A Christmas Carol at Parker Theatre

Last night I went to Parker Theatre for the second of five productions of A Christmas Carol that I have scheduled this season. This version tells the well-known story of the reclamation of Ebenezer Scrooge's soul by the Ghosts of Christmas Past, Present, and Future but it is much more atmospheric than others I've seen and I loved it! I especially enjoyed some of the more dramatic differences, such as when Jacob Marley (Stephen Harmon) dies at the beginning of the show and then haunts Scrooge (Brinton M. Wilkins) before he appears to him in his chambers, when characters that Scrooge meets on the streets of London return at key moments from his past to soften his heart, when young Ebenezer (Matthew Delafuente) has a romantic dance with Belle (Isabelle Purdie), and when Scrooge learns the truth about his fate by opening his coffin in the cemetery (it is so ominous). I also enjoyed all of the elaborate special effects as Scrooge interacts with the Ghosts of Christmas Past (Helene Parker), Present (David Hanson), and Future (Helene Parker) because they are quite impressive. The use of a scrim, fog, and atmospheric lighting as Scrooge sees memories from his past as well as shadows and silhouettes as he is shown a frightening possible future is incredibly effective in creating an otherworldly mood. Wilkins is outstanding as Scrooge because there is a marked change, shown through facial expressions and body language, between the bitter old miser at the beginning of the show and the lighthearted character he becomes at the end after his transformation. His interactions with Bob Cratchit (Lucas Charon), when his clerk tearfully thanks Scrooge for his generosity, and with Fred (Tanner Tate), when Scrooge entreats his nephew to let him into his life, are very moving and brought a tear to my eyes. The sets and costumes may be simpler than other local productions but they portray a more realistic interpretation of Victorian London (I loved the street lamps). This is one of my favorite adaptations of the novel by Charles Dickens and I highly recommend including it as one of your Christmas traditions. It runs at Parker Theatre on Fridays and Saturdays through December 24 (go here for tickets).

Note:  I have become a huge fan of Parker Theatre and I am so excited for next season!  The shows include Persuasion, The Sting, Noises Off, Macbeth, Silent Sky, and A Christmas Carol.  Season and individual tickets are now on sale (go here).

Gladiator II

Last night my nephew and I went to a Thursday preview of Gladiator II and we were both definitely entertained.  Rome is now ruled by a pair of tyrannical twin emperors, Geta (Joseph Quinn) and Caracalla (Fred Hechinger), who are bloodthirsty in their desire to acquire more and more land.  General Acacius (Pedro Pascal) leads an invasion of Numidia for them during which a Roman refugee named Hanno (Paul Mescal) is captured and his wife Arishat (Yuval Gonen) is killed.  Hanno, as a prisoner of war, is eventually purchased by a former slave named Macrinus (Denzel Washington) and he agrees to become a gladiator for him in order to take his revenge on Acacius.  Meanwhile, Acacius is growing disillusioned with fighting wars on behalf of the corrupt emperors and he and his wife Lucilla (Connie Nielsen), the daughter of Marcus Aurelius, plot to overthrow them with his personal army.  Hanno begins winning the gladiator contests in the Colosseum and Macrinus plans to use him in his own plot to rule Rome but Lucilla recognizes him as her son Lucius who was sent away after the death of his father Maximus and is next in line to the imperial throne.  Will Lucius fight for revenge, for Macrinus, or for Rome?  The original movie is one of my very favorites and, while I did really enjoy this one, the plot often feels like a repeat without the same emotional stakes.  I think that Mescal does a great job, especially in the action sequences, but his character is not as compelling as Maximus because Lucius achieves success in the arena by emulating him rather than because of his own skills (there are lots of callbacks to Maximus when Lucius is fighting).  I also found Geta and Caracalla to be less villainous than Commodus because the two of them are unstable rather than evil (I hated Commodus by the end of the original but Geta and Caracalla are just annoying) and Quinn and Hechinger don't have a lot to do but wear more and more eyeliner to show their debauchery.  Pascal provides a great moment of pathos in the arena but even Acacius has a similar character arc to Maximus.  However, Macrinus is absolutely fascinating because he has risen from slavery to become a powerful political player and he gleefully treats everyone like chess pieces in the pursuit of his own agenda.  Washington commands the screen in a riveting performance (while having the time of his life chewing the scenery).  Finally, Ridley Scott can always be counted on to create a grand spectacle and he certainly does so here with some epic and exhilarating set pieces, especially those in the Colosseum involving a rhinoceros and the staging of a naval battle (although the battle with a bunch apes is a bit weird).  I also really loved the visuals, particularly some black and white sequences involving the afterlife.  This is ultimately a lot of fun (my nephew and I left the theater with big smiles on our faces) and, even though it doesn't reach the heights of the original, it is worth seeing on the biggest screen possible.

