Little Shop of Horrors at West Valley Arts

I was very excited to see Little Shop of Horrors at the West Valley Performing Arts Center last night. It has been a really long time since I've seen this show and I had a blast getting reacquainted with it. Seymour (Zack Elzey) and Audrey (MacKenzie Pedersen) both work in a run-down flower shop in Skid Row owned by the persnickety Mr. Mushnik (Michael Hohl). Seymour thinks that an unusual plant, which he found during a total eclipse of the sun, will bring more business to the shop. He can't find it in any reference book so he names it Audrey II because he is secretly in love with his co-worker. The shop becomes wildly successful because of Audrey II but Mr. Mushnik worries that it isn't thriving. Seymour inadvertently discovers that Audrey II likes drinking his blood after he cuts himself on a thorn and, eventually, it grows to a giant size and asks him to feed him more! When Seymour can't feed it any more of his blood, his first victim is Audrey's boyfriend Orin Scrivello (Douglas Irey), a sadistic dentist, which wins him the love of Audrey but her namesake now wants more and more! Seymour enjoys the notoriety that Audrey II brings him but soon feels guilty about everything he has done to feed it! He wants to get rid of it but he soon realizes that Audrey II has an evil plan for world domination! The music, which is a combination of rock and roll, doo-wop, and Motown, is fantastic and I especially enjoyed the songs "Little Shop of Horrors," "Skid Row (Downtown)," "Somewhere That's Green," and "Suddenly Seymour." A girl group comprised of Crystal (Nneka Barcelona), Chiffon (Anna Kaitlyn Burningham), and Ronnette (Daysha Lassiter) act as a chorus narrating the action and they sound amazing together! Elzey and Pedersen (who are both understudies) did a great job last night and I especially liked all of Elzey's nerdy and awkward mannerisms, particularly when Seymour tries to kiss Audrey. Irey is absolutely hilarious as Scrivello and I laughed out loud during his over the top rendition of "Dentist!" However, my favorite character was Audrey II (with Jared Lesa as its voice and Byerly Neilsen as puppeteer).  The elaborate puppet is a lot of fun and looks like a giant Venus flytrap with a mouth full of teeth that opens wide and roots that get bigger and bigger as the show goes on. Its song "Feed Me" is definitely a highlight of the show because Lesa has a smooth and seductive voice! The production design, including the set, lighting, and costumes, is outstanding and I was very impressed! I had a smile on my face through the whole show and I highly recommend it (go here for tickets and information).

Note:  I was so happy to see such a large crowd last night!

Love on the Brain

My September Book of the Month selection was Love on the Brain by Ali Hazelwood (the other options were The Attic Child by Lola Jaye, Other Birds by Sarah Addison Allen, Killers of a Certain Age by Deanna Raybourn, and The Fortunes of Jaded Women by Carolyn Huynh). I am not a huge fan of the romance genre but I read The Love Hypothesis by Hazelwood for reasons and I absolutely loved it so, when I saw that her latest was a selection this month, I was really excited! Bee Konigswasser is offered the chance to be a co-leader for BLINK, a neuroengineering project at NASA, and it seems to be a dream come true until she discovers who her co-leader will be. The tall, dark, and handsome Levi Ward made it very clear that he doesn't like Bee when they were graduate students at Pitt and now she is going to have to work with him at NASA. When her equipment goes missing and she doesn't receive important emails from the team, she immediately blames her nemesis. However, when she overhears him defending her to their supervisor she wonders how he really feels about her and, even more importantly, she wonders how she really feels about him. Much like with The Love Hypothesis I loved the women in STEM aspect, particularly Bee's appreciation for Marie Curie, and it was very eye opening to learn that women in STEM are treated so disrespectfully by their male counterparts. I also enjoyed having the chapter titles named after parts of the brain and their corresponding emotions (I wasn't very knowledgeable about the science of the brain but it didn't detract from my enjoyment). I think the subplot involving Bee and Levi's friendly correspondence through their popular anonymous social media accounts while they have an antagonistic working relationship is a lot of fun and, even though the enemies-to-lovers trope is usually not my favorite, it really works. Finally, I loved the character of Levi because, like with Adam Carlsen, he is obviously modeled on the dark and brooding character played by my favorite actor and I enjoyed picturing him in my mind whenever Levi is described (sigh). My only complaint is that I didn't like the character of Bee as much as Olive Smith because she is a bit immature and her inane internal monologues are sometimes at odds with her portrayal as a brilliant neuroscientist. I didn't quite love it as much as The Love Hypothesis but I had a great time reading it and would definitely recommend it (especially to members of a certain fandom).

