James Taylor at the Maverik Center

I really love James Taylor and I have seen him live many times at many different venues including, rather memorably, the LDS Conference Center with the Mormon Tabernacle Choir and the Utah Symphony.  I try to see him whenever I can and I was so excited when he announced a new tour.  The SLC show was originally scheduled for the last day of school in 2020 so I bought a ticket thinking that it would be the perfect way to celebrate my retirement.  We all know how that turned out!  Fortunately, the concert was rescheduled and I enjoyed it just as much last night.  The opening act was Jackson Browne and, since I had never seen him live before, I was looking forward to his set as much as Taylor's.  He sang quite a few of his more recent songs and I enjoyed them even though I didn't recognize them as much as the hits.  I loved "Somebody's Baby" at the beginning of the set, "Doctor My Eyes" in the middle, and "Running on Empty" at the end.  Another highlight was "The Pretender" because he was joined on stage by Taylor, to the delight of the audience.  Taylor began his set with "Country Road" and then included a few of his lesser known songs in the first half.  Of these, I really enjoyed "As Easy As Falling Off a Log" from his latest album, American Standard (which consists of covers from the American songbook), and I also liked his renditions of "Mexico" and "Steamroller" because his incredibly talented band basically turned these songs into improvisational jam sessions.  However, I have to admit that I absolutely loved the second half of the show because he played his most well-known hits, including "Sweet Baby James," "Fire and Rain," "Carolina in My Mind," and "Shower the People" (one of my favorite songs).  He ended the set with an emotional performance of "How Sweet It Is (To Be Loved by You)."  For the encore, he sang a cover of the Eagles song "Take It Easy" with Jackson Browne (which Browne co-wrote with Glenn Frey), a beautiful acoustic version of "You've Got a Friend," and "You Can Close Your Eyes" with his son Henry.  Taylor told lots anecdotes about his songs (at one point he said that his intro to a song was longer than the song itself) and his interactions with the audience were really funny (when multiple people yelled that they loved him he said that it was becoming a bidding war).  It was a wonderful show that was definitely worth the wait!

Note:  There is always one song from an artist's back catalog that I want to hear and with James Taylor it is "Handy Man."  I wasn't too disappointed that it wasn't included last night because I've heard him sing it before.

Dune

I am a huge fan of the book Dune by Frank Herbert.  I read it for the first time in tenth grade (about the time the David Lynch adaptation, which I did not like, came out) and, even though I didn't understand it completely, I loved the world building and the Chosen One narrative.  Upon subsequent readings, I came to admire the message about the evils of colonialism including the oppression of indigenous peoples and the destruction of the environment in pursuit of a valuable resource.  I have been anticipating the latest adaptation by Denis Villeneuve ever since I saw the first trailer (which blew my mind) and I finally had the opportunity to see it last night at a Thursday preview.  I loved it!  The Emperor, who rules the universe, has assigned Duke Leto Atreides (Oscar Isaac) of House Atreides to be the new steward of the planet Arrakis, which is a harsh desert but the only source of a valuable spice necessary for interplanetary travel.  The Emperor views House Atreides as a threat and sets Duke Leto up to fail with the help of the former steward, Baron Vladimir Harkonnen (Stellan Skarsgard) of House Harkonnen.  Leto's son Paul (Timothee Chalamet) is the heir to the dukedom and has been trained in warfare and politics by his advisors Duncan Idaho (Jason Momoa), Gurney Halleck (Josh Brolin), and Thufir Hawat (Stephen McKinley Henderson).  Paul's mother, Lady Jessica (Rebecca Ferguson), belongs to a holy order known as the Bene Gesserit and so he has also been trained in their superior mental and physical abilities.  When Paul begins having dreams about future events on Arrakis, Jessica summons the Reverend Mother (Charlotte Rampling) of her order to administer a test to determine if he is the one prophesied to bring peace to the universe.  After a betrayal and an invasion Paul must ultimately join forces with the Fremen, the native peoples of Arrakis, including a leader named Stilgar (Javier Bardem) and a young girl named Chani (Zendaya) who has appeared in Paul's dreams.  I loved the entire cast but I was especially impressed with Chalamet's portrayal of Paul's journey from resistance to and then acceptance of his destiny and Momoa's portrayal of Duncan's loyalty to Paul and House Atreides.  I loved the epic scope of the movie including some truly spectacular and visually stunning sequences, particularly the depiction of the ornithopters (they look like giant dragonflies) and the sandworms.  I loved the sound design, especially the portrayal of the Voice (it gave me goosebumps), and Hans Zimmer's incredibly atmospheric score (I loved the bagpipes when House Atreides arrives on Arrakis).  I love that Villeneuve chose to tell the story in two parts to really explore the mythology but this movie does feel incomplete (my only criticism).  I sincerely hope the next one gets made!  As someone who loves the source material, I highly recommend seeing this brilliant adaptation on the biggest screen possible (if you feel comfortable doing so).

