Hadestown at the Eccles

The Broadway musicals Hadestown, Jagged Little Pill, SIX, and Moulin Rouge have been at the top of my must-see list for years.  I get to see ALL OF THEM this year (I'm so excited) and I started with Hadestown last night at the Eccles Theatre.  It was even better than I was expecting!  With the name Phaedra I have always been fascinated by Greek mythology so I loved this retelling of the story of Orpheus and Eurydice (even though it is very tragic).  I also really loved how the story includes commentary on climate change, poverty, capitalism, exploitation of workers, nationalism (I think the song "Why We Build the Wall" perfectly encapsulates everything that is wrong in the world today and it is an incredibly powerful moment in the show), fatalism, and, ultimately, the power of music to show how the world ought to be rather than how it is!  The music, which is a mix of folk, jazz, and Cajun, is absolutely amazing and I loved every single song but my favorites were "Any Way the Wind Blows," "Livin' It Up On Top," "Way Down Hadestown," "When the Chips Are Down," "Wait For Me," "Flowers," and "Doubt Comes In."  The stage, which is reminiscent of an old New Orleans neighborhood, is really simple but the use of a turn table and atmospheric lighting is breathtaking, especially in the numbers "Chant," Wait For Me," and "Doubt Comes In."  The man cast, including Levi Kreis as Hermes, Kevyn Morrow as Hades, Kimberly Marable as Persephone, Chibueze Ihuoma as Orpheus, and Morgan Siobhan Green as Eurydice, is brilliant and I loved every performance.  I was particularly blown away by Morrow's rendition of "Hey, Little Songbird" because he is so sleazy and Green's version of "Flowers" (it brought a tear to my eye).  I also really liked how the Fates (Belen Moyano, Bex Odorisio, and Shea Renne) are integrated into the story and how the choreography of the Workers (Jordan Bollwerk, Lindsey Hailes, Courtney Lauster, Eddie Noel Rodriguez, and Marquis Wood) mimics an assembly line in a factory.  I loved this musical!  I loved it so much (it is second only to Hamilton in my affections and that is high praise if you know me) and I definitely recommend getting a ticket if you have the opportunity!  It runs at the Eccles through August 7 (go here for tickets).

Mozart's Violin Concerto No. 5 at St. Mary's Church

Last night I went back to St. Mary's Church in Park City for another wonderful Utah Symphony concert.  I always love hearing music performed in this church (it is an amazing venue) and last night was no exception because it was a lovely evening!  The orchestra began with Concerto Grosso by Ralph Vaughan Williams and I really enjoyed this piece.  Vaughan Williams composed it for students of various abilities and I thought it was very deep and sonorous in tone.  I especially loved the stirring beginning.  Next came Concerto No. 5 for Violin and Orchestra by my favorite composer Wolfgang Amadeus Mozart with Geneva Lewis, in her Utah Symphony debut, as the soloist.  As with much of Mozart's work, this piece is light and airy and very accessible to the listener.  I loved the violin solo in the second movement because Lewis performed it with such delicacy and I loved the percussive sound created by the cellos and basses striking the strings with the wood of their bows in the third movement because it was so dramatic.  After the intermission, the concert concluded with Symphony No. 1 by Felix Mendelssohn (composed when he was just fifteen years old).  This is very lively and energetic and I especially loved the melody played by the clarinets and bassoons in the third movement and the fiery ending complete with timpani!  I really enjoyed watching guest conductor Stephanie Childress because it was exciting to see a young woman on the podium and she was incredibly dynamic.  Unfortunately, last night was the final concert at St. Mary's this summer but there are two more concerts at Deer Valley (go here for tickets) this weekend before the orchestra returns to Abravanel Hall for the 2022-2023 season (for which I am so excited).

Vengeance

Last night I finally got myself to the Broadway to see Vengeance and I think it is incredibly thought-provoking.  Ben Manalowitz (B.J. Novak) is a writer for the New Yorker who aspires to have a podcast to use as a platform for expressing his opinion on the cultural divide in America.  One night he receives a phone call from Ty Shaw (Boyd Holbrook) informing him that his sister Abilene (Lio Tipton) has died of a drug overdose while at a wild party.  Ben only hooked up with Abilene a couple of times but Ty is under the impression that they were much closer and insists that he come to her funeral in West Texas.  He reluctantly agrees and meets Abilene's family, including her mother Sharon (J. Smith-Cameron), sisters Paris (Isabella Amara) and Kansas City (Dove Cameron), brother Mason (Elli Abrams Beckel), and grandmother Carole (Louanne Stephens), who all think he is Abilene's boyfriend.  Ty asks Ben to help him get vengeance against Sancholo (Zach Villa), the man he believes is responsible for Abilene's death, but Ben thinks that Ty is creating a conspiracy because the family can't bear to accept that Abilene turned to drugs because of the hopelessness of her life.  He thinks this might be a great subject for a podcast and his producer Eloise (Issa Rae) agrees.  He stays in West Texas investigating Abilene's death and recording content for the podcast but he ends up discovering more than he bargained for.  This is a compelling murder mystery, with a resolution that I did not see coming, but it is also a razor sharp bit of social commentary.  Writer and director Novak explores quite a few thought-provoking ideas, such as the cultural divide between the red and blue states, exploitation for the sake of content, and the opioid crisis, but sometimes these ideas become a bit unwieldy.  The dialogue is highly amusing, especially in an opening scene featuring a cameo by John Mayer (who is essentially playing himself), and I laughed out loud during an extended joke at a rodeo.  Novak is great, even if he doesn't quite sell the idea that he is a player, and Ashton Kutcher gives one of the best performances I've seen from him as a record producer.  This dark comedy is very entertaining and I definitely recommend it.

