Minari

I took a little break from seeing the movies on my must-see list last week because my area received a ton of snow and I didn't feel like driving in it!  I resumed my quest once again last night by seeing Minari.  This has been one of my most anticipated movies of 2021 and I was not disappointed because I loved this incredibly moving story.  Korean immigrants Jacob (Steven Yeun) and Monica Yi (Han Ye-ri) leave the West Coast and move to rural Arkansas with their daughter Anne (Noel Kate Cho) and son David (Alan Kim) in the 1980s.  Jacob is thrilled to be following his dream of farming his own land but Monica is horrified to be living in a mobile home, concerned about borrowing so much money for a risky investment, and worried about living so far away from a hospital because of David's heart condition.  The two of them argue incessantly but, as a compromise to keep Monica from moving back to California, Jacob agrees to have Monica's mother, Soon-ja (Youn Yuh-jung), come from Korea to live with them and help with the children.  David struggles with his free-spirited grandmother and all of her old-fashioned ideas but he bonds with her when they plant minari seeds, which grow anywhere and have many uses.  The minari plants eventually become a metaphor as the Yi family endures hardship after hardship in this unfamiliar place while David thrives.  This is such a beautiful movie about the American dream as seen through the eyes of an immigrant family, particularly those of a seven year old boy, and Kim gives an absolutely enchanting performance. In fact, all of the performances are brilliant.  I loved the relationship between David and his grandmother and I just about cried my eyes out when she tells him not to worry about dying and then sings him to sleep.  It is a meditative, yet powerful, narrative told through the accretion of tiny details that eventually come to have enormous significance and my attention never wavered.  The cinematography is gorgeous, particularly the use of light, and the haunting piano score creates an evocative mood that had me feeling so many different emotions.  After anticipating this movie for so long I can honestly say that the hype is real!  It is one of the best movies I have seen in a long time and I highly recommend it!

Girl A

My Book of the Month selection for February was Girl A by Abigail Dean (the other options were The Kindest Lie by Nancy Johnson, Infinite Country by Patricia Engel, The Four Winds by Kristin Hannah, and Honey Girl by Morgan Rogers). I read it in one day because I found it so compelling! Alexandra "Lex" Gracie escapes from what the press dub the "House of Horrors," where she and her six siblings were held prisoner and abused by their religiously fanatical parents for years, when she is fifteen. As the oldest daughter, she is given the designation "Girl A" in the press and, after extensive medical and psychological treatment, she is eventually adopted, as are the rest of her siblings. Her father commits suicide when the truth is discovered but her mother is given a lengthy prison sentence. Fifteen years later Lex is now a successful attorney in New York when she learns that her mother has died in prison and has made her the executor of her will. This necessitates a return to England in order to dispose of her childhood home and it also necessitates contacting her siblings, who have all coped with their trauma in different ways, to get their approval. This causes all of her memories of the abuse to resurface. The narrative is told from Lex's point of view and alternates between the past, when the siblings are going though the abuse, and the present, when they are dealing with the effects of it. It is a fascinating exploration of what happens during a high-profile case as well as what happens after the media attention dies down. I found the discussions about the people who profited from the tragedy, such as the psychologists who lobbied to work with the siblings to bring attention (and new clients) to their practices, the family who adopted a sibling as a way to further their own cause celebre, and a relative who did nothing to help the siblings but wrote a tell-all book about the family, to be incredibly interesting and thought-provoking. I was also very intrigued by the sibling dynamic in this novel because it was not what I was expecting. Just because a group of people go through a traumatic incident together doesn't mean that they will all view it in the same light (Delilah is an especially fascinating character). Finally, it was very eye-opening to read that, while the public wants to believe in a happily-ever-after scenario for the victims once they have been rescued from their abusers, it is only the beginning of a lifetime of healing from the trauma with no easy solutions. This is a difficult novel to get through but I honestly couldn't put it down (I suspected a major plot twist with one of the siblings but, when it was revealed, it was not at all what I imagined). I highly recommend it!

A Tale of Two Cities at HCT

If I had to pick a favorite Charles Dickens novel it would definitely be A Tale of Two Cities and I count HCT's 2011 production of this classic tale as one of their best. HCT is producing this stirring musical again and I had the chance to see it last night. I loved it so much and I was absolutely thrilled to see Kyle Olsen, my favorite actor from the earlier production, reprise his role as Sydney Carton. Lucie Manette (Brittany Andam), a young woman in London who believes that she is an orphan, learns that her father Dr. Alexander Manette (David Weeks) is still alive after having been wrongfully imprisoned in the Bastille by the Marquise St. Evremonde (Josh Egbert). She travels to Paris to bring him home to London and meets Charles Darnay (Ren Cottam), the nephew of Evremonde who has renounced his ties to the aristocracy, on the journey and they fall in love. Darnay is wrongfully accused of treason upon arrival in London but the dissolute lawyer Sydney Carton (Olsen) clears his name. Carton is also secretly in love with Lucie, but when she marries Darnay, he remains a friend of the family and becomes attached to her daughter Lucie (Leilani Walker). In Paris, Evremonde is responsible for the death of a child when his carriage runs him over in front of the Defarge's wine shop. Madame Defarge (Adrien Swenson), who has a grudge against Evremonde, encourages the boy's father, Gaspard (Alix DeBirk), to murder him which ultimately leads to revolution. Darnay feels that he must return to Paris to rescue Evremonde's household but he is immediately arrested as an aristocrat, denounced by Madame Defarge who wants to wipe out all descendants of Evremonde, and sentenced to the guillotine. This prompts Carton to make the ultimate sacrifice to save Darnay and show his love for Lucie and her daughter. The story is a bit convoluted (it is Charles Dickens, after all) but I was really impressed with the clever use of projections to denote the various locations in London and Paris and this really helped me follow the action. This show is also very complicated technically with set pieces coming up from the pit, down from the rafters, and in from the wings during every scene and these transitions happen seamlessly. One of the things I liked best about the 2011 production was the set featuring cobblestone paths and a large wooden guillotine. The set for this show is very different, with large glass panels and metal grates in the floor that are illuminated with red and blue lights, but no less dramatic. All of the performances are wonderful and I especially loved Swenson's version of "Out of Sight, Out of Mind," Andam's version of "Without a Word," and her version of "Now at Last" with Cottam. However, I was absolutely captivated by Olsen's portrayal of Carton. He brought me to tears during his emotional rendition of "If Dreams Came True" and then once again as he walks up the steps to the guillotine in the final scene. I really loved this incredibly moving show and I highly recommend it. It runs on the Young Living Stage through March 20 but tickets are very limited (go here) so act quickly!