Lucky Stiff at HCT

Last night I saw the hilarious musical farce Lucky Stiff at Hale Theatre and I had so much fun!  Harry Witherspoon (Preston Taylor) is a mild mannered shoe salesman living in a dreary rented room when he unexpectedly receives a telegram informing him that an unknown uncle named Anthony Hendon (Zac Zumbrunnen) has died and bequeathed him six million dollars. However, to receive his inheritance he must take the corpse of his uncle on a final vacation to Monte Carlo and complete a number of activities detailed on a cassette tape around his neck. If he fails to complete any of these tasks, the six million dollars will go to Anthony's favorite charity, the Universal Dog Home of Brooklyn. Once he gets to Monte Carlo with the embalmed body in a wheelchair, Harry meets Anthony's legally blind mistress Rita La Porta (Claire Kenny) who believes that he embezzled the money from her husband and wants to get it back, Rita's optometrist brother Vinnie Di Ruzzio (Kelly DeHaan) who has been blamed for the theft and has a contract out on his life, a representative from the Universal Dog Home of Brooklyn named Annabel Glick (Bre Welch) who wants to stop Harry from completing the list so that the dogs will receive the money, and Luigi Gaudi (David Marsden) a mysterious and flashy Italian who seems to be following him. Chaos ensues! What makes this show so funny is not only the situation, which becomes more and more absurd as it goes on, but also the brilliant cast! In addition to the main cast, Bryan Dayley (one of my favorite comedic actors at HCT), Cameron Garner, Ali Bennett, and Beatriz Melo portray a variety of different characters, and every performance is completely over the top with perfect comedic timing. Their physicality and facial expressions had me laughing out loud through the whole show! I especially enjoyed the scene where Harry and Annabel lose the body and run in and out of the various hallways of the hotel looking for it (lots of slamming doors)! All of the musical numbers are a lot of fun but my favorite is "Speaking French" by the nightclub singer Dominique (Beatriz Melo) as she attempts to seduce Harry. The show is set in the 1970s which means that the costumes are absolutely fabulous with bright colors, bold patterns, and lots of polyester! The stage, which reminded me of a game show with all of the flashing lights and multiple levels, includes a rotating panel that turns to reveal various locations with projections and elaborate set pieces. This is the perfect show to see for a fun night out and it runs on the Sorenson Legacy Jewel Box Stage through November 19 (go here for tickets).

Note:  Don't forget the new adaptation of The Unsinkable Molly Brown on the Young Living Main Stage through October 18 (go here for tickets).

Barbarian

After avoiding all spoilers for several days, I finally had the chance to see Barbarian and it was not at all what I was expecting!  Tess Marshall (Georgina Campbell) is in town for a job interview and has booked an Airbnb in a remote and dilapidated neighborhood in Detroit but, when she arrives, she is dismayed to learn that it has also been booked by Keith Toshko (Bill Skarsgard) who is a little bit creepy.  Despite her misgivings she reluctantly decides to stay at the rental with Keith.  However, Keith might not be the only threat inside of the house.  That is really all you should know before you see this movie because there are twists and turns that you will never be able to predict!  I also suggest seeing this with the largest crowd possible because it is so bonkers that it makes for a really fun viewing experience with lots of other people.  It is very atmospheric and quite scary (one jump scare made me scream out loud and I was not the only one) but it is also highly amusing at times.  There is an unexpectedly powerful message about men who take advantage of women as well as some interesting commentary on how the real monsters are not always who we think they are.  Campbell is great in the role and I was pleasantly surprised to see a protagonist in a horror movie that doesn't spend the whole runtime screaming.  Skarsgard is incredibly unsettling, not for what he does, but because his motives are unclear.  I enjoyed this movie much more than I was expecting and I highly recommend it to fans of horror!

A Chorus Line at the Empress

Last night I went to see A Chorus Line at the Empress Theatre and I was beyond impressed with this production!  A large group of dancers are taking part in an audition for an upcoming Broadway show.  The director Zach (KC Cook) and his assistant Larry (Kayla Rydalch) take the group through the choreography and they all express their hope that they will be cast in the chorus.  Eventually, the group is narrowed down to Cassie (Taylor McKay Barnes), Kristine (Kayla McConkey), Richie (Tony Sao), Bebe (Gracie George), Diana (Michelle Garcia), Connie (Jenn George), Mark (Ezekiel Peterson), Greg (Shatan Duke), Al (Caden Terry), Paul (Darrin Burnett), Don (Jackson Ohey), Judy (Mariah Pitt), Maggie (Cassie Hurt-McLarty), Mike (Brady Neilsen), Val (Jenna Lynn), and Sheila (Larissa Pearson).  Zach wants to learn more than what is listed on their resumes so he asks them to talk about their experiences and what made each of them want to be a dancer and they do so with stirring musical numbers.  My favorite songs are "I Can Do That" where Mike talks about accompanying his sister to dance class, "At the Ballet" where Sheila, Bebe, and Maggie describe using ballet as an escape from their unhappy childhoods, and "Dance: Ten; Looks: Three" where Val describes getting more jobs after her plastic surgery.  As the group learns the choreography for a number from the show, Zach confronts Cassie and it is revealed that she was once the star of one of his shows, as well as his former lover, and he doesn't think she will fit in the chorus and he has a poignant moment with Paul who describes the difficulty he has had with his sexuality.  The group rehearses "One" and then the final eight dancers are selected.  This cast is one of the most talented I have seen at the Empress and there is not one weak link!  The standouts for me are Barnes who gives an amazing performance in "The Music and the Mirror," and Burnett who is absolutely spellbinding in his delivery of Paul's monologue (the crowd erupted in applause).  The cast also does an outstanding job of staying in character at all times, particularly Pearson who always has a jaded look on her face and Cook who is always evaluating each dancer as they perform.  The choreography is fantastic, especially in the opening number "I Hope I Get It" and "One" because the different groups learning the steps move seamlessly on and off the stage.  The set is very simple (the action takes place on a bare stage), with a curtain at one end and a mirrored wall at the other, as are the costumes with the exception of the sequined gold outfits worn during the bows.  I loved everything about this production and if you only see one show at the Empress this year it should definitely be this one!  There are three more performances next Thursday, Friday, and Saturday (go here for tickets).