Drive My Car

There were quite a few new releases at my favorite art house theater this weekend but Drive My Car has received so much critical acclaim lately (including the Golden Globe for best foreign language film) that it was on the top of my list last night.  Yusuke Kafuku (Hidetoshi Nishijima), a theater actor and director, and Oto (Reika Kirishima), a television screenwriter, are a married couple with a complicated relationship living in Tokyo.  He eventually discovers that she is having an affair with a young actor named Koji Takatsuki (Masaki Okada) but he chooses to ignore it and rebuffs her attempt to discuss it.  When she dies unexpectedly of a brain hemorrhage, he takes a job directing a multilingual version of the play Uncle Vanya by Anton Chekhov at a prestigious festival in Hiroshima.  He requests accommodation an hour away because it is his practice to review his lines by listening to a cassette tape of the play recorded by Oto while driving but, for liability reasons, the festival organizers insist that he have a driver at all times and hire Misaki Watari (Toko Miura), a taciturn young woman who is also mourning the death of a loved one, to drive him.  Yusuke casts his wife's lover to play Vanya, a role he once played to acclaim but can't bring himself to reprise because of the emotional weight of it, and rehearsals are fraught with tension.  As Misaki drives Yusuke to and from rehearsal, they help each other to live with their guilt and grief.  This film is three hours long, with a slow and meditative pace, but there is so much to unpack that I hardly noticed.  I was absolutely captivated by the use of Uncle Vanya as a symbol for the regret Yusuke and Misaki feel about the death of their loved ones, the use of Yusuke's Saab 900 as a symbol of both sanctuary and escape, and the use of multiple languages within the play as a symbol for the understanding the characters seek.  I loved the emotionally restrained performances of Nishijima and Miura because their journey to self-discovery and healing is all the more poignant when it happens.  I also loved the ethereal mood of this film and the many profound silences that permeate it, including a scene where Yusuke and Misaki simply hold their lit cigarettes out of a sunroof in a moment of solidarity that needs no dialogue.  I loved this film so much and highly recommend it because it is definitely a journey worth taking.

Hamilton at the Eccles (Again)

Even though I recently saw a performance of Hamilton at the Eccles Theater, I decided that I had to see it again during the SLC run so I bought another ticket for last night.  I don't think I will ever get tired of seeing this musical and I actually anticipated every song even more than I usually do!  The standouts for me were, once again, Julius Thomas III as Hamilton and Darnell Abraham as George Washington.  Thomas has a beautiful voice and I always love his versions of "Dear Theodosia" and "Hurricane" every time I see him perform.  Abraham (one of my favorite actors in the role) is incredibly powerful in "Right Hand Man" and "One Last Time" and both of these songs gave me goosebumps and earned thunderous applause from the audience.  The role of Aaron Burr was played by the understudy, Manuel Stark Santos, and I think he did a great job.  I was especially impressed with his performance in "The Room Where It Happens" because there was a mishap with the table and he handled it so well.  I also really enjoyed his versions of "Your Obedient Servant" and "The World Was Wide Enough" because I could really feel his anger and then his remorse.  The role of Eliza was also portrayed by the understudy, Milika Cheree (she played Peggy Schuyler/Maria Reynolds the last time I saw it), and I honestly preferred her to Victoria Ann Scovens.  Her characterization of Eliza was different than any I have seen before and I loved her renditions of "Helpless" and "That Would Be Enough" but her performance of "Burn" was so powerful that I had a tear in my eye (that has never happened before).  I was less than enthusiastic about Rick Negron as King George when I saw him last time and, while he is definitely not as flamboyant as others I have seen in the role, he grew on me last night.  I laughed at his shenanigans during "I Know Him" and "The Reynolds Pamphlet."  I also really enjoyed watching Paris Nix as Thomas Jefferson.  I thought he was fine in his previous performance but last night he really seemed to feed off of the crowd, especially in "What'd I Miss," "Washington On Your Side," "The Reynolds Pamphlet," and "The Election of 1800" (I loved his reaction to winning the election).  The crowd last night was really boisterous and appreciative and even applauded in the middle of songs, particularly when Washington stormed the stage in "Right Hand Man" and during the dance break in "Yorktown."  I loved the energy and it was so much fun to be a part of it.  I am so glad that I had the opportunity to see it again!

Note:  I love that I ended 2021 and began 2022 by seeing my favorite musical!

