Saturday, June 15, 2024

Inside Out 2

My sister and I crossed another movie off her list last night by seeing Inside Out 2.  The theater was absolutely packed and we heard both kids and adults laughing out loud the entire time.  Joy (Amy Poehler), Sadness (Phyllis Smith), Fear (Tony Hale), Anger (Lewis Black), and Disgust (Liza Lapira) believe they have done a good job creating a Sense of Self for Riley (Kensington Tallman) by moving all of her bad memories to the back of her mind.  However, when Riley turns 13, a new group of emotions appear, including Anxiety (Maya Hawke), Envy (Ayo Edibiri), Embarrassment (Paul Walter Hauser), and Ennui (Adele Exarchopoulos), and they disrupt Headquarters.  Riley is invited to a hockey camp with her friends Bree (Sumayyah Nuriddin-Green) and Grace (Grace Lu) but, when they tell her that they will be going to a different high school, Anxiety takes over to make sure that Riley does whatever she can to make the hockey team at her new school so she won’t be alone.  This includes shunning Bree and Grace in favor of Val (Lilimar), the team captain, and other actions that corrupt her Sense of Self.  As Joy fights to regain control, she realizes that all of Riley's emotions are necessary to create a more authentic Sense of Self.  What I loved most about this sequel is that the angst of being a teenager is shown so authentically.  I was particularly struck by how well Anxiety is portrayed, particularly when Riley is compelled to hide who she really is in order to avoid being rejected because I think almost every teen experiences this at some point.  Several scenes really resonated with me personally, such as when Riley is kept awake at night by the projections of everything that could possibly go wrong before a game and when she has a panic attack (this is very well done and reduced me to tears), because I have certainly experienced both many times.  I also really loved a scene where Riley chooses Joy as she rediscovers the real reason why she loves playing hockey (I also cried during this whole sequence) because I think doing things simply for the joy it brings rather than for a possible outcome is an important message.  In addition to feeling all of the feels, this made me (and my sister who is very reserved) laugh out loud because it is so funny and so clever.  The animation is incredibly vibrant, particularly the hockey sequences, and the voice cast is excellent (with Poehler and Hawke as standouts).  I loved this (I think I might love it more than the original) and I highly recommend it!

Friday, June 14, 2024

Girl from the North Country at the Eccles

The latest Broadway touring production to hit the Eccles Theatre stage is Girl from the North Country and the reaction from SLC audiences has been pretty negative (to say the least).  I decided to try and have an open mind when I went to see it last night and I am so glad that I did because I found it to be very well done and very moving.  The story is set in Duluth, Minnesota in 1934 during the Great Depression.  Nick Paine (Joe Schiappa) owns a guesthouse, occupied by his family and a group of other lost souls struggling to find a way to survive their dire circumstances, but it is about to be foreclosed on by the bank.  His wife Elizabeth (Jennifer Blood) is suffering from a form of dementia and is becoming more and more difficult to handle, his son Gene (Ben Biggers) is an alcoholic trying to find himself and is devastated when his girlfriend Kate (Chiara Trentalange) leaves him for someone with better prospects, and his adopted daughter Marianne (Sharae Moultrie) is pregnant and not forthcoming about the identity of the baby's father but does not want to marry the older man (Jay Russell) her father has arranged for her.  The residents include Mrs. Nielsen (Carla Woods), a widow waiting for her husband's estate to be settled and dreaming of the life she will have with Nick (with whom she is having an affair) once she receives the money, Mr. Burke (David Benoit), who lost his business during the stock market crash, Mrs. Burke (Jill Van Velzer), who is struggling with her loss of status, and Elias (Aidan Wharton), the Burkes' feeble-minded son.  One night during a storm, Joe Scott (Matt Manuel), a boxer recently released from prison who is trying to get back on his feet, and the Reverend Marlowe (Jeremy Webb), a suspicious bible salesman, arrive looking for shelter.  This is more like a slice-of-life depiction of the different ways in which people cope with adversity during a tumultuous time in history rather than a straightforward narrative and, while there are some very heavy themes, the message is that, no matter how difficult life may be, you must continue to press on (there is a glimmer of hope for several characters).  The musicians, including members of the cast, perform on stage using instruments from the 1930s and the new arrangements of over 20 songs written by Bob Dylan are beautiful (this won the Tony Award for Best Orchestrations).  Dylan's music is particularly well suited to this narrative because much of it is about protesting against injustice or fate but it is used more to showcase a character's state of mind rather than to advance the story.  The performances are all beyond amazing and it is hard to single anything out but my favorites were "Tight Connection to My Heart (Has Anybody Seen My Love)" by Moultrie, "Slow Train" by the Company, "I Want You" by Biggers and Trentalange, "Like a Rolling Stone" by Blood, "Hurricane"/ "All Along the Watchtower"/ "Idiot Wind" by Manuel and Moultrie, and "Pressing On" by Woods (this was a powerful moment).  I really liked the sets and I loved the staging of this show because the characters step away from the action to sing with old-fashioned microphone stands and I think this is a very effective way to portray their innermost feelings about their situation.  I can definitely understand why people might not like this show but I am really glad that I gave it a chance because I liked it (the more I think about it the more I like it).  It runs at the Eccles Theatre through June 16 (go here for tickets).

