Portrait of a Lady on Fire

Yesterday I finally had the chance to see Portrait of a Lady on Fire and it is one of the best films I've seen recently!  Marianne (Noemie Merlant) is commissioned to paint the wedding portrait of a young aristocratic woman living on an isolated island in Brittany during the 18th century.  Heloise (Adele Haenel) has recently returned home from a convent and is uneasy about her forthcoming marriage to a man who was originally betrothed to her sister before she took her own life.  Heloise refuses to pose for this portrait so she has been told that Marianne has been employed as her companion.  Marianne must observe her furtively during their time together and then paint in secret at night.  When the portrait is finished Marianne, who feels guilty about the deception, insists that it be shown to Heloise who says that, while it is an accurate likeness, it does not capture the real her.  Marianne destroys the portrait but Heloise convinces her mother, the Countess (Valeria Golino), to let her paint another one by agreeing to pose.  When the Countess leaves, the two become close and bond over Vivaldi's The Four Seasons and the story of Orpheus and Eurydice.  When they eventually become lovers, Marianne is finally able to capture the real Heloise on canvas but the portrait becomes a symbol that Heloise will soon marry someone else and that they must part.  Their eventual parting mirrors the story of Orpheus and Eurydice and I found it to be incredibly poignant.  I loved everything about this film.  The story reminded me so much of Call Me By Your Name because it is about a forbidden affair where both of the lovers choose to cherish the memory of the relationship rather than regret the fact that it has ended.  I love that both Marianne and Heloise are profoundly affected by each other and I especially loved the scene where Heloise, shown years later, is overwhelmed by emotion when she hears a performance of The Four Seasons (which also mirrors Elio's response at the end of Call Me By Your Name).  I loved the depiction of their affair because their longing for each other is emphasized more than their physical relationship.  It is one of the most romantic films I have ever seen.  Both Merlant and Haenel give incredibly powerful performances and I was mesmerized by them throughout the whole film.  The two of them have amazing chemistry with each other and you can feel the tension between them almost from the moment they meet.  Finally, the images on the screen are absolutely luminous, especially the candlelit shots of Marianne painting.  I cannot recommend this film enough!  Go see it!

The Invisible Man

Horror movies are sometimes a hard sell for me because I like to be genuinely scared rather than shocked and it is very rare that a movie can really scare me (the exceptions are The Witch and Hereditary).  However, I really liked the trailer for The Invisible Man so I decided to see it last night.  If you are wondering if I was scared I will just say that I screamed out loud (and so did the majority of the people in my screening).  Cecilia Kass (Elisabeth Moss) flees from an abusive relationship with Adrian Griffin (Oliver Jackson-Cohen), a wealthy and powerful tech guru in the field of optics, with the help of her sister Emily (Harriet Dyer).  She stays with her childhood friend James (Aldis Hodge) and his daughter Sydney (Storm Reid).  Several weeks later she learns that Adrian has committed suicide and has left her a large bequest in his will.  After a series of disturbing incidents that alienate her from Emily and James, she comes to believe that Adrian has found a way to become invisible and that he faked his suicide so that he can terrorize her.  She appears more and more erratic but no one believes that an invisible man is behind her behavior.  She is forced to take matters into her own hands but how can you fight someone you can't see?  This is a psychological thriller that is entirely believable.  The monster from H.G. Wells' classic novel has been updated to a villain (a domestic abuser who takes gaslighting to a whole new level) that contemporary audiences can relate to and it is a terrifying premise.  It is sometimes almost unbearable watching Cecilia's fear and powerlessness.  The tension builds and builds, more because of what you can't see than for what you can, until there is a twist that I didn't see coming and an ending that made me want to stand up and cheer!  Moss gives a riveting performance (she is great at portraying women in the midst of a breakdown) and I was fully invested in her plight.  This movie is genuinely scary and I recommend it to fans of the genre.

Singin' in the Rain in Concert

I am such a big fan of Utah Symphony's Films in Concert series and going to these concerts has become one of my favorite things to do!  Having the orchestra play the score while the movie is shown on the screen above them adds so much to the experience because it makes the music come alive!  I have especially enjoyed the movies in the Harry Potter and Star Wars series (they are continuing next season) but I have been giddy with anticipation ever since Singin' in the Rain was announced because I really love this movie and I think it is perfect for this format!  It is filled with big song and dance numbers, including "Fit as a Fiddle (And Ready for Love)," "Make 'Em Laugh," "You Were Meant for Me," "Beautiful Girl," "Moses Supposes," "Good Morning," "Singin' in the Rain," "Would You?," "Broadway Melody," and "You Are My Lucky Star," and hearing the orchestra play these songs live was amazing (I would sometimes catch myself watching the musicians instead of the action on the screen)!  The audience applauded after each number as if it was traditional concert and it was so much fun!  I had a huge smile on my face as soon as Gene Kelly, Donald O'Connor, and Debbie Reynolds appeared on the screen with rain coats and umbrellas.  That smile stayed on my face as silent film stars Don Lockwood (Kelly) and Lina Lamont (Jean Hagen) have a hard time transitioning to talking pictures and must use an aspiring actress named Kathy Seldon (Reynolds) to dub all of Lina's lines.  This movie is filled with comedy, romance, and wonderful performances from Hollywood legends (and the Utah Symphony).  It was just delightful and, whether you are a fan of the movie or a fan of the Utah Symphony (or both if you are like me), I highly recommend getting a ticket to tonight's concert (go here for tickets if there are any to be had).