Note:  Don't miss HCT's hilarious production of The Play That Goes Wrong on the Jewel Box Stage (go here for tickets).

The World to Come

Yesterday afternoon I checked another new release off my list by seeing The World to Come.  I have been looking forward to this movie ever since I saw a trailer a few weeks ago because it is exactly the type of period piece that I love.  Abigail (Katherine Waterston) and her taciturn husband Dyer (Casey Affleck, in a quietly moving performance) are mourning the recent death of their young daughter on the frontier in the mid-19th century.  She begins the new year by recording the details of her lonely and mundane life of hard work in a ledger and continues each day.  Everything changes when Tallie (Vanessa Kirby) and her husband Finney (Christopher Abbott) begin renting a nearby farm.  Tallie visits Abigail every afternoon and they find fulfillment in their friendship which slowly becomes an all-encompassing passion.  Eventually their husbands start to suspect that their relationship might be something more.  Dyer is sad because Abigail only seems to smile when Tallie is around but Finney is angry that Tallie is not performing her wifely duties.  When Finney forces Tallie to move to another farm miles away, Abigail does not know if she can return to her empty and isolated life.  This story of forbidden love is moody, atmospheric, and restrained.  Waterston and Kirby are absolutely smoldering on screen and convey so much longing with with just a glance or the briefest touch of their hands so, when they finally do give in to their feelings, it is incredibly powerful.  I loved the juxtaposition between the dark and muted landscape whenever Abigail is with Dyer with the warm glow of lanterns inside the cabin and the sun-dappled picnics outdoors when she is with Tallie.  Just like Abigail, I eagerly anticipated the moment when Tallie would appear and light up the screen.  The dialogue is so poetic and I often felt like I was watching an adaptation of a classic 19th century novel that I read in high school.  I especially loved the reference to King Lear when they talk about being caged birds who can still sing.  The score, heavy on woodwinds, is extremely evocative and adds so much to the mood while the cinematography is almost hypnotic.  The resolution is heartbreaking but I absolutely loved this movie and I recommend it to fans of period dramas.

Judas and the Black Messiah

The next new release on my must-see list was Judas and the Black Messiah and I went to see it yesterday.  It is an amazing movie but it was also deeply upsetting to me.  Fred Hampton (Daniel Kaluuya), the Chairman of the Illinois chapter of the Black Panthers, works to unify the disparate groups in Chicago in a Rainbow Coalition to protest against police brutality in the late 1960s.  FBI Director J. Edgar Hoover (Martin Sheen) believes that the Black Panthers are a security threat to the United States and fears Hampton's power, dubbing him the "Black Messiah."  He encourages his agents to take him down through whatever means necessary so Special Agent Roy Mitchell (Jesse Plemons) coerces William O'Neal (Lakeith Stanfield), a car thief who is facing a lengthy jail sentence for impersonating an agent, into infiltrating the Black Panthers.  O'Neal eventually rises to become Hampton's chief of security while providing information to the FBI which, among other things, is used to facilitate the assassination of Hampton in a police raid.  The story is so compelling.  It is obviously a dramatization of actual events (I don't know a lot about the Black Panthers beyond the propaganda I’ve been taught all of my life) but I found the portrayal of Hampton to be incredibly sympathetic, especially in scenes where he takes all of the weapons from his followers before meeting with a rival gang, when he refuses O'Neal's offer of C-4 to blow up city hall, and when he allocates money given to him personally for a community medical center.  This characterization makes his assassination even more disturbing and I had an almost visceral reaction to its portrayal, particularly the close-up of Hampton's pregnant girlfriend Deborah Johnson (Dominique Fishback) as he is shot.  It was also very difficult to watch scenes involving altercations between the Black Panthers and the police in light of recent events because they highlight the fact that we still have so far to go in the fight for racial equality.  All of the performances are stellar!  Kaluuya is absolutely electrifying as the revolutionary, especially during his speeches to crowds.  Stanfield does a brilliant job of portraying O'Neal's growing disillusionment with his role as he comes to believe in what Hampton is doing and Plemons gives a highly nuanced performance, particularly in an incredibly poignant scene where Mitchell realizes, just for a moment, that what the FBI is doing is wrong.  Finally, I loved the cinematography and the score which call to mind the gritty crime dramas of the 70s.  This is a powerful movie that is, unfortunately, so relevant for today and I think everyone should see it.