Scrooge: A Christmas Carol at the Terrace Plaza Playhouse 2024
Last night I went to the Terrace Plaza Playhouse for the third of five productions of A Christmas Carol that I have scheduled this season. This version, which is an adaptation by Beverly Olsen of the musical Scrooge with music and lyrics by Leslie Bricusse, tells the well-known story of the reclamation of Ebenezer Scrooge's soul by the Ghosts of Christmas Past, Present, and Future but it is much more lighthearted and whimsical than other local productions. Scrooge (Kim Florence) is more a figure of fun who is ridiculed by everyone around him rather than feared and, even though Florence plays him as a doddering old buffoon, he does have a few poignant moments, especially his reactions when Isabelle (Lauren Bailey) leaves young Ebenezer (Jace Fawcett), when he learns the fate of Tiny Tim (Holden Cahoon), and when he realizes that everyone is celebrating his death. I really love the songs "Christmas Children" by Bob Cratchit (Brian Sears) and his children Tiny Tim and Kathy (Brooke Thompson), "December the Twenty-Fifth" by Mr. and Mrs. Fezziwig (Duane Beesley and Carla Zarate, respectively), "Happiness" by Young Ebenezer and Isabelle, and "The Beautiful Day" by Tiny Tim. I also enjoyed the spirited choreography in "Father Christmas" as the children make fun of Scrooge and "Thank You Very Much" as Tommy Jones (Brent Taft) and the rest of the debtors who owe Scrooge money dance around his coffin. I am always so impressed with how well the space on the small and intimate stage is used and this show is no exception, particularly in the opening number "Sing a Christmas Carol," because of the sheer number of townspeople involved, and as the Ghost of Christmas Present (Don Wilhelm) conducts Scrooge all around the theatre and through the audience to get to the Cratchit house and Fred's house. The sets are really impressive and bring Victorian London vividly to life with a backdrop of a cobblestone street, platforms on either side of the stage featuring Scrooge's counting house and the entrance to Scrooge's house (I love how Marley's head appears on the door knocker), and various set pieces that are moved on and off the stage (my favorites are Fezziwig's factory and the white silhouettes used to represent Scrooge's childhood). The costumes are beautiful, especially the ball gowns worn at Fred's party and the Ghost of Christmas Present's robe. However, there are several elements that deviate from the original musical and really detract from my enjoyment of this production. I do not like how Jacci Florence portrays the Ghost of Christmas Past because, to me, she seems like a deranged Sugar Plum Fairy and her shtick goes on way too long. I am also bewildered by the Ladies of the Late Afternoon (???) who dance a burlesque while stealing from Scrooge's house. This is my least favorite of all the local productions of this Christmas classic (I prefer a darker and more dramatic tone) but I love the community spirit of this theatre and I think this is perfect for families. It runs nightly (excluding Sundays) through December 23 and tickets may be purchased here.