Monday, December 7, 2020
Sean's Sixteenth Birthday!
Saturday, December 5, 2020
The Prom
Friday, December 4, 2020
Half Brothers
Thursday, December 3, 2020
The Cold Millions
The November selection for the Barnes & Noble Book Club was The Cold Millions by Jess Walter. I must admit that I really struggled with this because the subject matter was not particularly interesting to me and I found Walter's prose to be unnecessarily flowery. I picked it up and put it down again multiple times and barely got it finished before the live Q&A with the author on Tuesday. This sweeping historical novel, based on actual events, is set in the Pacific Northwest in 1909 and follows two orphan brothers from Montana who ride the rails looking for itinerant work. Gregory "Gig" and Ryan "Rye" Dolan end up in Spokane and get caught up the free speech demonstrations by the Industrial Workers of the World (IWW), or Wobblies as they are more commonly known. Gig, the elder brother, is fiery and idealistic and and ends up in jail, along with hundreds of others, for giving a speech during a riot. Rye, desperate to get Gig released, becomes a pawn for an eccentric group of characters (both real and fictional) who use him for their own ends, including a wealthy industrialist hoping to eradicate the unions from his businesses, a vaudeville showgirl with competing alliances, a hard-boiled assassin out to prove he is still up for the job, a double-crossing anarchist with plans of his own, a Pinkerton detective who is not who he appears to be, and a union activist who happens to be 19 and pregnant. Will Gig survive the beatings and hunger strikes in prison with his idealism in tact? Will Rye sell his soul to save Gig? Will the unions do anything to change the inequality between the wealthy few and the cold millions who struggle to survive? It sounds like it would be a compelling read and most people in our virtual discussion thought it was. Unfortunately, I did not. There are a bewildering number of characters and the narrative alternates between too many different POVs. I sometimes found it difficult to keep all of them straight, especially all of the minor characters meant to provide color rather than advance the plot (I sometimes have the same problem with Dickens and Hugo). I was not very invested in any of the characters because they are kept at such a distance (maybe it is due to the aforementioned flowery prose) so it is hard to sympathize with any of them. I actually found Rye, the main protagonist, to be quite unappealing because he is so passive. He is merely swept along by the actions of other characters without really taking a stand and I was a bit disappointed with the epilogue because he seems to benefit from the labor movement throughout his life without much involvement. In fact, I thought the ending was anticlimactic after the slog to get through it but I appreciate the author's comment in our discussion about wanting to demonstrate that the struggle still continues today. I usually love historical fiction but this just didn't do it for me. I am clearly in the minority so I recommend reading it for yourself if the topic sounds interesting to you.
Note: The Barnes & Noble Book Club is taking the month of December off and will return with a new selection in January.
Wednesday, December 2, 2020
A Christmas Carol at HCT 2020
With HCT's new guidelines for socially distanced seating (which I actually applaud), I didn't think that I would be able to see A Christmas Carol this year. Even though I have seen it more times than I can count, the thought of missing out on yet another Christmas tradition made me a bit sad. Then HCT released a few tickets last weekend and I quickly grabbed one for an early show yesterday afternoon! I enjoyed it so much, probably more than I ever have before! HCT's production is a lovely adaptation of the well-known classic by Charles Dickens about the reclamation of Ebenezer Scrooge (David Weeks) by the Ghosts of Christmas Past (Jackie Spendlove), Present (Jonathan Fifield), and Future (Spencer Hohl). What I love most about HCT's production is the addition of Christmas music in between every scene by an octet (Brett Myers, Taylor J. Smith, Michael Von Forell, Josh Shimizu, Emily Hawkes, Mindi Hansen, Emily Leishman Roh, and Erin Camp Worland) and in certain party scenes by the characters. I love Christmas music so much and I think the addition really helps add to the mood. My favorite song by the octet is "What Child is This?" and I also really love "Bring a Torch Jeanette, Isabella" during the Fezziwig's party (it was my favorite song to sing when I was in the choir in college) and "It Came Upon a Midnight Clear" during Fred's party. This year they added a violin (Katie Frandsen) to the musical numbers and I loved it! Because I've seen this production so many times I always anticipate seeing the same actors return to the same role year after year but this year there were quite a few new faces! I particularly loved Elijah Thomas as Charles Dickens/Fred because his performance of the opening prologue (it seems like it was expanded this year) gave me goosebumps, Anthony LeRoy Lovato as Bob Cratchit because he is so tender after the death of Tiny Tim, and Jonathan Fifeld as the Ghost of Christmas Present because he is jolly but also a little bit stern. Of course the young actor playing Tiny Tim (Payson Inkley) is absolutely adorable and he really works it when he says his iconic line at the end of the show. The elaborate Victorian sets on the turntable (I love the rag and bottle shop) and the opulent costumes effectively transport the audience back to London in the 1800s but, because I was sitting on the side in the back of the theatre, I sometimes had a hard time seeing all of the projections and I missed the climactic moment when the Ghost of Christmas Future shows Scrooge his name on the tombstone. It mattered not because this show is full of so much Christmas cheer that you can't help leaving the theatre with a smile on your face and a vow to keep Christmas in your heart all year long! I highly recommend getting a ticket and, last I heard, there are still some available for a few shows (go here)