Cats in Las Vegas

For Christmas two years ago I was given a season subscription to Broadway Las Vegas.  It was pretty much the best gift ever because I love live theatre and I love road trips!  Unfortunately, I only got to see one show before Covid shut everything down.  The good news is that I was able to apply my remaining tickets to the new 2021-2022 season and I saw the first show, Cats, last night.  I am not a big fan of the musical Cats because I saw it for the first time in London the night after I saw Les Miserables, which was a dream come true, and it suffered unfairly in comparison (and who can forget the trauma of watching the movie adaptation?).  I have since learned to appreciate the show and I was really happy to be back at the Smith Center for the first time since the pandemic started!  The story, such as it is, is based on a collection of poems called Old Possum's Book of Practical Cats by T.S. Eliot and features music composed by Andrew Lloyd Webber.  Once a year the Jellicle Cats meet for the Jellicle Ball where Old Deuteronomy chooses one of them to ascend (in a giant tire) to the Heaviside Layer and be reborn.  Each cat explains why he or she should be the one chosen in big song and dance numbers.  My favorites are "The Rum Tum Tugger," "Bustopher Jones:  The Cat About Town," "Mungojerrie and Rumpelteazer," "Macavity, The Mystery Cat," "Magical Mister Mistoffelees," and, of course, the showstopper "Memory."  The entire cast in this production is insanely talented but my favorite dancers were Hyla Mayrose Perillo as Victoria, Zach Bravo as Rum Tum Tugger, and Paul Giarratano as Mistoffelees.  Tayler Harris, as Grizabella, just about brought the house down with her powerful, yet vulnerable, rendition of "Memory" and I really liked Indalecio De Jesus Valentin's voice as Old Deuteronomy.  The choreography in this show is absolutely brilliant, especially in "Song of the Jellicles and the Jellicle Ball," "Skimbleshanks the Railway Cat" (I loved the way they created the train), and "Magical Mister Mistoffelees," and I really like how it incorporates the mannerisms of real cats. This show will never be my favorite but I have to admit that I got caught up in the excitement of the people around me and I really enjoyed it.  It has been a fun trip!

Note:  After watching the stage version again I was reminded that the movie was such a missed opportunity.

