Seven Brides for Seven Brothers at the Terrace Plaza Playhouse

I am so excited because I just discovered a new venue for community theatre called the Terrace Plaza Playhouse and I now want to see every show in their upcoming season (go here to check it out). I was able to attend their latest production, Seven Brides for Seven Brothers, last night and it was so much fun! This is one of the movie musicals I grew up watching at my Grandma Anderson's house and, even though the story is actually quite problematic, I love it for the singing and dancing! Adam Pontipee (Brian Sears) leaves his frontier home in the mountains in search of a wife in the nearest town. He finds the perfect candidate in Milly (Victoria Hall) but she is dismayed when she discovers that she must also care for his six brothers. Her solution is to get them all married off so she tries to teach them how to court women.  After all of the brothers meet women they like at the town social, they ruin their chances with them by getting in a brawl with their suitors. Adam fears that Milly has made his brothers too soft and suggests that they simply go get the women they want and marry them. Chaos ensues! Sears and Hall have lovely voices (although it was sometimes hard to hear Hall) and I especially enjoyed their renditions of "Bless Your Beautiful Hide" and "Wonderful, Wonderful Day," respectively.  All of the brothers, Benjamin (Danny Hall), Caleb (Kimball Bennion), Daniel (Trevor Griffin), Ephraim (Garret Rushforth), Frank (Dallin Johnson), and Gideon (Peter Jenkins), harmonize beautifully, especially in the song "We Gotta Make It Through The Winter."  All of the brides, Dorcas (Katie Hamblin), Ruth (Katelyn Webb), Liza (Megan Griffin), Martha (Cami Johnson), Sarah (Anna Higgins), and Alice (Andrea Poll), each have distinct personalities (beyond the different colored gingham dresses they wear) and are fantastic dancers, especially in "The Challenge Dance" at the town social because they whirl seamlessly between the brothers and the suitors without missing a beat! All of the big song and dance numbers feature really fun choreography and are executed very well.  Besides "The Challenge Dance," I really loved "Goin' Courting," because the way Milly tries to teach the brothers how to dance is absolutely hilarious, and "Spring Dance," because you can see the brides and brothers falling in love with each other through their interactions. There is also a fun recurring bit of business between Daniel, Ephraim, Liza, and Martha that had the audience laughing every time it happened. The stage is small and intimate and the space was utilized very well for all of the various chase scenes and I was very impressed with the elaborate set pieces for the Pontipee cabin and barn which rotated for scenes inside and outside. I enjoyed this show very much and I am looking forward to seeing a lot more at this theater!

Note:  During the intermission, this little old lady came up to me and told me that I had a big smile on my face during the whole first half.

Compartment No. 6

Yesterday I went to see Compartment No. 6 at my favorite art house theater (I was very intrigued because it won the Grand Prix at Cannes this year along with A Hero) and I loved it because it is so charming.  Laura (Seidi Haarla) is a young woman from Finland who is studying archaeology in Moscow.  She lives with her lover Irina (Dinara Drukarova), a professor of literature at the university, and she longs to be a part of Irina's cultured and sophisticated world.  They have planned a trip to Murmansk to view some ancient petroglyphs but Irina suddenly backs out and Laura goes on her own.  To her dismay she is sharing a compartment on the train with an uncouth Russian laborer named Lyokha (Yura Borisov) who is on his way to Murmansk for temporary work at a mine.  She takes an immediate disliking to him and not only tries to get another compartment (to no avail) but contemplates getting off the train at a stop in St. Petersburg.  She ultimately opts to continue and, as her relationship with Irina deteriorates, she begins to see Lyokha in a new light.  Once she reaches Murmansk she is told that it is impossible to get to the famous petroglyphs in the winter so Lyokha goes to extraordinary lengths to get her there.  She eventually discovers that the journey with Lyokha has been more meaningful than the destination.  I loved both of these characters so much because, on the surface, they couldn't be more different but over the course of the journey they come to understand that they have more in common than they realize.  The connection that they form with one another is so warm especially in contrast with a harsh Russian winter.  Haarla and Borisov give wonderful performances, particularly in a pivotal scene when their characters finally acknowledge the pain they both feel, and their chemistry is palpable.  The camera work on the train is very effective at creating a mood and I loved that the titular compartment is incredibly claustrophobic at the beginning of the journey but seems to grow larger and as the characters become more comfortable with each other.  The ending, which is a callback to an amusing moment when they first met, put a huge smile on my face!  This is definitely a slow moving character study but it is brilliant in its simplicity and I highly recommend it.