A Murder is Announced at CPT

I had never been to Leishman Hall (the black box theatre at CPT) before but I can't resist an Agatha Christie murder mystery so I went to a production of A Murder is Announced last night. I really enjoyed the intimate theatre space but this particular show was a bit disappointing. An advertisement in a newspaper announces that a murder will be committed at a boarding house owned by Letitia "Letty" Blacklock (Marina Maxfield) on October 13 at 6:30 pm. Her guests, including Dora "Bunny" Bunner (Hillary McChesney), Patrick Simmons (Blake London), Julia Simmons (Katie Plott), Phillipa Haymes (Laryn Welch), Mrs. Swettenham (Kiersten Honaker), and Edmund Swettenham (Trevor Elmer), conclude that it must be a joke but her Russian cook Mitzi (Kryslin McBride) believes that she will be the victim for political reasons. At the appointed time the lights go out and a mysterious man ends up dead. Inspector Craddock (James Boley) and Sergeant Mellors (Chad N. Wilburn) investigate and learn that everyone involved is hiding something but, after another murder, it takes Miss Marple (Wanda Copier) to find the killer. Even though I have read the book (I read all of Agatha Christie's books when I was a teenager), I found the story to be really complicated because most of the characters have alternate identities and many pertinent events have already happened and require a lot of exposition. In addition, there are a lot of pacing issues that make it hard to pay as much attention as you need to in order to pick up on all of the clues. The action gets really bogged down, especially during the interrogation of all of the suspects, and even the revelation of the murderer is a bit anticlimactic. The performances are fine but McBride was my favorite because she steals every scene she is in with her dramatic and over the top gestures. I laughed out loud every time she entered the room! I absolutely loved the set featuring heavy Victorian furniture and lots of the fussy details that you would find in an English drawing room and I was very impressed with the sheer number of period costumes (I loved Miss Marple's hats). I usually love seeing stage adaptations of Agatha Christie's books (go here and here) but this felt off to me. I will, however, be back to see another production at Leishman Hall!  This show runs until August 20 (go here for tickets).

The Sound of Music at the SCERA Shell Outdoor Theatre

I had never been to the SCERA Shell Outdoor Theatre before so I was really excited to see The Sound of Music last night (even though it was my third production of this musical this year). I ended up enjoying the show, and the venue, immensely! The story about an aspiring nun named Maria (Anya Wilson) who is sent to care for the children of Captain von Trapp (James Duncan) is one that I can see over and over again but I loved the addition of so many fun details in this particular version. Maria comes to the stage from the middle aisle during "The Sound of Music" (which is absolutely perfect because the audience is sitting on a hill). Sister Berthe (Tricia Christensen) and Sister Margaretta (Hannah Thomas) physically argue with each other during "Maria." Maria and the Mother Abbess (Sarah Neipp) are very playful in "My Favorite Things." The von Trapp children, Liesl (Savannah Carrasco), Friedrich (Cole Hixson), Louisa (Addie Armstrong), Kurt (Koen Greene), Brigitta (Hannah White), Marta (Gemma Sanders), and Gretl (Naomi Sharette), have a great rapport with Maria in "Do-Re-Mi" and "The Lonely Goatherd," especially when they imitate Maria's gestures. The choreography between Liesl and Rolf (Charles Price) is a lot of fun in "Sixteen Going on Seventeen" and involves interactions with a bench, a gazebo, and a fountain. Maria and Captain von Trapp have great chemistry while dancing at the party and during "Something Good" which is important because I sometimes think the romance between the two of them is rushed in the stage version. A word is changed in the reprise of "Sixteen Going on Seventeen" which makes the song so much more palatable for a contemporary audience (at least in my opinion because that song has always really bothered me).  Having Nazi guards patrolling the aisles during the festival and then searching the audience with flashlights when the von Trapps do not appear at the end of the concert is incredibly effective at portraying the terror felt by the family (this was also done during a production I saw at Tuacahn and several people in the audience screamed). The von Trapps start their journey to Switzerland by climbing up the hill through the middle aisle and it is so dramatic! Wilson, Neipp, and Emily Duncan (as Baroness Schraeder) have beautiful voices, the young actors playing the von Trapp children are very charismatic (especially White who really plays up Brigitta's sass), and Daniel Bradley (as Max Detweiller) oozes charm! The set is absolutely beautiful, and quite elaborate, with moving panels showing the mountains through arched windows at Nonnberg Abbey and a view of Salzburg (which is very realistic because I compared it to a photo I took on a trip there when I got home) at the von Trapp Villa. Large set pieces for the von Trapp Villa could be turned to show the interior for scenes inside (I loved the fire in the fireplace but I wish that the staircase had been more prominent) and the exterior for scenes on the terrace. The costumes are wonderful, especially the uniforms and the play clothes (made out of curtains!) for the children and Maria's wedding dress, but I felt that the costumes for the Baroness are a bit too contemporary. As I mentioned, this was my first visit to the SCERA Shell Outdoor Theatre (I've seen The Drowsy Chaperone and Catch Me If You Can at the indoor theatre) and I loved this venue! There are reserved seats and separate sections on the grass for people who bring their own chairs and for those who bring blankets. There are bathrooms and concessions available but you can bring your own snacks, as well. Every usher that I came in contact with was incredibly friendly and helpful (which is not always the case). I highly recommend both this show and this venue (I will be back next summer). The Sound of Music runs through August 13 (go here for tickets).

Note: I have enjoyed all three productions of this musical (including those at the Empress and the Utah Shakespeare Festival) for different reasons. I don't think I could pick a favorite!