Monday, December 5, 2022

Happy 18th Birthday Sean!

Yesterday my family celebrated Sean's birthday (it was actually on Saturday) with dinner, presents, and cake.  I can't believe that he is 18!
He asked for Amazon gift cards and accessories for his computers!  I don't like giving gift cards but he was so happy to receive them!
We have a tradition of having an ice cream cake from Baskin-Robbins for birthdays and Sean has picked this same polar bear cake three times (go here and here).  We had so much fun celebrating with Sean and I hope that he had a very happy birthday!

Sunday, December 4, 2022

Ballet West's The Nutcracker 2022

One of my favorite holiday traditions is attending Ballet West's annual production of The Nutcracker and I am so happy that I had the opportunity to see it last night!  I love everything about this ballet and I await every scene with great anticipation, especially the party where the Christmas tree is revealed to all of the children and Clara (Olivia Humeniuk) is given a nutcracker by Dr. Drosselmeyer (Tyler Gum), when everything is magically transformed to an enormous size and the nutcracker defeats the Mouse King (Jake Preece) with Clara's help, when the nutcracker becomes a handsome prince (Noel Jensen) and takes Clara to the land of the Snow Queen (Jenna Rae Herrera) and the land of the Sugar Plum Fairy (Amy Potter), and when all of the divertissements arranged for Clara's entertainment are performed.  I always really love the Arabian dance because it is so exotic and the Russian dance because the leaps and spins are so athletic but last night I was also really impressed with the Waltz of the Flowers because Emily Adams and Hadriel Diniz danced the Pas de Deux so beautifully.  As always, my favorite moment in the entire ballet is the Grand Pas de Deux between the Sugar Plum Fairy and her Cavalier (Brian Waldrep) because the music by Tchaikovsky used for this dance is one of the most romantic pieces in the classical cannon and William Christensen's original choreography really complements it.  This is the first time that I have seen Potter dance the role of the Sugar Plum Fairy and I thought her performance was so beautiful because she seemed to glide across the stage and whirl effortlessly through the air!  I also really enjoyed the young dancers in the cast, particularly Bean Shane because he was the naughtiest Fritz I've ever seen and all of dancers hiding in Mother Buffoon's skirt because they were adorable!  The sets and costumes were updated a few years ago and I love the jewel tones used in the party scene and the pastels used in the land of the Sugar Plum Fairy.  All of the special effects are magical, particularly when the Christmas tree grows in size, when the snow falls in the land of the Snow Queen, and when Clara flies away with her prince in a sleigh.  No matter how many times I see this ballet it always puts a smile on my face and I highly recommend getting a ticket.  There are evening and matinee performances at the Capitol Theater through December 24 (go here for tickets).

Bones and All

The next movie in my Saturday double feature was Bones and All and I have to admit that, while I was really looking forward to seeing it because of all the buzz from the fall film festivals, I was also a bit nervous because a movie about cannibalism did not sound appealing.  It is definitely incredibly thought-provoking (and not as graphic as I feared).  Maren (Taylor Russell) is a young woman with a secret craving for human flesh but it is becoming harder and harder for her to control her urges.  After an incident with a fellow student, her father Frank (Andre Holland) is forced to relocate with her once again but he soon abandons her once she reaches her 18th birthday.  He leaves her a small sum of money and a tape with information about the mother she never knew so, without many options, she decides to go in search of her.  Along the way, she meets Sully (Mark Rylance), another "eater" who takes a proprietary interest in her and tries to introduce her to the lifestyle, but she is unnerved by him and soon flees.  Then she meets a drifter named Lee (Timothee Chalamet) who shares her same proclivities and they begin a relationship as they travel to find Maren's mother.  She is horrified by the lengths to which Lee will go in order to feed but she ultimately participates until she finds her mother (Chloe Sevigny) and learns that she is also a cannibal and that she voluntarily admitted herself to a psychiatric hospital to control her urges.  Maren vows that she will never be like her mother and leaves Lee but, because she loves him, she seeks him out again and convinces him to live a conventional life with her.  But can they overcome the odds?  I really enjoyed the effective blending of the romance and horror genres (I think Guadagnino gets the tone exactly right) and the performances are all outstanding (Russell and Rylance are amazing and this is Chalamet's best work, in my opinion, because he is understated but still incredibly powerful).  The social commentary about people who are relegated to the fringes of society for being different is brilliant and I think cannibalism could be a metaphor for many things (I'm leaning towards addiction but it could also just as easily be queerness, generational trauma, or poverty) that are difficult to outrun.  I will certainly be thinking about its themes for some time to come.  There are some brutal and grisly scenes but the aftermath is often shown rather than the violence itself (characters are covered in blood after feeding).  Honestly, the worst scene for me was more shocking for what was heard rather than what was shown.  This might be too disturbing for some but I definitely recommend it.

