The Sparks Brothers

The main reason that I wanted to see The Sparks Brothers, the documentary by Edgar Wright about the rock and pop duo Sparks, is because Ron and Russell Mael wrote the music for the upcoming movie Annette.  I have been anticipating this movie, a rock opera starring Adam Driver and Marion Cotillard, since I first heard about it several years ago and I have become obsessed with the first single,"So May We Start," because it is absolutely brilliant.  I didn't really know anything else about the band.  However, while watching the documentary last night, I was quite surprised to recognize so many songs, particularly "Angst in My Pants," "Cool Places," and "Music That You Can Dance To," because I had no idea that they were by Sparks.  I found it fascinating that I pretty much conform to Wright's thesis that Sparks is one of the most influential and innovative bands in the business that nobody knows about!  The film chronicles Ron and Russell's youth in southern California (everyone thinks they are British), their college days at UCLA, their early influences (including the bands from the 1960s British invasion and the films of the French new wave), their early collaboration with Todd Rundgren (who was their first producer), and the making of each of their 25 albums (for which they reinvented themselves and their sound without regard to sales or critical response).  There are interviews with Ron and Russell (whose deadpan wit and back and forth banter had me laughing out loud) as well as what seems like hundreds of musicians, actors, directors, and comedians who all profess their love of and devotion to the band.  I especially loved it when members of Duran Duran, Depeche Mode, and Erasure talked about how much they were inspired by Sparks.  Interspersed between the interviews (which are in black and white) is archival footage (in color) spanning 50 years of creative and dynamic performances.  Wright also employs several different quirky animation techniques to highlight key moments in their career and this is incredibly effective at portraying Sparks' unique visual style.  I really enjoyed this documentary and I have now become a huge fan of the band (I love people who are unapologetically themselves without regard to public opinion).  I highly recommend it even if you don't know anything about Sparks!

Note:  My friend didn't know anything about Sparks either and only wanted to see this because he loves Edgar Wright!  I suspect that he has also become a fan of the band because he kept getting out his phone to download songs throughout the whole film (I downloaded "When Do I Get To Sing My Way," "The Number One Song in Heaven," and "My Baby's Taking Me Home").

In the Heights

I have seen the stage musical In the Heights several times and I love it so I have been anticipating the movie adaptation for what seems like forever (since the pandemic postponed the release for over a year).  I finally had the chance to see it last night and it is brilliant!  I loved it so much and I am sure that I will need to see it multiple times in the theater!  Washington Heights is a vibrant community where its many residents, under the watchful eye of Abuela Claudia (Olga Merediz, who originated the role on Broadway), pursue their dreams for a better future.  Usnavi (Anthony Ramos) owns a bodega but dreams of returning to the Dominican Republic to restore his father's hotel.  His nephew Sonny (Gregory Diaz IV) is undocumented but hopes to become a citizen as a DREAMer (this is the biggest change from the musical but it is incredibly powerful).  Nina (Leslie Grace) returns to the neighborhood after her freshman year at Stanford but is thinking of giving up on her dream because she struggles to fit in with her wealthy and privileged classmates.  Benny (Corey Hawkins) wants a relationship with Nina, and wants to be accepted by her protective father Kevin (Jimmy Smits), but he doesn't want to hold her back (the lack of a serous conflict between Benny and Kevin is another change from the musical).  Vanessa (Melissa Barrera) works at a salon but dreams of moving downtown and becoming a fashion designer.  Abuela Claudia becomes an inspiration for them all as they come to realize what they really want.  This adaptation brings the musical to life in a joyful celebration of community with dynamic performances by all four leads and an exuberant staging of the musical numbers!  I was especially impressed by Ramos who is incredibly endearing (and sounds so much like Lin-Manuel Miranda who originated the role of Usnavi) and I found Daphne Rubin-Vega to be an absolute hoot as Daniela, the owner of the salon.  There are also a lot of really fun cameos (many with Hamilton references), such as the aforementioned Miranda as the Piraguero (stay for a post-credits scene with him), Christopher Jackson as Mr. Softee, Seth Stewart as a bartender, Marc Anthony as Sonny's father, Patrick Page (sigh) as the buyer for Rosario's, and Javier Munoz as a resident.  I really loved all of the big musical numbers but "96,000" is a showstopper that pays homage to all of the big Hollywood musicals of the past, "Alabanza" is incredibly affecting and had me openly weeping, and "When the Sun Goes Down," which is one of my favorites from the musical, is absolutely magical.  I could go on gushing about this amazing movie but you should probably stop reading right now and go see it for yourself!  I guarantee that you will leave the theater with a big smile on your face!

Note:  Speaking of Hamilton, pay close attention to the music playing when Kevin is on hold with Stanford.  I giggled with delight but I was the only one in my screening.