Halloween Kills

I really enjoyed Halloween, the 2018 direct sequel to the original movie, so I was looking forward to the next installment, Halloween Kills.  I saw it last night and, normally, seeing a horror movie on a Friday night in October with a large crowd is a lot of fun but this movie is an absolute mess and I left the theater disappointed.  Immediately after the events of Halloween, Laurie Strode (Jamie Lee Curtis) is taken away from her burning compound to the hospital to treat the stab wound in her abdomen by her daughter Karen (Judy Greer) and granddaughter Allyson (Andi Matichak).  Meanwhile, firefighters inadvertently free Michael Myers (James Jude Courtney) from the basement where he was trapped by Strode and he goes on a brutal rampage through the town of Haddonfield.  Tommy Doyle (Anthony Michael Hall), one of the children Strode was babysitting during the attacks on Halloween in 1978, is celebrating with several other survivors when he hears of Myers' return and vows to kill him once and for all.  He organizes a large mob, including the other survivors and Allyson, and they cause the death of an escaped convict, mistakenly believed to be Myers, before forcing a confrontation with Myers at his childhood home.  This movie is incredibly violent and gruesome, especially when Myers kills a firefighter with a chainsaw, but I would rather be genuinely scared than shocked (the tension, not the body count, is what made the original movie so scary).  I really enjoyed the exploration of Strode's PTSD in the last movie but her story is sidelined in this one in favor of Deputy Hawkins (Will Patton) and his guilt over not killing Myers when he had the chance in 1978 (in some revisionist flashbacks) and a heavy-handed message about mob mentality and the danger of becoming as morally depraved as the monster you seek.  Bringing back several characters from the original movie seems like a good idea in theory but it really just serves to emphasize the sheer stupidity of some their actions.  These characters have dealt with Myers before so they should know better than to approach him with just a pillowcase full of rocks or a baseball bat.  There are some weird tonal shifts, particularly the truly bizarre scenes involving the new owners of Myers' former home.  The dialogue is cringe-worthy, the acting is surprisingly bad, the editing is confusing, especially the slow-motion mob scene at the hospital, and the plot goes nowhere.  Honestly, I feel like this is just a set-up for the next movie and I recommend giving it a miss.

The Last Duel

When I found out that Adam Driver had been cast in The Last Duel I decided to read the book by Eric Jager (upon which the movie is based).  I was absolutely fascinated by the true story about the last legally sanctioned trial by combat in France and I immediately began anticipating the release of the movie.  I was able to see it last night at a Thursday preview (in a packed theater) and I think it is outstanding.  The movie opens with preparations for the duel between former friends Jean de Carrouges (Matt Damon) and Jacques Le Gris (Driver) and then depicts the events leading up to it from three different perspectives.  In the truth according to Jean de Carrouges, he saves the life of his squire Le Gris in battle but, in return, Le Gris ingratiates himself to their Lord, Count Pierre d'Alencon (Ben Affleck), and is rewarded with land that was meant to be a part of his wife's dowry and with a captaincy held by his father than was meant to be his upon his father's death.  He is angry with Le Gris for this betrayal but instigates a rapprochement to keep the peace.  When he returns home from battle, his wife Marguerite (Jodie Comer) informs him that she was raped by Le Gris.  When Marguerite tells him that she wants Le Gris to pay for his crime against her, he demands justice from King Charles VI (Alex Lawther) in the form of a duel.  In the truth according to Jacques Le Gris, he defends Carrouges for disobeying the Count's orders in battle and earns the land and the captaincy for services rendered to the Count.  Carrouges lashes out against him but he instigates the rapprochement because of their former friendship.  He can't help himself from falling in love with Marguerite and believes that she also has feelings for him.  He forces himself on her but asserts that he has done nothing wrong because her resistance is perfunctory.  He protests his innocence but agrees to the duel because he does not want to appear cowardly.  In the truth according to the Lady Marguerite, she has no importance in society beyond her dowry and her ability to produce an heir but she is capable and runs the estate better than her husband during his absence.  She views Le Gris as handsome and intelligent but untrustworthy and, when he attacks her, she fights him but is overpowered.  Carrouges flies into a rage when he hears of the rape because he sees it as an affront to his honor and demands a duel even though it puts her life in jeopardy.  The movie concludes with the duel and its aftermath.  I think the structure is absolutely brilliant because the characters view the same events very differently based on their experiences (Carrouges believes he is the hero, Le Gris believes he is justified, and Marguerite believes that she is a victim of the patriarchy) and it is up to the audience to determine the ultimate "truth."  While the rape scenes are hard to watch, the subtle differences between the two perspectives are very powerful.  My only problem is with Le Gris' version because it deviates from the book.  He always maintained that he didn't attack her at all and there was evidence, albeit disputed, that he had an alibi.  The scenes involving medieval combat are spectacular and I was particularly impressed with the portrayal of the duel.  Finally, I loved every performance.  Damon and Driver are fantastic and Affleck steals every scene he is in but Comer is absolutely amazing!  This might not be for everyone (it could be very triggering for some people) but I loved it and I highly recommend it to fans of historical epics.