Thursday, June 13, 2024

The Lightning Thief at West Valley Arts

I haven't read the book by Rick Riordan but, as a big fan of Greek mythology, I was really excited to see the musical adaptation of The Lightning Thief at the West Valley Performing Arts Center last night. I had so much fun with high energy show! Perseus "Percy" Jackson (Ren Cottam) is expelled from his fifth school in as many years after he kills a Fury masquerading as a substitute math teacher named Mrs. Dodds (Matthew Tripp) on a field trip. His mother Sally (MacKenzie Skye Pedersen) takes him to the beach to explain why he has powers that he can't control but, before she can reveal anything, they are attacked by a Minotaur (Grayson Kamel) who kills her before Percy is able to kill it. Soon after, his Latin teacher Mr. Brunner (David Weekes) reveals that he is really Chiron, a centaur, and that his best friend Grover Underwood (Kile Allen) is really a satyr, a goat-like creature, before taking Percy to Camp Half-Blood, a refuge for the children of humans and gods. The camp counselor Dionysus (Kelly Griffiths) introduces him to Luke Castellan (Zack Grob), the son of Hermes, Annabeth Chase (Hanna Schneck), the daughter of Athena, Silena Beauregard (Olivia Simmons), the daughter of Aphrodite, Katie Gardner (Sibley Snowden), the daughter of Demeter, and Clarisse La Rue (Natalie Wren), the daughter of Ares. He also discovers that he is the son of Poseidon.  However, he is accused of stealing Zeus' lightning bolt and must go on a quest to retrieve it from the real thief, Hades, to prevent a war between the gods. The Underworld is in Los Angeles so Percy, Grover, and Annabeth set out on this quest but complications ensue when they encounter three Furies, Medusa, and the Chimera. They eventually reach the Underworld but Hades informs them that they have been manipulated by Ares (Kelly Griffiths) which culminates in an epic battle in which Percy is helped by Poseidon (Wesley Valdez). They return to Camp Half-Blood as heroes but learn that they must face an even bigger threat. This is an incredibly funny and clever take on Greek mythology (I, along with the entire audience, laughed out loud multiple times) but, at its heart, it is a poignant story about the struggle to fit in and feel good enough. The three leads perfectly embody this struggle and I especially loved Cottam's performance of "Good Kid," Schneck's performance of "My Grand Plan," and Allen's performance of "The Tree on the Hill." All three gave me goosebumps! The rest of the cast, most of whom play multiple roles, is also outstanding because each character is distinct. The staging is incredibly imaginative because the set is very minimal, with just a few movable platforms and stairs, so everything is portrayed through costumes, props, and the physical performance of the actors. I particularly loved how Percy uses the ocean in the battle with Ares. The choreography is dynamic and energetic (I would expect nothing less from Izzy Arrieta) and I was blown away many times by the athleticism of the actors, especially Allen. The costumes for the Furies, the Oracle, and Chiron (who becomes a centaur with the use of an elaborate prosthetic) are so much fun. I thoroughly enjoyed this show and I highly recommend it to families. It runs at the West Valley Performing Arts Center  on Thursdays, Fridays, and Saturdays through June 29 (go here for tickets).