Devotion

In an attempt to get caught up on a few movies that I missed last weekend, I opted for another double feature yesterday.  I started with Devotion and I loved this inspirational true story about the friendship between two navy fighter pilots during the Korean War.  When Lieutenant Tim Hudner (Glen Powell) is transferred to Fighter Squadron 32 at the Quonset Point Naval Air Station in 1950, he immediately tries to befriend Ensign Jesse Brown (Jonathan Majors), the first Black airman to complete the Navy's flight training program.  Brown has had a difficult time in the Navy, only able to achieve his position by being strong (he keeps a notebook of every racial slur used against him and repeats them to himself to psych himself up to fly) and occasionally by breaking the rules, so he keeps himself at a distance and initially rebuffs Hudner's attempts at friendship.  Brown eventually relents and invites him home to meet his wife Daisy (Christina Jackson) and daughter Pam.  However, as they are drawn into the conflict in Korea, Brown is angry when Hudner intervenes on his behalf after he disobeys orders in battle saying that he doesn't want Hudner to save him but to be his wingman when it really counts.  I really enjoyed the portrayal of friendship because it is incredibly poignant and Powell and Majors have great chemistry together so the emotion at the resolution feels very earned.  Both leads, as well as the rest of the cast, give great performances but Majors is especially powerful in several scenes which brought me to tears.  The action sequences, most of which involve practical effects with actual F4U Corsair planes, are absolutely thrilling!  I actually felt like I was in the middle of an aerial dogfight with anti-aircraft guns firing all around the planes (I found it comparable to the action sequences in Top Gun: Maverick).  Finally, it was really interesting to learn more about the Korean War because it definitely is America's forgotten war.  This movie got a bit lost in the shuffle over the long Thanksgiving weekend but I definitely think it is worth seeking out because it is really good!

Saturday, December 3, 2022

Beethoven's Fifth

There was a huge crowd at Abravanel Hall last night because the Utah Symphony performed one of the world's most famous symphonies and it was amazing!  The orchestra began, however, with a piece called Fires by a young Lithuanian composer named Raminta Serksnyte.  It was moody and atmospheric (it sounded like the score of a movie set in space) and kept building and building in intensity.  I loved the chimes, the brass, and the dramatic timpani!  Next, the orchestra was joined by soloist Maximilian Hornung for Cello Concerto No. 1 by Dmitri Shostakovich.  I always think of music for the cello as mournful but the first movement of this piece was very lively and energetic.  The second movement was a bit more subdued, with beautiful themes played by the solo cello and the woodwinds, but the third and fourth movements returned to a more vibrant pace and the concerto definitely ended with a flourish!  Hornung was so much fun to watch and I loved it whenever he would bob his head in time with his bow!  As an encore, he performed a beautiful version of Cello Suite No. 1- Prelude by Johann Sebastian Bach (I was very proud of myself for recognizing it).  After the intermission the orchestra played the piece everyone was waiting for, Symphony No. 5 by Ludwig van Beethoven, and the performance was brilliant, especially since guest conductor Markus Poschner did not use a score!  Those iconic and instantly recognizable opening notes are incredibly dramatic (I have heard them referred to as fate knocking on the door) and I enjoyed listening to all of the variations of this theme throughout the first movement (and the rest of the symphony).  I also enjoyed the stately themes played by the whole orchestra, but especially the horns and the woodwinds, during the second movement.  Whenever I hear the third and fourth movements I always imagine goblins because there is a scene from the movie Howards End where one of the main characters goes to a lecture on music and meaning and the conductor describes goblins during this section (clearly I have seen this movie too many times).  Whether it is about goblins or not the symphony ends triumphantly and I loved hearing it!  I highly recommend getting a ticket for tonight's performance of the same program (go here for tickets).

Note:  I've said it before but the current Utah Symphony season has been absolutely spectacular!
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