The Mousetrap at OPPA

Last night I went to On Pitch Performing Arts to see Agatha Christie's The Mousetrap and I can't think of a better play to see in October! Mollie Ralston (Rachel Pullan) and her husband Giles (Tyler Probasco) have converted their large estate, Monkswell Manor, into a guesthouse and are nervously awaiting their first paying customers during a severe snowstorm. News of a grisly murder with ties to a neighboring village reaches the manor just as the guests, including Christopher Wren (Peter Davis), Mrs. Boyle (Wendy Ottmanns), Major Metcalf (Ken Hadlock), and Miss Casewell (Megan Chase), arrive one by one. An unexpected guest, Mr. Paravacini (Joey Engh), arrives rather suspiciously a few hours later after his car is overturned in a snowdrift and Detective Sergeant Trotter (Donovan Crane) skis his way to the snowbound manor to investigate a clue about the aforementioned murder. When one of the guests, who has a mysterious connection to the murder victim, is found dead it seems that everyone has a secret and it is up to Sergeant Trotter to solve the crime before another murder occurs. Information about each character's backstory is revealed very slowly and strict attention must be paid in order to discover the solution. I loved watching a young boy sitting across the stage from me because his eyes would light up whenever he made an important connection (I think he even figured out the big twist before it happened). Some of the acting is a little bit stilted but I really enjoyed Davis as the eccentric Wren because he has a nervous energy that is palpable and Engh as Paravacini because he is so flamboyant (I loved his ruffled shirt, cravat, and fur coat) and his facial expressions are hilarious (I found myself watching him even when the attention was on someone else because he is always in character and his reactions and bits of business are so over the top). The elaborate set, along with the one for Next to Normal, is one of my favorites at OPPA and I particularly loved the large picture window through which you can see falling snow (and through which Sergeant Trotter makes his entrance), the wood paneling and wallpaper, the Victorian-era furniture, the many doors, and the staircase. I also liked the attention to detail with all of the props, especially the old-fashioned radio and telephone. The pacing was sometimes sluggish but it was opening night so it will probably tighten up. My only other criticism is that the cast didn't give the traditional admonition to keep the ending a secret from future audiences at the end of the show! Nevertheless, I did thoroughly enjoy this murder mystery and I recommend it for a fun night out this spooky season. It runs Mondays, Fridays, and Saturdays through November 16 (go here for tickets).

Venom: The Last Dance

I have been kind of hot and cold with the Venom franchise (I hated the first one but I enjoyed the relationship between Eddie and Venom in the second one) so I was eager to see where I would land with Venom: The Last Dance.  I saw it with my nephew last night and I think it has a lot of heart but the story is a mess.  After the battle with Carnage, Eddie Brock (Tom Hardy) is now on the run from General Rex Strickland (Chiwetel Ejiofor) who, along with Dr. Teddy Payne (Juno Temple), is trying to capture all of the symbiotes in order to study them at an underground lab below Area 51 and Venom discovers that he is being hunted by a Xenophage, a symbiote sent by an imprisoned deity named Knull (Andy Serkis), in order to capture a Codex that was created within Eddie and Venom that can free him (we learn all of this from lots of stilted exposition dumps).  Several battles with both Strickland and the Xenophage ensue before Eddie and Venom are helped by a family of hippies, led by Martin Moon (Rhys Ifans) and his wife Nova (Alanna Ubach), on their way to Area 51 in search of aliens.  Venom eventually realizes that there is only one way to defeat the Xenophage and this leads to an epic confrontation at Area 51.  The narrative has multiple plot holes and plot contrivances but, even worse, there are several extended sequences that are essentially meaningless fillers, including a sing-along to "Space Oddity" with the hippie family and a dance sequence between Venom and Mrs. Chen (Peggy Lu), who just happens to be in Las Vegas, to "Dancing Queen."  The action set pieces in the third act are exciting but it is sometimes difficult to distinguish between all of the different symbiotes set loose from the lab who are fighting multiple Xenophages sent by Knull and, at one point, I groaned out loud because it is obvious that much of it is in service of setting up future characters.  The highlight of this installment is, once again, the relationship between Eddie and Venom, which includes several incredibly poignant moments culminating in a montage of all of their exploits set to "Memories" by Maroon 5, and Hardy is as goofy as ever as the straight man to Venom's comedy.  This ranks above Venom but below Venom: Let There Be Carnage for me but I suspect people will like it more than I did.

Note:  There is a mid-credits scene and a post-credits scene (but they are both a bit anticlimactic).