Robert Trevino Conducts Walker, Grieg & Stravinsky

I was so happy to be back at Abravanel Hall last night for my first Utah Symphony concert of 2022 because it was absolutely amazing!  The orchestra began with Sinfonia No 4 "Strands" by George Walker.  I was not at all familiar with this piece (or this composer) but I really enjoyed it because it is very dramatic.  I particularly loved a theme played by a solo cello as well as themes played by the timpani and percussion, especially the gong at the end.  Next came Edvard Grieg's Piano Concerto.  I was really excited for this because it is one of my favorite pieces and the orchestra and soloist Benjamin Grosvenor performed it brilliantly.  The instantly recognizable opening notes played by the piano gave me goosebumps and each successive repetition of the theme during the first movement was equally thrilling (the entire audience gave a rousing round of applause after this movement).  The second movement was my favorite because it is a just a bit melancholy and I loved the interaction between the piano and the solo horn.  I also really enjoyed all of the Norwegian folk dances featured in the third movement.  Grosvenor's fingers literally flew up and down the keyboard so he was very entertaining to watch.  He received a well-deserved standing ovation after which he performed a beautiful encore featuring Dance of the Beautiful Maiden by Alberto Ginastera.  After the intermission, the concert concluded with Petrouchka by Igor Stravinsky.  This ballet tells the story of three puppets who are brought to life at a fair in St. Petersburg and Stravinsky's music is incredibly stirring.  I could almost picture the action in my head as the orchestra played.  I especially loved the fanfare played by the brass to announce the carnival barker, the drum roll that announces the puppet show, and the theme played by the flutes as the puppets are brought to life.  All of the Russian folk music used as the puppets dance is quite exhilarating and I thoroughly enjoyed the whole piece.  This program will be performed again tonight and I highly recommend getting a ticket (go here).

The 355

I am a huge fan of espionage movies so I have been looking forward to The 355 for weeks.  I had the chance to see it last night at a Thursday preview and I was really disappointed because it is an absolute mess.  After a computer drive capable of hacking into every secure system around the world is stolen, Mason "Mace" Browne (Jessica Chastain), a CIA agent, Khadijah Adiyeme (Lupita Nyong'o), a former MI6 agent, Marie Schmidt (Diane Kruger), a German BMD agent, and Graciela Rivera (Penelope Cruz), a psychologist with the Colombian DNI agency, decide to join forces to try to recover it.  After they are betrayed by members of their own agencies, they find an unexpected ally in Lin Mi Sheng (Fan Bingbing), a Chinese MSS agent, and go rogue to recover the drive and exact revenge.  The premise is really intriguing but the execution is terrible.  The characters are very thinly drawn and there are some major pacing issues because every time I thought there was a resolution something else would happen (I lost track of how many times the agents capture, lose, and recapture the world-ending device).  By the third act I didn't care about the fate of the device or any of the characters because I just wanted it to end.  I also predicted a major plot twist early on and I was almost disappointed when I was proven right.  All of this might be forgiven if the action sequences were exciting and engaging but the cinematography and editing are some of the worst I have ever seen.  The shaky hand-held camera work (I also lost track of how many times the camera makes a 360-degree sweep around the characters) and the disorienting split-second changes in focus gave me an actual headache.  The all-star cast is completely wasted here but at least they look good in fabulous costumes (the only good thing I can say about this movie).  I definitely recommend giving it a miss!

American Underdog

I am a sucker for inspirational sports movies and I have very vivid memories of watching Kurt Warner win Super Bowl XXXIV so I spontaneously decided to see American Underdog last night.  It is a very average biopic but that doesn't mean I didn't enjoy it.  Warner (Zachary Levi) dreams from a very young age of becoming the MVP in the Super Bowl after watching his idol Joe Montana in Super Bowl XIX.  However, he faces many seemingly insurmountable obstacles such as being benched until his fifth year as a college athlete, not being selected during the college draft, being cut by the Green Bay Packers on the first day of training camp, being forced to stock shelves at a grocery store to make ends meet, giving up on the NFL to play in the Arena Football League, and having to prove himself over and over again to the antagonistic offensive coordinator of the St. Louis Rams.  Through it all, it is his relationship with his wife Brenda (Anna Paquin) and her disabled son Zack (Hayden Zaller) that inspires him to never give up.  He is finally given an opportunity when the Rams' starting quarterback is injured in a preseason game and, despite throwing an interception during his first play, he goes on to achieve his dream.  This movie focuses more on Warner's personal life than it does on football and, while I did appreciate seeing his struggles off the field, I wish it had included more of him on the field.  The few football sequences we get are a lot of fun, especially the requisite training montage featuring "Boom" by P.O.D. and the trash talking from Ray Lewis (Nic Harris) during his first game, but the depiction of his success with the Rams feels very rushed.  I also think the use of actual footage from several key games is sloppy.  Levi and Paquin give very affecting performances but nobody else makes much of an impression (Dennis Quaid has little more than a cameo).  There are flaws but there are also quite a few stand up and cheer moments (my favorite is when a stock boy who worked with Warner puts the Sports Illustrated with him on the cover out for display) and I did enjoy it.  This might be one that you can wait to see on a streaming platform but it is worth seeing.

Note:  The one and only time I waited at the stage door was for Zachary Levi after She Loves Me on Broadway.  He signed autographs and posed for pictures with everyone in line (Jane Krakowski flounced after only a few) and I found him to be incredibly charming.