Wednesday, June 12, 2024

Songs of Earth

Taking a cruise to see the fjords while on a trip to Norway is one of my very favorite travel experiences so as soon as I saw the trailer for the documentary Songs of Earth (it was Norway's entry for the Best International Film at the Academy Awards this year) I immediately wanted to see it.  I had the opportunity last night at the Broadway and it is stunning!  Filmmaker Margreth Olin returns to her childhood home in Oldendalen in Western Norway, where generations of her family have lived dating back to the 1600s, to spend a year with her father Jørgen Mykløen in order to experience all four seasons with him and to explore his deep connection to nature.  This features absolutely gorgeous aerial shots of the Oldeeva river valley, the Nordfjorden fjord, the steep mountains surrounding the Jostedalsbreen glacier at one end and the Myklebustbreen glacier at the other end, and the Oldevatnet lake as well as close-up shots of the wildlife (the owls were my favorite).  I especially loved an extended shot that follows the progression of a stream as it becomes a river, a lake, a waterfall, a glacier, and then, finally, the top of a mountain peak.  The camera also follows Jørgen as he walks through the valley, hikes the mountain, canoes on the lake, skates on the ice, and ruminates on the importance of being present as one experiences nature.  He speaks about the lessons one can learn from nature when he finds a small flower that has survived by growing from the rock at the top of a mountain peak and he describes the connection he feels to his ancestors when he sees a spruce tree planted by his grandfather in 1900 (there is a lovely scene in the epilogue where he plants a spruce tree to continue his connection with future generations).  This is very slow and meditative but that is the point because, as Jørgen tells us, we need to slow down and really look at nature in order to learn the lessons it has to teach us.  I highly recommend this beautiful documentary!

Tuesday, June 11, 2024

The Little Mermaid at the SCERA Shell Outdoor Theatre

Last night I saw the second of three productions of The Little Mermaid that I have scheduled this month! This show was at the SCERA Shell Outdoor Theatre, which is one of my favorite summer venues, and I was blown away by the talented cast because every single performance is incredible! Elena Shill shines as Ariel because, not only does she have a beautiful voice during a lovely interpretation of "Part of Your World," she portrays Ariel's wide-eyed wonder and naivete very well with every facial expression. I especially loved her physical performance in "Positoovity," as she learns how to walk on two legs for the first time, and in "One Step Closer," as she conveys her feelings for Prince Eric without saying a word. Jeff Sundwall is brilliant as Prince Eric, one of the best I've seen, and his performance is filled with so much longing and emotion, particularly in "Fathoms Below" (I had goosebumps when the male ensemble joined him in this song), "Her Voice," and "One Step Closer." It is fortunate that this production is outside because Tannah O'Banion, as Ursula, would have blown the roof off a traditional theatre with her powerful rendition of "Poor Unfortunate Souls." AJ Nielsen is incredibly charismatic and energetic as Sebastian (his versions of "Under the Sea" and "Kiss the Girl" are a lot of fun) and Porter McCormick is absolutely adorable as Flounder (he definitely holds his own with the Mersisters in "She's in Love"). My favorite performance, however, was that of Shannon Follette as Scuttle because she is fully committed to the eccentricity of the character with a voice and a physicality that is hilarious. I laughed out loud at just about everything Scuttle said and did (I noticed Foulette interacting with the crowd as Scuttle during the intermission). The main cast is outstanding but I was also very impressed with the ensemble because the vocals in every big production number are amazing, especially the sailors in the aforementioned "Fathoms Below," the Mersisters in "Daughters of Triton" and "She's in Love," and the sea creatures in "Under the Sea" and "Kiss the Girl." As usual, the costumes for the sea creatures are clever (I loved the shark and the schools of fish) but my favorites were those worn by Ursula, Flotsam (Braden Clement), and Jetsam (Eliza Dunn) because they light up! The main set is also really clever because it features a castle representing both of the worlds above and below the water with set pieces that rotate to become specific locations in Prince Eric's kingdom and King Triton's kingdom. I loved that Eric's ship, where he tries to escape his life on land, rotates to become Ariel's grotto, where she tries to escape her life under the sea. Ursula's lair is also a lot of fun because it provides many of the show's special effects. I had so much fun watching this show (I may or may not have giggled when the audience filled with bubbles during "Under the Sea") and I highly recommend this for families. It runs Mondays, Tuesdays, Thursdays, Fridays, and Saturdays through June 22 at the SCERA Shell Outdoor Theatre (go here for tickets).

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