Infinite Storm

Last night I went to see Infinite Storm and, while this survival thriller based on true events is visually stunning, I found it to be a bit underwhelming.  Pam Bales (Naomi Watts) frequently climbs Mt. Washington in the White Mountains of New Hampshire but, as she prepares for her next attempt, a colleague warns her not to go because of a coming winter storm.  The date seems to have some significance for her and she mentions that she needs to get up on the mountain as therapy for a past trauma.  She is very skilled and incredibly prepared but the storm soon becomes too much for her and she decides to head down.  However, she sees footprints in the snow and decides to follow them to an unresponsive man (Billy Howle) who is so ill-prepared for the mountain that it is implied he is suicidal.  Pam is determined to rescue him, even when he becomes combative, and they face many hardships beyond the weather as they struggle to survive.  During several moments of peril, there are flashbacks to an earlier time in her life that attempt to provide some context for the purpose of her journey but they are annoyingly vague until Pam and the man she calls John have a reunion during the third act.  I really enjoyed the woman against nature narrative and the cinematography is so immersive that there were moments when I felt like I was on the mountain with Pam.  The mountain scenery (the Alps in Slovenia stand in for the White Mountains) is breathtaking and Watts gives a riveting and physical performance that is entirely believable.  Where this movie loses its way is when it leaves the mountain and tries to become a human drama.  The explanation of why Pam and John both came to be on the mountain is such a tonal shift from what precedes it that it feels almost anticlimactic and unnecessary.  This is probably a movie that you can wait to see on a streaming platform.

Tito Munoz Conducts Beethoven 6, Sibelius & Buxtehude

Whenever Augustin Hadelich comes to town to perform with the Utah Symphony I always make a point of being in attendance because I think he is absolutely brilliant (go here and here).  I am certainly not alone in my admiration because there was a sizable crowd at Abravanel Hall last night to hear him perform the Violin Concerto by Jean Sibelius.  Before the Sibelius, the orchestra began with Chaconne in E Minor by Dietrich Buxtehude with an arrangement by Carlos Chavez.  As explained by guest conductor Tito Munoz, this piece was originally written by Buxtehude for the organ during the German Baroque period.  Several hundred years later Chavez orchestrated it for the Orquesta Sinfonica Nacional emphasizing more modern instruments.  I had never heard this piece before (Munoz further explained that it is not performed in the United States very often) but I absolutely loved it!  I loved the opening fanfare by a solo trumpet and horn along with the timpani and I also loved how the same progression of notes seems to be repeated again and again with more and more intensity.  It was very powerful!  Next came the Violin Concerto with Hadelich.  Sibelius is one of my favorite composers (I discovered him on a trip to Finland) and this piece is widely considered to be one of his greatest masterpieces.  It calls to mind a dark wintry night and I particularly enjoyed the first movement because the solo violin plays a haunting melody that is beautifully echoed by a clarinet.  I also liked the final movement because the speed with which Hadelich moved his fingers was absolutely mind-blowing.  He gave an incredibly passionate performance and the audience leapt to its feet immediately for a thunderous ovation.  After the intermission, the orchestra concluded with Symphony No. 6 "Pastorale" by Ludwig van Beethoven and it was amazing.  This piece is meant to evoke feelings about nature and I especially liked a motif played by the strings mimicking the sound of moving water in the second movement and the sound of a thunderstorm created by the cellos, basses, and timpani in the fourth movement.  I loved every minute of this concert and it just might be my favorite this season (which is no mean feat because it has been a season full of wonderful music).  I highly recommend getting a ticket for tonight's performance featuring the same program (go here).

Journey at the Vivint Arena

Last night I saw my first concert of 2022 and I certainly picked a good one to begin with!  Journey is a nostalgic favorite of mine and I have seen them in concert many times (including an epic show featuring Journey and Foreigner at Red Rocks in Denver with my friend Tony).  I haven't listened to their music for quite some time but, as they played all of their hits one after the other, I somehow remembered every single word of every song!  All the band had to do was play one or two opening notes to a song and the crowd would go crazy!  It was so much fun!  Normally I try to control myself because I realize that the people sitting around me didn't pay money to hear me sing but everyone in the arena was singing at the top of their lungs (sometimes Arnel Pineda would stop singing and hold his microphone out to the crowd, as lead singers are wont to do, and there would be no difference in volume).  The girl sitting next to me was probably about 15 or 16 and even she knew the words to every song which I thought was really cool.  As I mentioned, they played the hits for almost two hours starting with "Only the Young" and then continuing with "Stone in Love," "Lights," "Send Her My Love," "Who's Crying Now," "Lovin', Touchin', Squeezin'," "Faithfully," "Open Arms," "Wheel in the Sky," "Separate Ways (Worlds Apart)," "Be Good to Yourself," and, finally, "Any Way You Want It."  There is always one song, usually a more obscure track, that I always hope the band will play and in this case it was "Girl Can't Help It" but I wasn't too disappointed when they didn't play it because they played my favorite song, "Don't Stop Believin'," really early in the evening!  Arnel Pineda, who has been with the band since 2007, is a great frontman because he sounds a lot like Steve Perry but he has been able to make the songs his own and he is so energetic.  He was running all over the stage and jumping off the speakers all night and I thought he was really fun to watch.  I had such a good time at this concert and, even though it got out really late, I'm so glad I was able to go!

Note:  The opening band was Toto.  I am not as familiar with their discography as I am with Journey but I recognized "Hold the Line," "I Won't Hold You Back, and "Rosanna."  Of course they ended their set with their most popular song "Africa" which got the crowd on their feet singing every word.  I enjoyed them, as well.