Wicked

I am a huge fan of the musical Wicked (I've seen it in London, on Broadway, in San Diego, and in SLC multiple times) so, even though I really enjoyed what Jon M. Chu did with In the Heights, I still had a bit of trepidation about a movie adaptation and I wasn't sure about the casting of Ariana Grande and Cynthia Erivo.  I went to see it at an early access screening last night and I needn't have worried because it is amazing and I loved it.  It is a very faithful adaptation of the musical (with a few surprises) and the decision to separate it into two parts allows it to delve deeper into the friendship between Glinda (Grande) and Elphaba (Erivo) as they evolve into Glinda the Good and the Wicked Witch of the West.  I really liked the flashbacks to Elphaba as a child (Karis Musungole) because we see her mistreatment for being different and her protective relationship with her sister Nessarose (played by Cesily Collette Taylor as a child) and I also enjoyed seeing Elphaba's training with Madame Morrible (Michelle Yeoh) and Dr. Dillamond's (Peter Dinklage) interactions with other animals.  The production design is dazzling and I loved how the worldbuilding has been expanded for the movie, particularly all of the elaborate classrooms and dorms at Shiz University and the Emerald City.  The choreography is incredibly lively and the large ensemble really adds to the exuberance, especially in "No One Mourns the Wicked," "Dancing Through Life," and "One Short Day."  Grande is perfect as Glinda and I laughed out loud at all of her antics (I love how she theatrically tosses her hair).  Her version of "Popular" is so much fun because she nails the physicality and the vocals.  However, I was most impressed by Erivo because she blew me away with her powerful and passionate renditions of "The Wizard and I" and "Defying Gravity" but I also loved her nuanced performance of "I'm Not That Girl" which is my favorite song in the show.  The two of them play off each other so well in the hilarious "What Is This Feeling?" and their poignant interactions in the Ozdust Ballroom brought me to tears.  Jonathan Bailey is a charismatic Fiyero (he is spectacular in "Dancing Through Life"), Yeoh adds dimension to Madame Morrible, and Jeff Goldblum has a subversive charm as the Wonderful Wizard of Oz.  I was also really impressed with the casting of Marissa Bode as Nessarose because she has the same disability as the character.  I had very high expectations for this adaptation and it exceeded every one of them!  I highly recommend it because it is the perfect movie to see this holiday season.

A Real Pain

I enjoyed quite a few movies at Sundance this year but A Real Pain was my favorite by far so I was really excited to see it again with my nephew at the Broadway last night.  I loved it even more upon a second viewing!  Two cousins, outgoing and charismatic Benji (Keiran Culkin) and uptight and reserved David (Jesse Eisenberg), take a guided tour through Poland to see where their grandmother, a Holocaust survivor who has recently died, was born.  They come face to face with the tragedy of the Holocaust but they also feel the pain of realizing that, even though they were once close, they have drifted apart.  This is a moving, but surprisingly funny, portrait of generational trauma and the guilt that these cousins feel when they compare the vicissitudes of their daily lives with the horrors experienced by their grandmother.  I also really enjoyed the comparison between the way in which the cousins express their pain because David keeps everything bottled up inside while Benji expresses his every unfiltered emotion which endears him to the tour group despite the fact that he is often inconsiderate and offensive.  The scenes at the Majdanek concentration camp are very sobering and I was particularly struck by the observation from one of the characters that this evil was perpetrated so close to people going about their everyday lives because that was my response when I visited Dachau.  Eisenberg, rather unusually, is the more subdued straight man to Culkin's mania but they both give brilliant performances.  I frequently laughed at all of Culkin's antics but Eisenberg delivers a monologue that had me in tears.  Finally, I loved the use of Chopin in the soundtrack.  This is a very powerful exploration of how people confront pain and I highly recommend it.

A Christmas Carol at CPT

Last night I went to CPT with my sisters and my nephew to see the first of five productions of A Christmas Carol that I have scheduled this holiday season. This version is a musical, with music by Alan Menken and lyrics by Lynn Ahrens, and I have to admit that it was not my favorite adaptation of the novel by Charles Dickens but I enjoyed this production because it got me really excited for Christmas. As the rest of London celebrates the coming of Christmas, Ebenezer Scrooge (Nick Cash) berates his clerk Bob Cratchit (Nathan Sachs) for wanting the day off, refuses an invitation to dine from his nephew Fred (Paul Dixon), and ignores a debtor (Josh Lee) seeking relief. He also has interactions with a lamplighter (Dylan Floyd Panter), a man wearing a sandwich board advertising a Christmas show (Logan Stacey), and a blind beggar woman (Abrielle Hambleton) who eventually become the the Ghosts of Christmas Past, Present, and Future. When he arrives home, the Ghost of Jacob Marley (Brett Klumpp), his former partner, warns that he will be visited by these three ghosts in order to reclaim his soul. Scrooge takes their messages to heart and strives to make amends. Many of the interactions between Scrooge and the Ghosts of Christmas Past, Present, and Future deviate from the source material and some of them really worked for me, such as having Scrooge's father put in debtors' prison (which is reportedly based on an incident from Charles Dickens' life), and some of them didn't, particularly a big production number involving tap dancing toy soldiers (I didn't know there were Rockettes in Dickensian London). Even though there are some incongruous elements, I really enjoyed all of the enthusiastic performances because the cast does a great job with the material. I also loved quite a few of the songs because they are beautiful, especially "You Mean More to Me" by Bob Cratchit and Tiny Tim (Ross Clemens), "A Place Called Home" by Young Scrooge (Grayson Farr) and Fan (Liza Akerlow), "Christmas Together" by the Cratchits, Fred and his family, and the people of London, and "God Bless Us, Everyone" by the entire company. The staging of "Dancing on Your Grave" with the Ghost of Christmas Future and a group of monks and pallbearers is incredibly dramatic and I love how the scene transitions into Scrooge's reclamation in "Yesterday, Tomorrow, and Today." My favorite part of this production is the absolutely amazing set which brings Dickensian London so vividly to life (I especially loved the Christmas decorations at Fezziwig's factory) and the incredibly immersive projections (those used during Jacob Marley's visit are very effective). The period costumes are very impressive, although the ghosts during the song "Link By Link" looked more like mental patients to me and I was confused by the showgirls in the scenes with the people of London. Even though I didn't love the show itself I did enjoy everything CPT did with it and the message is so heartwarming that it is the perfect way to usher in the holiday season.  It runs on the Barlow Main Stage through December 21 but act quickly  because tickets (go here) are going fast.

Note:  I'm so glad that my nephew came with us.  He has a lot of Christmas spirit this year and it is making all of us excited for the holidays.