Polite Society

I had a really fun double feature at the Broadway yesterday beginning with Polite Society.  I missed it at Sundance this year so I was excited to have a chance to see it now that it is in wide release.  Ria Khan (Priya Kansara), a Pakistani teen living in London, is a martial arts enthusiast who aspires to be a stuntwoman and her older sister Lena (Ritu Arya) wants to be an artist but has recently dropped out of art school and is at loose ends.  Their traditional father Rafe (Jeff Mirza) and social-climbing mother Fatima (Shobu Kapoor) disapprove of their career goals and would rather have them make advantageous marriages.  When Lena gets engaged to Salim (Akshay Khanna) after a whirlwind courtship encouraged by his mother Raheela (Nimra Bucha), Ria believes that it is a big mistake for her to abandon her art.  She enlists her two best friends Clara (Seraphina Beh) and Alba (Ella Bruccoleri) in escalating plots to stop the wedding and hilarity ensues.  This movie is an absolute hoot because it is such a fun mash-up of different genres including action, comedy, and social commentary (with a Bollywood-like musical number thrown in for good measure).  I loved all of the stylized action sequences, including a running gag where Ria attempts a reverse spinning kick multiple times, and a hilarious scene where Ria and her friends execute an elaborate plan to find incriminating evidence against Salim had me, and everyone else in my audience, laughing out loud.  I enjoyed the relationship between Ria and Lena because they are so supportive of each other as they push against the traditional roles and expectations their immigrant parents have of them.  The plot does descend into the absurd at times but it doesn't matter because the tone is so lighthearted and infectious.  Kansara is really endearing in the role and is equally adept with the both the action and the comedy but Bucha steals every scene she is in as an over the top villain with a maniacal grin on her face.  I had a blast with this and I highly recommend it!

Return of the Jedi

I was 14 years old when Return of the Jedi was first released in theaters.  As a huge fan (understatement) of the first two movies in the trilogy, I had been anticipating this one for what seems like forever (it was the first movie for which I remember feeling great anticipation) and I have a very distinct memory of seeing it opening weekend with my family because I loved it so much!  It is now back in theaters for a limited engagement in honor of its 40th Anniversary (what?) and I had so much fun seeing it last night with a boisterous late night crowd (I may or may not have started the cheering when the opening crawl, accompanied by the instantly recognizable fanfare by John Williams, appeared on the screen).  In this final installment of the original trilogy, Luke Skywalker, Princess Leia, Lando Calrissian, Chewbacca, C-3PO, and R2-D2 rescue Han Solo from the clutches of Jabba the Hut before joining once again with the Rebel Alliance to stop the Emperor from rebuilding the Death Star.  There is an epic battle on Endor and a thrilling final confrontation between Luke and Darth Vader!  I eagerly awaited all of my favorite moments, including when Princess Leia defeats Jabba the Hut, when Luke reunites with Yoda on Dagobah, when the Ewoks use guerrilla warfare to defeat the stormtroopers, when Han Solo tells Leia that he loves her, when Darth Vader rescues Luke from the Emperor, and when Anakin, Obi-Wan, and Yoda appear as force ghosts at the celebration, and I had to stop myself from saying all of my favorite lines out loud ("I'm a Jedi, like my father before me.").  I freely admit that I have a lot of nostalgia for the original trilogy and this is definitely not without flaws but I think I loved it as much last night as I did when I saw it for the first time!  I highly recommend seeing it while it is in theaters again, especially if you are a Star Wars fan!

Note:  I own a Blu-ray copy of every Star Wars movie and I also subscribe to Disney+ so I can watch them any time I want.  However, there is just something about seeing them on the big screen!

The Pirates of Penzance at Parker Theatre

I am a big fan of Gilbert and Sullivan's comic operetta The Pirates of Penzance so I was really excited to see a production at the Parker Theatre (one of my new favorites) last night. It was so much fun! Frederic (Alan Smith) has reached his 21st birthday and decides to leave the band of pirates to whom he has been mistakenly apprenticed. Soon after, he meets Major-General Stanley (Owen Richardson, Jr.) and his daughters, falls in love with the youngest daughter Mabel (Karllen Johnson), and enlists the Sergeant of Police (Connor Evans) and his constables to arrest the pirates. Chaos ensues when the Pirate King (Tyler Oliphant) and Ruth (Natalie Killpack-Daniel), Frederic's former nursemaid, tell him that he was born during a leap year and, since he has only had five birthdays, he must continue to serve his apprenticeship. I was really impressed with the main cast because they all have beautiful voices! Smith is incredibly engaging with brilliant comedic timing, especially in his interactions with Ruth in "Oh! false one, you have deceiv'd me" when he learns that she is not as beautiful as she has claimed to be and with the Pirate King in "When you had left the pirate fold" when he learns that he must join the pirates once again. Oliphant also has great comedic timing and I loved his melodramatic version of "Oh, better far to live and die." Johnson gives one of the best performances of "Poor wand'ring one" that I've seen and she has tremendous chemistry with Smith in "Stay, Fred'ric, stay," "Ah, leave me not to pine," and "Oh, here is love, and here is truth." Richardson is absolutely hilarious in "I am the very model of a modern Major-General," especially when he marches and clicks his heals together, and I laughed out loud during "I'm telling a terrible story" when he admits that he is not really an orphan. However, Evans steals the show with his exaggerated movements and facial expressions (watch his eyes) during "When a felon's not engaged in his employment." The ensemble, including pirates (Danny Eggers, James Carter, Daniel Pittam, and Matty Boyd), daughters (Alicia Fairbanks, Alice Maphey, Elizabeth Myers, Natalie Sandberg, and Katherine Tietjen), and constables (Doug Hendriksen, Arza Joseph Marsh, Ryan Withers, and Logan B. Stacey), are also outstanding because each of them have distinct personalities which make them fun to watch (especially the daughters when they rebuff the advances of the pirates and the costables when they try to hide in the graveyard).  The costumes are great, particularly the colorful dresses worn by the daughters, the epaulets and medals worn by the Major-General, and the spats worn by the constables. The set is quite simple but effective and consists of a ship, the seaside, and a graveyard, and I loved the use of the Union Jack on the proscenium arch.  Hurrah for this delightful production because I enjoyed everything about it!  It runs through May 13 and tickets may be purchased here.