The Maidens

My Book of the Month selection for June was The Maidens by Alex Michaelides (the other options were Instructions for Dancing by Nicola Yoon, Skye Falling by Mia McKenzie, Half Sick of Shadows by Laura Sebastian, and Mailbu Rising by Taylor Jenkins Reid). I haven't read The Silent Patient, the acclaimed debut novel by Michaelides, but I was, nevertheless, very eager to read this selection because I love atmospheric psychological thrillers and I was intrigued by the allusions to Greek mythology. Unfortunately, I was incredibly disappointed. Mariana is a psychotherapist with a small practice living in London. She is still reeling from the death of her husband Sebastian who drowned while the two of them were vacationing on the island of Naxos over a year ago. She receives a troubling call from her niece Zoe, a student at Cambridge University, with the news that her friend Tara has been brutally murdered. Because Zoe is so distraught, she travels to Cambridge to comfort her and becomes involved in the investigation when someone whom she believes is innocent is arrested. She suspects Edward Fosca, a charismatic professor of Greek tragedy, when she learns that Tara belonged to a select group of students under his tutelage, known as the Maidens, who worship the Greek goddesses Demeter and Persephone and perform rituals involving death and rebirth. She becomes obsessed with proving Fosca's guilt but there are plenty of suspects when her own life is threatened. I found Mariana to be a really frustrating protagonist because she makes such bad decisions, especially considering the fact that she is a therapist, and her insertion into the murder mystery is incredibly contrived. All of the other characters, especially the eventual murderer, are very thinly developed and their motivations are unclear which makes the big plot twist seem to come from nowhere. The aforementioned allusions to Greek mythology, as well as the allusions to The Duchess of Malfi and the poetry of Tennyson, are interesting but prove to be nothing more than bits of misdirection once the mystery is solved. A major theme of the novel is the effect that childhood trauma can have on future criminal behavior but it is not explored in any meaningful way because there is no resolution for the specific character involved which I found very exasperating. It is atmospheric and foreboding but, with all of the hype surrounding this novel, I expected so much more.

Note:  I wish I had selected Half Sick of Shadows instead (it was my second choice).

Memorial Day Weekend 2021

I have had the most wonderful holiday weekend!  Kristine and Trent purchased some property in Tabiona (near Hanna which is our very favorite camping spot) a few years ago and are in the process of building a cabin.  They have also parked their trailer there for the summer.  I was invited to spend the weekend with them and Sean and I absolutely loved it there!

The area is incredibly beautiful and there are many places to visit in the nearby Uinta Mountains.  I drove up to the property early Sunday morning (they had been there since Friday) and when I got there we all decided to go for a drive.  The first place we visited was Moon Lake which was gorgeous, but cold.

We all enjoyed spending time on the beach but I think Ebony had the best time running around and jumping in the waves!

Next we went to the Yellowstone River which is another really beautiful area, one where Kristine and Trent would like to bring the trailer because the campsites are right along the river.

We also visited the reservoir near the river, another breathtaking area!

We saw this random brick chimney while we were driving around the area and I thought it was cool.

Sitting around the campfire late into the evening is one of my favorite parts of camping!

Monday morning, Memorial Day, we had a breakfast of bacon, scrambled eggs, and pancakes outside and I don't think anything has ever tasted so good.  I think everything tastes so much better outside and, since I usually don't eat breakfast, I always love it when I wake up to the smell of bacon on the grill!

Sean and I took the side by side (he drove) up the trail to the top of Mt. Tabby.  It was a really bumpy and dusty ride but the views all the way up were spectacular!

On the other side of the mountain we stopped at Red Creek Reservoir where Ebony, once again, had fun playing in the water.  We got back to the property in the late afternoon and, sadly, had to pack everything up and come home.  I was tired, sunburned, and really dirty (from the dusty ride on the trail) when I got home so, in other words, it was a great weekend!

Thierry Fischer Conducts Jessie Montgomery, Mozart, Schoenberg & Copland

Last night I attended the final Utah Symphony concert of the unusual but highly memorable 2020-2021 season.  I sincerely appreciate the extraordinary lengths to which the Utah Symphony organization has gone in order to perform beautiful music for the community this season and, in my opinion, they definitely ended on a good note!  The concert began with a piece called Strum by Jessie Montgomery, a contemporary composer who was also featured earlier in the season.  I really loved this piece, so much so that I downloaded it from iTunes as soon as I got home!  It is incredibly dynamic and I especially enjoyed it whenever the musicians would pluck their strings.  Next the orchestra played my favorite piece by my favorite composer: Eine kleine Nachtmusik by Wolfgang Amadeus Mozart.  My heart just about burst when I heard the instantly recognizable opening notes (you can probably hear them in your head right now) and my delight only increased as every movement was performed.  It is so light, airy, and filled with joy and I always love hearing it (I played my vinyl recording of it over and over when I was in high school), especially performed live!  Next came Chamber Symphony No. 2 by Arnold Schoenberg and, in my opinion, this piece is very atmospheric and brooding and I particularly enjoyed the second movement.  The concert concluded with the Orchestral Suite from Appalachian Spring by Aaron Copland.  This is another piece that I always love hearing performed live but it seemed particularly poignant last night.  I really enjoyed the variations on the Quaker hymn "Simple Gifts," which is first developed by a solo clarinet and then repeated by various instruments, because the pandemic has really helped me to appreciate the simple things in life.  The audience, which was the largest that I have seen at Abravanel Hall since the pandemic began, gave the orchestra a well deserved standing ovation for a beautiful concert last night and, I suspect, for persevering through all of the challenges this season!

Note:  Although the regular season is over, the Utah Symphony will be performing at the Deer Valley Music Festival (go here for updates on the availability of tickets) and at a variety of outdoor venues for the recently announced Forever Mighty Tour (go here for more information and free tickets) this summer.