Utah Hockey Club vs. Ottawa Senators

After seeing a preseason game against the Colorado Avalanche, I have become a huge fan of the Utah Hockey Club (I will be happy when we finally have an actual name).  I have had a lot of fun following the team because they have had a great start to the season (unlike the Avalanche) and I am still a little bit giddy at the thought that the NHL is in SLC.  Tickets are pretty expensive but they are all resell tickets and I've noticed that the price varies from game to game based on the opponent and decreases the closer you get to game time.  I found three good seats (the Delta Center has terrible sight lines) at a reasonable price for last night's game against the Ottawa Senators (I always like seeing a Canadian team because that means I get to hear "O Canada") and I was beyond excited to go with my sister and brother-in-law.  The three of us already have lots of apparel (my sister urged me to step away from the black and get the blue hoodie) and it was a lot of fun to be with a large crowd showing so much support for the team.  Utah came out in the first period with a lot of intensity and outshot Ottawa 8-1.  Then it all seemed to fall apart when Ottawa's Noah Gregor and Utah's Jack McBain got offsetting penalties at the 11:22 mark resulting in a four on four.  Drake Batherson scored for the Senators 21 seconds later then Claude Giroux made it 2-0 less than 90 seconds later during the same four on four.  Robert Bortuzzo got a holding penalty at 17:50 which allowed the Senators to get a power play goal from Ridly Greig to make it 3-0 (Utah was 8-8 on the penalty kill before tonight) and Brady Tkachuk scored with 8 seconds left in this disastrous period to go up 4-0.  Karel Vejmelka replaced Connor Ingram (who let in four of the nine shots he faced) in net to start the second period and Utah, once again, did everything but score with 14 shots to Ottawa's five.  Utah had a few good opportunities, including a power play, in the third period and ended the night outshooting Ottawa 31-22 (Anton Forsberg was amazing in goal for the Senators) but they still came away empty handed.  They were undefeated at home until last night so it was a bit disappointing to see them lose but I still had a great time.  I loved being able to go to an NHL game with Kristine and Trent and I'm hoping we can go to a few more (we already have tickets to the Calgary Flames game next April with Marilyn).

Into the Woods at CPT

My sisters and I became huge fans of the musical Into the Woods after we attended a production at PTC together many years ago so we have been looking forward to seeing it at CPT ever since the 2024 season was announced. We had to wait a little longer than we expected because our original performance was canceled because of a power outage. Thankfully, CPT added another one to the end of the run in order to accommodate us last night and it was definitely worth the wait! My sisters and I agree that it was one of the best versions of the show that we have seen (and we have seen it many times). The story incorporates well known fairy-tales, such as "Little Red Riding Hood," "Cinderella," "Jack and the Beanstalk," and "Rapunzel," the music by Stephen Sondheim is incredibly beautiful, and the messages that actions can sometimes have unintended consequences and wishes do not always turn out happily ever after are both though-provoking and poignant. This cast is one of the strongest I have seen at CPT but I especially enjoyed Claire Glaittli as the Baker's Wife because her voice was incredible but she also added a lot of comedy to the role with her facial expressions and physicality, particularly during her interactions with Josh Egbert as Cinderella's Prince. Other standouts were Emily Sparks as Little Red Riding Hood because she was so sassy, Emma Murdock as Cinderella because her voice was also very beautiful, Drew Dunshee as Jack because his characterization was a bit bolder than I have seen before, and Brandon Barton because his manipulation of the puppet for Milky White (which was fantastic) was really fun and dynamic. My favorite songs are "Agony" because it is so funny as Cinderella's Prince and Rapunzel's Prince (Dan Frederickson) try to one-up each other, "It Takes Two" because it is a turning point in the relationship between the Baker (Jake Heywood) and his Wife, and "No One Is Alone" because it is an emotional moment of understanding between the Baker, Jack, Cinderella, and Red and I was very impressed with both the performances and staging of all three. I also really loved the staging of Cinderella at her mother's grave because her transformation into the ball gown was magical (it happened right in front of me and it gave me goosebumps) and the slaying of the giantess because the use of shadows and sound design was very dramatic. This production had the narrator (Rick Murdock) read the story to a young boy (Sam Akerlow) as the show progressed and I thought this was a really clever idea but I absolutely loved it when he was revealed to be the Baker's son at the end of the show! It was an incredibly powerful moment and it made the final song, "Children Will Listen," so much more impactful. The set was absolutely spectacular (it may be my favorite at CPT), with giant trees that moved on tracks across the stage, Rapunzel's tower on one side of the stage, and Cinderella's mother's grave on the other (her mother's appearance was another magical moment in the show), and the costumes were gorgeous, especially the ball gowns. My sisters and I loved this production and we are sad that the run is over because we want to see it again! A huge thank you to CPT and the MWF cast for arranging this show after having to cancel the original one through no fault of their own!

We Live in Time

I didn't laugh as much as I thought I would during the first movie in my double feature at the Broadway last night but I definitely thought I would be able to have a good cry during the second, We Live in Time.  Unfortunately, this left me feeling a bit flat.  Chef Almut Bruhl (Florence Pugh) and the recently divorced Tobias Durand (Andrew Garfield) meet each other in an unconventional manner, fall in love, and then receive a devastating diagnosis that makes them reevaluate how they want to spend their time together.  This features a nonlinear narrative that jumps back and forth between the early days of their relationship, a cancer diagnosis that Almut is able to beat, their struggle to get pregnant and the eventual birth of their child, and the aftermath of hearing that Almut's cancer has returned several years later.  I'm not sure how I feel about the nonlinear timeline because it does feel like the two of them are looking back at memories as a way to celebrate their life together but I also feel like this structure takes away from the dramatic tension because we already know the outcome of several key moments before they happen.  It seems like a gimmick to make a fairly conventional story more compelling.  Pugh and Garfield have tremendous chemistry together and their performances do a lot to elevate the material but I didn't have an emotional connection to the characters because they are not developed fully (one character is an enigma and the other one has several baffling inconsistencies).  As a fan of both Pugh and Garfield, I wanted to like this more than I did but I seem to be in the minority on this one so I suggest seeing it for yourself.