Sisu

I went to see the historical action movie Sisu yesterday because I thought the premise sounded very intriguing and I found it to be strangely satisfying (I don't know what that says about me!).  At the end of World War II the German army is retreating from Finland but they are leaving destruction in their wake by burning villages, hanging men, and taking women captive.  Aatami Korpi (Jorma Tommila), an old and grizzled prospector who has clearly suffered during the war, travels to the remote wilderness and, while panning for gold in a stream, discovers a large deposit.  He fills his bags with as many gold nuggets as he can carry and sets out to find the nearest town but he soon encounters a German patrol led by a ruthless commander named Bruno (Aksel Hennie) and his subordinate Wolf (Jack Doolan).  Because he knows that the war will soon be over, Bruno decides to disregard his orders and engage with Korpi in order to take his gold.  However, unbeknownst to him, Korpi is a skilled veteran who is determined to defend himself against all odds (the title refers to strength of will and determination in the face of adversity).  Carnage ensues!  This is unbelievably violent and brutal (a horse is literally blown to bits by a landmine and that is one of the tamer images) and some of the action sequences strain credulity but it is exciting and entertaining to see some thoroughly nasty Nazis get their due (the final showdown between Korpi and Bruno is awesome).  I also particularly enjoyed a subplot where Korpi helps the women who have been brutalized escape and get retribution.  The images on the screen show a desolate landscape ravaged by war but there is a stark beauty to the cinematography and the haunting score adds to that vibe.  Tommila gives a riveting performance despite the fact that there is almost no dialogue (he speaks for the first time in the final scene) because his physicality establishes the character brilliantly.  This is highly entertaining and I recommend it to those who can stomach the gore!

Ravel, Rachmaninoff & Strauss

Last night's Utah Symphony concert featured three amazing composers (this season has been so great) and I thoroughly enjoyed every piece on the program.  The orchestra, under the baton of guest conductor Kevin John Edusei, began with La valse by Maurice Ravel.  This has been described as a tribute to the waltz and depicts the rise and fall of the musical genre with allusions to post-World War I Europe.  I pictured 19th century couples whirling around an opulent ballroom in an Imperial court.  The orchestration is incredibly lush and I especially loved a variation played by the brass and timpani culminating in the crash of cymbals and another one featuring two harps.  Next came Isle of the Dead, a piece by Sergei Rachmaninoff inspired by a monochromatic reproduction of a painting by Swiss artist Arnold Bocklin, and, of course, I absolutely loved it!  It is a very atmospheric and foreboding depiction of a small boat carrying a figure shrouded in white as it approaches a desolate island in the middle of dark waters.  The music is somber and otherworldly and I enjoyed the sound of oars rowing in the water evoked by the strings, timpani and harp.  After the intermission, the orchestra performed Duet Concertino for Clarinet and Bassoon by Richard Strauss with Principal Clarinet Tad Calcara and Principal Bassoon Lori Wike as soloists.  This was absolutely delightful because it is believed to be about a dancing princess, represented by the clarinet, who becomes alarmed when a bear, represented by the bassoon, begins imitating her until he wins her over and they dance together which turns the bear into a prince.  The themes played by the two soloists (Calcara and Wike give amazing performances) together are so fun and playful and I also enjoyed the themes played by soloists in each string section.  The concert concluded with the Suite from the opera Der Rosenkavier by Richard Strauss.  This opera is about a love triangle between a nobleman named Octavian who falls in love with a young girl named Sophie while carrying on an affair with the wife of a Field Marshall and features several beautiful waltzes which represent the elegance of a bygone era.  My favorite sequence in the Suite, when Octavian presents a silver rose to Sophie, features a delicate theme played by flutes, violins, harps, and the celesta.  It was a lovely evening of music and I definitely recommend getting a ticket for tonight's performance of the same program (go here).

Note:  I was checking hockey scores surreptitiously during every break in the performance.  My Colorado Avalanche are driving me crazy right now!