Note:  I would sometimes see the musicians looking up at the screen to watch the movie when they weren’t playing.  This made me smile even wider!

Bright Star at HCT

Last night I went to Hale Centre Theatre for the second time in a week (Monday night I saw Strictly Ballroom on the Main Stage again with my sisters and we had so much fun)! This time I was there to see Bright Star on the Jewel Box Stage. Several years ago I had the opportunity to see PTC's production of this incredibly moving musical and I absolutely loved it so I was really eager to see HCT's version! I loved it just as much! The story takes place in North Carolina in the 1920s and just after World War II and features incredible bluegrass music by Edie Brickell and Steve Martin. After the war, Billy Cane (Dallin Suman) briefly returns to his small town and his childhood friend Margot (Morgan Western) but he eventually decides to try writing for a magazine in Asheville where he meets the uptight editor, Alice Murphy (Donna Loudon), who once made Hemingway cry. When the magazine staff teases Alice about her boring existence, we see her (literally) transform into a wild and rebellious teenager who is in love with the Mayor's son, Jimmy Ray Dobbs (Adam Dietlein). The narrative goes back and forth between the two timelines as Alice learns about love, loss, and redemption. Since I already knew the major plot twist this time around, I found the story to be even more emotional and the ending to be even more triumphant! Loudon is simply amazing as Alice! I saw Carmen Cusack, who originated the role on Broadway, in PTC's production but Loudon (who understudied Cusack on the national tour) is able to make the role her own and I was very impressed with what she did with it (her voice reminded me a lot of Dolly Parton). Her renditions of "Please, Don't Take Him" and "I Had A Vision" are incredibly powerful and brought me to tears (I was not alone). The rest of the cast is also very strong and I enjoyed Western's version of "Asheville," Suman's version of "Bright Star," and Dietlein's version of "Heartbreaker." I particularly enjoyed the choreography in Hale's version, especially in "Way Back in the Day," "What Could Be Better," and "Another Round." The staging of this show is extremely clever with a set that looks like an old and weathered barn with various pieces, such as Margot's bookstore, Alice's office, the Mayor's office, and the cabin in the woods, moved on and off stage seamlessly by the ensemble. A key scene involving a train was the only disappointment for me because I couldn't tell that the Mayor was on a train (to be fair my seat was to the right of the stage so I couldn't see any of the projections) and the action seemed rather clumsy. The insanely talented bluegrass band (featuring Kelin Gibbons on banjo, Josh Ogden on cello, Becca Moench on violin, and Kelly DeHaan on piano) is located on stage in the rafters of the barn and they add so much to the overall feel of the show. I loved this production and I cannot recommend it highly enough!  It runs through May 2 on the Jewel Box Stage (go here for tickets).

Note:  One of my former students is in the ensemble and I was thrilled to be able to see him last night!  He is usually in the MWF cast but he had to go on for his double at the last minute!

The Color Purple

I have only seen the movie version of The Color Purple on cable TV so I was happy that it was a part of the TCM Big Screen Classics Series this year.  I had the opportunity to see it yesterday and I had forgotten how powerful this movie is!  Celie (played as young girl by Desreta Jackson and as an adult by Whoopi Goldberg), a young black girl living in the rural South in the early 1900s, has already had two children by her abusive father who have been taken away from her.  Eventually, she is forced to marry an older man known to her only as Mister (Danny Glover).  He beats her and forces her to cook, clean, and take care of his three children but, worse than that, he separates her from her beloved sister Nettie (Akosua Busia) and he hides all of Nettie's letters to her.  After several years of this treatment her spirit is entirely broken but it is her relationships with Sofia (Oprah Winfrey), the wife of Mister's son Harpo who teachers her that she can stand up for herself, and Shug Avery (Margaret Avery), Mister's mistress who teaches her to love herself, that give her the strength to overcome the adversity in her life.  The treatment that Celie endures is sometimes difficult to watch but it is worth it for the triumphant ending which always brings a tear to my eye.  There are so many scenes where Celie, almost wordlessly and almost without any change in facial expression, submits to the indignities of her life but Goldberg delivers an affecting performance that is both somehow sympathetic and compelling.  Her transformation is incredibly powerful, especially when she confronts Mister which, in turn, helps Sofia (a strong debut performance from Winfrey) find her voice again.  I wanted to cheer out loud during that scene.  I loved the message about the importance of female relationships and about finding the beauty in life when it seems so bleak.  I think the movie is more hopeful and inspiring than Alice Walker's Pulitzer Prize winning novel (mostly because it is so beautifully shot in a bucolic setting filled with wildflowers) and I highly recommend checking it out!